He paints over the patterns and texts on the exterior of the pans with various colors of acrylic paint.
Not exact matches
Use a fitted sheet with a fun
pattern,
paint the walls a bright color, or hang paper art from the ceiling (just not
over the crib!).
To monitor isolated populations
over time, FUNAI researchers conduct regular flyovers, taking aerial photos of houses and fields, estimating populations, and noting hair styles and
patterns of body
paint.
As part of their youth culture - inspired «Class of Now» collection, Wood Wood presents the men's pure cotton «Cy» short sleeve shirt with a vibrant all -
over paint pattern.
Once the
paint has dried, apply glue dots in a random
pattern then sprinkle glitter
over the eggs for a sparkling polka dot effect.
I have been lamenting
over painting the furniture at our beach house, and you have given me the confidence to just do it!!!! The colors and
patterns are exactly what I've imagined in my mind, and now I have pictures to prove how awesome my room will now be!!!
With the help of striping tape, create random lines so that when
painted over an olive nail polish, it results in geometric
patterns.
so my plan was to
paint it and change out the
patterned paper with bead board wallpaper, which I had left
over from another project.
Kurchanova writes: «Apart from large canvases covered by Pollock's signature all -
over web of
patterned, dripped or sculpted
paint, a range of his smaller abstract
paintings adds complexity to our understanding of his work as that of an «action» painter... Pollock's active engagement with printing presents his achievement as a painter to us from a completely different angle and complicates the understanding of his work as based in physical action and unmediated involvement of the artist's hand.
Then, I added oil
paint over a clear sealant, building off of the dye
patterns to suggest form and space.
He often
paints one
pattern over another, turning the surface into a textured skin, like a wall that has been hurriedly covered
over many times.
His simple, wavy stick figures
painted over metallic backgrounds, or wonky chevron
patterns, are a figurative version of his older series of «DUMB AND EASY» text
paintings exhibition at Tomorrow Gallery in 2011.
The centerpiece of the exhibition, Cityscape (1952), which can be absorbed thankfully without glass
over it, is
painted on nubby linen, the interstices of which fill with
patterns of white
paint circling little studs of grey, like the mother - of - pearl disks of a pair of cufflinks.
While the grid and optical illusions are present in Livingston's
paintings, the relatively smaller individual forms create more of an all -
over pattern.
(He often pours resin on a canvas and then
paints images
over it, or douses fabrics with lacquer before sketching
patterns on top of them.)
Typically he gets the
patterns started,
paints over them in translucent white, and then picks up the
patterns again.
These
paintings — such as Notebook 64, where a translucent, multicolored shape hovers
over the
patterns of reflective water and sky — mirror tessellated structures found in the natural world, like honeycomb.
Riffing off both the aesthetic and conceptual characteristics of technology, artists in Technologism document technology's advancement in a plethora of ways: Ulla Wiggen's intricate
paintings of circuit boards from the mid 1960s, see the development of an aesthetic inspired by the complex intersection of electrical wires, connectors and components, working to manipulate and rewire the physicality of technology; some thirty years later, John F. Simon's Art Appliances series of the 1990s uses the circuitry of small LCD screens to disrupt pictures and
patterns, recreating them
over; in Matte Rochford's video Progressively Degrading Test
Pattern 2013, humble VHS tapes are copied and recopied, in a process of metaphysical reduction; while in Joshua Petherick's new work, one technology is employed to record another soon to be superseded, revealing new visual dimensions and the «ghosts in the machine».
Holliday references the history of abstract
painting with a fluid style, seemingly pouring colors
over the white of the canvas into lines, shapes and
patterns.
Over the last few years, Kamrooz Aram's
paintings have sought to rehabilitate the status of ornament and
pattern within modernist aesthetics.
Having abandoned
painting for
over two decades, Mack resurrected his practice in 1991 and began his Chromatische Konstellation (Chromatic Constellation) series of large - scale
paintings and works on paper that explore colour, tonal scale, light, rhythm and abstract
patterning, which he continues to this day.
Painted in 1967, Untitled weaves streams of white
over black
paint in an entrancing
pattern of delicate loops and curves.
In the series Negative Positives from 2007 — 15, Himid attempts to reclaim the stories of black people from their stereotypical media representations by
painting over pages from the Guardian, often with African
patterns.
* Cropped closely to exclude the horizontal plane, they focus on the all -
over abstract
patterns formed by the arrested motion of the cascading water, capturing a kinetic energy reminiscent of twentieth century American Abstract Expressionist
painting.
One could move from the TV test
patterns to Scott Reeder's
paint over pasta or from crumpled and straightened paper to illusion and ironing in Tauba Auerbach and Sam Moyer.
In some of the most complex of these, such as an untitled work from 1953 known as «horizontal black
painting,» a great variety of textures and shades of yellow, gray, and black form a dense, nearly chaotic
pattern over a large surface.
In the following year he began Hoarfrost, a series of nonobjective large - scale
paintings on hardboard characterized by all -
over white colour and criss - crossed
patterning.
