Sentences with phrase «paintings several other works»

Not exact matches

Before taking up film directing, he exhibited his paintings in a number of one - man and group shows, made numerous music videos (for, amongst others, Zucchero, Stéphane Eicher, Princesse Erika) and worked for several record companies (Virgin, EMI, Sony, Polygram).

In 1960 the painting was severely damaged by fire in the Governors Mansion in Albany that also severely damaged an Arshile Gorky painting and several other works in the Rockefeller collection.

Galerie Protégé in New York City's Chelsea neighborhood is currently presenting Natural Selection, a group show featuring work by 15 artists who present several paintings, collages, and other mixed media -LSB-...]

Although several sculptures employ crackle glaze and other nods to traditional pottery, the works in this exhibition are notable for the wide range of effects achieved with such contemporary materials as epoxy resin, catalyzed polyurethane, and high - gloss automotive paint mixed to the artist's specifications and applied with an airbrush.

By the end of the year I had two series paintings finished, several other large hard edge paintings, many smaller ones, works on paper, and a few sculptures.

More recently, Katz expanded his relationship with Colby, as well as several other Maine museums, with regular gifts of paintings and other works of art by contemporary artists through his own foundation.

Among other successful sales of the evening was a gray - scale work by Cy Twombly, a Donald Judd installation, a signature white painting by Robert Ryman and several works by Yves Kline, including a blue sponge sculpture and works on paper.

The exhibition will present selections from Bayrle's most iconic series, including several of his rarely exhibited «painted machines» — hand - painted kinetic works inspired by images of Chinese pageants and other mass demonstrations.

In addition to paintings by several Gutai members, including Yoshihara, Atsuko Tanaka, Shozo Shimamoto, Sadamasa Motonaga, Kazuo Shiraga and Akira Kanayama, the exhibition includes examples of the Gutai journal and other publications; documentation of the 1958 Gutai exhibition at the Martha Jackson Gallery in New York, works by New York artists who related strongly to Gutai; rare videos of Gutai exhibitions and performances in Japan; and photographs of American artists — including Jenkins, Alice Baber, Robert Rauschenberg, Jasper Johns, and John Cage — visiting the Gutai group in 1964.

Australian collector David Walsh commissioned the sale of Ofili's «The Holy Virgin Mary» along with several other works by various artists (including «The Naked Soul of Captain Shit and the Legend of the Black Stars,» another dung painting by Ofili) in order to raise funds for new acquisitions and the expansion of his Museum of Old and New Art.

Several mixed - media works by Brazilian artist Leda Catunda, a sculpture by Colombian artist Mateo López, and a series of photographs and related paintings by Mexican artist Pia Camil, among others, will now be part of one of the most comprehensive collections of Latin American art in the United States.

Her home is adorned by some potted plants, an oval mirror that appears in several paintings, a group of small works by other artists, sculptural objects by her former husband Bill King, and simple but handsome wood and caned furniture.

Mostly paintings in oil but also other media, plus drawings and several sculptures this intriguing exhibit made clear the challenge of self - portraiture to achieve more than a likeness captured in a particular moment and move towards a fuller revelation of self and the essence of one's work.

Flatbush Ave Extension opened their group show, «Too Big to Fail: Big Paintings» on October 23 — featuring new work by MMG's Allison Schulnik alongisde Erik Parker, Liz Markus, Kenny Scharf, Brian Faucette and several others.

Upon returning to the United States in April 1953, he went back to work in his Fulton Street studio in New York, completing this canvas and several others in what is generally understood to be his second wave of Black paintings.3

Besides the house, the property is home to several other buildings including a library, a painting gallery exhibiting works by Julian Schnabel Schnabel, Frank Stella, Bruce Nauman, Robert Morris, and Robert Raushenberg, and many other structures — all spanning 47 acres.

For this year's exhibition, several artists will create site - specific works, while others will present paintings, photographs and documentary film.

With 20 rarely seen works, it covers a brief period when Mr. Overstreet's disavowal of painting's usual standards and practices was unfolding rapidly in several directions, alongside efforts by Sam Gilliam, Harmony Hammond, Alan Shields and Howardena Pindell, among others.

The Los Angeles museum, which already has several other paintings by Bradford in its collection, also added works by Julie Mehretu and Kerry James Marshall, among others to its holdings.

In abstract painting during the 1950s and 1960s several new directions like Hard - edge painting and other forms of Geometric abstraction like the work of Frank Stella popped up, as a reaction against the subjectivism of Abstract expressionism began to appear in artist studios and in radical avant - garde circles.

In addition, by lecturing at Yale and other universities and creative forums, and by staging Surrealist exhibitions with their ideas of automatism and intuitive creativity, Breton influenced several members of the New York School of Abstract Expressionism - notably the gesturalist Jackson Pollock whose early works and styles (like action - painting) contained several important Surrealist features.

