Sentences with phrase «panel of the triptych»

Furthermore, as Patricia Junker notes, «The central panel emphasizes the persistence of primitive forms of combat, yet the left - hand panel of the triptych makes it clear that the engine of war is fueled by technology.

The striking painting was originally the left panel of a triptych and stands at over six feet high.

These scenes are not dissimilar to the epic intricacies of Hieronymus Bosch's The Garden of Earthly Delights (central panel of the triptych, 1490).

Dyer's form appears in all three panels of the triptych - as a boxer, reflection, and a shadowy figure inserting a key in a door.

In other words, «Basel Mural I» is a survivor: one panel of a triptych that will never again be entirely whole.

These works extend his abiding interest in serialisation, with the possibilities for repetition across all three panels of each triptych.

Not exact matches

In the predella, or bottom border, it shows Martin Luther preaching Christ crucified to his Wittenberg congregation; in the triptych's left wing, Philipp Melanchthon baptizes an infant; in the right wing, Johann Bugenhagen exercises the power of the keys in confession; and in the center panel, Jesus feeds a morsel of bread to Judas (reception by the unworthy!)

Dame Rebecca West had a theory that the history of civilization since Christ could be divided into three panels like a triptych.

To add that final panel to the triptych, we've got the third part of this year's accidental Dunkirk trilogy: Darkest Hour, Joe Wright's talky and handsome movie about Winston Churchill resolutely resisting defeat, opening November 22.

Image Credit: Iñigo Manglano - Ovalle, Suzanne, Fermin and Mel (from The Garden of Delights), 1998/2015, archival pigment prints triptych: 60-3/4 x 23-3/4 x 1-3/4» each panel, 60-3/4 x 75-1/2 x 1-3/4» overall.

2014 Montclair Art Museum, Montclair, NJ Urban Video Project, Syracuse University, Syracuse, NY University of Colorado Boulder, Boulder, CO CoHosts, Baltimore School for the Arts, Baltimore, MD Art in Embassies, Delegation participant, Johannesburg, South Africa Prompter for LaTableRonde Whitney Biennial # 3: On Art as Apparatus, Critical Practices Inc, Whitney Museum of American Art, New York, NY AFROPUNK panel moderated by Greg Tate, Moogfest, Asheville, NC Carrie Mae Weems: Live from the Guggenheim, Guggenheim Museum, New York, NY In Conversation Sanford Biggers and Saul Williams moderated by Rujeko Hockley presented by Columbia University School of the Arts and The Studio Museum, New York, NY Afropunk's The Triptych screening panel, Georgia Institute of Technology, Atlanta, GA Advancing STEM Through Culturally Situated Arts Based Learning, Georgia Institute of Technology, Atlanta, GA

David Allan Peters untitled triptych of carved acrylic on panel at Royale Projercts Contemporary Art, Palm Desert, California; at Untitled

For the three - paneled form of the Bulletin Board at the Center for Curatorial Studies at Bard College, Los Angeles - based artist Scott Benzel conceptualized a site - specific triptych for the atypical, yet mundane, exhibition space.

2013 Vanderbilt University, Nashville, TN EXPO CHICAGO, SAIC sponsored / Dialogues: Sanford Biggers, Elysia Borowy - Reeder and José Lerma in conversation with Richard Holland and Duncan MacKenzie, Chicago, IL Afropunk's The Triptych screening panel, Philadelphia Museum of Art, Philadelphia, PA Columbia University Visiting Artist Lecture Series, New York, NY Sanford Biggers, Everard Findley & Marcus Samuelsson in conversation, moderated by Thelma Golden, Neuehouse, New York, NY The Verbier 3 - D Residency and Sculpture Park, Verbier, Switzerland Bermuda National Gallery, Hamilton, Bermuda Now Dig This!

The panels of Light Triptych, Blue with Dark resolve into two halves, light blues and near - blacks, and again, the variations in hue are incredibly subtle — what looks uniformly black from a distance reveals itself to be a jet black subsuming a dark brown.

