Sentences with phrase «panels as your canvas»

Are you still using the door panels as your canvas?

Not exact matches

The surfeit of commissions awarded to Rubens was managed by a businesslike outfit in Antwerp, where specialist assistants in landscape, costume, flora and fauna collaborated to produce large - scale panels and canvases that were ultimately certified as Rubenses by the final enlivening touch of the master's hand.

Shape the shoulder with a free - floating canvas panel called a shield, made from traditional, nonfusible hair canvas or hymo, and secured only at the roll line with hand stitches, as shown, and machine - stitched at the armhole seam allowance when the sleeve header is attached.

The Aventador Roadster will get 691 horses from its V12 in the US (although expect the European Aventador Roadster to get the same full - fat 700bhp as its tin - top sibling), making it the most powerful Roadster ever from Lamborghini, and will come with removable carbon fibre panels for its roof instead of the origami canvas top of the Muricelago Roadster.

The Kia Trail «ster Concept features typical off - road design cues like skid plates and massive fog lights on the front bumper, but it also highlights less usual fare such as a full - length canvas roof panel.

Now move the canvas from Panel 1 to Panel 2, as smoothly as you can.

Readers will experience an expanded storytelling canvas as each comic panel tells a multi-dimensional story through layered artwork and sequences.

A 1920 × 1200 TFT LCD panel serves as the canvas for the Tablet Z's software experience.

The press goes on to say, «Readers will experience an expanded storytelling canvas as each comic panel tells a multi-dimensional story through layered artwork and sequences».

Micromax Canvas Selfie - Rs 15,999 The Micromax Canvas Selfie sports a 13 megapixel camera both in its front as well as a rear panel and both of them have Sony sensor with a ton of camera features.

Roughly - cut canvases are tacked onto irregularly - shaped handmade thick wood panels, where the layered plywood edges and staples are deliberately left exposed as compositional elements.

Part of a series of 102 silkscreened canvas panels conceived as one painting with multiple components, in this piece there are elements that call to mind Franz Kline's investigations into calligraphic compulsions.

Jim Hodges» engagement with mirrored glass as a material originated in the mid 1990's, with a single cracked panel mounted on raw canvas.

Four of the canvases are similar to the chapel's art and are referred to as «alternate» panels.

Those curved areas may look back to Henri Matisse as well, pressed against a painting's edge like the leg and torso of a grand nude — even as that very edge takes on a touch of bare canvas that seems to change its dimensions and to divide a painting into two slightly misaligned panels.

Though this particular painting is on wood panel, it could just as well have been on cotton or linen canvas thus showing that the truth of the matter is that no matter the slightness or grandness of a picture, it is enacted on a mere piece of humble cloth.

Used as models for marble panels in the Paris apartment of Braque's art dealer Paul Rosenberg, the four canvases reveal aspects of Braque's process; all were in his studio at the same time at various stages of completion, as he reworked them over several years.

«Of Earth and Sky» includes paintings on linen canvas and on wood panel — ranging in size from 54 x 50 inches to as small as 8 x 10 inches — along with a suite of works on paper.

His recent solo exhibitions at the Museum of Contemporary Native Arts in Santa Fe, New Mexico (2012) and at Urban Shaman Contemporary Aboriginal Art in Winnipeg, Manitoba (2013) highlighted his most recent work — a striking series of small works on paper and panels and an impressive collection of large scale paintings on canvas — work he describes as «rooted in Indigenous abstraction and Modernist aesthetics».

So did Yoshida Toshio's burns in a panel, Tanak Atsuko's sand drawing, Montonaga Sadamasa's nails coming out of a pillar, Shiraga Fukiko's bullet holes, Uemae Chiyū's glue and sawdust, Shimamoto Shōzō's hurled bottles of paint, or Murikami Saburō's passing right through the canvas — and the leftover unsettles the closure of a performance just as deconstruction would predict.

In the Azulejões series, the 17th century Portuguese baroque tile panels gain as support oil and plaster on canvas, rather than the usual ceramic tile.

Two of Hirst's more recent paintings in which the artist returned to the traditional medium of oil on canvas are included, as well as «Resurrection» (1998 - 2003)-- a unique sculpture featuring a skeleton bisected by two glass panels, in the position of the crucifixion.

Her works in oil on panel, graphite on mylar, mixed media on paper and sewn canvas employ materials for their connotative properties as well as their experiential potential.

Marine Hugonnier and Abel Boulineau Untitled / Disguised as a Tear, 1875-1880/2008 3 framed parts: oil on canvas and two text panels painting: 48 3/8 x 33 inches (123 x 84 cm) test panels: 14 3/4 x 18 3/8 inches (37.4 x 46.6 cm) each MH - 3201

Celacanto Provoca Maremoto is a mural covering four walls, made up of 184 painted canvas panels — white - and - blue squares that recreate original tiles the artist photographed, depicting parts of angels, wings, and other decorative motifs, as well as the texture of cracked tiles.

Once these computer versions are complete, he regenerates them as silk - screens to be printed onto canvases, or, in the case of Art History Is Not Linear (VMFA), 16 acrylic - on - birch - plywood panels that are each 4 feet square.

The four - paneled piece is united by the way the folds in the four individually colored and patterned quilts suggest a circle, as well as a cross that is formed by the edges of the adjoined canvases.

The topmost tower gallery of the Guggenheim contains the triptych Three Panels: Orange, Dark Gray, Green (1986), as well as other shaped canvases, and the installation is inspired.

