Sentences with phrase «paints idols of»

Not exact matches

From the vestments (which are really nothing more than the Fourth Century CE court clothing of the Eastern Roman Empire), the canonized saints (which are essentially «Christian» demigods that replaced the pagan pantheon), the numerous feast days and holy days (which replaced pagan holidays), the statues and painted icons (which replaced pagan idols), and the episcopal structure (in which «third sons» of landed aristocrats who had no hope of inheriting their fathers» titles and lands could become «princes of the church» with as much worldly comfort as the «first sons» and almost as much wealth and power), the Anglican Church was practically indistinguishable from the Roman Church except that they used English in the Mass instead of Latin.

Accompanying the exposition are a picture and paragraph devoted to architecture (Solomon's Temple), a lithograph of the Jerusalem temple, a pictorial representation of Solomon and Queen Sheba from Ethiopia, a painting by Cornelis de Vos of Solomon offering sacrifices to idols, a map of the divided kingdoms, a contemporary Chinese painting of Elijah, another painting of Elijah by Peter Paul Rubens, a 17th - century needlepoint rendition of Jezebel's death, a sidebar devoted to the term «Jezebel,» and a picture of a panel showing King Jehu offering tribute to the Assyrians.

He also mixed with his idol, the painter Joan Miró, Yoko Ono, Dylan Thomas, Marlon Brando, Stanley Kubrick, and Morris's protégé, Congo, the painting chimpanzee, whose works were sold at high prices to the disgust of the art establishment.

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If Call of Duty 4: Modern Warfare was a breathtaking painting done by a master, then the sequels are all pale imitations created by amateur artists looking to replicate their beloved idol, always failing to realise that no matter how good the imitation it will never be truly great in its own right.

If paint, in the hands of her peers, itself stands for a person, she is not looking for an idol or a challenge.

After his studies with Hofmann, Resika literally followed the footsteps of his idol Corot, painting in the same locations in France and Italy where Corot created his atmospheric landscapes.

His personal collection spans vastly different eras and cultures: alongside examples of Khmer statuary there are abstract modernist paintings, dream - like compositions from the Surrealists, striking African idols and artefacts from antiquity.

Oscillating between two separate works, Thomas's painted homage to Sojourner Truth's 1851 speech of Black female empowerment, «Ain't I a Woman,» and a religious altarpiece, Diptych presents the sexy, Black female body sculpted out of flat planes of primary colors in two dimensions on the left (a gesture reminiscent of the painterly techniques of her idols Jacob Lawrence and Romare Bearden), and in a televised two dimensions on the right.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

But such a reading fails to account for the richness, depth, and, yes, even sincerity of the German artist's oeuvre, which includes not only paintings (on weird, unorthodox grounds such as aluminum and lead), but also stark wall drawings, darkly fascinating photographs, and cerebral architectural experiments influenced by his idol, Blinky Palermo.

1956 - 1968 Sioux City Art Center, Sioux City, IA, Marilyn Monroe, Life as a Legend HVCCA — Hudson Valley Center for Contemporary Art, Peekskill, NY, Size Matters — XXL - recent Large - scale paintings Galerie Leu, Munich, Group Show Museum Dhondt - Dhaenens, Deurle, Belgium, Verzameling Roger en Hilda Matthys - Colle Vonderbank Artgalleries — Berlin, Berlin, Prime Time — Idols and Icons Mireille Mosler Ltd., New York, Tease Walker Art Center, Minneapolis, MN, Picasso and American Art CeSAC (Centro Sperimentale per le Arti Contemporanee) Caraglio, Italy, Le cinque anime della scultura Woodward Gallery, New York, When Art Worlds Collide; The 60's CeSAC (Centro Sperimentale per le Arti Contemporanee) Caraglio, Italy, Collectors 1 — Collezione La Gaia Oklahoma City Museum of Art, Oklahoma City, OK, Breaking the Mold: Selections from the Washington Gallery of Modern Art, 1961 - 1968 Burkhard Eikelmann Galerie, Dusseldorf, News on Paper The Dayton Art Institute, Dayton, OH, Marilyn Monroe; Life as a Legend Maxwell Davidson Gallery, New York, The Painted Lady Stiftung Schleswig - Holsteinische Landesmuseen — Schloss Gottorf, Schleswig, Schönwahnsinnig The Columns, Seoul, Temptations Galerie Hafenrichter & Flügel, Nuremberg, New Arrivals and Classics Princeton University Art Museum, Princeton, NJ, Pop Art at Princeton; Permanent and Promised Bank Austria Kunstforum, Vienna, Fondation Beyeler: EROS in der Kunst der Moderne Josef Lebovic Gallery, Sydney, NSW, International & Australian Works on Paper Contessa Gallery, Cleveland, OH.

Later works include exuberantly satirical works of the 1960s, many featuring the vaguely autobiographical figure described by critic and artist Anne Doran as a «nattily dressed and deeply ridiculous Everyman in mad pursuit of liberty, poetry, and sex»; the pornography - inspired «X-Rated Paintings» of the early 1970s; the «Noun» paintings of the same period (each depicting a single everyday object against a bright, patterned background); the schematic, figurative canvases made in homage to Copley's Surrealist idol Francis Picabia; and the story cycles and morality tales from the 1980s and 90s, including a painting from the installation project The Tomb of the UnknoPaintings» of the early 1970s; the «Noun» paintings of the same period (each depicting a single everyday object against a bright, patterned background); the schematic, figurative canvases made in homage to Copley's Surrealist idol Francis Picabia; and the story cycles and morality tales from the 1980s and 90s, including a painting from the installation project The Tomb of the Unknopaintings of the same period (each depicting a single everyday object against a bright, patterned background); the schematic, figurative canvases made in homage to Copley's Surrealist idol Francis Picabia; and the story cycles and morality tales from the 1980s and 90s, including a painting from the installation project The Tomb of the Unknown Whore.

She is my furniture painting idol (ask me how many times I've watched her videos — it's not natural), and she could very well be one of the nicest people I've ever met.