Sentences with phrase «paintings showing scenes»

The interior walls of the temple were decorated with wall paintings showing scenes of warriors with captives, a lake, and thatched houses, all with some attempt made at achieving perspective.

One painting shows a scene from all four conflicting directions.

LG: A number of your paintings show scenes just before dark or perhaps sunrise.

Not exact matches

Upon arrival and check - in at the downtown luxury hotel — whose expansive lobby is decked out in holiday cheer — you'll receive a Joffrey Nutcracker gift bag filled with keepsakes: a commemorative program detailing the new version of the show (now in its second season), with behind - the - scenes peeks at set designs, dance rehearsals, costumes and more; a hand painted, wooden nutcracker doll; and, perhaps coolest of all, a real pointe shoe that was worn and signed by one of the dancers in the show.

Fossil bones don't clearly show whether modern - type birds fluttered about during the Cretaceous, but the treads in Shandong do, painting an improbable scene: Animals much like today's roadrunners were in fact scampering beside two - legged, plant - eating dinosaurs.

«It is no coincidence that all three surviving painted scenes show Christ involved in a transformation.

Berberian never shows a single frame of movie Gilderoy works on but provides plenty of aural cues, sound track snippets and narration describing the ludicrous set up of each scene to paint an image of an over-the-top mess commonly found in Italian horror.

There were scenes shown at comic - con last year that paint the film as being way more over the top than the slow paced trailer would have you believe.

Bonus Features: The DVD is packed with great special features including audio commentaries, deleted scenes and features showing an in - depth look at the Battle of the Bastards and a look inside the paint hall (where much of the behind - the - scenes work takes place).

The painting, Scenes from the Life of Moses, shows a boy holding a tiny dog with round head, large eyes, big ears, and other characteristics similar to the Chihuahua.

In the Norman Rockwell Museum, just outside the town centre and also home to his studio, his painting of Main Street Stockbridge hangs in full glory, showing a scene so impossibly idyllic that had I not just come from there I would have thought he had painted a fictional place.

Scenes involving close ups of the Great Fox in particular show just how little the new paint job does.

We do the wine tasting and then have a discussion of our art - creating process, tell stories about the landscape scenes we paint, show them how we hand - prepare painting surfaces in the studio, talk about the quality, locally ground paints we have on our palette.

With a little help from some masking fluid, tutor Siân Dudley shows you how to create the effect of the sun spilling through the leaves of the trees as she paints this majestic scene of bluebells in the woods.

In a video the artist shows the behind - the - scenes process that went into making Inhabited Painting — casting the floor, pouring the wet polymer, peeling back the skin - like sheets, cutting and folding this firm yet malleable material, and cleaning the surface (which he does with soapy water and a dust broom).

The open doors show Johns's flag and a brushy scene painted by Weil.

In this watercolour class Sian Dudley shows you how to paint a meadow and river scene in the height of summer.

In this lesson, Sián shows you her approach to paint a beautiful landscape, while using a reference photograph that didn't quite capture the scene.

The painting is literally dark, in that it is a night - time scene, and metaphorically dark — it shows a group of people moments before they are shot.

Other highlights this weekend include Bushwick Basel, in which 11 mainstays of Bushwick's gallery scene will be curating their own show within Starr Space; the Buswhack series of performance and film at the Bushwick Starr; «Sculpture Garden» at the Historic Onderdonk House, a group show of sculpture co-curated by Deborah Brown of Storefront Bushwick and one of our favorite local artists, whose latest series of paintings, «Freewheeling,» opens at the Active Space during the festival.

«Cristina de Miguel may have trained at a classically inclined art academy in Seville, Spain, but you'd be hard pressed to recognize that given the exuberant, large - scale paintings in «Absolutely Yours,» the artist's debut solo show with Freight + Volume in New York... [with] scenes that respond either to moments the artist has witnessed in New York, or to the act of painting itself.»

Installed thematically in two rooms on the first floor and four rooms on the second, the show explores five genres that developed as categories when painting was still in its infancy as a respected medium: Still Life, Landscape, Scenes of Everyday Life, Portraiture and History Ppainting was still in its infancy as a respected medium: Still Life, Landscape, Scenes of Everyday Life, Portraiture and History PaintingPainting.

In both solo and group shows, expect to find exhibitions featuring modernist functional sculpture, scenes inspired by ocean waves, a distilled version of summer and abstract paintings that burst with joy.

With more than 200 paintings, sculptures, installations, drawings, photographs, ephemera, and films, the show reveals a scene that was much more diverse than has previously been acknowledged, with women and artists of color playing major roles.

Tate Modern is also showing the signature silkscreen paintings that signalled Rauschenberg's attempt to bring politics, mass media imagery and street scenes into his work, including Retroactive II 1964, which portrays John F. Kennedy, who had recently been assassinated.

