Sentences with phrase «paintings on view mark»

Reengaging with the iconography of previous bodies of work, the new paintings on view mark Osborne's return back to figurative painting after a period of total abstraction — utilzing bookcases, her studio painting storage, and windows as a point of departure for further play with blocks of color within the paintings.

Not exact matches

Jennifer Samet reviews Mercedes Matter: A Survey: Paintings & Drawings from 1929 to 1998 at Mark Borghi Fine Art, New York, on view through May 26, 2017.

While there is an emphasis on the energy of the visible painted mark underpinning all of Manister's stylistic phases, this, in his own view, is always tempered by an engagement with modernist and postmodernist forms of classicism.

In this two - venue exhibition, paintings by renowned contemporary American artist Mark Bradford — who will represent the United States at the 2017 Venice Biennale — will be on view at the DAM, while a presentation of Still's work selected in collaboration with Bradford will be on view here at CSM.

Brice Marden: New Paintings will be on view at the Matthew Marks Gallery at 502 West 22nd Street and 526 West 22nd Street (between 10th and 11th Avenues), from April 21st through June 23rd, 2012.

At both venues, works by Los Angeles artist Mark Bradford (who is representing the United States at the Venice Biennale this year) are on view alongside related Clyfford Still (1904 - 1980) paintings that Bradford helped to select.

Currently on view at Michael Benevento, Los Angeles is pleased to present a solo exhibition of 100 paintings by California artist, Mark Roeder.

This is the perfect starting point for an appreciation of the works on view in the current exhibition, which rely on white in so many ways, from background to foreground, canceling the blacks and greys underneath and providing the Mark Tobey - like highlights of the large - scale paintings.

Only weeks earlier, I saw the white paintings of Richard Pousette - Dart in Washington, where the black paintings of Mark Rothko were also on view.

The presentation of Mural at the Gallery will mark the first time the painting has been on view in Washington, and its first time on the East Coast in more than 15 years.

Installation view of Äppärät, 2015 Paul Thek Untitled (from the series «Technological Reliquaries»), ca 1966 - 67 Acrylic paint, hair and collage on plaster in Plexiglas vitrine Courtesy the Watermill Center Collection, the Estate of George Paul Thek, Alexander and Bonin Gallery, and Ballroom Marfa Photo © Alex Marks

On view from Nov. 19, 2010 through March 13, 2011, Mark Bradford features over 35 works, including painting, sculpture, installation, and video spanning the past decade.

On view at the San Francisco Museum of Modern Art (SFMOMA) from February 18 through June 17, 2012, and at Yerba Buena Center for the Arts (YBCA) from February 18 through May 27, 2012, in its only West Coast presentation, Mark Bradford is the first major museum survey of paintings, sculptures, and multimedia works by this leading figure in contemporary American art.

Paintings by renowned contemporary American artist Mark Bradford — who is representing the U.S. at the 2017 Venice Biennale — are on view at the DAM, alongside related canvases by Clyfford Still.

The unpredictable, rich yet uningratiating dimensional materiality of the paint strokes in these paintings, and the density of mark making has generally been of greater interest to me than the late paintings, some of which were on view in Mitchell's 2002 retrospective at the Whitney Museum — I saw these as too big, too empty, too facile, without tension.

The artist continues his exultation of the familiar — frayed urban palms in Florida, highway overpasses, subway stations — with a series of lively new paintings on view through May 23 at Kohn Gallery in Los Angeles, marking his first solo show in the city in over a decade.

With the four paintings on view at Oko, visitors will enjoy an opportunity to connect the dots across decades and locate Schnabel's indelible mark on the evolution of art since the late 1970s.

Mark Moore Fine Art artist Dirk Staschke is featured this month in the new edition of NEW AMERICAN PAINTING highlighting the body of work currently on view in our ARTSY online exhibition.

The exhibition features 37 paintings, watercolors, and works on paper, drawn primarily from the collection of the National Gallery in Washington, D.C. Mark Rothko: The Decisive Decade, 1940 — 50 was on view at the Columbus Museum of Art, Ohio through May 26.

Phong Bui reviews the exhibition Mark Greenwold: Murdering the World, Paintings and Drawings 2007 - 2013 at Sperone Westwater, New York, on view though June 28, 2013.

