Sentences with phrase «paints beach scenes»

In addition to portraiture, Augusta paints beach scenes, landscapes, figure studies, and still lifes.

[5] From 1911 to 1917, Dimock and her family spent the summers at Belport on Long Island, where her husband, William Glackens, painted beach scenes.

Not exact matches

• Amsterdam: Explore the canals by night in a saloon boat • Athens: View the Parthenon from the Grande Bretagne Hotel rooftop • Barcelona: Go on a tapas crawl • Belle - Île, France: Enjoy oysters at Le Bistrot du Port • Berlin: Tap into the underground nightlife scene • Budapest: Stay at the restored Four Seasons Gresham Palace • Copenhagen: Browse contemporary design shops • Florence: Tour the Vasari Corridor at the Uffizi • Galway, Ireland: Pair oysters with Guinness at Moran's Oyster Cottage • Iceland: Marvel at the Northern Lights • Isle of Skye, Scotland: Go for whisky tastings at Tallisker distillery • Istanbul: Wander the Grand Bazaar • London: Start with breakfast at the cabmen's shelter on Pont Street • Madrid: Visit the Black Paintings room at the Museo del Prado • Moscow: Tour the Diamond Vaults within the Kremlin • Paris: Snack on bread from Du Pain et Des Idees • Peloponnese, Greece: Stay at the ultra-luxe Amanzoe • Prague: Explore Prague's historic center • Rome: Buy a gelato at San Crispino • Santorini, Greece: Lounge at Red Beach • Sicily: See the mosaics at Villa Romana del Casale • Siena, Italy: Attend the medieval - era Palio horse race • Spain: Take an architecture - themed drive from Bilbao to Granada • Stockholm: Visit the Vasa Museum • Venice: Shop for glassware at L'Angolo del Passat • Versailles, France: Explore Andre Le Notre's gardens at Versailles • Vienna: Attend a concert at the Musikverein

Each piece is crated with batiks, hand - dyed fabrics, and even hand painted fabric to create forest, beach, and river scenes.

He explores the gesture of affection and empathy and his wealth of images have included the dreamlike and enchanting melancholy paintings of women and flowers, children absorbed in daydreams, the serene White cat Gardens and beach scenes.

Her paintings in the exhibition All Roads in My Mind depict scenes that most of us are familiar with: a boat trip or a summer day on the beach, and you can almost feel the wind in your hair, touch the sand and feel the warmth of the sun on your skin.

EUROPEAN and AMERICAN paintings framed by Gill & Lagodich include (in alphabetical order): Milton Avery, Conversation in Studio, 1943; Jules Adolphe Breton, The Song of the Lark, 1884; Elbridge Ayer Burbank, six Native American portraits, Kah - Kap - Tee / Moqui, Wick - Ah - Te - Wah / Moqui, Ko - Pe - Ley / Moqui, Pah - Puh / Moqui, Shu - Pe - La / Moqui, Ho - Mo - Vi / Moqui, 1898; Gustave Caillebotte, Paris Street; Rainy Day, 1877; William Merritt Chase, North River Shad, c. 1910; Thomas Cole, New England Scenery, 1839; Jasper Cropsey, Blasted Tree, c. 1850; Gustave Courbet, Reverie (Portrait of Gabrielle Borreau), 1862; Thomas Doughty, Coming Squall (Nahant Beach with a Summer Shower), 1835; Thomas Eakins, Study for «William Rush Carving His Allegorical Statue of the Schuylkill River», c. 1876 - 77; DeScott Evans, The Irish Question, 1880s, Marsden Hartley, The Last of New England — The Beginning of New Mexico, 1918/19; George Hitchcock, Flower Girl in Holland, c. 1887; Winslow Homer, Peach Blossoms, c. 1878; Edward Hopper, Nighthawks, 1942; George Inness, Crossing The Ford, 1848; George Inness, Summer in the Catskills, 1867, George Inness, The Mill Pond, 1889, George Inness, Early Morning, Tarpon Springs, 1892; George Inness, The Home of the Heron, 1893; George Inness, After A Summer Shower, 1894, Joshua Johnson, Mrs. Andrew Bedford Bankson and Son, Gunning Bedford Bankson, 1803/05; Otis Kaye, Heart of the Matter, 1963; Fernand Leger, Reclining Woman, 1922; Fernand Leger, Still Life, 1926; Edouard Manet, Still - Life with Carp, 1864; Edouard Manet, Bullfight, 1865/66; Julius Gari Melchers, Mother and Child, c. 1906; Jean - Francois Millet, In the Auvergne, 1866/69; Jean - Francois Millet, Bringing Home the Calf; Jean - Francois Millet, The Shepherdess; William Sidney Mount, Bar - Room Scene, 1835; Camille Pissarro, The Place du Havre, Paris, 1893; Severin Roesen, An Abundance of Fruit, 1860; Albert Pinkham Ryder, The Essex Canal, 1896; John Singer Sargent, Venetian Glass Workers, 1880/82; John Singer Sargent, Thistles, 1883/89; John Singer Sargent, The Fountain, Villa Torlonia, Frascati, Italy, 1907; Elihu Vedder, The Fates Gathering in the Stars, 1887; Charles Wilbert White, This, My Brother, 1942; Hale Woodruff, Twilight, 1926; and more...

