To make these drawings, Serra pours melted
paintstick onto a table, puts a layer of wire mesh or screen on top, and then transfers the pigment on to a sheet of paper by pressing a hard marking tool onto the back of the paper.
To make these drawings, Serra often pours melted
paintstick onto the floor and then lays the paper on top of the pigment.
Not exact matches
Describing the process by which these works are made, Neil Cox notes, «Serra spreads his material, which might include one or more types of black [
paintstick, etching ink, and silica]
onto a table.
The
paintstick is transferred to the sheet by pressing a hard marking tool
onto the back of the paper.