Sentences with phrase «paintings on view depict»

Some of the paintings on view depict nature as a living thing, as...

The twelve oil paintings on view depict nature, architecture, technology, commerce and man, each work provoking the viewer to explore the similarities and differences that the Artist perceives.

Not exact matches

Soutine's thickly painted canvases, which often harness the physical properties of his medium to depict carnage and meat, are currently on view at the Jewish Museum in New York, in a survey aptly titled «Flesh.»

The entire show consists of six different chapters, each showing different relation between the body and the space, from a large 8x2 meter charcoal studies depicting football hooligans fighting, four paintings of the skaters in a modern art museum breaking a series of paintings by Ellsworth Kelly, six black paintings representing the infinite space beyond the surface of the abstract paintings, a cast resin sculpture and a drawing of Colonel Kurtz from Apocalypse Now, all the way to the interactive app that allows viewers to interact with the works on view.

Scenes from Western Culture (2015), comprised of nine «cinematic paintings» depicting idyllic visions of Western civilization, plus a series of new paintings made en plein air in the West Bank, are on view in the Chelsea space, while in Bushwick, he presents the four - channel video installation World Light - The Life and Death of an Artist (2015), the artist's interpretation of Icelandic writer Halldór Laxness's novel World Light (1937 — 40).

Almost all of the paintings on view at Venus Over Manhattan depict an ocean roiling with beautiful, chaotic swells, accompanied by meandering texts, non-sequiturs, quotations, and bits of poetry in the artist's handwriting.

AT THE WHITNEY BIENNIAL, there are two more paintings by Taylor on view depicting a black male figure in a white t - shirt.

An article in the Gallery Guide on Friday about art galleries on the Upper East Side of Manhattan, including the Craig F. Starr Gallery, where an exhibition of paintings by John Baldessari is on view, misstated the city in California depicted in some of his artworks.

In #metadata, McGinness turns this practice in on itself with Studio Views that depict paintings situated in the artist's studio.

This exhibition includes two new groups of paintings: a selection of self - portraits and a series depicting the Million Man March on Washington, D.C. Displayed as counterpoints in two separate galleries, the self - portraits offer discrete views of the artist as a private individual with a public persona, while the Million Man March artworks — large, unstretched canvases screenprinted with mass - media images — portray arrays of anonymous individuals brought together at an epochal moment for the African American community.

Works on view foregrounding Colescott's interest in politics and current affairs include «Kitchen Assassination» (1971), a chaotic composition depicting the 1968 shooting of Robert F. Kennedy at the Ambassador Hotel, and its corresponding painting, «Assassin Down» (1968 - 70), illustrating the shooting of Lee Harvey Oswald.

On view are paintings and photographs depicting the ever changing East End «waterscape».

AROUND 1720, the French artist Jean - Antoine Watteau painted a signboard for his dealer's shop that depicted an idealized view of the gallery on Paris's Pont Notre - Dame.

On view are paintings, intaglio and relief prints and decorative arts by artist in residence Caroline Waloski depicting the sea and it's creatures.

Among the works on view at Gladstone gallery will be Reality Painting # 6 (A Wall in My Bedroom) part of Aldrich's «Reality Painting Series,» a body of work that playfully adopts the art - historical idea of a series as a way to organize ideas, and which depicts scenes from Aldrich's everyday life.

Their objections stem from an early controversy over a painting Schutz made depicting Emmett Till in his coffin that was on view at the 2017 Whitney Biennial.

Running counter to what he perceives as a tendency toward embellishment, his photographic series The Geometry of Color, on view at Lehmann Maupin in New York, depicts simple yet vibrant large - scale geometric wall paintings.

On view will be a vibrant combination of large - scale paintings depicting the artist's signature brushstroke, using pearlescent hues on iridescent backgrounds and capturing a single gestural passage over the canvaOn view will be a vibrant combination of large - scale paintings depicting the artist's signature brushstroke, using pearlescent hues on iridescent backgrounds and capturing a single gestural passage over the canvaon iridescent backgrounds and capturing a single gestural passage over the canvas.

Around 10 paintings and 15 drawings of new works, which depict these miracle moments, will be on view in this show.

Goldstein made most of these paintings in the «80s, a time when he was ceasing to make what had become his trademark artworks — short, looping films like the sublime 1975 Shane, depicting a German shepherd barking, which is on view in a side gallery.