He makes paintings by going to public spaces around L.A., like the beach or the Americana mall, and quickly sketching what he sees there — tanners lounging in swimwear, dog - walkers, picknickers, etc. — on an iPad, then goes back to his studio and simply paints these scenes on canvas in acrylic, airbrush, and oil sticks that he melts on his stovetop.

Although he is best known for his vibrantly - colored paintings of bakeries and delicatessens, the artist has also specialized in Northern California landscapes, San Francisco cityscapes, and colorful beach scenes.

Buffet's appetites were catholic, and although his exhibitions approached subjects as disparate as Jean d'Arc and casual beach scenes, his paintings consistently evinced a dark politic, as well as a deep reverence for art history, specifically the legacies of French history painters Eugène Delacroix and Antoine - Jean Gros.

His seemingly innocent paintings of boats, airplanes, beach scenes, landscapes,... are formally quite complex but hide at the same time an autobiographic, emotional content.

Some — a large painting by Peter Max, silkscreens by Biasi & Landi and small sculptures by Vasa — shed light on the Pop era; others — a charming Milton Avery drawing of croquet players, a beach scene by American Impressionist Edward Henry Potthast — demonstrate Peg Bradley's affection for bright yet intimate works.

Painted in his masterful, traditional style, the 11 × 11 ft. self - portrait with his husband transports viewers to the transcendent, erotically charged beach scene.

Portraits of families, summers on the beach, scenes of the Statue of Liberty, and dancing figures in costume — these are some of the playful images found in the exhibition Florine Stettheimer: Painting Poetry, on view at the Jewish Museum this summer.

A Long Beach Island native, Engelsen is inspired by the southern New Jersey coastal region to paint historical and contemporary scenes, favoring the scenery closest to her home in Ocean County.

Michael Werner gallery, London In these grave and noble paintings of our catastrophic age, the Scottish artist uses lurid colours to create bold beach scenes haunted by murders and mangy lions

In the wide range of art the gallery offers, subjects range from water and beach scenes, boats, landscape, flower arrangements, graphic paintings of musicians, fifties photographic paintings, birds, fish, traditional still life, figure painting, portraits and trees, covering every major contemporary figurative category and genre.

UP IN THE AIR Jeffrey Deitch has put together Pier 94's most talked - about booth: a tribute to Florine Stettheimer, the society hostess and modernist innovator, who, in 1920, painted a stunning beach scene whose figures are principally African - American.

His color photos with painted backdrops of office cubicles or beach scenes let the client choose what image to project, but the curved painted backdrops flatten out the space and create a surreal effect, in contrast to the elegance of Keita's large - format portraits.

