Sentences with phrase «paper image dimensions»

Dark Star (DSB) 2008 Archival pigment print on rag paper Image Dimensions: 40 x 50 inches (101.6 x 127 cm) Paper Dimensions: 44 x 54 inches (111.8 x 137.2 cm) Edition of 3 ARG # DJ2008 - 001
Dark Star (DSH) 2008 Archival pigment print on rag paper Image Dimensions: 40 x 50 inches (101.6 x 127 cm) Frame Dimensions: 45 x 55 x 1 3/4 inches (111.8 x 137.2 cm) Edition of 3 ARG # DJ2008 - 003

Not exact matches

I also printed the poster in kraft - colored paper, but you can also trace the image and use your Silhouette machine to cut vinyl and apply it to laminated burlap for texture and dimension.
Digital notes offer multiple dimensions — text, images, drawing, handwriting, audio, and even video — that paper notes do not.
In your inquiry, please include the unframed dimensions, the medium (oil, watercolor, pastel), the support (canvas, wood, cardboard, paper), any inscriptions on the front or back of the painting, and clear digital images of the front and back of the painting.
KAHLIL JOSEPH — SHADOW PLAY, Joseph's first solo show in New York City, features the premiere of FLY PAPER (2017), a film installation that pays tribute to Roy DeCarava (1919 — 2009)-- photographer of jazz and Harlem life — and «extends DeCarava's virtuosity with chiaroscuro effects to the moving image and brings together a range of film and digital footage to contemplate the dimensions of -LSB-...]
This print contains a border as dictated by the artist to allow for framing and the quoted dimensions are for the paper size and not the printed size of the image itself.
David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freeze - frame.
CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.
Illustration to the cover of «Face Dances» Artist: Peter Blake born 1932 Date: 1981 Classification: on paper, print Medium: Lithograph on paper Dimensions: image: 225 x 253 mm Presented by Simon Wilson 1981 © Peter Blake 2018.
Royal Academy of Arts Artist: Joseph Beuys 1921 - 1986 Date: 1999 Classification: on paper, print Medium: Print on paper Dimensions: image: 761 x 507 mm ARTIST ROOMS Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008 © DACS, 2018
from Bedford Series, Sides of a River II Artist: Joan Mitchell 1925 - 1992 Date: 1981 Classification: on paper, print Medium: Lithograph on paper Dimensions: image: 1013 x 750 mm Presented by Tyler Graphics Ltd in honour of Pat Gilmour, Tate Print Department 1974 - 7, 2004 © Estate of Joan Mitchell
from In the Museum of Modern Art, Thinking Aloud in the Museum of Art Artist: Howard Hodgkin 1932 - 2017 Date: 1979 Classification: on paper, print Medium: Etching on paper Dimensions: image: 755 x 1003 mm Presented by E.J. Power through the Friends of the Tate Gallery 1980 © Howard Hodgkin
Mirabelle Artist: Helen Frankenthaler 1928 - 2011 Date: 1990 Classification: on paper, print Medium: Lithograph on paper Dimensions: image: 764 x 942 mm Presented by Tyler Graphics Ltd in honour of Pat Gilmour, Tate Print Department 1974 - 7, 2004 © Helen Frankenthaler / All Rights Reserved, DACS 2018
Portrait of the artist as a shadow of his former self Artist: Keith Arnatt 1930 - 2008 Date: 1969 - 72 Classification: on paper, print Medium: Photograph, gelatin silver print on paper Dimensions: image: 605 x 665 mm Transferred from Tate Archive 2010 © Keith Arnatt Estate
Artist: Guerrilla Girls Date: 1989 Classification: on paper, print Medium: Screenprint on paper Dimensions: image: 430 x 560 mm Purchased 2003 © courtesy www.guerrillagirls.com
Dido Artist: John Hoyland 1934 - 2011 Date: 1979 Classification: on paper, print Medium: Etching on paper Dimensions: image: 676 x 533 mm Purchased 1981 © The estate of John Hoyland
Plug Artist: Susan Rothenberg born 1945 Date: 1983 Classification: on paper, print Medium: Lithograph on paper Dimensions: image: 767 x 560 mm Purchased 1988 © Susan Rothenberg / DACS 2018
Abstract Composition Artist: Stan Douglas born 1960 Date: 1998 Classification: on paper, print Medium: Photograph, colour, Chromogenic print, on paper Dimensions: image: 458 x 456 mm Purchased with assistance from the American Fund for the Tate Gallery and the Art Fund 2001 © Stan Douglas, courtesy David Zwirner, New York
Self - portrait Artist: Richard Hamilton 1922 - 2011 Date: 1951 Classification: on paper, print Medium: Etching and aquatint on paper Dimensions: image: 300 x 196 mm Purchased 1982 © The estate of Richard Hamilton