With a show of Mark Rothko's dark paintings now on view at the Pace gallery in New York, we turn back to the December 1957 issue of ARTnews, in which the artist wrote a letter to the editor, complaining that Elaine... Read More

Modern Masters On View In Palm Beach — Mark Borghi Fine Art — New York, New York City, NY Out of Hand — Materializing the Postdigital — Museum of Arts and Design, New York City, NY The Show Is Over — Gagosian Gallery, London Re-View: Onnasch Collection — Hauser & Wirth, London Within and Beyond — Talley Dunn Gallery, Dallas, TX Gianni Motti — Delire Gallery, Brussels Resonant Minds: Abstraction And Perception — Montgomery Art Center, Claremont, CA Pictures of Nothing — The Frances Lehman Loeb Art Center, Poughkeepsie, NY Adventures of truth — Painting and philosophy — Fondation Maeght, Saint - Paul American Collage — Gerald Peters Gallery — New York, New York City, NY Making Their Mark: The New York Fab Five — Gemini G.E.L. at Joni Moisant Weyl, New York City, NY Artzuid — Rijksmuseum, Amsterdam Over, Under, Next: Experiments in Mixed Media, 1913 — present — Hirshhorn Museum and Sculpture Garden, Washington, DC Dynamo Un Siecle De Lumiere Et De Mouvement Dans L'art 1913 - 2013 — Galeries nationales du Grand Palais, Paris S (ch) ichtwechsel!

Mark MANDERS Machine Constructed to Provide Persistent Absence (Reduced to 88 %) 1996 - 2002 Iron, bronze, acrylic paint on canvas 97 x 720 x 190 cm Installation view Documenta 11, Kassel, Germany, 2002 DETAIL

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

Petzel took a revelatory look at the late, great Austrian painter Maria Lassnig's years in New York, from 1968 to 1980, Matthew Marks offered a treatise on the ultra-controlled, wildly underrated Peter Cain, Galerie Lelong presented a display of Ana Mendieta's vital films, Metro Pictures showed deep cuts by Bas Jan Ader, Craig F. Starr delivered a master class on Sylvia Plimack Mangold's early paintings of floors and rulers, Hauser & Wirth hosted not one but two incredible Philip Guston shows (the second, of Nixon drawings, is still on view, offering psychic balm in these dark times), Questroyal organized a jam - packed assemblage of paintings by the indefinable American mystic Ralph Albert Blakelock, and Jeffrey Deitch brought the traveling retrospective of the Pictures Generation original Walter Robinson to Robinson's hometown.

Serving as a marking point of artistic and formal reflection, the sculptures, paintings, and video on view in the exhibition present Gates» recent inquiries into the role of painting, history making, the power of material culture, and the polemics of patriotism.

The earlier works on view, from 2010 and 2011, reveal Strobert's interest in closing the gap between the artist and the painted mark.

Featuring five monumental works, the remaining four from private collections, Frank Bowling: Map Paintings, opening February 22, 2015, will mark the first time in nearly 45 years that these works from the «Map Paintings» series will be on view since its debut at the Whitney Museum of American Art in 1971.

In 1987, the year Mark Dagley's paintings currently on view at Minus Space were first exhibited at Tony Shafrazi Gallery, abstract painting was exploring its newfound relationship to the digital age.

Featuring some 40 paintings, etchings, and drawings drawn from major public and private collections in Europe, the installation marks the first time in decades that many of these works have been on view in the US.

Opening Saturday, July 16 and on view through October 2 in the Regional Artists Gallery of Bennington Museum is a vibrant exhibition of recent paintings by Baltimore and North Bennington painter Mark Barry.

Brice Marden: New Paintings, Drawings, and Etchings will be on view at the Matthew Marks Gallery, 1018 Madison Avenue (between 78th and 79th Streets) through June 26, 2003.

Gary Hume: Small Paintings 1991 - 1997 will be on view at the Matthew Marks Gallery, 523 West 24th Street (between 10th and 11th Avenues) through February 28th, 1998.

Gary Hume: New Painting and Sculpture will be on view at the Matthew Marks Gallery, 529 West 21st Street (between 10th and 11th Avenues) through November 1st, 2003.

