Sentences with phrase «panel on contemporary painting»

James Kalm films a recent panel on contemporary painting hosted by Hunter College and the Brooklyn Rail.

Not exact matches

Adamah by artist Patrick Adams is an orange, purple, and blue contemporary abstract expressionist landscape made with oil paint on panel that measures 36 x 80 and is priced at $ 12,50...

RED EARTH by artist Patrick Adams is a contemporary red and blue abstract / landscape expressionist oil paint on panel that measures 48 x 64 and is priced at $ 8,500.

His recent solo exhibitions at the Museum of Contemporary Native Arts in Santa Fe, New Mexico (2012) and at Urban Shaman Contemporary Aboriginal Art in Winnipeg, Manitoba (2013) highlighted his most recent work — a striking series of small works on paper and panels and an impressive collection of large scale paintings on canvas — work he describes as «rooted in Indigenous abstraction and Modernist aesthetics».

Drawing on the ideas explored in one of our current exhibitions Painting in the 2.5 th Dimension, the panel of leading artists, writers and curators will discuss contemporary painting practices that rethink the conventional mediums of the disPainting in the 2.5 th Dimension, the panel of leading artists, writers and curators will discuss contemporary painting practices that rethink the conventional mediums of the dispainting practices that rethink the conventional mediums of the discipline.

Outstanding works in the contemporary collection include Frank Stella's monumental geometric painting Raqqa II (1970), Ellsworth Kelly's minimalist painting Blue Panel (1980), Anselm Kiefer's Untitled (1980 — 86) triptych, Gerhard Richter's abstract painting Station (577 - 2)(1985), Elizabeth Murray's three - dimensional painting Pigeon (1991), Guillermo Kuitca's evocative painting People on Fire (1993), Sean Scully's luminous painting Wall of Light Peru (2000), Jaume Plensa's illuminated sculpture Doors of Jerusalem I, II, & III (2006), Beth Lipman's monumental glass sculpture Bride (2010), Mickalene Thomas's powerful painting Three Graces: Les Trois Femmes Noires (2011), Kehinde Wiley's provocative portrait Judith and Holofernes (2012), and Yinka Shonibare's dynamic outdoor sculpture Wind Sculpture II (2013).

The panel will explore the timeliness of this recent iteration of digital abstraction, with three artists who variously work through issues such as: how gesture, expression, and authenticity might continue to be possible in a contemporary image - based culture; whether our digital era truly produces an ahistorical condition in which images and marks have no specific reference and no relevant point of origin; how structures of and interfaces with digital technologies have necessitated new models for thinking about memory, distribution, and reproduction, as well as degradation, rupture, breakdown, and the void; and how the ubiquity of the screen in all aspects of life has given rise to a renewed interest in the relationship between two - dimensional and three - dimensional space, with a refreshed focus on tromp l'oeil and «topographical» painting.

Panel I: Contemporary Abstraction This first panel of the one - day symposium will focus on the resurgence of abstraction in the last several years, particularly in painPanel I: Contemporary Abstraction This first panel of the one - day symposium will focus on the resurgence of abstraction in the last several years, particularly in painpanel of the one - day symposium will focus on the resurgence of abstraction in the last several years, particularly in painting.

Contemporary hyper - realist style painting of New York City underpass 48 x 50 inches, Oil on panel Created in 2006, this painting demonstrates Eileen Murphy's talent for hyper - realism, as she captures the rough, gritty textures of urban infrastructur...

Gajin Fujita, (American, b. 1972) Ride or Die, 2005 spray paint, paint marker, paint stick, gold and white gold leaf on wood panels 84 x 132 1/2 inches Collection of the Kemper Museum of Contemporary Art, Kansas City, Missouri Bebe and Crosby Kemper Collection, Museum purchase, Enid and Crosby Kemper and William T. Kemper Acquisition Fund, 2005.39 a — c © Gajin Fujita, courtesy of the artist and L.A. Louver Gallery.

Untitled LIII is a one - off painting by French contemporary artist Frédérique Domergue, made of oxidized zinc and bronze leaves on a wood panel.

The exhibition opened on August 28 with a panel discussion by distinguished curators, scholars, and critics, who explored her work and its relationship to contemporary Chinese and American painting.

Untitled VII, is a one - off painting by French contemporary artist Frédérique Domergue, made of oxidized zinc and bronze leaves on a wood panel.