The scope of Michael Meads» work is large, and wandering from room to room in «Bent Not Broken» at the Ogden Museum of Southern Art, his range of mediums and forms is awe - inspiring: acrylic paintings, charcoal drawings, papier - mâché masks, screen - printed images overlaid on gessoed wood panels, vivid sculptural triptychs, a small bound book of collages.

The topmost tower gallery of the Guggenheim contains the triptych Three Panels: Orange, Dark Gray, Green (1986), as well as other shaped canvases, and the installation is inspired.

Outstanding works in the contemporary collection include Frank Stella's monumental geometric painting Raqqa II (1970), Ellsworth Kelly's minimalist painting Blue Panel (1980), Anselm Kiefer's Untitled (1980 — 86) triptych, Gerhard Richter's abstract painting Station (577 - 2)(1985), Elizabeth Murray's three - dimensional painting Pigeon (1991), Guillermo Kuitca's evocative painting People on Fire (1993), Sean Scully's luminous painting Wall of Light Peru (2000), Jaume Plensa's illuminated sculpture Doors of Jerusalem I, II, & III (2006), Beth Lipman's monumental glass sculpture Bride (2010), Mickalene Thomas's powerful painting Three Graces: Les Trois Femmes Noires (2011), Kehinde Wiley's provocative portrait Judith and Holofernes (2012), and Yinka Shonibare's dynamic outdoor sculpture Wind Sculpture II (2013).

The three vertical panels, in addition to referencing the traditional triptych format, appear to be horizontally subdivided into three regions: a relatively quiet area along the top, bordered by a long squeeze of red paint that crosses the surface from left to right; a densely layered strip across the center, where the majority of the collaged elements are concentrated; and a band of brightly colored stripes that fills the bottom.

This series is installed in the main gallery space as a sequence of diptych and triptych paneled photographs that trace a growing ribbon of light against the curtains of the artist's home.

The 1951 three - panel White Painting is believed to have been painted over almost immediately as Untitled [matte black triptych](ca. 1951, fig. 2).6 In fact, there is no exhibition history or any other evidence to indicate that White Painting [three panel] was extant between 1951 and 1968; 7 in those years, most of the original White Paintings had slipped out of existence, their canvases used as the supports for other pieces.8 Though artists throughout history have created new works on used canvases, Rauschenberg did so with an unusual frequency and ease, particularly in the early 1950s.9 Looking back at that period some ten years later, he commented, «Today I wouldn't do that....

Following his debut exhibition at the gallery earlier this year featuring small - scale paintings of his studio, this exhibition will introduce six new oils of the artist's studio that range in size from single panel paintings 5x4 feet to a nearly life - size triptych 7x12 feet.

The triptych's three main panels are scattered — the central one is in the Getty, Los Angeles; the right wing is in the Musée Fabre at Montpellier — but the Louvre's new purchase will join another work, The Crucifixion of the Parlement of Paris, which is believed to be the design of the same artist.

For the three - paneled form of the Bulletin Board at the Center for Curatorial Studies at Bard College, Benzel conceptualized a site - specific triptych for the atypical, yet mundane, exhibition space.

With their heads isolated at the center of the panels, their faces seemingly frozen in time, the philosopher triptych evokes Filomeno's sculptures, which will also be exhibited.

Dustin Yellin: The Triptych The Triptych is Yellin's largest and most complex work, a massive 12 - ton, three - paneled epic, embodying his vision of the world and consciousness.

In the early 2000s, Twombly painted a new version of that panel to recreate the triptych, then owned by the French collector François Pinault.

Marco Maggi presents Podium, a triptych of three panels, each a different size and color — gold, silver, and bronze.

«Cultural factors,» Gage continued, «were also of some interest to Rothko, who told the president of Harvard University in 1962 that his somber monumental triptych for the university was intended to convey Christ's suffering on Good Friday, while the brighter panels represented East and the Resurrection.

