Sentences with phrase «paper gift of the artist»
Right: Nancy Spero, Artaud Painting — Hanging from the Inner Cadaver, 1969 Hand printing on paper Gift of the artist to Julie Ault, 1988
http://www.contemporaryartdaily.com/ Not exact matches
Anne Truitt, 26 December 1962, No. 5, 1962, acrylic on wove paper, National Gallery of Art, Washington, Corcoran Collection (Gift of the artist in memory of Gene Baro), 2014.136.217
Together, they present an argument for Báez as one of our most gifted and relevant young artists working today, one whose exquisite works - on - paper are set apart by their devotion to poetry and politics, abstraction and narrative, history and fantasy in equal measure.
Through gifts by the late Gordon Hanes Jr., the gallery also houses an impressive collection of works on paper by well - known European and American artists such as; Jean Francois Millet, Joan Miro, and Robert Rauchenberg.
A gift of 47 paintings, sculptures and works on paper from collector, scholar and advocate Gordon W. Bailey, featuring such renowned 20th - century artists as Leroy Almon, Burlon Craig, Roy Ferdinand, Howard Finster, Bessie Harvey, Lonnie Holley, Ronald Lockett, Elijah Pierce, Herbert Singleton, Purvis Young and Thornton Dial, Jr. — This is Bailey's third substantial gift to the High since 2010 and further underscores his commitment to helping build the Museum's collection, which is recognized as one of the world's most significant public repositories of work by American self - taught artists.
The combined gift and purchase features paintings, sculptures and works on paper by 33 contemporary African - American artists from the Southern United States, including 13 works by Thornton Dial (1928 — 2016) that span four decades of the artist's career.
Matt Rich (American, b. 1976) BLUE, 2014 guache on Arches paper 11 1/4 x 9 inches Collection of the Kemper Museum of Contemporary Art, Kansas City, Missouri Gift of Matt Rich and Samsøñ, Boston in honor of the 20th Anniversary of the Kemper Museum of Contemporary Art, 2014.7 © Matt Rich, courtesy of the artist and Samsøñ, Boston, MA.
Matt Rich (American, b. 1976) CHA 4, 2012 gouache on Arches paper 12 1/4 x 9 inches Collection of the Kemper Museum of Contemporary Art, Kansas City, Missouri Gift of Matthew Rich and Samsøñ, Boston in honor of the 20th Anniversary of the Kemper Museum of Contemporary Art, 2014.8 © Matt Rich, courtesy of the artist and Samsøñ, Boston, MA.
Matt Rich, American, b. 1976 Double Twist, 2012 latex, acrylic and spray paint on cut paper and linen tape 43 1/8 x 73 3/4 inches Collection of the Kemper Museum of Contemporary Art, Kansas City, Missouri, Bebe and Crosby Kemper Collection, Museum purchase made possible by a gift from the R. C. Kemper Charitable Trust, 2012.6 © Matt Rich, courtesy of the artist and Samsøñ, Boston, MA.
Dean Micthell (American, b. 1957) Working Woman, 2013 watercolor on paper 8 1/4 x 6 7/8 inches Collection of the Kemper Museum of Contemporary Art, Kansas City, Missouri Gift of the artist in honor of the 20th Anniversary of the Kemper Museum of Contemporary Art, 2013.11 © Dean Mitchell.
Robert Walden, (American, b. 1968) Ontological Surveillance Map 062712, 2012 ink and gouache on paper 37 1/2 x 38 1/4 inches Collection of the Kemper Museum of Contemporary Art, Kansas City, Missouri Gift of the artist, 2013.1.1 — 2 © Robert Walden.
Ana Maria Hernando (Argentinian, b. 1959) Cloud Flower 1, 2010 vellum, ink, collaged paper on paper 60 x 40 inches Collection of the Kemper Museum of Contemporary Art, Kansas City, Missouri Gift of the artist, 2011.17 © Ana Maria Hernando
Frank Stella Ahab, 1985 — 88, from the series The Waves screen print, lithograph, linocut with hand - coloring, marbeling, collage on T. H. Saunders wove paper 73 5/8 x 54 5/8 inches Gift of J. Peter and Barbara J. Gattermeir, 2002.32.1 © Frank Stella / Artists Rights Society (ARS), New York
Gifted to UB in 2000, the collection includes important works by artists of the abstract expressionist movement, such as Joan Mitchell, Norman Bluhm, Sam Francis, Karel Appel, Michael Goldberg, Antoni Tàpies, and Paul Jenkins, and a world - class collection of works on paper.