A painting by the British artist John Constable, it shows a beach scene with the first grand hotels of Brighton, England, in the background.

In Visible Range, Lukaza Branfman - Verissimo's colorful protest painting Growing Resistance hangs harmoniously next to Silver Lands Beach by Eva O'Leary, a photograph of a glimmering beach with the artist's shadow looming over the scene like a speBeach by Eva O'Leary, a photograph of a glimmering beach with the artist's shadow looming over the scene like a spebeach with the artist's shadow looming over the scene like a specter.

The artist will exhibit contemporary impressionist paintings of Beach scenes on Long Island.

The genre naturally shares much with landscape painting, and in developing the depiction of the sky the two went together; many landscape artists also painted beach and river scenes.

Malcolm Morley: Painting, Paper, Process brings together works that have rarely been seen together and includes such diverse images as idyllic beach scenes; the artist's beloved black and white border collie, Elsa, in play and repose; and knights in armor, WWII flying aces, and their present day inheritors, the sports stars who carry on the legacy of derring do.

Selected Exhibitions 2009 Zenith Gallery, Washington, DC, For Real, group exhibit 2008 Zenith Gallery, Washington, DC, What Remains: The American Landscape Portfolio Edition, solo exhibit Zenith Gallery, Washington, DC, Trees of Life, 30th Anniversary Show, group exhibit 2007 Zenith Gallery, Washington, DC, What Remains: The American Landscape, solo exhibit 2006 Zenith Gallery, Washington, DC, 28th Anniversary Exhibition, group exhibit 2005 Zenith Gallery, Washington, DC, Into the Minds of Nine, group exhibit Zenith Gallery, Washington, DC, La vie quotidienne: Scenes from Paris to Provence, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 22nd Annual Portrait Show 2004 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes 2004, group exhibit Parker Gallery, Washington, DC, Beyond Brittany: 1977 - 1979, group exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 21st Annual Portrait Show Zenith Gallery, Washington, DC, Zenith Style: Art & Craft for Home & Office, group exhibit Zenith Gallery, Washington, DC, This Land is Your Land, This Land is My Land, group exhibit 2003 Bermuda National Gallery, Hamilton, Bermuda, Inside & Out, House & Home, group exhibit Zenith Gallery, Washington, DC, Near and Far: Recent Landscape Paintings, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 20th Annual Portrait Show 2002 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes Zenith Gallery, Washington, DC, The Dog Days of Summer Zenith Gallery, Washington, DC, New Artists... New Space, Summer Show 2002 2002 Hilligoss Galleries, Chicago, IL, Oil Painters of America, Eleventh Annual National Juried Exhibition of Traditional Oils Francesca Anderson Fine Art, Portraits North, Lexington, MA, 19th Annual Portrait Show 2001 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Northern Virginia Fine Arts Association, Alexandria, VA, Contemporary Realism: A Survey of Washington Area Artists Zantman Art Galleries, Palm Desert, CA, Oil Painters of America, Tenth Annual National Juried Exhibition of Traditional Oils Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Francesca Anderson Fine Art, Portraits North, Lexington, MA, 18th Annual Portrait Show 2000 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Rock Creek Gallery, Washington, DC, Studio 310 Reunion Francesca Anderson Fine Art, Portraits North, Lexington, MA, 17th Annual Portrait Show Spectrum Gallery, Washington, DC, Spectrum Plus Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Zenith Gallery, Washington, DC, Zenith Gallery at 22 1999 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour, recipient of the Steven L. Aschenbrenner Collector's Award Zenith Gallery, Washington, DC, New Works for the Millenium Francesca Anderson Fine Art, Portraits North, Lexington, MA, 16th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1998 Byrne Gallery, Middleburg, VA, Lightmotifs, solo exhibit Mystic Maritime Gallery, Mystic, CT, 19th Annual International Marine Art Exhibition Francesca Anderson Fine Art, Portraits North, Lexington, MA, 15th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1997 Arts Club of Washington, Washington DC, Luminous Journeys, solo exhibit Ballantyne & Douglass Fine Art Gallery, Cannon Beach, OR, featured artist The Artists» Museum, Washington, DC Francesca Anderson Fine Art, Portraits North, Lexington, MA, 14th Annual Portrait Show Morgan Peyton Fine Arts, Charleston, WVA, Journeys through the Virginias, solo exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit Howard / Mandville Gallery, Edmonds, WA, Paintings of the American Landscape 1996 Howard / Mandville Gallery, Kirkland, WA, Pleasures of the Garden Francesca Anderson Fine Art, Portraits North, Lexington, MA, 13th Annual Portrait Show Howard / Mandville Gallery, Edmonds, WA, 2nd Annual Paintings of the American Landscape Gallery 4, Alexandria, VA, Landscapes Cudahy Gallery, Richmond, VA, 15th Anniversary Celebration Charles County Community College, La Plata, MD, Landscapes, solo exhibit 1995 Cudahy Gallery, Richmond, VA, Landscapes 1994 Hollis Taggart Gallery, Washington, DC, Portraits Montgomery County College, Rockville, MD, George Washington Faculty Exhibit DeMatteis Gallery, Annapolis MD, The Figure Fine Arts Gallery, Georgetown University, Washington, DC, Portraiture, co-curator 1993 Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1992 Fine Arts Gallery, Georgetown University, Washington, DC, faculty exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1991 Fine Arts Gallery, Georgetown University, Washington, DC Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1989 Plum Gallery, Kensington, MD, Capital Image 1989 Cudahy Gallery, Richmond, VA, National Portrait Exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1988 Fine Arts Gallery, Georgetown University, Washington, DC, Images of Georgetown, A Bicentennial Celebration 1986 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition 1985 Gallery 4, Alexandria, VA, Washington Landscapes Plum Gallery, Kensington, MD, The Capitol Image Today 1985 The Times Journal Co., Springfield, VA, In and Around Washington 1984 St. Petersburg Historical Society, St. Petersburg, FL 1984 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition Strathmore Hall, Rockville, MD, Metro Art Fairfax County Council of the Arts, Fairfax, VA, juried exhibit curated by Michael Botwinick, director, Corcoran Gallery of Art, Washington, DC World Bank Art Society, Washington, DC 1983 Arlington Arts Center, Arlington, VA, Areawide Painting Exhibition, juried by Frederick Brandt, curator, Virginia Museum of Fine Arts, Richmond, VA American Artists Professional League, New York, NY, Juried Grand National Exhibition Twentieth Century Gallery, Williamsburg, VA

