Recalling that Robert Rauschenberg once made
paintings out of dirt, Storr concludes, «It's both the pictorial conventions and the material qualities of an object that make it a painting.
Not exact matches
Likewise, a special investigation conducted by the Washington Post found serious problems with the voucher schools in DC, including: «One
of those schools was run
out of a soot - stained storefront on Georgia Avenue; another unaccredited school was supported by the Nation
of Islam and was run
out of a rowhouse in Deanwood where the bathroom had a floor blackened with
dirt, a sink coated in grime and a bathtub filled with
paint cans and cleaning supplies.»
I left the pedicure salon, started my car and drove less than 3 miles to pick up something from the store, when I stepped
out of my car my feet were black... and I don't meant just from
dirt, It looked like someone dumped a bucket
of black
paint on me from shins down.
Back in New York in 1953, he made
paintings out of substances as varied as gold and
dirt, returning to
paint to work, this time, primarily in red on canvas enriched with fabric swatches, newspaper, and bits
of wood.
His mature style is narrow but intense: water and
dirt are invoked through washes
of ultramarine blue and burnt umber which combine to form a glowering near - black and bleed
out at the edge
of geometric forms, generating a trembling beauty due to the differential absorption
of the various layers
of thinned
paint.
Use newspapers instead
of pigment, create
paintings out of latex,
dirt and clay, make sculpture
out of scrap metal and self - portraits by lying on light - sensitive paper.
First up, after a quick wipedown to remove any dust or
dirt, we set all the frames
out on a drop cloth, sans glass, and gave them a few good coats
of white spray
paint.
Let's just say it wasn't my best work... Most
of the
paintings I've made in the past were very abstract, and well, the bicycle was going for not - so - abstract but ended up looking like, well, a tricked
out cartoon
dirt bike.