Additionally, Meckseper's wall works, made out of store display slatwall panels and printed canvases, highlight appropriated advertisings such as the packaging of male underwear labels 2 (X) ist.

His work which is mostly acrylic on canvas or wood panels has been shown at the AGH (Art Gallery of Hamilton), solo shows at the arts project in London, as well as galleries in Kingston and Toronto.

The 1951 three - panel White Painting is believed to have been painted over almost immediately as Untitled [matte black triptych](ca. 1951, fig. 2).6 In fact, there is no exhibition history or any other evidence to indicate that White Painting [three panel] was extant between 1951 and 1968; 7 in those years, most of the original White Paintings had slipped out of existence, their canvases used as the supports for other pieces.8 Though artists throughout history have created new works on used canvases, Rauschenberg did so with an unusual frequency and ease, particularly in the early 1950s.9 Looking back at that period some ten years later, he commented, «Today I wouldn't do that....

The destiny of the art, supposedly, was to become autonomous, which meant abstract, so that Turner, whose canvases looked to a contemporary detractor like «pictures of nothing», was acclaimed as a forerunner of Jackson Pollock with his labyrinths of dribbly pigment or Mark Rothko, whose panels resembled lakes of dried blood.

Mitchell worked for the most part on large - scale canvases and multiple panels, striving to evince a natural rhythm that emanated from the expansiveness of gesture and from uninhibited use of color; Chamberlain's emphasis on discovered or improvised correlations between material and color rather than a prescribed idea of composition have often prompted descriptions of his work as three - dimensional Abstract Expressionist paintings.

These pictures, consisting of one or more panels of canvas painted a solid and uninflected white, were much misunderstood in their time, as Walter Hopps points out in his insightful catalog essay, Robert Rauschenberg: The Early 1950s.

Since I normally work on panel, I'd forgotten about the «boing» of the canvas; I feel as if I'm painting on a trampoline.

A highlight is a four - panel work that reads as singular despite the gaps between the vertical canvases: The Divided Cell (paravent)(2015).

A drawing such as Study for Black Curvesmay, indeed, have given rise to the painting Black Curves, but in other instances a curve, a panel, a colour palette or a relief will have gone through intense rethinking and reshaping before emerging on a canvas or in a shape of steel.

jar Drawing Tools: Blue and Red Prismacolor Verithin pencils Supports: 4 commercially Stretched Canvases or panels (two 24 x 30» and two as large as you can transport) Palette: Plexiglas palette Tape: Blue 2» wide painters Xacto knife Hair dryer Clip on light with extension cord and breaker bar water containers: 2 large yogurt size Soap: Brush cleaning soap or a regular bar of soap is cheaper and will do fine Roll of paper towels Spray bottle

Each work in Witmer's austere Winterbrook (2015 17) series of six small panels brings out a different relational quality between paint and canvas: black wash opens up the flawed pores of the canvas grain; dense, dry paint marks the presence of the wooden stretcher as in a rubbing; carefully applied, grey and white thinly glazed layers make another panel's surface appear taut and tremulous like drumskin.

This exhibition will be a collection of recent mixed media works on canvas as well as cold wax and mixed media on birch panel.

2008 Artists» Fellowships New York Foundation for the Arts, NYC Gilbert Hsiao Painting Fellowship Gilbert Hsiao Encounter, 2006 Acrylic on wood panel 30 inches diameter Douglas Melini Painting Fellowship Douglas Melini Tight Resemblances, 2005 Acrylic on canvas 26 x 22 inches 183rd Annual Invitational Exhibition National Academy Museum, NYC Edward Shalala Leo Meissner Prize in Graphics Edward Shalala Untitled: String as Painting in Nature, 2006 Photograph Don Voisine H. W. Ranger -LSB-...]

Join Teaching Artist Hilary Jones as we create paintings on canvas panels using acrylic paints and tape, inspired by the exhibition paintings on canvas panels using acrylic paints and tape, inspired by the The New Art: A Milestone Collection Fifty Years Later.

The Brooklyn - based painter rejects the canvas, instead preferring the textural possibilities of paper, found wood, and slatted panels, all of which serve as the grounds for spray and acrylic paint, as well as collaged objects.

Soon after, he transitions to working with acrylic and pencil on masonite, outlining his geometric forms on shaped panels, such as the three half - circle canvases of & frac12; W, V, X Series (Orange, Green, Blue)(1968).

Schnabel takes me in an elevator to yet another floor of Palazzo Chupi, into a warmly wood - paneled space that he uses as a personal gallery, and it's filled with new canvases.

The old beams from the demolished warehouses cut down and sat upright as stelae had the breadth to bear just one word, such as «Moon» or «Orb,» or «Soul» and «Mate,» as did some of my first word paintings i.e. the diptych panels «Eat» and «Die,» but the sheer expanse of the wide canvases led to the proliferation of the word and whole passages and wheels of words appeared.

Selected areas of the canvas impress upon the panel, which is then suspended above the canvas as a modern and three - dimensional take on printing techniques.

This is the first time, Elderfield said, that the sumptuous canvas «can be seen flat, as intended,» rather than folded like a three - panel screen.

Whimsical and abstract vistas of shapes and color give way to bubbly spouts of textual affirmation, as in If You Can (2010), a pastoral and playfully vulgar goulash that flouts the ideals of subversive art and features acrylic, gouache, and spray paint on canvas, wood panel and gourds.

In «The Veil of Orpheus» (1968), he traced wax crayon lines over panels of painted canvas, creating what he referred to as «a time line without time».