Sentences with phrase «pair historical works»

The aim of Against Nature is to pair historical works of geometric abstraction alongside new works by recent upstarts.

Not exact matches

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

With work that combines the contemporary and the historical with references to nature and society, McCree's paintings are an obvious pairing with the surreal and provocative work of Timorous Beasties.

It formed the backdrop to a number of historical works on show, turning messy cartwheels behind a sober set of Bernd and Hilla Becher photographs of water towers, as well as colour co-ordinating with a pair of Paul Thek's «Big Bang Paintings» (1987 — 88).

Pairings of historical and contemporary art works in the display sometimes highlight changing social or political conditions.

This work, which was shown again to the public in 2013 after being rediscovered by gallerist Maxwell Graham, among a few others, is familiar to those who know his graphic image and text pairings within a contemporary context, though not as historical markers.

The format of pairing living artists with historical works is not without precedent — you may remember the brilliant Frieze Masters talk in which Ed Ruscha waxes poetic about Giovanni Bellini's The Ecstasy of St. Francis at the Frick — but the Met's encyclopedic holdings offer a virtually unrivaled range from which to choose.

David Richard mounts exhibits that place artists in a historical contexts and pairs them with contemporary work that reflect, directly or indirectly, the spread of a movement or an artist's influence or legacy.

Each of the contemporary works is paired with historical points of reference: a Bill Viola video titled Catherine's Dream hangs next to Goya's powerful image The Sleep of Reason Produces Monsters; Rachel Whiteread's Untitled (Felt floor) is paired with Ralston Crawford's photographic study of the New York City 3rd Avenue elevated train tracks; Wim Wenders large format photograph of the Australian outback is installed near Edward Hopper's haunting graphic image titled Night Shadows.

From a historical performance at Luxembourg & Dayan involving a violinist and a ballerina, to an immersive installation at Laura Bartlett that appropriates the interior of a Venezuelan currency exchange, to a stunning pairing of works by Pia Camil and James Turrell at OMR, this year's Art Basel has something for everyone.

To explore the art - historical precedents of Folsom's work, this exhibition pairs his photographs with fourteen early Lowcountry landscapes from the Gibbes collection, including paintings by Thomas Coram and Charles Fraser.

Works from 1800 to the present are in dialogue with the museum's historical collection, and Opie's work is paired with paintings by Dirck Dircksz van Santvoort, born in Amsterdam in 1610.

Stylewish, it seems to have a real rustic and / or historical vocabulary; e.g., paired with barn doors, wrought iron, Windosr chairs.