Sentences with phrase «paintings on view here»

Though this line may touch upon Katz's hard - edged realism or earnest figurative subjects, the group of recent paintings on view here flaunts an uninhibited brushstroke and unrestrained scale.

In the paintings on view here, thick layers of enamel are applied by hand, scraped away, and applied anew, creating a riot of neon hues that obliterate the original source.

The spin paintings on view here, made between 1985 and 1987, predate similar works by Damien Hirst by nearly a decade.

In her two major paintings on view here, onlooking monkeys gaze dreamily or stare directly at -LSB-.....]

The eleven oil paintings on view here spring from the expressive potential of contained painterly gestures.

In her two major paintings on view here, onlooking monkeys gaze dreamily or stare directly at us, perhaps assessing our complicity in this.

«When I came to The Huntington knowing the story of Rauschenberg's inspiration from the place, I thought perhaps someday we could have one of his paintings on view here.

It's noticeable, and telling, that in all of Rauschenberg's work, from the 1950s right through to the last painting on view here, dated 2005, he almost never uses his source materials sideways, or upside down, or diagonally; he always respects the given orientation of found images.

Not exact matches

In this two - venue exhibition, paintings by renowned contemporary American artist Mark Bradford — who will represent the United States at the 2017 Venice Biennale — will be on view at the DAM, while a presentation of Still's work selected in collaboration with Bradford will be on view here at CSM.

Though the two shows have some pieces in common, including Richter's seminal paintings of the terrorist Baader - Meinhof group, the Tate offers a view of less well - known works on paper and glass sculpture, along with more recent pieces like 2005's «September,» Richter's depiction of the 9/11 attacks, and 2000's «Lilies,» shown here.

The work is one of seventeen painted photographs from Edelson's «Woman Rising» series on view here.

On view here are a series of twisting glass brick sculptures and her largest painting to date, a breathtaking cloud - like triptych that measures more than 25 feet wide and conveys her interest in science, poetry, and metaphysical realities.

Like the great Spanish masters Velázquez and Goya whose work he saw there, Vicente made a color of black, on view here in the painted and collaged elements of Black Susan.

This attitude continues through his Landscape Paintings, on view here.

Here, your face is on the surface and you actually see what it means to be a painter, you are actually dealing with the weave of the canvas and how light hits the paint on the side, things that you tend to forget about in many circumstances of viewing paintings.

The only part of the story that will be news to readers here is the fact that Sotheby's was able to work with the new owner of Auckland castle, Jonathan Ruffer, — whose newly restored Zurbarán paintings are currently on view at the Frick — to supplement Jacob and His 12 Sons with more Spanish Old Master paintings:

«Donald Judd: Paintings» Institute of Contemporary Art Miami OPENS: April 5 The fourteen rarely seen works on view here, all created between 1959 and 1961, shed light on a crucial point in the artist's experimentation with form and color, effectively presaging the three - dimensional works for which he is best known.

He weaves together elaborate narratives in his paintings that entwine the legend of the past with a discourse of the present, and in the case of the works on view here, a glimpse of a possible future.

The only curved canvas the artist has made in the last few years, which shows Kelly's more lyrical side, is a dark blue and white painting, and is also on view here.

The jewellery will be displayed alongside the paintings of Sligo artist Cormac O» Leary whose exhibition runs from 15 - 30th April which you can view on line here.

In Woman, 1969, a rarely seen painting, on view here for the first time in New York, de Kooning pulls the twisting figure out from fields of color.

Two of Twombly's Bacchus paintings are on view here for the first time anywhere.

The paintings below are part of her exhibition titled «View from Here», which is currently on view until August 31 at Winnipeg Art GallView from Here», which is currently on view until August 31 at Winnipeg Art Gallview until August 31 at Winnipeg Art Gallery.

Presented in a tight grid in one of the largest configurations ever executed by the artist, here covering the entirety of four walls, the recent My Eternal Soul paintings on view are part of a highly celebrated, ongoing series begun in the late 2000s.

The sculptures in this exhibition recall in size some of the early domestically - scaled Accumulations, for which Kusama covered such things as ironing boards and travel valises in the stuffed - fabric protuberances, yet the works on view here are painted in the style that has come to characterize Kusama's most recent paintings.

Today's show: «Here & There: Paintings by Lisa Milroy» is on view at Parasol Unit in London through Sunday, March 18.

Plus, I've seen a lot weird paintings in my life, but I have never seen weird paintings that were as quiet, understated and modest as the work on view here.

Here the video can be viewed to the size of the screen, framed by a black border (it is best viewed full screen without the bookmarks bar or toolbar) and, if mounted on a wall, it becomes reminiscent of a traditional landscape painting.

A room of Mr. Mehring's paintings from 1969 to 1962, borrowed from collector Vincent Melzac, is currently on view at the Phillips Collection here.

