This fall, Roberts & Tilton Gallery in Los Angeles is presenting
a pair of solo exhibitions featuring her work.
Pairs of solo exhibitions have included Francis Upritchard and Alfred Kubin and Marvin Gaye Chetwynd and Tala Madani.
Her work appeared on the January 2017 cover of Frieze magazine and Himid got her first survey treatment this year with
a pair of solo exhibitions that landed her on the Turner Prize shortlist.
Not exact matches
Situated in the Palazzio Benzon, the
exhibition was actually a
pair of solo shows by two artists Shila Gupta from Mumbai and Rashid Rana from Lahore.
So at Participant, there will be an installation
of work by Jonathan Berger that is
paired with a
solo exhibition of work by Exuma, a musician and artist from the Bahamas.
This summer New Art Exchange in Nottingham, UK, presented Dub Versions, a
solo exhibition of Anderson's new and recent paintings
paired with related source materials to illustrate the artist's uniquely forensic approach to image - making.
Blaffer Art Museum is pleased to present a
pair of related
solo exhibitions by Dallas - based artist Darryl Lauster and San Antonio - based artist Vincent Valdez for the museum's Window into Houston series.
Sherrie Levine was born in 1947, Hazelton, PA and lives and works between New York and Santa Fe, Recent
solo exhibitions include After All, Neues Museum Nürnberg, Nuremberg, Germany (2016); Sherrie Levine: African Masks After Walker Evans, Simon Lee Gallery, London, UK (2015); Sherrie Levine: Red Yellow Blue, Paula Cooper Gallery, New York, NY (2014); Sherrie Levine, The Portland Art Museum, Portland, OR (2013); Sherrie Levine: Mayhem, Whitney Museum
of American Art, New York, NY (2011);
Pairs and Posses, Museum Haus Lange, Krefeld, Germany (2010).
Highlights include a keynote by Hans Ulrich Obrist, Artistic Director
of Serpentine Galleries, on
exhibition making in the 21st century;
solo artist conversations with JR, Hermann Nitsch and Carolee Schneemann; artists - in - dialogue
pairings featuring Constant Dullaart and Matt Goerzen; Leonardo Drew and Ja'Tovia Gary; and Josh Kline and Patty Chang; and a series
of panels addressing the future
of the gallery model, the rapid growth
of new cultural centers globally and the paradoxical conditions for political resistance.
ONE AFTERNOON IN mid-December, the artist Anicka Yi traveled uptown to a Columbia University lab, where for the seventh time in as many weeks she had an appointment with a
pair of biologists in preparation for an upcoming
solo exhibition at the Guggenheim Museum.
In her
solo exhibition at The Figge Art Museum, Yuriko Yamaguchi
pairs recent and earlier work in a comprehensive survey showcasing multimedia installations and sculptures constructed from hand - cast resin connected by networks
of steel, copper, and brass wire.
Julian Stanczak is the subject
of DUO, a
solo exhibition of geometric paintings with a reduced
pairing of two colors at Diane Rosenstein in Los Angeles.
This is the first true monograph on this extraordinary
pair, who have exhibited worldwide and whose
solo exhibitions include the Centre Pompidou, Paris (1992), the Museum
of Contemporary Art, Los Angeles (1988), and Tate Modern, London (2006).
Playtime is Ad Minoliti's first UK
exhibition and is
paired with a
solo exhibition of two large paintings by Dale Lewis.
Since there is a formula in place, and we produce
solo exhibitions at the gallery, I look at the
pairing or secession
of shows as swath to reflect on when thinking about hitting a streak, or a stride, or as you put here nailing it.
She is preparing for not one but two major
solo exhibitions — one in New York, one in London — and a
pair of assistants quietly help her apply the final painstaking touches to her latest paintings.
No wonder then that this venue's slate
of group
exhibitions,
solo shows and performances (notably in the form
of Tommy Hartung's video adaptation
of the BBC's classic Ascent
of Man series, and Debo Eilers's Day - Glo assemblages
of everyday flotsam
paired with screen grabs
of cluttered computer desktops) appears to express some idea
of art as a form
of cultural physics.
Highlights included a keynote by Hans Ulrich Obrist, Artistic Director
of Serpentine Galleries, on
exhibition making in the 21st century;
solo artist conversations with JR, Hermann Nitsch and Carolee Schneemann; artists - in - dialogue
pairings featuring Constant Dullaart and Matt Goerzen; Leonardo Drew and Ja'Tovia Gary; and Josh Kline and Patty Chang; and a series
of panels addressing the future
of the gallery model, the rapid growth
of new cultural centers globally and the paradoxical conditions for political resistance.
Closing this month are an
exhibition pairing Mexican artist José Clemente Orozco with Jackson Pollock (Pollock - Krasner House), a
solo show by Eric Fischl figurative beach paintings (Guild Hall) and historic photographs
of the 1938 Hurricane (East Hampton Historical Society).
If you're unfamiliar with the artist Pipilotti Rist, your first encounter with her work could prove surreal: at the end
of this month, to coincide with her major
solo exhibition at London's Hayward gallery, she will hang a string
of 300
pairs of white underpants along the south bank
of the Thames.
The British artist who first came to prominence during the Black Arts Movement in the UK has a
pair of solo shows and will be featured in a group
exhibition this year.
The gallery debuts its new space in Boyle Heights this weekend with several new
exhibitions, including a group show that riffs on the idea
of sleep, as well as a
pair of solos devoted to the work
of sculptor David Adamo and the abstractions
of Devin Farrand.
The
pair's show at Equity is their first
solo exhibition together, and will feature a series
of images taken with prosumer film cameras
of tourists caught in the act
of self - documentation.