Sentences with phrase «paintings shown here»

You can find most of the paintings shown here at her Etsy shop — they're marked 60 % off regular prices, so they'll probably go fast!

Perhaps her other work is much stronger, I am only reacting to the paintings shown here.

Now, in the seven large recent paintings shown here, Tuymans has trained his eye on his everyday surroundings.

Some of your early paintings shown here depict a saturated, hysterical city that constrasts with your island paintings of silent, mysterious forests and beaches.

Sites, subjects, and methods of observation are critical to each artist's visual language: planted fields, elevations seen from an airplane window, gradations of color in a sky reflected on a watery plane, shapes glanced at through apertures between buildings, or the puzzle of shapes in a tapestry - like world are some of the inspirations for the paintings shown here.

An unusual tactic, perhaps, but when paired with the pearlescent black paint shown here, the result is rather tasteful — at least when judged against Mansory's previous work.

Not exact matches

Here are the maps, paintings, and old - time photographs that show the journeys of our greatest cities.

Here's Maria of Dolci Pensieri di Calabria, showing off the poster she painted just for the festival.

The map shows the intensity of infrared light, and traces magnetic field lines within filaments of warm dust grains and hot gas, which appear here as thin lines reminiscent of brush strokes in a painting.

The merry & bright banner is from a local store, Rebel Reclaimed here in Grand Rapids & those lights are something I haven't shown yet & they are from Painted Fox [here].

There are a million different tutorials out there that show you how to paint your kitchen cabinets, and I've contributed my own tutorials (here and here and here are the most popular ones) as well.

Then reposition the tape to paint the rim of the black and white jar and to paint the vertical lace of the football (which I apparently didn't show here): — RRB -.

I gave the furniture a quick dusting with a dry cloth and then simply started painting with a regular new paintbrush, allowing a bit to show through here and there.

If you still have a little bit of wood showing through here and there (which will happen more if you paint a light color on a dark piece or vice versa), pour a little chalk paint into a plastic cup and mix in a bit of water to thin it out.

Last year I made this 4th of July Painted Burlap Banner for the DecoArt blog and totally forgot to share it here, so today I'm showing you how easy it was to put together.

So let's paint a picture here: First off I show better in person perhaps you give a guy a chance beyond a photo?

If not, you can use dry erase paint to turn any surface into a space for students to show their thinking (see how here).

An optional two - tone paint scheme is also available as shown here.

Shown here are the 18/19 ″ QG6 wheels in Silver - painted aluminum.

Here is another example: if you look closely, a small area of this door trim shows signs of a white paint.

We think the hourglass grille works as well here as on any Lexus design shown before, and the dark wheel color sets off our car's Claret Mica paint particularly well.

Good moaning Beach Cottage friends, foes, anyone who would care to listen really... today I am here to show you a cottage in chaos... well not really, one does tend to be on the dramatic side, but, right now my lovely husband, aka Mr Beach Cottage and I are camping out in the study while I paint our bedroom floor white... this has not been met with the most favourable of comments but after lots of quotes from tradies, upwards of $ 15,000, talk of us moving out of the house for a week while our floors are painted, other speak of loading all of our furniture (of which I am not short) into one half of the house and other various scenarios, I decided to go the DIY route and start on our bedroom and see what happened.

From paintings inspired by the picturesque villages of Sussex to the architectural sculptures of Do Ho Suh, here are some of the best shows to visit this week.

The 1959 painting is the breakthrough work that the Whitney acquired in 2012, and hung next to an Ellsworth Kelly in the grand re-opening show reviewed here.

And in the paintings on show here we see that with the passing of time a freedom with colour has also appeared; her later paintings are fresher, surer, the light dark colour contrasts of the earlier works replaced by full colour complements.

Wintersnow Snowinters signals Snow's first painting show in some two decades, so several earlier watercolor works (like Sleeping vs Waking) reappear here as fully - formed oil on panel compositions.

Selected Group Exhibitions 2014 — National Contemporary Painting Exhibition, Weatherhead Gallery, University of St. Francis, Fort Wayne, IN Art Miami, Lyons Wier Gallery Summer Session, Lyons Wier Gallery, NYC MIA in MIA, Lyons Wier Gallery, NYC 2013 — Art Miami, Lyons Wier Gallery 2012 — Dallas Art Fair, Lyonswier Gallery 2012 — Art Pad SF, Lyonswier Gallery 2011 — Here and Now, Lyonswier Gallery, NYC 2010 — Angels, KunzVisGonzales, Chicago, IL 2009 — Pulse Miami, Lyonswier Gallery 2009 — Endless Summer, Lyonswier Gallery, NYC 2009 — Another Damn Good Painting Show, Lyonswier Gallery, NYC 2009 — Upscale / Downsized, Bowling Green University, Bowling Green OH.

«GAUGUIN: ARTIST AS ALCHEMIST» The paintings were here and accounted for, but it was the ceramics, wobbly and wild, that stole the show in this profound rewriting of Post-Impressionism at the Art Institute of Chicago.

Though the two shows have some pieces in common, including Richter's seminal paintings of the terrorist Baader - Meinhof group, the Tate offers a view of less well - known works on paper and glass sculpture, along with more recent pieces like 2005's «September,» Richter's depiction of the 9/11 attacks, and 2000's «Lilies,» shown here.

Stephen has a separate blog that he devotes to showing his small paintings that you can view here.

Here are digital paintings that have been selected and juried into specific National or International exhibitions or shows.

