Sentences with phrase «panel wall hanging»

The two - panel wall hanging from 2010 is part of the show.

Not exact matches

The image of Ethelflaeda, a nun in the 10th century, was created for an exhibition in 2016 and now hangs on panels on the walls of the abbey.
The plasma display panel is finally making good on a decades - old promise: a big, bright screen so thin it can be hung on a wall.
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A two drawer blue floating washstand is accented with polished nickel square knobs and a white countertop completed with a rectangular undermount sink and a polished nickel faucet kit mounted in front of a white backsplash beneath a round salvaged wood mirror lit by two rope lights hung in front of a gray and white vertical paneled wall.
His and hers marble top washstands sit on white diagonal floor tiles side by side fitted with a chrome base, glass shelf, and gooseneck faucet fixed beneath inset framed medicine cabinets flanked by frosted glass sconces mounted on vertical wall panels complementing horizontal shiplap lower walls lit by a polyhedron pendant hung from a high ceiling.
A white wood panel hood is fixed to ivory and blue mosaic wall tiles above a stainless steel stove and facing two Katie Conical Pendants hung above an ivory island accented with gold knobs and a white and gold marble countertop.
With white panelled walls, stylish furniture and heavy plain curtains, they're only let down by the bright Vietnamese paintings on some of the walls — not in evidence in any of the shots on their website — which in our view should be reinstated in the souvenir shops along nearby Hang Gai and replaced with something more in keeping with the understated style of the rooms.
Ceiling fans hang from a wood paneled ceiling and circulate air that pours in through immense retractable walls.
Wieco Art - Architectures Modern 4 Panels Giclee Canvas Prints Europe Buildings Black and White Landscape Pictures Paintings on Canvas Wall Art Ready to Hang for Bedroom Home Office Decorations
Entered from a dramatic black and gold hallway, the Heriot's sitting room is panelled with ancient oak panels from St Giles» Cathedral and has walls hung with tapestry.
Once called The Wedgewood Room, the newly named Gold Roomis situated next door to the Onyx, and features rich walnut wall paneling and a beautiful gold sunburst wall clock that hangs above an ornate walnut and marble fireplace.
Delicately hung against satisfyingly white - washed and marble walls, the various semi-transparent panels are made from a mixture of soft materials, including plastic, latex and polyurethane foam.
The large - scale panels both occupy and activate the walls on which they hang, expanding the pictorial field of the viewer, creating subtly undulated spatial and perceptual references.
Finally, in his installation Hanging study the bills are used to spell out the word «Reparations» across a series of panels propped against the wall, a future hanging place designated in paper ouHanging study the bills are used to spell out the word «Reparations» across a series of panels propped against the wall, a future hanging place designated in paper ouhanging place designated in paper outlines.
«On the stark white walls of the pristine gallery, Yamaguchi has hung eight curiously shaped panels that resemble puffs of smoke or clouds.
Storage cupboards in the hallway have flat panel doors that double as walls to hang art on.
If one arrangement better suits the irregularities of the wall on which they are hung, the order of the panels may be changed as well.25 This history of repainting and refabrication reinforces the parallel with 4» 33» — not only do the exhibition settings change but the paintings themselves can and do as well.
Instead of paintings on misshapen found materials, nailed to the wall at their corners, these are rectangles that look like canvases (they are mounted plywood panels) hung traditionally.
The hanging runs the gamut, from conventionally discrete distances between paintings, to a salon - style arrangement around a bench, to a frieze of panels based on clock faces, to a grid of works that another wall partially obscures.
Lai experiments with painting installations in Double Exit (2011), which consists of two oil paintings, hung on either side of a wood panel that is fixed perpendicular to the wall, unexpectedly protruding into the gallery space.
The panels may be repositioned to hang from a series of hooks on the work's surface or even mounted on surrounding walls within reach of the chains; both actions are encouraged by the artist in the inscription that appears on the reverse of the painting.
Hung on the gallery's central wall, each of Incidence's panels depicts a white triangular prism hovering in flat, periwinkle - hued space.
While she does this, she variously draws on panels inset into Hex - Washroom — she swaps these out periodically for others hung like paintings on a nearby wall — and pulls on her pulleys to slowly tip over her washroom structures, as if they were clunky, rather ineffectual balls themselves.
Nine wall - hung, stainless steel panels contain traces of now further abstracted facial features, with the latticeworks used to recognise people here transposed into etched silhouettes constituting the altered identities we are increasingly forced to assume by the strictures of modern life.