Its permanent collection - spread between the Alte Pinakothek and other Bavarian venues such as the baroque galleries in Neuburg Palace and Schleissheim Palace - consists of several thousand works, including many of the finest masterpieces of Early Italian, Old German, Old Dutch and Flemish paintings.

There, kachina dolls and Eskimo masks compete for attention with works from other «primitive» societies, several of Donati's startling Surrealist sculptures, and a constantly changing selection of the artist's older and more recent paintings.

In addition to numerous unique books made in 2011, the exhibition includes two comprehensive new series: One series, including several large - sized works, deals with the representational aspect of painting while the other series with smaller works questions the topic of time.

Several months ago, she opened her latest permanent site - specific work, «Planar Pavilions,» a loose grid of 10 configurations of black - painted cinder - block walls of varying heights — some low enough to sit on, others as tall and imposing as linebackers — along a gentle slope, which calls to mind the crumbled foundations of a future civilization as well as the constellation of concrete boxes Donald Judd installed in the early 1980s on his own property in Marfa, Tex..

Several of the artists represented in the exhibition studied and / or worked in Spain, or were influenced by Spanish art in other ways; seeing their paintings in the context of the Meadows» collection of Spanish art, especially those works from the same period, will enable visitors to detect early European influences, and understand how many of these Mexican artists later began to forge their own artistic path distinct from their European contemporaries.

The Art Institute of Chicago, home to Grant Wood's iconic American painting and several other works of art, is the No. 1 museum in the U.S. and in the world, according to Travelers Choice awards announced Tuesday by the travel website TripAdvisor...

In addition to the works on permanent public display there were other works and continuously revolving exhibitions in the dining rooms and the 52nd Street entrance walls which have included works by Joan Miró, paintings by Frank Stella, Ronnie Landfield, Robert Indiana, and Richard Anuszkiewicz, amongst several others.

Other examples include the final sequence of Water Lily paintings by Claude Monet (1840 - 1926), The Talisman (1888, Musee d'Orsay, Paris) by Paul Serusier (1864 - 1927) leader of Les Nabis, and several Fauvist works of Henri Matisse (1869 - 1954).

• American Painting and Sculpture to 1945 This wide - ranging collection illustrates several American styles, including American Scene Painting, Regionalism, Precisionism among others, with works by George Inness, Winslow Homer, Georgia O'Keeffe, Edward Hopper, and many others.

The school embraced several different styles including: Action - Painting (see in particular Jackson Pollock's paintings); the vivid Colour Field Painting (in particular, see Mark Rothko's paintings as well as works by Clyfford Still, Barnett Newman); and the gestural painting of Willem De Kooning andPainting (see in particular Jackson Pollock's paintings); the vivid Colour Field Painting (in particular, see Mark Rothko's paintings as well as works by Clyfford Still, Barnett Newman); and the gestural painting of Willem De Kooning andPainting (in particular, see Mark Rothko's paintings as well as works by Clyfford Still, Barnett Newman); and the gestural painting of Willem De Kooning andpainting of Willem De Kooning and others.

In addition to his favourite hobby of copying the narrative «action» paintings of Old Masters, he specialized in small - scale detailed works of landscape painting, executed in oils, containing a number of human subjects and typically several features of topographical or other interest, including crowds or military scenes.

He was instrumental in curating several groundbreaking exhibitions, including A New Spirit of Painting (co-organized with Nicholas Serota and Christos M. Joachimides) in 1981 that surveyed the current state of painting at the time; and which amongst others, brought the work of Anselm Kiefer and Georg Baselitz to the foPainting (co-organized with Nicholas Serota and Christos M. Joachimides) in 1981 that surveyed the current state of painting at the time; and which amongst others, brought the work of Anselm Kiefer and Georg Baselitz to the fopainting at the time; and which amongst others, brought the work of Anselm Kiefer and Georg Baselitz to the forefront.

We also had a chance to admire new paintings by Sarah Kurz in a group show at Sargent's Daughters, fresh work by the versatile Justin Lieberman at Martos Gallery, a thought - provoking show of Michel François at Bortolami, and several other offerings.

The exhibition includes Woodville's 16 known paintings, several of which have never been on view, as well as prints, illustrated books and other related works of art to place his career in historical context.

Many other works were small to medium - sized, with a concentration of cash - and - carry painting and sculpture and several examples of the sort of showmanship that is endemic to fairs.»

His work encompasses traditional painting, as well as murals, and collaborations with other Pittsburgh - based artists across several disciplines.

Several works of the latter sort will be on view in the current exhibition, including large - scale canvases that feature collaged photographs of other fans» paintings of Winehouse embedded in monumental geometric forms, or alongside magazine and picture book images of birds, planets, cannabis leaves, and architecture.