from Reaper, Reaper (j) Artist: Richard Hamilton 1922 - 2011 Date: 1949 Classification: on paper, print Medium: Etching and aquatint on paper Dimensions: image: 99 x 225 mm Purchased 1982 © The estate of Richard Hamilton
Lotus Artist: Howard Hodgkin 1932 - 2017 Date: 1980 Classification: on paper, print Medium: Screenprint on paper Dimensions: image: 724 x 908 mm Presented by Rose and Chris Prater 1980 © Howard Hodgkin
In the House of My Father Artist: Donald Rodney 1961 - 1998 Date: 1996 - 7 Classification: on paper, print Medium: Photograph, colour, on paper mounted onto aluminium Dimensions: image: 1220 x 1530 mm Presented by the Patrons of New Art (Special Purchase Fund) 2001 © The estate of Donald Rodney
Fête Artist: Bridget Riley born 1931 Date: 1989 Classification: on paper, print Medium: Screenprint on paper Dimensions: image: 530 x 760 mm Purchased 1999 © Bridget Riley 2018.
from Guerrilla Girls Talk Back, Hidden Agender / Passing The Bucks Artist: Guerrilla Girls Date: 1986 Classification: on paper, print Medium: Screenprint on paper Dimensions: image: 430 x 560 mm Purchased 2003 © courtesy www.guerrillagirls.com
from Reaper, Reaper (e) Artist: Richard Hamilton 1922 - 2011 Date: 1949 Classification: on paper, print Medium: Etching and aquatint on paper Dimensions: image: 175 x 222 mm Purchased 1982 © The estate of Richard Hamilton
Chicken Knickers Artist: Sarah Lucas born 1962 Date: 1997 Classification: on paper, print Medium: Photograph, colour, on paper Dimensions: image: 426 x 426 mm Purchased 1998 © Sarah Lucas
from Tate Modern: Ten Artists, Ten Images, Bankside 5, London 1995 Artist: Thomas Struth born 1954 Date: 1995 Classification: on paper, print Medium: Photograph, colour, Chromogenic print, on paper Dimensions: unconfirmed: 506 x 608 mm Presented by Tate Publishing 2000 © Tate
from The Last Supper, Chicken Artist: Damien Hirst born 1965 Date: 1999 Classification: on paper, print Medium: Screenprint on paper Dimensions: image: 1495 x 785 mm Presented by Charles Booth - Clibborn to mark the opening of Tate Modern and Tate Britain 1999 © Damien Hirst and Science Ltd..
Centre Georges Pompidou Artist: Andreas Gursky born 1955 Date: 1995 Classification: on paper, print Medium: Photograph, colour, Chromogenic print, on paper Dimensions: image: 1376 x 2630 mm Presented by Herzog and de Meuron, architects of Tate Modern 2000 © Courtesy Monika Sprueth Galerie, Koeln / VG Bild - Kunst, Bonn and DACS, London 2018
Anking Artist: John Hoyland 1934 - 2011 Date: 1979 Classification: on paper, print Medium: Etching and aquatint on paper Dimensions: image: 673 x 533 mm Purchased 1981 © The estate of John Hoyland
[no title: proof for Mr Peanuts] Artist: Sir Eduardo Paolozzi 1924 - 2005 Date: 1970 Classification: on paper, print Medium: Screenprint on paper Dimensions: image: 698 x 489 mm Presented anonymously through the Friends of the Tate Gallery 1980 © The Eduardo Paolozzi Foundation
from Reaper, Reaper (h) Artist: Richard Hamilton 1922 - 2011 Date: 1949 Classification: on paper, print Medium: Etching and aquatint on paper Dimensions: image: 171 x 247 mm Purchased 1982 © The estate of Richard Hamilton
from Still Water (The River Thames, for Example), [no title] Artist: Roni Horn born 1955 Date: 1999 Classification: on paper, print Medium: Lithograph on paper Dimensions: image: 770 x 1055 mm Presented by the American Fund for the Tate Gallery, courtesy of the American Acquisitions Committee 2005, accessioned 2008 © Roni Horn, courtesy Hauser & Wirth, London
from Guerrilla Girls Talk Back, Bus Companies Are More Enlightened Than NYC Art Galleries Artist: Guerrilla Girls Date: 1989 Classification: on paper, print Medium: Screenprint on paper Dimensions: image: 435 x 560 mm Purchased 2003 © courtesy www.guerrillagirls.com
from Guerrilla Girls Talk Back, John Russell Thinks Things Are Getting Better For Women Artists Artist: Guerrilla Girls Date: 1985 Classification: on paper, print Medium: Screenprint on paper Dimensions: image: 432 x 560 mm Purchased 2003 © courtesy www.guerrillagirls.com
from Reaper, Reaper (g) Artist: Richard Hamilton 1922 - 2011 Date: 1949 Classification: on paper, print Medium: Etching and aquatint on paper Dimensions: image: 225 x 325 mm Purchased 1982 © The estate of Richard Hamilton
Blue and Pink Artist: Bridget Riley born 1931 Date: 2001 Classification: on paper, print Medium: Screenprint on paper Dimensions: image: 282 x 1186 mm Purchased with funds provided by Anne Best 2002 © Bridget Riley 2018.