Jerry paints for «the eyes and the soul» and his soft muted colors in many of his beach scenes reflect a sense of calmness and serenity.

These were his beach scenes painted in the Hamptons.

This period includes graphic paintings such as Italian Beach from 1960 and May Scene from 1961 in which the artist utilizes an economy of line not commonly seen in her earlier works.

«Land's End Odalisque» is another dead on painting, a Hamptons beach scene of a 20 - something blond girl with a «what are we doing later» smile and a coy hat.

We will show the recent large painting Untitled (Beach Scene), 2012 depicting bathers in a vast expanse of turquoise water in Maine, as well as some smaller paintings on board.

Often, Stettheimer's energetic, richly symbolic, and vibrantly colored scenes of daily life of the rich and glamorous are thinly disguised attempts at satire; such as this brilliant painting of beach revelers at a segregated resort in New Jersey, where a vivacious mixed - race crowd parties without a care in the world.

When finished, the painting feels personal and familiar: It's possible the beach is the one nearby; the sun - dappled side yard of the white house might be located on a nearby street; the people in Peabody's party scenes may portray someone known or reveal another part of a party attended.

The Spanish painter Joaquín Sorolla painted many beach scenes, typically concentrating on a few figures seen close up, in contrast to the smaller figures of most beach paintings.

The beach scenes and landscapes are appealing in a rather generic way, but the paint quality is irreverent and indulgent.

Thinking of painting out the top cabinets in my kitchen with a beach scene.