This traveling exhibition features six of Ms. Kusama's immersive «Infinity Mirror Rooms,» as well as many other key paintings, collages and works on paper from the early 1950s to the present, and several recent large - scale paintings that have never been shown in the United States.

But several other works share this affinity in more subtle ways: Bili Bidjocka's large painting Purgatorio Le Vestibule de L'Enfer E'criture Infinie (2014) and Guy Tillim's photographs of breathtaking landscapes provide a mystical Romantic sensibility within the Paradise section.

A monumental painting greets visitors when they step off the elevator and several others dominate an adjacent gallery where his work mingles with photographs by his friend Deana Lawson.

Supported by a catalogue essay in which the curator Catherine Lampert discusses their habits and methods and introduces previously unseen writing by the artists, the exhibition will look at the way their conversations impacted on the development of their work, demonstrating that despite their wide - ranging styles they are each linked by a desire to catch what Bacon describes as «the mystery of appearance within the mystery of making», and in doing so broke new ground in contemporary painting The exhibition includes major works by each artist, several borrowed from public collections, among them Francis Bacon's Pope I 1951 from Aberdeen Art Gallery, David Hockney's Man in a Museum 1962 from the British Council and others like Frank Auerbach's Primrose Hill, Winter Sunshine 1962 - 64 and Euan Uglow's Nude, Lady C 1959 - 60 which have not been seen in public for many years.

«These pieces and perspectives narrate several Ofilis: the colorist who works in restricted palettes, at times Garveyite red, black and green, at others blue monochromes or Favist ochres, purples and greens; the scatologist who uses shit as a sculptural base and pictorial ground, handling paint both to build up and denude his paintings surfaces; and the mime of machismo and voyeurism who draws on imagery from blaxploitation, Marvel comics, porn, and postcolonial African photography,» he writes.

«Smoke» serves as a gateway to stellar objects upstairs in the Lazarof Collection, including an ensemble of sculptures by Alberto Giacometti, outstanding paintings by Picasso from several phases of his career, and works by Edgar Degas, Georges Braque, Wassily Kandinsky, Louise Nevelson and others.

«During the artist's seminal years 1982 - 83 the Schorrs acquired several of his most important paintings, but in contrast to virtually every other early collector, the Schorrs also pursued and acquired a great number of works on paper both directly from the artist and from his early dealers,» explained curator Fred Hoffman.

Entitled simply Lucian Freud, the exhibition comprises some 50 paintings and 20 works on paper and etchings from the last 60 years, several completed just months prior to the exhibition and others being shown for the first time in a public venue.

[15] These improvements clearly impressed Judd, who stated «The paintings are stronger than before and thorough... The greater scale, not size, since the painting is smaller than several others, adds considerable force and abstraction... The new scale makes the forms and the rectangle of the work more nearly identical, makes the painting more autonomous and exclusive.»

Its purchase comes on the heels of several other recent acquisitions, among them Ellsworth Kelly's Tablet, an untitled sculpture by Tony Smith, an untitled painting by Mark Rothko and a group of 12 works by artists from Texas.

Including: «A Pictorial Encyclopedia of The Oriental Arts» 2 vols in slipcase, edited by Shoten, publ by Crown; «Oriental Cloisonne and Other Enamels» by Chu; «Japanese and Oriental Ceramics» by Gorham; «Half the World», edited by Toynbee; «Chinese Jade of Five Centuries» by Hartman; «Chinese Export Porcelain» by Lunsingh - Scheurler; «Treasures of Chinese Glass Work Shops» by Asiantiques; «A History of Far Eastern Art» by Lee; «The Art of Japan» by Kidder; «Japan: A History in Art» by Smith; «China: A History in Art» by Smith & Weng; «Jade of the East» by Wills; «Wolf Kahn, Paintings & Pastels», 2 vols in slipcase, Ameringer - Yohe Fine Art; «Near Eastern Mythology» by Hamlyn; «Vasarely» by Diehl; «The Drawings of Milton Avery» by Taplinger; «Milton Avery» by Haskell; «Wolf Kahn, Landscape Painter» by Sawin; «Wolf Kahn, The City as Landscape» by Ameringer / McEnery / Yohe; «Hans Hofmann», ibid; «Picasso at Work at Home» by Schiff; «Wondrous Strange, The Wyeth Tradition»; «Fletcher Martin» by Cooke; PLUS (14 vols set) Cooper - Hewitt Museum Art & Antique Guidebooks; PLUS several gallery exhibition catalogs.Read more

The history traced here begins in the 1940s and 1950s, with several women who attempted to make space for themselves in the domains of painting and sculpture, as well as others who pursued independent visions through photography or works on paper.