Sentences with phrase «panel installation at»
In addition, Google Inc. announced that it has switched on the solar panel installation at its Mountain View, Calif. headquarters, which will help the company reduce its environmental footprint and power its plug - ins with clean solar electricity.
http://www.calcars.org/ Not exact matches
At least 3,500 buildings across the state currently qualify for panel installation under SOMAH, says CPUC solar analyst Tory Francisco, and in these buildings there are almost 255,000 individual rent - assisted units.
Installation costs of traditional solar panels are high, running at $ 15,000 or more depending on the size of the house.
Melitta North America has expanded its commitment to sustainability with the installation of solar panels at the brand's state of the art coffee roasting facility in Cherry Hill, New Jersey.
Henk Kamp, Dutch Minister of Economic Affairs, has given out SDE + (Encouraging Sustainable Energy Production) subsidies of more than $ 200m ($ 239m) for the installation of solar panels at the roofs of FrieslandCampina member dairy farms.
With the installation of ultra-slim solar panels mounted on top of golf carts, any concern over an iPhone or Android losing power while playing golf is eliminated at Greenhorn Creek Resort, nestled among the trees and valleys of Angels Camp, CA.
The development of Liverpool FC's new retail store at Anfield has continued with the installation of new glass panels.
The Base itself is very easy to fit in the car and can be done quickly and efficiently thanks to the display panel at the front which gives installation feedback both audibly and visually.
SolarCity's main line of business is the installation of rooftop solar panels on houses; the factory at Riverbend represents the company's first foray into manufacturing.
Wanting to take action before the end of the year in order to receive Long Island Power Authority rebates, the board accepted a bid Tuesday night for installation of photovoltaic panels at the shelter on Peconic Lane.
TZC will also continue installation of exterior wall panels at the facility and the Thruway Authority's new maintenance building in Tarrytown.
«My colleagues in India were showing off some of their rooftop solar installations, and I was blown away by how dirty the panels were,» said Michael Bergin, professor of civil and environmental engineering at Duke University and lead author of the study.
The creation will sit within the six - panel installation and will be displayed at Christ Church Cathedral from 18 to 25 January.
The board will also receive a report on school construction projects around the city, including Audubon Charter's Broadway campus renovation, the construction of Lawrence Crocker campus in the Milan neighborhood, the gym construction at McMain High School, the design of the Booker T. Washington High School, and the installation of solar panels at the International School of Louisiana's Camp Street campus.
Jaguar Land Rover has completed the installation of the UK's largest rooftop solar panel array at its new state - of - the art Engine Manufacturing Centre.
In addition to the Honda FCX Clarity fuel cell electric vehicle, the Fit EV and the future plug - in hybrid vehicle, Honda is currently producing and marketing thin - film solar panels in Japan, and an installation is planned at Honda Performance Development in Southern California in early 2011.
Our technicians are skilled at their work and we offer complete upholstery services, from new leather upholstery installation and seat section repair to door panels, headliners and convertible tops.
In the year to come look out for a second webcomic serial to debut at E-merl, a new comics installation to be exhibited somewhere in London, a discussion panel 12 years in the making and the announcement of a major new digital comics research project.
Powered by a rechargeable battery, these signs allow for cordless installation even at the most remote of locations, seamlessly integrating with the existing information kiosk, information panel, bus shelter or train stop.
Customers either pay in full at the time of purchase for both installation and the solar panels, or they can choose a creative leasing offer which gives them the right to pay for the panels over 20 years by purchasing power from SolarCity at a specified rate.
Kessler writes that the exhibition «is not only about a group of Mark Rothko paintings done at the peak of his career, but it's also about an ingenious restoration technique — a way to restore the color of these faded murals via non-invasive digital projections... The exhibition features a much - damaged five - panel mural that Rothko was commissioned to make in 1961 - 62 for the penthouse dining room of Harvard University's Holyoke Center... 38 studies for the murals... And, presented here for the first time, a sixth [undamaged] mural which was painted for the commission and held in reserve until Rothko decided which five paintings he wanted for the final installation.»
Other pieces that I am more practiced at in the making are pushed in the installation («Create A Scene» and «Fearful Symmetry») or glazing stages («Panel Discussion»).
Installation view of KERRY JAMES MARSHALL, «Still Life with Wedding Portrait,» 2015 (acrylic on PVC panel), with «Black Star 2» in the background at left.
