Sentences with phrase «paintings using constructed»

Not exact matches

Additionally the glue used to construct the box is made from wheat, corn or potato starch, and the paint is a water soluble.

Constructed from durable hardwood and non-toxic paint, this product is safe and fun for your child to use.

If your house was constructed earlier than the 70s, there is a high likelihood that the paint used is lead - based.

Safety in Numbers Part of the series: Painting With Numbers Mathematician Marcus du Sautoy reveals how the language of maths is used to construct the complex codes that we encounter in everyday life.

Amy Feldman uses an economy of form to construct an image, making large - scale paintings that pivot formalism with humor.

«I was able to use my gift for structure with something that modernism hadn't really exploited before, the idea that paintings could be constructed, made by picture - building... Building a picture was something natural for me.

If the artist is using geometry to construct a painting, like so many since the early 1960s, it feels more like doing math than if the artist shows a square as an image floating in a field, like a character in a graphic novel.

Spreadsheetspace is a new installation by Franklin Evans using the grid and organizational format of the Excel spreadsheet to construct a three - dimensional painting space.

The first group of paintings are constructed from stretched canvas and linen bags once used for transporting currency; they are reminiscent of Robert Rauschenberg's Combine paintings from the early 1970's.

The artist constructs exaggerated depictions of female bodies using a combination of sewn, printed, and painted materials, traversing different artistic and craft traditions.

Greenberg, art critic Michael Fried, and others have observed that the overall feeling in Pollock's most famous works — his drip paintings — read as vast fields of built - up linear elements often reading as vast complexes of similar valued paint skeins that read as all over fields of color and drawing, and are related to the mural - sized late Monets that are constructed of many passages of close valued brushed and scumbled marks that also read as close valued fields of color and drawing that Monet used in building his picture surfaces.

When did you start expanding the types of materials you used in your painting, and how do you «construct» this type of painting?

Joe Zucker has more modest use for spiders and their tools, affixing them to rectangles, sometimes as etchings and sometimes as constructed paintings.

Her abstract paintings focus on constructing spatial voids using harmonic progressions and non-traditional, reflective pigments in oils.

Her collages are constructed using fragments from fashion and travel magazines, pornography, African art books, automotive schematics, and images drawn from science fiction as well as hand - drawn or painted elements which create a variety of new formations of the body.

Indeed her works, which would be characterized abstract art rather than abstract painting, share some common ground, such as the spectacular use of colors, contrasts and shadows, the playful use of diagonals that creates a solid sense of perspective while different levels construct both volume and composition, but also the smooth way she moves from one texture to another, giving her paintings a rough surface by using colors impasto or with a palette knife or simply by incorporating different materials.

Included among these are two monumental, sculptural wall pieces constructed from the rough - hewn woodblocks McCloud used to stamp the paintings in the exhibition.

The pieces are either painted, constructed, or using found materials and even though they are reduced to the essentials, the results vary drastically.

Embracing many approaches including photography, painting, sculpture, and installation, artist, Carolyn Conrad constructs rural scenes from clay and wood using a minimalist approach.

I like how the printer imprecisely reproduces what has been photographed and I use this imprecise print to further construct each painting.

The exhibition presents a selection of contemporary authors, including some of the internationally most acclaimed artists who in their work explore the phenomenon of models and modelling — either constructing 3D models, or using models to create paintings, photographs and videos...

He used mathematical systems to construct two - dimensional grid paintings and demonstrate color theories, but the work itself is metaphorical, referencing pre-Colombian and Asian cultures, textiles, and divination.

In Smith's latest body of process - based paintings, «painstaking use of repetition and translucency within the medium fuse the canvas with the background, mid-ground, and foreground to create whimsically celestial landscapes, constructed of dancing globs of acrylic paint.

Rauschenberg began work on Collection sometime in mid - 1954,4 and he constructed it as a triptych, a format he had used previously, most notably in his 1951 White Painting [three panel].

Each painting is of similar scale and construct, and the colored surface is created by applying hundreds of coats of paint that he individually mixes using gold, silver, platinum, and diamond dust, and a variety of pigments and oxides on birch board with edges cut at a 45 ° angle and standing off the wall.