New monograph on Philip Taaffe kicks off Cooper Union panel discussion on contemporary painting

When: Thursday, April 19, free with advance RSVP, 6:30 Why: In conjunction with the publication of the first monograph on Philip Taaffe as part of the Lund Humphries Contemporary Painters series, the Cooper Union is hosting the panel discussion «Rewriting Painting» on April 19 at 6:30, featuring Cooper graduates, artists, and Lund Humphries subjects Lois Dodd, Thomas Nozkowski, and Philip Taaffe along with critics Barry Schwabsky (the editor of the Lund Humphries series), Faye Hirsch (who wrote the book on Dodd), and John Yau (who wrote the book on Taaffe).

«Value and Viability,» Chicago Architecture Foundation, Chicago, IL, December 10, 2015 «Theaster Gates «Sanctum»,» St. George's, Bristol, UK, October 31, 2015 «The Gail Silver Memorial Lecture: Theaster Gates,» Rhode Island School of Design Museum, Providence, RI, October 14, 2015 «To Build a Bank: Notes from the Construction Site,» Wayne State University, Detroit, MI, October 8, 2015 «Panel Discussion: The Art of Architecture — David Adjaye's Collaborations with Artists,» The Art Institute of Chicago, Chicago, IL, September 19, 2015 «Theaster Gates: Trustees» and Governors» Speaker,» Skowhegan School of Painting & Sculpture, Skowhegan, ME, July 15, 2015 «The Most Inspired Among Us, a conversation with Carrie Mae Weems,» Opening Celebration: Radical Presence, Yerba Buena Center for the Arts, San Francisco, CA, June 15, 2015 «San Francisco Art Institute Commencement,» Nourse Theater, San Francisco, CA, May 17, 2015 «Theaster Gates + Lisa Lee on Doris Salcedo,» Museum of Contemporary Art Chicago, Chicago, IL, May 16, 2015 «Learning from Roofers: Theaster Gates in conversation,» Tate Modern, London, UK, April 27, 2015

Working in oils on aluminium panel, Early's colour - saturated mini-narratives combine the splendour of Renaissance and Romantic painting with the rawness of contemporary life, a splendid example of the iron fist in a velvet glove strategy, examining the sensitive and personal aspects of conflict, ambition and entropy in an opulent, cinematic style.

To coincide with the launch of the exhibition, there will be a panel discussion at Lismore Castle Arts on contemporary painting.

Joseph Cohen's Propositions, his series of primarily monochromatic panels, are thoughtful meditations on the physicality of painting in the contemporary world.

Through a variety of mediums including acrylic, watercolor, spray paint, India ink, gold or silver leaf, and collage Plock creates highly detailed works, often character - based paintings on wood panel, that combine contemporary pop culture with the aesthetic of Japanese ukiyo - e woodblocks.

«My favorite part was a panel discussion on criticism and painting, during which Washington Post provocateur Blake Gopnik said that painters were responsible for what he considers to be the weak state of contemporary painting criticism.

Join Barry Schwabsky and a panel of leading painters - all graduates of The Cooper Union's School of Art - and critics for a lively debate on the state and shape of contemporary painting and its critical reception.

Like the Survey and Decal series, the Test Pattern series intend to refer to technological and social conditioning, or the abstraction of contemporary experience, and also the potential for transcending that conditioning by grasping it in the physical and perhaps less - determined form of paintings on wood panel.

60 x 48 inches mixed media and plaster on wood panel This contemporary, large vertical abstract expressionist & symbolist style painting was created by Hudson Valley based artist, R...

SENANQUE II by artist Patrick Adams is a pink, purple, and blue, contemporary abstract landscape painting made of oil paint on panel that measures 48 x 48 and is priced at $ 6,000.

Rob Douglas's «Ab into II» is a brown, red, and grey contemporary abstract oil acrylic pigment on panel painting that measures 38 x 60 and is priced at $ 7,500.

Set within the context of the Flowers Gallery exhibition «Seven from the Seventies `, the panel will discuss the impact and legacy of the artists on show, Colin Cina, Bernard Cohen, Derek Hirst, Noel Forster, Michael Kidner, Jack Smith and Richard Smith, and the continued relevance of reductive, geometric and systems approaches within contemporary painting.

Sunday 10 July 2016, 2 - 3 pm Free This panel discussion organised in partnership with Liverpool Biennial and the John Moores Painting Prize (China) will focus on the role of contemporary painting in ChinPainting Prize (China) will focus on the role of contemporary painting in Chinpainting in China today.

[1] In 2007, I organized a panel with Lance Winn of the University of Delaware on the subject of contemporary painting.

Brooklyn, New York, art gallery Causey Contemporary sold two 2009 oil - on - panel paintings by Magnolia Laurie — November Charlie and To Abandon My Vessel — to the Kemper Museum of Contemporary Art, Kansas City, Missouri.