Sentences with phrase «paintings shown above»

The new paintings shown above showcase Momo's ability to utilize minimal themes to create powerful pieces.

With this paint shown above, it lasted 3 years before I saw any spots wearing.

(As I was preparing this post, I discovered that Lot 35, the powerful Faith Ringgold painting shown above, had been removed from the online catalog.

Not exact matches

The graphic above, which shows his stats for the season, paints the picture of a striker many clubs in the Premier League would want at their disposal.

Available in natural pine (shown above), as well as honey oak finish and painted finishes: solid white, linen, soft pink, powder blue, light green, lavender, and unfinished Please email us if you would like to purchase a finish other than the natural pine finish shown above.

To bring this lost world to life, Pfefferkorn and Wang collaborated with Chinese artist Ren Yugao to create realistic paintings (one of which is shown above) based on their fossil inventory.

The way I'm showing it above streaks the paint around and will require way more coats to get opaque coverage, so save yourself time and dab (I did this later, it's much much better).

I think you would, but the photo above showed wet paint and part you had waxed, so I wanted to be sure.

The paint above the wheels is now showing a scuffed white mark.

Ford has revealed the 2018 Mustang facelift at the Detroit Auto Show, giving the car mild styling changes, mechanical upgrades and new customisation options such as the «Orange Fury» paint seen above.

As far as paint and wheel options go, we'd go for Magnetite Black Metallic (shown above) and the $ 500 black AMG wheels to complete the sleek look.

Pink, white, and blue paint above the dummy's head shows where it hit the roof rail after rebounding from the airbag.

The spyshots you see above and below show a M340i model sporting camouflage before we start seeing some painted parts.

The information about The Last Painting of Sara de Vos shown above was first featured in «The BookBrowse Review» - BookBrowse's online - magazine that keeps our members abreast of notable and high - profile books publishing in the coming weeks.

(He's also not above showing off his freshly painted fingernails and toes, courtesy of his young granddaughter Reagan!

He did all of the beautiful concept paintings and the poster shown above.

Above all there is No Other Home by Daniel Sturgis who selected the paintings in this show.»

Detail of Robert Rauschenberg's Untitled (1973) showing a stroke of white paint above collaged painted bags

The exhibition features paintings, sculptures, installations, photographs and video by the likes of Kerry James Marshall, Jean - Michel Basquiat, Kara Walker, Carrie Mae Weems, Robert Colescott, Glen Ligon, Lorna Simpson and Nina Chanel Abney (shown above).

ACQUISITION In early January, the Brooklyn Museum announces the acquisition of its first Beauford Delaney painting, «Untitled (Fang, Crow, and Fruit),» a 1945 oil on canvas still life (shown above), purchased from Michael Rosenfeld Gallery with money from the museum's African American Purchase Fund.

There's plenty of cool stuff to do in New York this week, including a storefront installation from Jeff De Golier that opened today at FOUR A.M. Wendy White (pictured above) has a solo show of California - dreamin» surf - inspired paintings (for those of you who are thinking longingly of the seashore) at Eric Firestone Loft.

Sprawling across a two - metre tall canvas, the painting exaggerates the viewer's perspective of the pieces shown, creating a dizzying effect: the pieces near the bottom of the canvas are painted as though the viewer is looking directly down on them, while those at the top seem to tower above, giving it the appearance of a photograph taken through a wide - angle lens.

, (1987), a black ink painting showing a lone surfer cutting his line across the face of a towering wall of water; above this scene floats the artist's seemingly rhetorical question.

Guston's painting, in terms of color, line and form, privileges these properties above all else so that what is eventually shown on the canvas is the artist's investigation into the plasticity of image - making.

Vera Schuhmacher Fine Art will be exhibiting at the AAF, Battersea (11 - 15 March) showing work by a selection of gallery artists including Elvira Bach, whose lithograph Zauber (Magic) appears above and new artist Rafael Koster whose oil painting Fleur is shown below (both works shown here courtesy of Vera Schuhmacher).

In addition to appearing in the special exhibitions listed above, Untitled [glossy black painting] was shown in SFMOMA's galleries in 1999, 2000, 2003, 2004, 2005, 2006, and 2016 as part of a series of rotating presentations of the permanent collection.

If I were to write like Mark Bradford, I would be able dreg up words to show the direction of our world with sterling sentences just as Mark presents views of the world from above, around, down, and below with a single slashed, sanded, collaged and decollaged painting.

In addition to appearing in the special exhibitions listed above, White Painting [three panel] was shown in SFMOMA's galleries in 1999, 2000, 2001, 2004, 2005, 2006, 2007, 2008, and 2016 as part of a series of rotating presentations of the permanent collection.

