Sentences with phrase «palette color study»

Each square - like shape, although painted separately, are juxtaposed to create a harmonic cool palette color study.

Not exact matches

While this is but one study of many, the isolation effect should be kept in mind when testing color palettes to create contrast in your web design and guide people to important action areas.

What Martinez and his team have done is more than triple the color palette — with a suite of emotional categories that can be measured by the proposed computational model and applied in rigorous scientific study.

As an avid art lover, I've spent quite a bit of time studying how color palettes affect our mood.

With a color palette of soft gray, white, and hints of copper this Gasparilla Inn and Club wedding was a study in understand sophistication.

That element of character study never disappears even when crimson enters the color palette.

His body of work pivots from bright palettes and energetic curves to meditative monochromatic blocks, from biomorphic imagery through mixed media sculpture and color field studies.

Throughout these demonstrations we are able to observe Scott mix with a sizable trowel, the paint he will need for each study, figuring out on the palette first the approximate colors of the light, stressing value, and how they change and relate to one another, so that he can paint faster once he starts only needing to quickly adjust his mixtures with additional touches of more color or white, using a brush, as each painting progresses.

Created in close collaboration with the artist, the publication's beautifully produced color plates offer a selection of the iconic works, including Riley's first stripe works in color from the 1960s, a series of vertical compositions from the 1980s that demonstrate her so - called «Egyptian» palette, and an array of her modestly scaled studies, executed with gouache on graph paper and rarely before seen.

These include the artist's first stripe works in color from the 1960s, a series of vertical compositions from the 1980s that demonstrate her so - called «Egyptian» palette — a «narrow chromatic range that recalled natural phenomena» — and an array of her modestly scaled studies, executed with gouache on graph paper and rarely before seen.

Through careful study and comparison, the viewer can understand the development of Mitchell's palette and sense of color, her collaboration with various printmakers, and her exploration of scale.

Rauschenberg's reduction of his palette to black and white also reflected his efforts to break free from the intense color curriculum of Josef Albers (1888 — 1976), under whom he had studied at Black Mountain.

Inside these baroque forms are uniformly sized blocks, each square its own pure color, sometimes only subtly distinguished from neighboring colors... Gordon's shapes are carefully molded in heavy impasto paint with a palette knife, a bas - relief in color that pops off the canvas... [Diamond] uses nature - based drawings to create forms that at first glance resemble figures but after closer study escape into the realm of the imagination.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

In honor of their 50th anniversary, Pantone studied the trends in color palettes over the past 50 - ish years.

Coulis» Table Studies recall the hard - edged abstraction and sixties color palette of Sarah Morris and the principled color proficiency of Alex Katz.

I had seen and studied many of Andersson's works in reproduction and while her muted color palette and references to period interiors sometimes cast a vintage - like shadow over her surfaces, an effect that I might normally find gratuitous or off - putting, her strange way of telling a story with no resolution or creating an in - between space transported me to a timeless realm where I was free to imagine with reckless abandon.

Mary Lawlor, Kelly - Moore's manager of color marketing and a fan of the series, studied individual rooms to come up with a «Downton Abbey» palette to help with requests.