SPHERES OF INFLUENCE Artist: Lawrence Weiner born 1942 Date: Published 1991 Classification: on paper, print Medium: Lithograph on paper Dimensions: image: 710 x 510 mm Presented by the artist 2005 © Lawrence Weiner
Studio Wall Drawing: 5th June 2006 - High Resolution - «Large Field Array» (14x14x3 pixels)... (300) Artist: Keith Tyson born 1969 Date: 2006 Classification: on paper, unique Medium: 6 works on paper, ink, paint and graphite Dimensions: image: 1525 x 1220 mm Purchased with funds provided by the Zabludowicz Collection and Tate Patrons 2007 © Keith Tyson
from The Last Supper, Sausages Artist: Damien Hirst born 1965 Date: 1999 Classification: on paper, print Medium: Screenprint on paper Dimensions: image: 710 x 990 mm Presented by Charles Booth - Clibborn to mark the opening of Tate Modern and Tate Britain 1999 © Damien Hirst and Science Ltd..
For Bernard Jacobson Artist: Howard Hodgkin 1932 - 2017 Date: 1979 Classification: on paper, print Medium: Lithograph on paper Dimensions: image: 1057 x 1499 mm Purchased 1980 © Howard Hodgkin
Rankin Artist: John Hoyland 1934 - 2011 Date: 1979 Classification: on paper, print Medium: Etching and aquatint on paper Dimensions: image: 689 x 546 mm Presented by Rose and Chris Prater 1980 © The estate of John Hoyland
from Guerrilla Girls Talk Back, Dearest Art Collector Artist: Guerrilla Girls Date: 1986 Classification: on paper, print Medium: Screenprint on paper Dimensions: image: 560 x 430 mm Purchased 2003 © courtesy www.guerrillagirls.com
from Guerrilla Girls Talk Back, It's Even Worse In Europe Artist: Guerrilla Girls Date: 1986 Classification: on paper, print Medium: Screenprint on paper Dimensions: image: 432 x 560 mm Purchased 2003 © courtesy www.guerrillagirls.com
(upgrade) Artist: Richard Hamilton 1922 - 2011 Date: 2004 Classification: on paper, print Medium: Digital print on paper Dimensions: image: 260 x 250 mm Presented by the artist 2004 © Richard Hamilton 2018.
Structure Artist: Richard Hamilton 1922 - 2011 Date: 1950 Classification: on paper, print Medium: Etching and aquatint on paper Dimensions: image: 400 x 303 mm Purchased 1982 © The estate of Richard Hamilton
Municipal Gallery of Modern Art, Dublin Artist: Joseph Beuys 1921 - 1986 Date: 1974 Classification: on paper, print Medium: Print on paper Dimensions: image: 589 x 373 mm ARTIST ROOMS Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008 © DACS, 2018
The quoted dimensions for this work of art are for the paper size and not the printed size of the image itself.
Hannah Hoch, Richard Huelsenbeck, John Heartfield, and others pioneered the technique of photomontage, using preexisting photographs, often drawn from mass - media sources, to create composite images that sharply critiqued German society and culture in the aftermath of World War I. Drawing on the foundations of Dada, neo-avant-garde artists of the 1950s like Robert Rauschenberg and Jasper Johns created assemblages that brought collage techniques into three dimensions — laying the groundwork for much contemporary sculpture — as well as works on paper that incorporated found elements drawn from the mass media and everyday life.
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