This will be followed at 4:00 p.m. by a panel discussion with artists Mike Hoolboom, Willie Doherty and Uwe Wittwer about their approaches to documentary through film, painting, and installation.
Steadily working since to recreate and repurpose the interiors of the castle — through wallpapered rooms, panels that collage photocopies and concrete, and jesmonite geode - like sculptures — the pair will open their latest installation this spring at Wentrup during Gallery Weekend Berlin.
The Spring 2018 Graduate Theses Exhibition at the Fine Arts Gallery highlights the works of seven graduate students: Alexandra Cao Ying, MFA, Studio Arts, Let One Hundred Flowers Blossom, # 087, oil on panel, 6x6 inches; Bianka Miranda, MFA, Studio Arts, Aa, acrylic on panel, 18x24 inches; Gabriela Melendez, MA, Studio Arts, Beneath the Skin, wood, plaster, silicone, 34x16x72 inches; Raquel Rojas, MFA, Studio Arts, Aborto, acrylic on canvas, 9x12 inches; Saul Aguilera, MFA, Studio Arts, En Los Tiempos de Las Golondrinas: Sun Frida, mixed media; Sean Kelly, MFA, Studio Arts, Mythic Landscape, (detail pieces of two - part installations) ceramic, wood, 78x99x51 inches and 78x39x39 inches; Teresa Carrasco, MFA, Studio Arts, Shoot Em Up Bang Bang!
The shortlist, featuring installation artists, sculptors and a painter were selected by a judging panel chaired by Iwona Blazwick OBE, Director of the Whitechapel Gallery, joined by Fiona Bradley, Director of the Fruitmarket Gallery, Edinburgh; Sarah Elson, Collector and Founder of Launch Pad, a commissioning series supporting emerging artists; Helen Sumpter, Critic and Senior Editor / Web Editor at ArtReview; and Artist and Royal Academician Alison Wilding.
As the exhibition title indicates, Bell approached the installation in an improvisational way insofar as he had no preconceived plan other than wanting to respond to the given architectural situation by employing a maximum of 39 glass panels - the number of panels at his disposition.
Site - specific installation detail: collaged dry - wall panels with collaged elements, canvas with torn edges, photo transfers, acrylic, text, 9 1/2 ft high at highest point; bronze elements,
Site - specific installation detail: collaged dry - wall panels with collaged elements, canvas with torn edges, acrylic, text, 9 1/2 ft high at highest point; images of ancient texts of the Abrahamic religions from 10 Centuries of peaceful co-existence; one text in ancient Coptic dialect; book of Exodus written in an arabic dialect; a page of the Koran written in Hebrew script
Site - specific installation overvew: 17 collaged dry - wall panels with collaged elements, canvas with torn edges, photo transfers, acrylic, text, 9 1/2 ft high at highest point; 5 bronze elements, underground cable, and 1 tall and 2 smaller broken border posts with barbed wire from the former East German Border, 5 curved broken sections from the top of the former Berlin wall
Panels from Hu Jieming's video installation «100 Years in 1 Minute,» which is on display at ShanghART Beijing.
The exhibition follows a spate of international activities: «Tomorrow is Another Day,» Bradford's solo exhibition in the U.S. pavilion at the 2017 Venice Biennale; «Pickett's Charge,» the 360 - degree installation composed of eight paintings that opened at the Smithsonian's Hirshhorn Museum in November; and in recent weeks, the installation of a 32 - panel, site - specific work at the new U.S. embassy in London that incorporates the entire U.S. Constitution.
A wood - paneled dive bar called the Blue Flame is the unlikely venue for art in Ben Roosevelt's intriguing installation at Get This!
Ellsworth Kelly, Austin, 2015 (interior, facing north), artist - designed building with installation of coloured glass windows, black and white marble panels, and redwood totem, 18.3 x 22.3 x 8 m. Courtesy: Blanton Museum of Art, The University of Texas at Austin © Ellsworth Kelly Foundation
Over a 72 - hour period, Portland will experience three days of drifts and simultaneous creation and installation of drift documentation or ephemera, including panel discussions at the citydrift / Portland hubs.
