Sentences with phrase «paints as a medium»

It is clear how much Christina loves paint as a medium, and finds pleasure in exploring color and texture.

O'Reilly's understanding of the language of painting as a medium allows for the evolution of narrative in his palettes and mark - making.

Soulages acknowledges an 18,000 year history of painting and to paraphrase the artist, he uses black paint as a medium of meditation on human and cosmic origins — as well, of course, as a meditation on the origins of painting.

Mike Calvert, ever independent in his attitude to group excursions, takes an almost contrarian approach, choosing painting as his medium for representing a «new style of computer aesthetic» at #ETINTERBRO, while — during an obliviously dangerous first night swim in the buoyant salt water of a pitch black Dead Sea — he describes a Milan gallery's outrage over an exhibition with fellow brotherhood member Miltos Manetas in 2001.

She currently has work in a group show at A.I.R. Gallery in Brooklyn called Another Gesture / Um Outro Gesto / Eine weitere Geste /, which «moves away from the dominant male legacy of abstract expressionism, in which gesture was used to champion the uniqueness of painting as a medium.»

Participants will be able to choose either watercolor or acrylic paints as their medium.

Wlodzimierz Ksiazek views abstract painting as a medium for processing personal experience that often have social and political dimensions.

It provides various perspectives on painting as a medium that is well suited to describing perceptions of growing instability, contradictory information, and warring extremisms, as well as celebrating the sublime and how artists represent connections in the unseen universe.

The artist emphasised the power of painting as a medium for capturing events and iconic Arab figures throughout recent history.

The paintings are not representational, but rather express the essence of paint as a medium — Jenkins, in this sense, was very much of his time.

Grosse's singular approach highlights the potential of painting as a medium, and encapsulates the stark beauty of this manmade structure and its natural surroundings.

I really like painting as a medium because, for me, it's the most abstract process I can do.

The show's main focus is the Walchensee (Lake Walchen) series created during the last years of his life — a never - before - seen body of work and the brilliant finale to a singular, lifelong exploration of painting as a medium.

This show continues his two - decade - long exploration / expansion of the physical and metaphorical capabilities of paint as a medium.

Engaging the complexities of painting as a medium, as well as the anxious rhythms of the urban environment and a wide range of cultural references, his agile, largely monochrome works propose an open - ended series of responses to this central problem.

Our carefully curated presentation conjoins two important, historical works by Marcel Duchamp and Joseph Kosuth, which independently marked a sea change in the development of art and painting as a medium.

It was only later that I became sufficiently attuned to painting as a medium to recognise fully the richness and complexity of facture alone of the encaustic works.

In the 1990s, Whitten's experiments with paint as a medium moved further towards sculpture, as paint compounds were transformed into mosaic - like tiles and were applied to canvases, referencing ancient architecture and murals.

The works speak at once to painting as a medium and a lived experience.

While everyone involved in this exhibition is queer, I'm more interested in «queer» as a verb than a noun or identity category, and the possibilities that «queering» as an action present to painting as a medium and abstraction as a genre.»

First Cut explores collage and painting as mediums and metaphors for potential.

The exhibition explores ways of perceiving the built environment and overlooked landscapes, painting as a medium, and environmental destruction and renewal.

Contrary to contemporary postmodern artists utilizing Letterform in art for mostly conceptual purposes, or Concrete Poetry that involves a form of Visual Poetry, Concrete Alphabets acts as hybrid where each artist defines his own work based upon unique personal narratives involving aspects of Letterform / Alphabets An important aspect of this shared perspective is how each artist has maintained and utilizes analog painting as a medium, thus allowing them to keep their own signature mark making prevalent in the artwork.

It all feels too traditional and seems to cement painting as the medium of the past, rather than highlighting the truth that it's still a dynamic and vibrant medium that continues to inspire.

Engaging the complexities of painting as a medium, as well as the anxious rhythms of the urban environment and a wide range of cultural references, his agile, largely monochrome works propose an open - ended series of responses to these central problems.

Schutz joins acclaimed historian and artist Nell Painter at the Cleveland Museum of Art in a public conversation about the possibilities and limitations of painting as a medium at our particular historical and political moment.

In the 1990s and 2000s, Whittenʼs experiments with paint as a medium moved further towards sculpture, as paint compounds were transformed into mosaic - like tiles and were applied to canvases, referencing ancient architecture and murals.

Fusing landscape photography with painted shapes and abstract forms, the artist explores themes of visual perception and reproduction, all the while challenging the boundaries of painting as a medium.

A California native with a PhD from NYU (her thesis centered on contemporary art in the post-internet age), Haley Mellin investigates painting as medium in a digital world.

Through an ever - evolving trajectory established within the past 40 years, Griffa (b. 1936, Turin) has adroitly revealed the elemental principles constituting painting as medium.

I think that painting as a medium tries in the most concerted way to deny what it's about, but there's so much more that's going on in a painting that is outside of itself, a painting that dislocates itself into a biography or anecdote, etc..

An important aspect of this shared perspective is how each artist has maintained and utilizes analog painting as a medium, thus allowing them to keep their own signature mark making prevalent in the artwork.

I believe that painting as a medium, regardless of whether it is abstract or representational, has the power to express the indefinable that is at the core of each of us.

During the same time, his most creative period, he translated this language into two dimensions, using painting as a medium for the interplay between space and form.

It's not about whether I succeed in finding this new painting — the idea is that I'm trying to discover the possible resources of painting as a medium, wondering if I can still achieve that image, not necessarily shocking, but brand new» (Ibid.).

Known as his Pasta Paintings, the works are a saccharine, but serious critique of the essentialist approach to understanding the nature of painting as a medium in 20th century art.

Erik Lindman shares the same interest in paint as a medium and the surface of the painted object as Nathlie Provosty and Ron Gorchov.

While her paintings pose many questions, they never doubt the relevance of painting as a medium.

Alexandra Grant meanwhile works completely without paint as a medium in I see my self in you but creates a trompe l'oeil effect by pairing neon lights and mirror.

Gillian Carnegie, 34, is the first artist who exclusively uses paint as a medium to be nominated for the pounds - 25,000 prize for five years and has emerged as the early frontrunner.

Presenting a new Slip Off painting series and an installation called «I'm a bit out of sync but next time I'll do better, I promise», Estna takes an online messenger service Sticker Store as inspiration for her ongoing exploration of painting as a medium in parallel to these digital modes.

While, some might argue, painting has been eclipsed in the media in recent decades by minimal and conceptual art, installation, photography and film, REALITY testifies to the survival of painting as a medium and reveals the impact of British painting today.

I also like the efficiency and the mobile character of painting as a medium.

* The group published a Stuckists manifesto, written by Childish and Thomson in 1999, that places great importance on painting as a medium, and condemns conceptual art and postmodernism.

The artist has said that the strokes are about paint itself — paint moving across the canvas; paint as medium for feelings, sensations, or sounds; paint suggesting a storyline.

He always maintained that his paintings were all about painting as a medium and as such each brushstroke, line, colour and so on was loaded with meaning and purpose.

Dealing with birth, death and violence, his work revives the idea of paint as a medium to move the emotions.

Since the 1990s, Whitten's experiments with paint as a medium have progressed further towards sculpture, beginning with transforming paint compounds into tiles, and applying them to the canvas as mosaics.

Using acrylic paints as her medium, she also incorporates other materials from origami papers to tea bag papers into her works, creating unexpected textures and visuals.

Each painting exists as a clear statement, a unique apparatus which bridges the rich history and vast potential of painting as a medium with Whitney's personal desires.