(born in New York) lives in Liberty Literary Bird, 2009 Assemblage and artist made paper, 8 x 8 x 3.5 inches Gift of the artist, 2017
Henri Matisse, Notre Dame, A Late Afternoon, 1902; oil on paper mounted on canvas; Collection Albright - Knox Art Gallery, Buffalo, New York, gift of Seymour H. Knox, Jr; © Succession H. Matisse / Artists Rights Society (ARS), New York
The combined gift and purchase features paintings, sculptures and works on paper by 33 contemporary African - American artists from the Southern United States, including 13 works by Thornton Dial (1928 — 2016) that span four decades of the artist's astounding career.
Cy Twombly, Untitled, 1970, graphite pencil, colored pencil, oil, crayon, tape, printed and photographic paper, and plywood on cardboard.The Menil Collection, Houston; Gift of the artist.
Gaetano Gandolfi (1734 - 1802), Portrait of the Artist's Daughter Marta, ca. 1776, Red and black chalk on paper, Gift of Mrs. Charles Wrightsman, 1986, The Morgan Library & Museum.
The gifted works, which join another 40 pieces donated to the museum over the last 16 years by the couple, include paintings, sculptures, and works on paper made between the 1940s and 1990s, by artists working in Brazil, Venezuela, and the southeastern coastal region of Río de la Plata, which includes Argentina's capital, Buenos Aires, and Uruguay's, Montevideo.
Sean Scully, Passage, 1991, woodcut on paper, Smithsonian American Art Museum, © 1991, Sean Scully, Gift of the artist, 2001.79.25
My Father Pledged Me a Sword, 1975 watercolor, gouache, colored pencil, and ballpoint pen on paper 12 5/8 x 9 1/2 inches Courtesy the artist and The Metropolitan Museum of Art Purchase, Lila Acheson Wallace Gift, 1995
Brünnhilde's Death, 1976 india ink, watercolor, and acrylic on joined paper 34 3/4 x 17 3/8 inches Courtesy the artist and The Metropolitan Museum of Art Purchase, Lila Acheson Wallace Gift, 1995
Brünnhilde / Grane, 1982 - 93 woodcuts and acrylic on cut and pasted papers, mounted on canvas 106 x 96 3/8 inches Courtesy the artist and The Metropolitan Museum of Art Purchase, Lila Acheson Wallace Gift, 1995
Sean Scully, Backs Fronts Windows, 1991 - 1993, woodcut on paper, Smithsonian American Art Museum, © 1991 - 93, Sean Scully, Gift of the artist, 2001.79.42
American visual artist George Condo (b. 1957) reflects on his first set of oil paints, while it was the gift of paper and pastels on his 22nd birthday, that made German artist Jonathan Meese (b. 1970) realize his true calling.
Sol LeWitt, 2 Part Composite, 1971 Serigraph edition 59/60 Collection Albright - Knox Art Gallery Gift of Seymour H. Knox, Jr., 1972 August 7, 2010 — February 27, 2011 Although wall drawings represent the foundation of his practice, Sol LeWitt's works on paper, sculptures, artist's books, and writings on Conceptual art were equally important to his oeuvre.
The British Museum in London has announced the acquisition of a generous gift of 34 important works on paper by 20th - century German artists to their collection.
Anders Zorn: Sweden's Master Painter: Paintings, works on paper and photographs by a gifted and (in his time) celebrated artist who made it to the heights of success but stopped at the threshold of modernism.
«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003
«The Paintings of Mike Cloud: In Celebration of Black History Month,» Lincoln Center Gallery, New York, NY, February 1 — March 3, 2007 «Not For Sale,» PS1 Contemporary Art Center, Long Island City, NY, February 11 — April 30, 2007 «Paper Trail: A Decade of Acquisitions,» Walker Art Center, Minneapolis, MN, March 16 — September 23, 2007 «Simply Red,» The Fabric Workshop and Museum, Philadelphia, PA, April 7 — May 19, 2007 «Collected Identities: Gifts from the Blake Byrne Collection,» Nasher Museum of Art, Duke University, Durham, NC, April 19 — September 30, 2007 «For the Love of the Game: Race and Sport in America, Wadsworth Atheneum, Hartford, CT, June 9 — October 21, 2007 «Gallery Artists,» Regen Projects, Los Angeles, CA, July 7 — August 25, 2007 «Taking Aim: Selections from the Elliot L Perry Collection,» Clough - Hanson Gallery, Rhodes College, Memphis, TN, August 31 — October 11, 2007 «ART PROTECTS,» Galerie Yvon Lambert, Paris, France, September 8 — 9, 2007 «Modern Times: Alumni Collect,» Bowdoin College Museum of Art, Brunswick, ME, October 14, 2007 — March 9, 2008 «Read Me!
Spike Lee / Jesse Frohman / c. 1990 (printed 2014), Inkjet print on paper / National Portrait Gallery, Smithsonian Institution; gift of the artist, © Jesse Frohman
In 1981, Bywaters presented Southern Methodist University a gift of his papers on the art and artists of the region to form the Jerry Bywaters Collection on Art of the Southwest.
