They focused on
paintings simple compositions that utilized a limited range of colors in order to present the most direct emotional statement possible.
Not exact matches
Bem's psi research reminds me of the geometric
paintings of Piet Mondrian —
simple - looking canvases whose elegantly balanced
compositions actually reflect decades of investigation into color and form.
Insight into an artist's process — the way he or she conceived the
composition and applied
paint to the canvas — can be gained by looking closely at the work and using relatively
simple imaging techniques such as X-radiography and infrared reflectography.
The floral subject matter of this
painting couldn't be
simpler, and the color scheme is likewise straightforward, but there's something about the work's
composition and the haphazard white lines that throws you off - kilter.
Blackham
paints simple still life
compositions of solitary subjects, such as a blue marble or a glass of water.
Colors, in their variety, combinations and sequences, reference lived experiences from garishness to mysticism, and it is this range that is key to their depth of feeling...
Compositions are built on
simple layouts — diamonds intersecting cruciform shapes — but it is the complicating of these geometries through color that make the
paintings happen.
The
simpler shapes in my previous
paintings have become more complex over time and my
compositions have become more dynamic with the use of tessellations and vanishing points.
Now, by contrast, your
paintings are made using a clear,
simple, bold, frontal
composition, almost a non-
composition.
He builds
compositions that are both
simple and involved, paying close attention to all aspects of a
painting's construction, including the differences between cotton and linen surfaces, the weave of each canvas, and the individual properties of tempera versus oil
paint.
The heart shape provides a
simple structure that defines the
composition while allowing the freedom to fill the
painting surface in a multitude of different ways and to try new creative approaches, just as Jim Dine has done.
Again this encourages fresh interpretation of Burri's deconstruction of
painting, juxtaposing the
simple geometry of a celotex to Signorelli's
compositions and the intricate cracks of a cretto to the aged surfaces of fresco.
His
paintings take their starting point from
simple underlying structural
compositions, which divide the canvas into linear pathways and segments, such as crossed bars or architectural elevations.
The range of perspectives presented to the viewer is also broad: One has both feet firmly planted on the ground in Catherine Murphy's severely cropped and concentrated depictions of nonspectacular scenes, has bird - like flight in the softly glowing
paintings of David Bierk, and is engulfed in Rick Shaefer's surreal magnifications of overgrown foliage and insect dynamics whereas the
simple compositions of Brenda Zlamany's free - floating creatures make for visual disorientation.
With their areas of flat, unmodulated colour and deceptively
simple compositions, Tal R's
paintings have long questioned our conception of and presumptions about our surrounding reality — what we see and where its meaning and beauty lies.
Sol LeWitt cleanly tears a piece of white paper into stark geometric sections in R115, 1973, generating an elegant
composition with a
simple gesture, while Robert Ryman defamiliarizes the monochrome in Untitled, 1967, a white -
painted canvas square affixed directly to the white wall with masking tape.
The leaning works are
simpler, as well, many just one shape and one mark, and when there is a material shift in the work — for example, in the move from
painted wood structure to steel base in «Deft
Composition (Deft
Composition)» — the move is hardly as disjunctive as
painted wood structure to movie poster base.
Effulgent in their gorgeous, low - toned palette of greys, mauves, greens and a whole range of pinks that are Avery's trademark, these late
paintings appear modest and even
simple — the shapes flattened and nearly blunt, but balanced in the most elegant
compositions.
March 12 — June 12, 2016 Building F, SAF Art Spaces A significant solo presentation of Simone Fattal's work, this exhibition features sculpture,
simple non-figurative ceramic forms and works based in textual
compositions, collage as well as
paintings.
His
paintings move between abstraction and representation, presenting
simple organic shapes in graphic and often chromatically vivid
compositions.
The
simple compositions enact a dialogue between the
paint and the unmarked space of the ground layer.
Long dismissed as childish, her outwardly
simple compositions have recently won a string of high - profile accolades (the Wollaston Award, the John Moores
Painting Prize, and entry into the ranks of the Royal Academy's senior royal academicians), and the British press can't get enough of her.
As he sees his work as part
painting, part sculpture, Sinsel brings these different kinds of found objects together in tight,
simple, yet detailed
compositions by means of craft - based practices such as metalworking, ceramics, weaving and sewing.
While her
compositions are seemingly
simple, there is a well - thought - out process for each
painting, including preparatory charcoal drawings with calculated geometries and numerous color studies in search of precise color combinations.
The other
paintings in this series play with maze - like patterns or
simple diagonals; Palmito Ranch is unique in its understated, stacked
composition, where
painted line and raw canvas create an even, horizontal rhythm.
The
paintings themselves make use of
simple forms and repetition to create
compositions that inspired peace and quiet moments.
While his vehicles have been popular subjects, the series actually originated with
simpler sculptures of streets — asphalt spheres (a form with no beginning or end and the three dimensional equivalent of an allover
composition)
painted with yellow and white lines: an embodiment of movement and the continuous fluid interconnection of paved roads.
Still lifes In their entirety, the
paintings render frontal
compositions of
simple volumes, cones, cone trunks, cylinders, with organic outlines, folds and curves.
Working in acrylic on wood panel or linen, Takenaga arranges the
simple components of her
paintings, predominantly thin lines and small dots, into stunningly complex
compositions that undulate, radiate, and recede in seemingly infinite space.
His
paintings are characterized by bright colors;
simple, abstract forms; and symmetrically arranged, but serene,
compositions.
Color field
painting is defined by expanses of color close in tonal value and intensity, large presentations and
simple compositions.
During the 1970s, Parker introduced lines into his canvases, intermixing linear elements with irregular shapes to create
simple, dramatic, highly colored
compositions, such as his large
painting, Untitled (1979) in The Phillips Collection.
Barbara Takenaga arranges the
simple components of her dense, abstract
paintings into stunningly detailed
compositions that undulate, radiate, and recede in seemingly infinite space.
Unapologetically beautiful and deceptively
simple, the nine mural - size
compositions here (averaging 8 1/2 by 14 feet),
painted between 1958 and 1960, immerse the viewer in a luminous, ethereal space like no other.
With their areas of flat, unmodulated colour and deceptively
simple compositions, Tal R's
paintings have long questioned our conception of and presumptions about our surrounding reality — what we...