Over the following years, his interest in
pattern led him to use printed fabrics and industrial decorative processes as
painting grounds.
An enduring feature of Kusama's unique art is the intricate lattice of
paint that covers the surface of her Infinity Net canvases, the negative spaces between the individual loops of these all -
over patterns emerging as delicate polka dots.
The rows of numbers,
painted in white on gray backgrounds that gradually lightened
over time, create undulating
patterns that suggest waves moving across the sea.
In the collection, Chéri Samba dissects the world with the 2016
painting J'aime la coleur de la vraie carte du monde (I love the color of the real map of the world); Ahmed Chiha
paints vibrant
patterns over bamboo sticks, grouping them
over a pile of sand; Zbel Manifesto collective collected trash for a week, using it to create an installation that looks like a dining room with Maria Callas's voice singing in the background; and Soukaina Aziz Al Idrissi hangs sheets with different textures together to form a dangling collage.
Lyrical abstraction, a term connected to a number of abstract artists working between 1945 - 1960s, was used to describe the work of Meyer along with others
painting all -
over compositions (with no singular focal point) that exhibited a nearly
patterned organization with vibrational movement.
So when Wright has completed the painstaking process of
painting one of his neat abstract
patterns on to a wall, ceiling or piece of coving in the gallery space, he insists that after an appointed viewing time, it must all be
painted over again.
I'm sure this is what Johns is after: the venture of thinking, as it tarries
over the rules of its own delicate physicality (the string, the slats), grounded, as it were, by the generic images of thought — the
painted mimesis of the frame's wood grain, the
painted picture of a stellar galaxy, the symbol of the Big Dipper, the harlequin
pattern, the word «BRIDGE» — all different means and modes of representing, of disciplining the riot of the real and making something meaningful.
Widely known as an icon of Op art, Riley first came to prominence in the 1960s — notably after her participation in The Responsive Eye exhibition at MoMA in 1965 — creating visually disruptive black - and - white
paintings that actively engaged the viewer's perception, using geometrical
patterns that were quickly taken
over by the fashion and design industries throughout the «Swinging Sixties».
My interests lead me to
paint objects where
pattern flows
over form.
However, unlike Schapiro, Meyer didn't join the
Pattern and Decoration movement, but instead went on to create lyrical all -
over compositions in diluted oil
paint, inspired by the translucent qualities of watercolor.
Over the years, she has developed a resolutely graphic style of abstract
painting that typically includes an amazing variety of bold
patterns and bright colors in a single work.
Phillips London Contemp Sale Pulls in $ 15 Million — The top lots were a 1982 untitled Basquiat for $ 2.5 million and a 1997 black - and - white
pattern painting by Christopher Wool for $ 2.6 million, while artist records were set for Nate Lowman ($ 522,728 for a 2005 bullet - hole
painting) and Ryan Sullivan ($ 141,438 for a 2011 abstract
painting) in a sale presided
over by Alexander Gilkes, filing in for the now - gone Simon de Pury.
Each of these fantastical scenes takes place
over a fleeting pale amber
pattern that one gradually realizes is the grain of the birch wood panel on which the picture is
painted.
However the results are seductive surfaces with various types of
paint applications and rhythmic
patterns and all -
over abstractions, or strong figure ground dynamics.
Her brightly incandescent new
paintings and works on paper in gouache and acrylic sing with elaborate
patternings and mandalas of color layered
over fields scraped and burnished like antique silks.
The drips and washes that so vividly recall the liquid state of the
paint as it leaves the brush are most aptly visible in the perfect summer
painting, Pool, which uses four panels of Dura - lar paper (like vellum) on which she has drawn more than
painted the delicate tracery of plants, layered
over a firm
painting of a pool edged in a blue crosshatch
pattern, the most representational moment in the show.
Each measuring
over six metres in height and richly
painted with Shonibare's signature batik fabric
pattern, they will appear like large, glorious handkerchiefs caught by the wind.
In her memoirs, she recalls sometimes seeing the
pattern in
paintings spilling
over the edges of the canvas to envelop her and everything around her, dissolving her inner self in the outside world.
MS. LARSEN: And I always went
over to the County Museum and thought — you know, those
paintings that have a lot of, like, dots and linear
patterns and --
The artist
paints over sections of the newspaper layouts with bright
patterns, geometric shapes and imagery that migrates from advertisements on the page.
As much as Howardena Pindell's unstretched
paintings and drawings — which were made between 1974 and 1980 — share something with the
Pattern and Decoration movement, or with monochromatic abstraction, color field
painting, all -
over painting, fiber art, the counting work of Roman Opalka, and the spot
paintings of Larry Poons, what elevates them above all of these aesthetic and stylistic connections is her subtle infusion of a deep and palpable rage.
The day's most powerful critic would crown Tobey innovator of the «all -
over» composition method, meaning that the marks stretch evenly across the
painting, more like a printed
pattern than Teng's «hole in the wall.»
The newspaper and news print stock elements are laid down in rough, irregular
patterns over already
painted surfaces on to which Windett again builds with active brushwork resulting in a unique physical presence.