Using bold colours and broad brushstrokes, he conveys a sense of the landscape whilst also allowing the viewer to step into the painting and construct their own work.

Using elements from the tangible world such a artists» materials, travel ephemera, tobacco and wine labels allowed Motherwell to construct a narrative for the viewer while still maintaining his automatic and gestural style of painting.

His paintings from the 1950s reveal subtle changes in the natural world through the use of imagery constructed with delicate, sensitive colour tonalities, floating within the compositional space.

As a result, each bold line and cross-hatch the artist used to construct the image is vividly communicated, revealing White's signature style, which blends gestures of painting, printmaking, and drawing with text to create new visual content.

On Tower Level 5, Wong Ping creates a multimedia installation centered on a colorful, racy animated tale that explores the tension between an aging population and the relentless pace of a digital economy; in her paintings and sculptures, Duan Jianyu depicts a surreal, transitory place where the rural meets the urban; and Lin Yilin constructs a virtual - reality simulation featuring a professional basketball star, testing the potential for using technology to inhabit the experience of another.

He has constructed an archive of source references to Levine's painting practice and reenacts the paintings at the same scale and in the same materials that Levine used previously.

Walker writes: «Faruqee's paintings are constructed using «comb - like notched trowels» that she pulls through wet paint, «kind of like raking sand in a zen garden.»

... While his grid paintings might at first seem anything but unplanned, he has written, «The forms and constructs I use are necessarily deliberate, but I work with them relatively freely.

Anna Rosen, with her use of the marbling technique, Nick Irzyk, with his incorporation of marble dust, and his idiosyncratic, jig - saw method of constructing and deconstructing paintings with foam core and plaster, and Nicholas Cueva, by painting against the irregular textures of a wide assortment of textiles typically used to make clothing, all use both art and non-art materials, alike, in order to set up material problems to resolve — but also to produce (5) enzymatic phenomenon to respond to in painterly fashion.

Either square or rectangular in format, the paintings were constructed by laying down (mostly) opaque layers of paint and then scraping away one layer from another by use of a squeegee, as in Little Three for Two: Red, Yellow, Blue (1976), or exposing under layers by peeling away tape.

Whilst the final painting resembles a formalist abstract construct, the choice of colour, paint and material used, directly reflects the psychological concept of the subject.

In her paintings line and geometry are woven together constructed of thousands of tiny brushstrokes using opaque, saturated colors.

When speaking about her process, «My paintings are constructed using a rule - based system to generate a series of interwoven layers of meticulous repeating patterns of dots, dashes, and grids in highly saturated, vibrant and illusory colors.

His aim was not to paint a painting, but — to use his own expression — «construct» it, and to break through the boundaries of two - dimensional space.

He immediately became disillusioned with the pretensions of Abstract Expressionists and decided to paint and construct works using nontraditional materials.

Her process involves the use of large quantities of acrylic paint poured onto her studio floor; the paint eventually becomes building blocks to construct layered abstract sculptures called paint - objects.

Mehretu creates large - scale paintings constructed from layers of acrylic paint on canvas overlaid with mark - making using pencil, pen, ink and thick streams of paint.

For her 2003 solo exhibition «Blank», she made a conceptual link between a flock of black sheep constructed from fake fur and Pierneef - inspired paintings by using wool to turn the latter into tapestries.

Using small bits of paper cut with hole punches, she has been constructing textural, large scale paintings that pin directly to the wall since the late 1960s.

These studies demonstrate how Thomas used experiments in color and composition to construct rainbow - hued acrylic paintings like 1969's «Iris, Tulips, Jonquils and Crocuses.»

Her abstract paintings focus on constructing spatial voids using harmonic progressions and non-traditional, reflective pigments in oil; their scale and dimensions address the body.

Susan Schwalb's new series of carefully constructed silverpoint paintings uses delicate horizontal lines and bands, drawn across layered fields of color, to create serene and meditative works.

Using a process of continuously applying oil paint and removing it, changing backgrounds, blurring or adding details, he constructs new contexts of meaning for his source material.

Since the mid-1980s, René Pierre Allain has «constructed» paintings with a technique that transforms metal surfaces using chemicals, acids, and the flame from a torch.

Through my work I use many constructs of traditional painting, but work to reference our relationship to technology.