Currently, a lovely show of 18 paintings and one wall drawing, most dating from the 1960s and 1970s, is enjoying a lengthy run at the Dia Center for the Arts here (it remains on view through June 17).

This sense of infinity is sharpest in later works (not on view here), in which Feeley would paint the same motif four or five times on a single canvas, arranging the iterations in a grid.

1992 Picturing Paradise: The Rain Forest at Risk, Fernbank Museum of Natural History, Atlanta, USA Summer Group Show, Texas Gallery, Houston, USA Documenta IX, Kassel, Germany Quotations, Aldrich Museum of Contemporary Art, Ridgefield, USA; Museum of Contemporary Art, Dayton Art Institute, USA Painting, Self Evident: Evolutions in Abstraction, The William Halsey Gallery, Simons Center for the Arts, College of Charleston, Charleston, South Carolina, USA (Exhibition on view here and simultaneously at two other venues, The Meddin Building and the Gibbes Museum of Art, during the Spoleto Festival) Summer Group Exhibition, Ginny Williams Gallery, Denver, USA Slow Art, P.S. 1 Museum, Long Island City, New York, USA Selective Vision, TransAmerica Corporation, San Francisco, USA Psycho, Kunsthalle, New York, USA (Inaugural exhibition curated by Christian Leigh) Allegories of Modernism: Contemporary Drawings, Museum of Modern Art, New York (2/16 — 5/5/92) Twentieth Century Prints of the East End, Renee Fotouhi, East Hampton, NY

Most of the objects here on view, mounted to the gallery walls or resting on its floor, were constructed of unassuming materials — household hinges, wooden dowels, Plexiglas sheets, plywood bits — whose acrylic painted surfaces occasionally gleamed with gold, copper, or aluminum leaf.

Images of the paintings on view are available here.

But, drawings are not the only works on view here; the exhibition also houses two small sculptural forms, one made of painted polyurethane and the others of aluminum, stainless steel, wood, and mirror.

In the new body of work Daniels continues to excavate his unusual territory of impressionism & hyperrealism but here 12 paintings on view shift into a quiet space.

Paul McCarthy's The Painter, which on past viewing has struck me as little more than an obscene and shallow comedy, here resonates uncomfortably with the Bacon studio; a forensic remnant of painting as auto - erotic pathology.

Lots of smart people here and the subject of the paintings on view — Jennifer Rubell.

On view here is Always Say your Name (2014), a triptych collage of handwritten sheet music and found photographs interwoven with layers of charcoal and paint.

They reminded me of the work of that heroine of «emerging art» here in Britain — the estimable Rose Wylie, whose paintings were very recently on view at the Serpentine Sackler Gallery.

«Whitney Museum Purchases» [notice after the article «French Paintings Put on View Here].

Yet, while Made in L.A. appeared as diverse and sprawling as the city whose art it presented, it might also be argued that the bulk of the work on view extended four familiar (and familial) lineages of Los Angeles art that were well represented in «PST»: hard - edge abstraction (represented here in paintings by Brian Sharp and Alex Olson and painterly objects by Lisa Williamson and Brenna Youngblood), found - object assemblage (in the work of Liz Glynn, Ry Rocklen, Henry Taylor, and Erika Vogt, among others), eclectic performance practices (including live pieces by Math Bass, Kenyatta A. C. Hinkle, and Ashley Hunt, as well as the collective Slanguage's array of community - based works at LAXART), and film and video projects that pointed, more or less, to the looming shadow of Hollywood (e.g., Miljohn Ruperto's Seven and Five, 2012, which includes multiple remakes of a 1961 episode of the TV show Alfred Hitchcock Presents, and Dan Finsel's The Space Between You and Me, 2012, for which the artist restaged Farrah Fawcett and Keith Edmier's decade - old roll in the clay).

With ten of these works on view here, their similarities are broken up only by marks in paint or ink on the surface of some.

The six sculptures on view in the exhibition are presented here alongside framed wall works that lie on the border between collage, painting, and sculpture.

Several paintings on view by John Baldessari and Gerhard Richter were seen here a few years back when their touring retrospectives visited the old SFMOMA.

On view here is an installation of 80 hand painted slides titled Throwback, which are projected onto a unique screen box built by the artist.

The paintings he made during his last 20 years, starting with the war years, are the subject of «Braque: The Late Works,» a retrospective that opened here at the Royal Academy of Arts and is on view through Aug. 31 at the Menil Collection in Houston, Texas, its only American venue.

The Cloud paintings here on view are large canvases painted in fine gradations of sky blue.

He has also made a number of temporary public art installations, an example of which, Look Long and Look Good, a series of 30 paintings, can be seen on Main Street in Manayunk, and Here is Your Mirror, a moving installation currently on view at Second Street and Germantown Avenue in Northern Liberties.

Johns» painting floats the idea that the conviction we feel so forcefully in the early work on view here springs not merely from individual temperament but from a convergence of circumstances that can not be contrived, much less faked.