A new series of acrylic paintings employ custom mark - making tools, and a new series of Weave paintings will also be on view.

On the occasion of Terry Winters» new exhibit Knotted Graphs, which comprises two new series of paintings and fourteen graphite drawings and will be on view at Matthew Marks Gallery on West 22nd street until January 24, 2009, the painter welcomed Rail publisher Phong Bui and consulting editors David Levi Strauss and Peter Lamborn Wilson on - site to talk about the new body of worOn the occasion of Terry Winters» new exhibit Knotted Graphs, which comprises two new series of paintings and fourteen graphite drawings and will be on view at Matthew Marks Gallery on West 22nd street until January 24, 2009, the painter welcomed Rail publisher Phong Bui and consulting editors David Levi Strauss and Peter Lamborn Wilson on - site to talk about the new body of woron view at Matthew Marks Gallery on West 22nd street until January 24, 2009, the painter welcomed Rail publisher Phong Bui and consulting editors David Levi Strauss and Peter Lamborn Wilson on - site to talk about the new body of woron West 22nd street until January 24, 2009, the painter welcomed Rail publisher Phong Bui and consulting editors David Levi Strauss and Peter Lamborn Wilson on - site to talk about the new body of woron - site to talk about the new body of work.

Working in a large scale, Mehretu draws on the 21st - century city for inspiration, transferring its energy into her gestural sweeps of paint and built - up marks in ink and pencil — often transposed from projections — and condensing seemingly infinite urban narratives, architectural views, and street plans into single unified compositions.

Parasnis, whose vivid new «Serenity» paintings are on view at Caldwell Snyder Gallery, cites Abstract Expressionist and Bay Area figurative painters — namely Richard Diebenkorn, Nathan Oliveira and Willem de Kooning — among his influences for their expressive marks and «spirituality and color.»

The nine paintings by Ellsworth Kelly, completed shortly before his death in 2015 and currently on view at Matthew Marks Gallery, are a posthumous gift to all fans of Minimalism.

With ten of these works on view here, their similarities are broken up only by marks in paint or ink on the surface of some.

«Mark's innovative, multi-layered abstract paintings with paper, seen most recently in Pickett's Charge at the Smithsonian Hirshhorn Museum and Sculpture Garden, and Stephen's extraordinary textile works on view at the BMA are evidence that these new modes of contemporary painting can produce artworks as compelling as those created using more traditional methods.»

Peter Cain New Paintings will be on view at the Matthew Marks Gallery, 1018 Madison Avenue (between 78th and 79th Streets) through January 28, 1993.

Peter Cain: New Paintings and Drawings will be on view at the Matthew Marks Gallery, 523 West 24th Street (between 10th and 11th Avenues), through Saturday, March 15, 1997.

Comprised of works made between 1998 and 2017, the paintings, sculptures, and works on paper on view mark the diversity of his ever - accumulating practice.

Ellsworth Kelly: New Paintings and Drawings on a Bus — Sketchbook 23, 1954 will be on view at the Matthew Marks Gallery through January 27, 2006.

Ellsworth Kelly: Recent Painting and Sculpture will be on view at the Matthew Marks Gallery at both 523 West 24th Street (10:00 AM to 6:00 PM) and 522 West 22nd Street (11:00 AM to 6:00 PM), between 10th and 11th Avenues.

His latest work, marked by a softer, subtler spectrum of colors, and currently on view at Manhattan's Lawrence Rubin Gallery, is so much in demand that the gallery is charging up to $ 28,500 per painting.

Featuring circa 40 paintings, etchings, and drawings by the acclaimed Italian modernist, the installation marks the first time in decades that many of these works have been on view in the US.

FLAG's north gallery features three small studies from 1959 (York Study, Slip Study, and Falcon Study), each of which is marked by jagged - edge, curvilinear forms — compositions that portend Kelly's later, relief paintings Two Blacks and White, 1993, Black Relief with White, 2005, and White Diagonal Relief, 2006, also on view.

On view from September 15 through October 21, 2017, at 32 East 57th Street, John Hoyland: Stain Paintings 1964 — 1966 marks the first exhibition dedicated to the artist's work in the U.S. in 25 years.