Detail of Species of Spaces, showing a quilt square, die cut stamps, rejected paintings, an artist's t - shirt, clay pots, a homemade ouija board, a collage, and artist's own dust patterns above.

Her recent paintings, mainly depicting brightly coloured landscapes distilled into simplistic, pared - down shapes like Untitled (shown above), are painted from memory and recall the artist's childhood in Beirut and her life in California.

In addition to appearing in the special exhibition listed above, Cy + Roman Steps (I — V) was shown in SFMOMA's galleries in 2004 as part of Matisse and Beyond: The Painting and Sculpture Collection, a rotating presentation of the permanent collection.

Your current show features a number of paintings of crowds seen from above.

Ofili's flag first flew above Tate Britain in 2010 when the gallery mounted a major show of the artist whose paintings now cost hundreds of thousands of pounds and who is still best known for his controversial use of elephant dung.

Introduced by vividly colored paintings of tarred - over pavement cracks, the centerpiece of Ingrid Calame's inventive and absorbing show «Tracks» at James Cohan Gallery is a four - wall multicolored wrap - around drawing of tire tracks from the Indianapolis Motor Speedway — the legendary «Brickyard» where the Indy 500 is run every Memorial Day (installation image above).

But in a sense, it was a partnership with the BBC that so prominently pushed the project into the public domain: the Your Paintings website, which was hosted by bbc.co.uk and which has now been superseded by artuk.org, showed the imaginative potential of such a public catalogue for curators, art professionals, and above all the wider public.

Mixed - media paintings and photographs, her portraits of African American women are inspired in part by the practice of Malian photographer Seydou Keita (1921 - 2001), whose work is shown above.

One of the best paintings in the exhibition, «Helm I» («Helmet I»), from 1970, shows a large green helmet above a dark green shrouded form, painted with flat distemper.

The painting is one of the more striking on view in the Norman Lewis retrospective, a 1953 abstract on untreated canvas, the title is unknown (shown above).

In addition to appearing in the special exhibitions listed above, Rosalie / Red Cheek / Temporary Letter / Stock (Cardboard) was shown in SFMOMA's galleries in 2016 as part of Open Ended: Painting and Sculpture Since 1900, a rotating presentation of the permanent collection.

The show will feature paintings (including Incoming Tide shown above courtesy of Oil & Water Gallery), drawings and prints from recent projects and adventures and these will be accompanied by a selection of small bronze figures by distinguished sculptor Frank Magnus - Hirshfield.

The painter Hope Gangloff specializes in portraits with strong contour lines, jewel - like color and abundant decorative interest — works that have earned her frequent comparisons to Egon Schiele and Gustav Klimt (especially when her subject is a pale young woman with flowing locks and a striated dress, as in the painting above from her current show at Susan Inglett in Chelsea.)

Brown commented that the vertical black rectangle troubled her, so Rauschenberg suggested that they hang the painting as shown above, rotated 90 degrees counterclockwise from its gallery orientation.

Fiumano Fine Art will be exhibiting at the Affordable Art Fair, Battersea, London from the 23rd to the 26th October and will be showing new work by gallery artists including Takefumi Hori (whose painting Red is illustrated above courtesy of Fiumano Fine Art), Richard Farrant, Philippe Aird, Maud du Jeu and Beth Nicholas.

Portal Painters are exhibiting at the London Art Fair, Islington, from the 20th to the 25th of January, showing a selection of work by gallery artists including Whyn Lewis, Heather Nevay, Joseph O» Reilly (whose painting Roses is shown above, courtesy of Portal Painters) and Lizzie Riches.

Shown above, the delicate view of Vétheuil under heavy snow is the first in a sequence of three that Monet painted from approximately the same vantage point, exploring changes in the landscape over several days.

His cramped paintings display the perspectival complexity of ancient Egyptian and Byzantine painting — the contents are stacked one above the other, showing different views simultaneously.

Walking into Regina Granne's show at A.I.R. Gallery, ABOVE THE CLOUDS AND UNDER THE RADAR, might make you ask questions you hadn't ever planned on asking, like: Who was Regina Granne, and why did she make paintings that look like I'm looking at the world through the eyes of a lopsided dog?

However if the idea of being underground seems antithetical to the south of France, there is much to be seen above ground with a solo show of paintings and sculpture by Tracey Emin in another beautiful and more conventional suite of galleries designed by French architect Jean - Michel Wilmotte.

One of the pieces I am working on right now for the DOCUMENT show, Sunny Side, FL, [middle photo above] is an interpretation / adaptation of my home town, imagined as an actual sculpture park in the form of a grouping of small, painted steel sculptures.

In another, smaller painting from the same show, the crowned lion seems to disport itself on a beach, framed above and below by bands of green and red.