Ellsworth Kelly, Austin, 2015 (West façade), artist - designed building with installation of coloured glass windows, black and white marble panels, and redwood totem, 18.3 x 22.3 x 8 m. Courtesy: Blanton Museum of Art, The University of Texas at Austin © Ellsworth Kelly Foundation
Main image: Ellsworth Kelly, Austin, 2015 (East façade), artist - designed building with installation of coloured glass windows, black and white marble panels, and redwood totem, 18.3 x 22.3 x 8 m. Courtesy: Blanton Museum of Art, The University of Texas at Austin © Ellsworth Kelly Foundation
Ellsworth Kelly, Austin, 2015 (interior, facing south), artist - designed building with installation of coloured glass windows, black and white marble panels, and redwood totem, 18.3 x 22.3 x 8 m. Courtesy: Blanton Museum of Art, The University of Texas at Austin © Ellsworth Kelly Foundation
Ellsworth Kelly, Austin, 2015 (southeast view), artist - designed building with installation of coloured glass windows, black and white marble panels, and redwood totem, 18.3 x 22.3 x 8 m. Courtesy: Blanton Museum of Art, The University of Texas at Austin © Ellsworth Kelly Foundation
Taking place from July 5 - 8 at Chinatown Centre Mall (222 Spadina Avenue), TOABF 2018 will feature curated exhibitions, installations, Canadian and international exhibitors, and community programming that includes panel discussions, readings, talks, launches, and workshops.
On the occasion of the Armory Show week in March and a panel discussion at Independent art fair VernissageTV met with New York based artist Jennifer Rubell to talk about her large - scale food projects, which are a hybrid of performance art, installation art, and happenings.
The exhibition, on view at 545 West 22nd Street from April 30 to June 19, 2010, features «Pilgrim», an installation composed of nearly thirty hand - painted stained glass panels.
In partnership with VO2 Networx, the University of Memphis Department of Art, Memphis College of Art, and Rhodes College Art Department, Crosstown Arts is pleased to welcome internationally - recognized installation and social practice artist Theaster Gates for a public lecture and panel discussion at Sears Crosstown on the evening of Saturday, November 16.
With support from a Andrew W. Mellon Foundation grant, the museum has launched a digital archive, making available videos of artist talks and panel discussions, artist biographies, images of artworks presented, installation views of the exhibition at the three venues where it appeared, and all eight essays published in the now - out - of - print exhibition catalog (at right), among other material.
At Andrea Rosen's booth at Frieze New York yesterday, a small throng of visitors murmured in quiet appreciation of David Altmejd's Le désert et la semence (2015), a large - scale installation composed of, among other things, synthetic hair, glass eyes, coconuts, and large mirror panelAt Andrea Rosen's booth at Frieze New York yesterday, a small throng of visitors murmured in quiet appreciation of David Altmejd's Le désert et la semence (2015), a large - scale installation composed of, among other things, synthetic hair, glass eyes, coconuts, and large mirror panelat Frieze New York yesterday, a small throng of visitors murmured in quiet appreciation of David Altmejd's Le désert et la semence (2015), a large - scale installation composed of, among other things, synthetic hair, glass eyes, coconuts, and large mirror panels.
With a roster of recent exhibitions too impractical for mainstream venues — an unauthorized survey of the work of the elusive David Hammons, consisting of Xeroxes taped to wood panels; approximate replicas of Cady Noland's installations; a display of unspectacular everyday objects; and art made by a fictitious Post-Minimalist — Nesbett and Bancroft are reinventing the alternative space at a time when nonprofit galleries and their conventional counterparts are becoming more and more alike.
Finch's talk at the New School will focus on the artist's various public and large - scale installations like A Certain Slant of Light (2014 - 15), a site - specific installation at the Morgan Library inspired by its collection of medieval Books of Hours; Trying to Remember the Color of the Sky on That September Morning (2014), a commission for the National September 11 Memorialand Museum composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation on New York's High Line featuring an existing series of windows which Finch transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.
THE ART OF TIME: DISCUSSING BRUCE NAUMAN»S «SAN JOSE INSTALLATION» Expert Panel on Bruce Nauman, Moderated by Dore Bowen Tuesday, February 13, 2018, 5:00 pm - 7:00 pm Hammer Theatre, 101 Paseo de San Antonio, San Jose, CA 95113 Tickets can be bought online through the Hammer Theatre or at the ticket office.
SUSAN AMORDE May 9 — June 8, 2015 Please join us Saturday May 9 Noon — 4PM View the artwork and installations Porch Gallery Ojai & Ojai Art Center 4 - 5 PM Panel Discussion Moderated by ViCA Director Juri Koll Next to Porch Gallery Ojai at Modern Folk Living 5 - 7 PM Opening Reception Porch Gallery Ojai...