Akinyuli shows new large - scale paintings depicting children, focusing on the sartorial aspect of portraiture to highlight the way in which a person is presented and viewed through their choice of dressing.

Works on view include 24 x 20 - inch large - format, single - image Polaroids Ray, 1979, and Self - Portrait, 1979 Known for depicting images of friends and family in his paintings, Close expanded his subject interests in his photographic work to include people he has met throughout his career, such as artists, dancers, actors, or politicians: Jasper, 1997 (Jasper Johns); Robert, 1997; Hillary Rodham Clinton, 1999; Renée, 2007; Bill T.Jones, 2008, and Alec Baldwin, 2010, among others.

He continues his series of broken - plate canvases that he has been making since 1978, which he uses in his new paintings depicting the roses that grow near Van Gogh's grave (on view in St.Moritz at his son Vito Schnabel's gallery until March 8th).

While this body of work may appear like a dreamlike universe, Jones does not view his paintings as depicting fantasy; they exist in front of the viewer, placed on canvases and paper with skill and thoughtful reverie, as if looking at a real living being.

The remarkable works on view at Lehmann Maupin — eight large paintings set in elaborately carved wooden frames, and two bronze sculptures — depict an inner reality, a monstrous hybrid of exotic beauty, expatriate rapaciousness, and end - of - the - world angst.

Amongst the works on view was the striking painting Parabel (2008), which depicts a fallen painter with a noose tied from his neck to a blank canvas.

(View original article at www.galerie-ling.de/en) Until today people still tend to distinguish between «figurative» and «abstract» painting based on whether it depicts anything.

On view will be a video from 1978, dozens of painted chairs, and a large series of recent works on mylar, including a 10 - foot tall image of a man proudly sporting an enormous penis and a triptych depicting three crouching, nude, spread - legged women, all painted in Applebroog's signature style of simplified human forms with bold outlineOn view will be a video from 1978, dozens of painted chairs, and a large series of recent works on mylar, including a 10 - foot tall image of a man proudly sporting an enormous penis and a triptych depicting three crouching, nude, spread - legged women, all painted in Applebroog's signature style of simplified human forms with bold outlineon mylar, including a 10 - foot tall image of a man proudly sporting an enormous penis and a triptych depicting three crouching, nude, spread - legged women, all painted in Applebroog's signature style of simplified human forms with bold outlines.

In New York, «American People Series # 20: Die,» the final painting in the series that graphically depicts a race riot, is on view in the collection galleries at the Museum of Modern Art.

On view are four interconnected bodies of work: A Wrestling Place series — depicting two Herculean figures mid-tussle against a barren panorama; Self - Examination paintings — a wrestler's intimately folded body represented within a tensely cropped picture plane; the Wrestler suite — individual portraits of the brawling protagonists standing in profile, facing away from the viewer and exposing scuffed, bruised backs against otherworldly blue backdrops; and The Golden Age — scenes rendered in pencil on gessoed lineOn view are four interconnected bodies of work: A Wrestling Place series — depicting two Herculean figures mid-tussle against a barren panorama; Self - Examination paintings — a wrestler's intimately folded body represented within a tensely cropped picture plane; the Wrestler suite — individual portraits of the brawling protagonists standing in profile, facing away from the viewer and exposing scuffed, bruised backs against otherworldly blue backdrops; and The Golden Age — scenes rendered in pencil on gessoed lineon gessoed linen.

The artwork is based on Paul Philippoteaux's 1883 panoramic painting The Battle of Gettysburg, a 360 - degree panoramic image, currently on view in Gettysburg National Military Park, which depicts Pickett's Charge, the final charge of the Battle of Gettysburg.

On view May 2 through August 12, 2018, these large - scale figurative paintings rethink the tradition of historical European compositions by depicting daily life in southern African nation - states and post-colonial ideals of democracy.

Botanical Theatre (all works 2013), the largest painting on view, depicts a ghostly couple surrounded by surreal catuslike forms and watched by a group of menacing bearded men.

In a view of small boats on water, the artist playfully neglects to continue one of the crafts beyond the photo border, suggesting that the photograph and the painting depict slightly different moments.

Based on the 2011 novel by Ernest Cline, «Ready Player One» paints a rather pessimistic view of society's growing dependence on technology, but also depicts the fantastical possibilities presented by VR and other futuristic technologies.