But it does seem interesting, for example, here we have a painting from 1964 with a green figure, and then, in the current show there is a recent painting, also with a green figure.

I understand that — that I makes these things for myself — and one hopes that the culture as a whole will want to save them and show them some day, but I have 30, 40 ft paintings in here that haven't been shown.

Here is Louise Bourgeois's pink marble woman turning into a frond - headed plant, and one of Raoul de Keyser's most airy blue abstracts; here is Karla Black's cellophane cloud hanging in one of the high Georgian windows, bearing green traces of the gardens beyond, and a thicket of marvellous historic paintings from the gardens» collection, showing palms and peonies to semi-abstract perfectHere is Louise Bourgeois's pink marble woman turning into a frond - headed plant, and one of Raoul de Keyser's most airy blue abstracts; here is Karla Black's cellophane cloud hanging in one of the high Georgian windows, bearing green traces of the gardens beyond, and a thicket of marvellous historic paintings from the gardens» collection, showing palms and peonies to semi-abstract perfecthere is Karla Black's cellophane cloud hanging in one of the high Georgian windows, bearing green traces of the gardens beyond, and a thicket of marvellous historic paintings from the gardens» collection, showing palms and peonies to semi-abstract perfection.

Widely revered and remembered in Miami, and in general by collectors and scholars of contemporary Latin American art, Alfonzo's painting can once again be seen at the Whitney Museum of American Art, in the current show, described here, «Fast Forward: Painting from the 1980spainting can once again be seen at the Whitney Museum of American Art, in the current show, described here, «Fast Forward: Painting from the 1980sPainting from the 1980s.»

The show's oil - on - canvas paintings from the late 1940s and 1950s demonstrate the wide reach of the New York School — works by Jack Jefferson, Deborah Remington, Ward Jackson, Louis Ribak, Lilly Fenichel, and Bea Mandelman — reprised here by the recent mythic narratives (2013) of Eugene Newmann.

While his work bears similarities to that of American abstract expressionist painters such as Mark Rothko, Jules Olitski and Barnett Newman, Hoyland was keen to avoid what he called the «cul - de-sac» of Rothko's formalism and the erasure of all self and subject matter in painting as championed by the American critic Clement Greenberg.1 The paintings on show here exhibit Hoyland's equal emphasis on emotion, human scale, the visibility of the art - making process and the conception of a painting as the product of an individual and a time.

Each of these artists has appeared in many group shows and solo exhibitions, both here in the Berkshires as well as in New York City, and will be represented by paintings and drawings.

Upon his arrival to West Germany, he attended a touring show of the American painting, and «suddenly here was abstract expressionism.

All of the here shown works - mostly paintings but also an installation and a video - concentrate on architecture and spatial geometry: as main motiv, background, frame or as symbolic element.

Click here to read about Josh Smith's shows of monochromes and palm tree paintings at Luhring Augustine.

Algus has earned a certain cachet mounting gently revisionist shows of left - out artists like Paul Feeley, Nicholas Krushenick, and Robert Stanley; here you see Semmel's paintings the way you might have seen them back in» 78, in an intimate space on the fringes of SoHo.

The artist does paint portraits, but the figurative work shown here celebrates gesture, line and surface more than the likeness of the sitter.»

In the Sunday Times, Waldemar Januszczak writes that it «deserves the highest praise» (#), but the Observer's Laura Cumming is not so sure: «We haven't had a [Delacroix] show here for more than 50 years — and I am not sure that we have one now,» she wrote, citing the «sickly homages» painted by followers like Fantin - Latour and Cézanne.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

Diebenkorn often said how much he owed to European painting and the debt is acknowledged here, in the second room of the show, in big works depicting human figures framed in landscape — on a terrace, at a window — or secluded in shady interiors, in placid unanimity with their surroundings, sunken - eyed, reading, or lost in contemplation.

Not, as it turned out, that he ever had to hide his paintings away: in a career that spanned some 50 years, his work was exhibited widely and regularly in the US and Germany as well as here, from his first one - man show in 1942 right up until his death in 1989.

1996 Doggy Style, Space, New York, NY (curated by Rick Prol) The Joy of Painting, curated by Alix Lambert, HERE, New York, NY Maux Faux, Richard Feldman Fine Arts, New York, NY Summer Show, Richard Anderson Fine Arts, New York, NY

I haven't seen the installation yet, but here's one of my paintings that might be in the show at Outlet: Sharon Butler, Goethe's Color Triangle, 2015, oil on canvas, 16 x 20 inches.

Selected forthcoming and recent group exhibitions include The Painting Show, British Council Touring Exhibition; Electronic Superhighway 2016 — 1966,, Whitechapel Gallery, London; Celia Hempton, Mendes Wood DM, São Paulo, (2016); The Ultimate Vessel, Koppe Astner, Glasgow; fig - 2 25/50 in collaboration with Prem Sahib and Cecilia Bengolea, ICA Studio, London; I'm here but you've gone, Fiorucci Art Trust, London; The Chic and the Borderline, DRAF Istanbul, Grand Hotel de Londres, Istanbul,; La femme de trente ans, Galerie Art: Concept, Paris; Odradek, Instants Chavirés, Montreuil (2015); Tomorrow: London, South London Gallery, London; Burning Down The House, Gwangju Biennale; Pontoon Lip with Katie Cuddon, Cell Project Space, London (2014) and Abstract Cabinet, David Roberts Art Foundation, London, (2013).