In recent years Alex Israel has attracted considerable attention on the international art scene, for his paintings and sculptures and, not least, for his infamous talk show As It Lays.

The prolific Two Coats of Paint blogger and painter Sharon Butler has invited Austin Thomas, a prime mover of the Bushwick art scene and creator of Pocket Utopia, to curate a painting show.

The first show is an exploration of David Hockney's interest in perspective and features a series of group portraits, including those of card players, and other portraits and scenes painted in his Los Angeles studio in 2014 and 2015.

, (1987), a black ink painting showing a lone surfer cutting his line across the face of a towering wall of water; above this scene floats the artist's seemingly rhetorical question.

His early 1950s works, painted in a European Modernist style, often show originally «American» subject matters such as scenes of western expansion.

Domestic Scenes, LA - based artist Ramiro Gomez's first gallery solo show, unites three series of paintings in a meditation on class, wealth, and the people behind our images of luxury.

In addition to the paintings that depict specific scenes in the show, there are also individual paintings of these unique characters.

Barbara Rossi was among the stars of that scene, and «Poor Traits,» in the New Museum's lobby gallery, is a captivating show of her zany, imaginary reverse paintings on Plexiglas and surrealistic graphite drawings from 1967 to 1975.

Geoff Kersey shows how to paint a bluebell wood, a snow scene, an Autumn woodland, a pair of ancient oaks and a willow leaning over a boat.

In this book Terry shows how to paint five Irish scenes including a crofter's cottage, a pub front and a Dublin doorway.

He took us behind the scenes as he finalised the hang just before it opened, and showed us his private collection of photographs that provide the starting point for his mesmerising paintings.

Los Angeles» growing gallery scene was represented by no less than seven spaces: Night Gallery showed the curious paintings of emerging artist Ross Caliendo, while Nino Mier Gallery's booth thrilled with a selection of new sculptures by Berlin - based Anna Fasshauer — hers were some of the most compelling works on view.

An important figure of the graffiti scene of the «70s and «80s, Daze will be showing new paintings, sculptures and prints.

Tala Madani's tragicomic paintings show bodies in all their vulgarity and social insecurity: nightclub dance scenes in which desperate, narcissistic men admire their own shit as disco lights flash out of naked assholes («Shitty Disco,» 2016).

With a strong emphasis on painting and process - heavy work, the show is an exemplary display of the heavy hitters in the contemporary scene.

The show takes the considerable risk of starting not with a punchy, scene - setting overture, but a roomful of intriguing, mostly small early paintings by key figures.

With a mixture of updates on his Bacon homages, Edo period influenced works and his hallmark and signature flower works, the show was highlighted by a behind - the - scenes look at the notes, early sketches and edits that each painting goes through in the process of being created.

Other strengths of the twentieth - century collection include: sixty works by members of the Ash Can School; significant representation by early modernists such as Alfred Maurer, Marsden Hartley, John Marin, Georgia O'Keeffe, and Max Weber; important examples by the Precisionists Charles Demuth, Charles Sheeler, Preston Dickinson and Ralston Crawford; a good showing by the American Scene painters Charles Burchfield and Edward Hopper; a broad spectrum of work by the Social Realists Ben Shahn, Romare Bearden, Jacob Lawrence and Jack Levine; and ambitious examples of Regionalist painting by Grant Wood, John Steuart Curry and Thomas Hart Benton, notably the latter's celebrated five - panel mural, The Arts of Life in America (1932).

«The Show is Over» at Gagosian Gallery, where painting's elaborate deferrals of its death - scene extend like a multi-volume suicide note

Lately, the jet setting art writer has been pounding life into the staid blue chip art scene, from stripping his Madison Avenue space down to cement and drywall to planning an exhibit of Betty Tompkins» seldom - shown porn paintings at Art Basel Miami.

In an article on the show by Benjamin Sutton for Blouin Artinfo, the artist explained, «This is really setting a movie scene, the way you have to think about the framing in here, like framing a painting.

At Sadie Coles he showed work featuring the imprint of huge palm leaves on weathered canvases splattered with rain saturated with pigment, while at the Zabludowicz Collection there were boldly painted aluminium sculptures and a recent series of five video works using appropriated scenes from Tarkovsky films played against a segment of a Velvet Underground song.

Hoyland gained the attention of the London art scene in 1960, when he took part in «Situation», a pioneering show of British abstract painting at the RBA Galleries, London.

The other paintings in the show are scenes that respond either to moments the artist has witnessed in New York, or to the act of painting itself.

Some of the work telegraphs the eclectic contemporary painting scene, lending weight to the show's title.