Sentences with phrase «paintings share a sense»

Not exact matches

Artisan raw chocolatier Mococu want to help you create a sense of playfulness and intimacy with your partner with their luxurious range of sensual edible raw chocolate body paints, massage butters and sharing dips, More...

What I want to share with you is something that is still relatively new to me: it is, in a sense, painting backwards...

Lyrical Abstraction shares with both Abstract Expressionism and Color Field Painting a sense of spontaneous and immediate sensual expression, consequently distinctions between specific artists and their styles become blurred, and seemingly interchangeable as they evolve.

Indeed her works, which would be characterized abstract art rather than abstract painting, share some common ground, such as the spectacular use of colors, contrasts and shadows, the playful use of diagonals that creates a solid sense of perspective while different levels construct both volume and composition, but also the smooth way she moves from one texture to another, giving her paintings a rough surface by using colors impasto or with a palette knife or simply by incorporating different materials.

But the unbreakable bond between an artist's individuality and spontaneous painting as a technique invigorates a sense of shared human experience that challenges fixed notions of progress.

Philip Taaffe's paintings share characteristics with the Wild Garden, yet offer a sense of unpredictability and profusion that belies the underlying order of the aesthetic and botanic choices made in cultivating the garden.

Both disturb with their haunting, hidden histories, yet their shared sense of accidental beauty points to how both abstract painting and conceptual art have trained us to find formal pleasures in the unlikeliest places.

For example, Josef Albers made highly influential abstract paintings but also designed furniture, which shared an aesthetic sensibility and similar sense of balance with his paintings and prints.

«Clients develop a deep affection for her works and repeatedly share how much the paintings continue to provide a renewed sense of joy and excitement.

In this regard they share a sense of secret symbolism with the early, Surrealist - inspired canvases of proto — Action painting's ideographic period (1945 — 48), just prior to that generation's expansive and decidedly flat look.

His paintings share many qualities with Abstract Expressionism, such as untamed gestural strokes, broad swathes and splashes of color, and a sense of motion and depth, all affirming the artist's inner intuitive feelings welling up during the creative flow.

Here, it seemed, the couple could give full vent to their shared love of art - Dada, the abstract painting of Paul Klee (1879 - 1940) and Kandinsky (1866 - 1944), as well as fantastic Surrealism of Joan Miro (1893 - 1983)- and sense of youthful rebellion.

Immersive installations, paintings, sculptural objects, photographs and videos by forty artists reveal how the universal language of this transnational game can define beauty, make social statements, create a sense of community and express a shared passion.

And more importantly, there is a shared fascination for the sense of decay in his and your paintings that seems to lie between Baroque excess and the grotesque.

There is a sense in which all the arts today have a common character shared by painting; it may therefore seem arbitrary to single out painting as more particularly modern than the others.

Dubbed «slacker abstraction», «provisional painting», «neo-formalism», «casualism» and «zombie formalism» (as coined by artist and critic Walter Robinson), many of the works in question share an affinity for flatness, process - based approaches, improvised gestures and, at times, a playful sense of humour.

One of the things that inspired my show was David Reed's notion that there's a «street history» of painting that painters share with each other, a set of references and concerns, and a sense of where they've come from and where they're going.