For his recent solo show earlier this year at Pippy Houldsworth, Japanese artist Yuken Teruya (previously) transformed the waste products of consumerism — luxury gift bags — into cut paper trees that rise like fragile silhouettes from inside each bag.
Also this fall, The Huntington acquired the following works of American art by gift and purchase: Cypress Tree, Point Lobos (ca. 1930), a colored crayon drawing on paper by Henrietta Shore (1880 — 1963); Mask of Elizabeth Laroque (1926), a terracotta by Jo Davidson (18830 - 1952) to complement the sculpture of the subject already in The Huntington's collections; and Shanty Town (1935), a woodcut by African - American artist Hale Woodruff (1900 — 1980), purchased with funds provided by longtime Huntington donors Hannah and Russel Kully.
The Met Breuer is celebrating its new gift of Leon Golub's breath - taking epic Giantomachy II with an exhibition of a fine selection of the artist's paintings and works on paper.
Harold Krisel, Prisme, from the American Abstract Artists 50th Anniversary Print Portfolio 1987, 1987, lithograph on paper, Smithsonian American Art Museum, Gift of American Abstract Artists, 1987.52.19
Vaclav Vytlacil, Untitled, from the portfolio American Abstract Artists, 1937, offset lithograph on paper, Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.114.30
Will Barnet, Untitled (Seated figure), 1935, graphite on paper, Smithsonian American Art Museum, Gift of the artist, 1994.42.2
Since joining the Gallery in 1986, she has organized, collaborated on, and coordinated numerous exhibitions as well as authored and contributed to various catalogues: Three Centuries of American Prints from the National Gallery of Art (2016), Louise Bourgeois: No Exit (2015), Focus on the Corcoran: Works on Paper: 1860 - 1990 (2015), Yes, No, Maybe: Artists Working at Crown Point Press (2013), Shock of the News (2012), Stanley William Hayter: From Surrealism to Abstraction (2009), Cotton Puffs, Q - Tips ®, Smoke and Mirrors: The Drawings of Ed Ruscha (2005), Roy Lichtenstein: A New Gift of Drawings (2005), Drawings of Jim Dine (2004), A Century of Drawings: Works on Paper from Degas to LeWitt (2001), The Unfinished Print (2001), Prints Abound: Paris in the 1890s, from the Collections of Virginia and Ira Jackson and the National Gallery of Art (2001), Marc Chagall's Early Prints and Drawings (1995), The Great Age of British Watercolors: 1750 - 1880 (1993), Drawings from the O'Neal Collection (1993), Käthe Kollwitz (1992), Master Drawings from the Armand Hammer Collection: An Inaugural Celebration (1989), and English Drawings and Watercolors, 1630 - 1850 (1988).
Sean Scully, Doric, 2011, etching and aquatint on paper, Smithsonian American Art Museum, © 2011, Sean Scully, Gift of the artist, 2013.75.6
Ruth Eckstein, Portals, from the American Abstract Artists 50th Aniversary Print Portfolio 1987, 1987, lithograph on paper, Smithsonian American Art Museum, Gift of American Abstract Artists, 1987.52.8
Sean Scully, Raval 5, 1996, etching, aquatint, spit bite and sugarlift on paper, Smithsonian American Art Museum, © 1996, Sean Scully, Gift of the artist, 2001.79.60
Esphyr Slobodkina, Variation in Black - and - White, from the American Abstract Artists 50th Anniversary Print Portfolio 1987, 1987, lithograph on paper, Smithsonian American Art Museum, Gift of American Abstract Artists, 1987.52.40
Marie Kennedy, Untitled, from the portfolio American Abstract Artists, 1937, offset lithograph on paper, Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.114.17
Sean Scully, Canto, from the portfolio Etchings for Federico García Lorca, 2003, aquatint, spit bite and sugarlift on paper, Smithsonian American Art Museum, © 2003, Sean Scully, Gift of the artist, 2004.7.8.9
Sean Scully, Remansillo, from the portfolio Etchings for Federico García Lorca, 2003, aquatint, spit bite and sugarlift on paper, Smithsonian American Art Museum, © 2003, Sean Scully, Gift of the artist, 2004.7.8.1
Sean Scully, Untitled (print # 9), from the portfolio Ten Towers, 1999, aquatint, spit bite and sugarlift on paper, Smithsonian American Art Museum, © 1999, Sean Scully, Gift of the artist, 2001.79.75.9
Sean Scully, This This, 1996, etching, aquatint, spit bite and sugarlift on paper, Smithsonian American Art Museum, © 1996, Sean Scully, Gift of the artist, 2001.79.67
Louis Schanker, Untitled, from the portfolio American Abstract Artists, 1937, offset lithograph on paper, Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.114.25