Takashi Murakami, Homage to Francis Bacon (Second Version of Triptych (on light ground)-RRB-, 2016, acrylic, gold and platinum leaf on canvas mounted on aluminum frame triptych (three Triptych (on light ground)-RRB-, 2016, acrylic, gold and platinum leaf on canvas mounted on aluminum frame triptych (three triptych (three panels).

Anima, 2000 Color video triptych on three LCD flat panels framed and mounted vertically on wall, 83 minute loop 16 1/4 X 75 inches Edition of 5

In 2016, in response to this fluidity, and to capture the evolution, of Scrollbar Composition (2000), at the Whitechapel gallery's exhibition The Electronic Superhighway, conservator Dragan Espenschied, the others at Rhizome and I decided to exhibit a triptych, in which each panel used a different operating system to show the work — Windows 95, Mac OS X 10.6 (also known as the aqua interface) and Mac OS X 10.10.

The show, spanning 25 years of painting, features diptychs, triptychs, and «symbiotic portraits,» single panels filled with multiple, often entwined bodies.

Two of these luminous panels — «Reflections of Clouds on the Water - Lily Pond,» a mural - sized triptych, and «Water Lilies,» a single canvas — are among the most well - known and beloved works in the collection of The Museum of Modern Art.

Looking at these triptychs, one might have thought for a moment of Aleksandr Rodchenko's iconoclastic Pure Red Color, Pure Yellow Color, Pure Blue Color of 1921, except that where the Russian Constructivist's work was meant to boil down painting to its primary colors, what the artist called its «logical conclusion,» Levine's wooden panels are invested in painting's history: The color of each is derived from the digital averaging of the hues in one of Renoir's many zaftig yet jaundiced nudes.

A new triptych he has produced for the exhibition, Arles - Abend - Vincent (2013), has the same configuration of shapes across each of its three panels, but each is produced in different colours.

Other works included in this exhibition are: Poem B (The Guest House), a triptych from 2006, in which images form a tapestry of shifting memories from the exhibitions to the present; Bodies of Light, 2006 a flat panel diptych which takes its inspiration from Tantric Buddhist descriptions of the dissolution of the body during the process of birth and death; Old Oak (Study), (2005); and Four Hands (2001).

This series comprises two single panel pieces, a diptych and a triptych and is full of the vibrant color schemes, botanical forms, and intricate detailing typical to her work.

New drawings made with India ink on reflective chromed panel from the series Golden, which includes a large - scale triptych measuring more than three and a half meters, continue Fernández's inquiries into materiality and mining, traditional landscape painting and the cultural significance of gold.

Construed as a triptych, the first two panels acknowledge the artists» Pakistani roots in comprising stylised paintings of Islamic prayer rugs from the Baluchistan region of Pakistan and Azerbaijan in Northwest Iran.

Most of the paintings in this exhibition are triptychs on panel in either the vertical or horizontal orientation.

Mounted on wood panels, the large scale triptych Untitled (Thin Curb)(1997) gains its aesthetic fortitude from the jarring effects of the borders between the three sections, as well as from irregularities along each print's edges.

The works vary in size, from the small 16 x 12 inches canvas from 1961 whose pull cord extends down the length of the painting and dangles several inches below the picture plane, to the large, three paneled, Untitled (triptych), 1961, which features a split shade and measures 54 x 115 inches overall.

Any notion that humanity has learned piety, reconciliation, harmony and co-existence since the right panel of Hieronymus Bosch's famous triptych, is thoroughly dispelled by Canyon Castator's comic book - like nightmarish scenes.

On July 19, 2007, police arrested artist Rindy Sam after she kissed one panel of Twombly's triptych Phaedrus.

This exhibition brings together the scattered elements of the famous triptych, reuniting the Morgan inner wings with the central panel now owned by the Musei Civici in Vicenza, Italy, and the outer wings from the Groeningemuseum in Bruges, Belgium.

This week, a 2012 triptych by Mr. Israel of his spray - painted panels sold for a more muted, within - estimate # 305,000 (about $ 465,000) at Sotheby's.