The exhibit also includes a wall installation with multiple individual fragments, a very large 3 - panel abstract painting on canvas with fabric, paint, and collaged newspaper clippings about UFO sightings, a ceiling — hung mobile and a stabile (sculpture) on a pedestal made with wood, string and found metal.
Palmsonntag is composed of a 40 - foot - long palm tree, cast in fiberglass and resin, that lies on its side across the Gallery floor, surrounded by a cycle of 44 massive panels hanging in rows on the walls above.
The same panel hangs high on the opposite wall over the Bringback models, making plain the exhibition's title as literally TIME reversed.
The title referred to then three - year - old Isis, whom she was thinking about while she made the works — fourteen paintings, two black and white wall drawings, hanging Plexiglas panels, a video, and a figurative neon - tube sculpture.
In this show, White has two hanging sculptural pieces and two wall mounted sculptural pieces constructed from aluminum panels and painted Plexiglas.
Completing the exhibition is an array of four - foot - square enamel on wooden panel Hole Paintings and a complementary painted steel mobile, two sets of prototypical Shag Paintings, and one hand - pieced fabric wall hanging.
A site - specific installation, the exhibition includes two wall - and eye - filling paintings hanging opposite one another surrounded by twenty - one small paintings on wood panels.
The works could be described as either painting or sculpture, yet few hang on the wall in the traditional rectangular form of painting; the laser - cut aluminum panels are connected like puzzle pieces, or as sheets of metal leaning against the walls.
Additionally present is a new series of modular silver ink prints on polyethylene foam panels that lean on to and hang from the gallery walls.
Following a visit to the studio of Piet Mondrian in 1930, where he was impressed with the environment - as - installation, Calder created abstract, three - dimensional, kinetic forms and suspended vividly coloured shapes in front of panels or within frames hung on the wall.
The works are made up of repurposed wood made into panels and painted on both sides, as well as wall - hung painting conglomerations that combine new age - y imagery with his idiosyncratic painting style.
For the last few weeks, a work from 1971 has been hanging around on the walls over at Lévy Gorvy in Bond Street; a series of long - lost paper panels, drawn on in charcoal, which served as a back drop to the two of them posing as living sculptures that same year, soon after the Gilbert & George phenomenon first began at St Martin's College of Art.
Blue, yellow, and white panels hang on the walls; there is an austere single bed and the artist's pipe.
During its installation, the mural's component panels lay exposed: 130 more or less identical C - prints mounted on aluminum, braced on the back so as to hang by cleats on vertical plywood supports screwed to the wall.
On the gallery walls, a series of large collage panels with Weimar - era references will hang among photographs bearing the image of a 60 - foot stone monument to soldiers killed in World War I, from Worpswede in northwest Germany, the rural town where Ms. Meckseper grew up.
While the arduous nature of her process is evident throughout, her chosen method of display — hanging these panels with separation from the wall — imparts movement and emphasizes the impact of light, instilling the works with an otherworldly quality.
A few elements I've evinced from Smith's past exhibitions and around the city (including his painted - directly - on - the - wall installation at Deitch in Long Island City): gestural subject matter (fish, leaves, his name), seriality (in canvas size, subject matter, and hanging — like his 2011 show at Luhring Augustine featured panel grids), synthesized flatness and depth (the mixed - media compositions in his 2009 show Currents resembled large - scale flatbed scans, while neighboring canvases maintained every brushy, gloopy instance of Smith's hand).
This diptych is hung on two perpendicular walls with the panels meeting in the corner of the gallery.
There are two different sized panels (10 and 45), and each are planted, then hung on the wall using their included mounting bracket.
In his home, two concrete Inverset panels (which once formed part of a temporary ramp leading to Boston's Tobin Bridge) hang in the rafters while a 27 - inch - wide painted girder (that once helped support slurry walls along Storrow Drive) now helps brace the home's 69,000 - pound roof.
Hanging one's hat between wood - paneled walls in a glass skyscraper doesn't mean so much in a world where work can be done from anywhere at any time.
It's essentially a bunch of modular, multi-color light panels that connect to each other and can be hung on your wall.
It uses a two - part system with an OLED panel you can simply hang on the wall like a poster, without any frame or bezel, and features a dedicated Dolby Atmos soundbar with upward - firing drivers for left and right height channels.
Hang drywall panels on metal frameworks of walls and ceilings in offices, schools, or other large buildings, using lifts or hoists to adjust panel heights when necessary.
Drywall Finishers prepare walls for paint or wall covering after drywall panel hangers finish their job.
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