Sentences with phrase «paper after i painted»

I did distress with fine sand paper after I painted to have some of the wood show through.

I did distress with fine sand paper after I painted to have some of the wood show through.

Not exact matches

After using a feather for a colour, it stuck well to the paper before choosing a new feather and new colour of paint.

Searching through our drawers and closets, I found LOTS of freezer paper stenciled things, and am happy to say that after two years of wearing and washing, the paint had held up pretty well (I use the Jacquard Textile Color, found here).

After your child's foot is fully painted, stamp their footprints on the paper.

The women, who have been covering their breasts only with body paint and posing for photos in exchange for tips, have become a major talking point in the city after the Daily News has repeatedly condemned their presence in Times Square — while repeatedly featured photographs of the scantily clad women on the cover of the paper.

After firing flashes at samples of paper painted with water colours, Saunders found that the light from flashguns is no more harmful than the soft, controlled light of most galleries.

After tracing over the design, the carbon paper left a «copy» for me to then paint over!

Debra, I could live on before and afters, I'm always amazed by what a little bit of paint can make, but also adding pretty paper it changes even more.

After painting, I decoupaged the fish paper to the doors using Mod Podge.

I have seen so many of these toilet paper tube snowmen and thought my daughter would love making them.These little cuties were so much fun to make and after getting paint all over us, we finally finished them.

I didn't want to paint again but after trying Arches paper pad (here and here) I can't go back to smth else.

After years of contemplation, I finally gave my dining room table a complete makeover using sand paper, stain, paint and ScotchBlue ™ Painter's Tape!

After a while all those paint dots made the paper covering come loose in places.

After returning to school or the next day, distribute paints, paper, brushes, and water.

After the patching, plastering, and painting was done, I began unpacking twenty years of papers and books, discarding those I no longer wanted, and placing articles into scrapbooks.

I don't know what's «industry standard practice» for fine art galleries these days, regarding pricing works on paper vs. works on canvas, but my suspicion is that the reason for the * historical * difference between the two is that works on paper are perceived to be less «serious» (after all, watercolor started out as a quick way for oil painters to sketch out drafts), and less long - lasting (historically, a lot of watercolors were fugitive, and tended to fade with time, unlike varnished oil paintings).

Regular printer paper does not hold up after getting wet (think toilet paper), it's just not designed to be painted on.

After finishing the large paintings for the show at John Davis, I began a series of small oil on paper pieces from 6 x 8 inches to 10 x 10 inches.

Ask the fact for the form (after mask) view 1 2011 extruded aluminum, wood, steel wire, Japanese paper, papier - mâché, wood putty, acqua resin, acrylic paint 9 x 13 x 18 inches

It was the first portrait the artist had painted since 1983, after spending nearly two decades concentrating on his photography, landscape painting, and works on paper.

The mezzanine floor, overlooking the sanctuary, will have the preserved small studio in which Resnick made works on paper after ill health made large scale painting impossible for him.

It would not have been known at the time, but these paintings had companion drawings, and those works on paper, never before exhibited, are at the heart of our presentation nearly a half century after they were made.

After making my way down Bowery, I looked up to see short neon strips of tape and painted pieces of paper that were missing their center squares, dangling from the inside of windows of a second floor apartment building.

After long days in the studio making his labor - intensive «Butterfly» paintings about a decade ago, Mark Grotjahn would unwind by taking empty supply boxes or beer cartons and gluing on toilet - paper tubes as noses.

Meg Cranston 6 Paintings, Same Composition, 4 Hues, Different Titles, After Corbusier 2016 Acrylic on paper (framed) 14 x 17 in / 35.6 x 43.2 cm paper size MC030

A year after Gagosian Gallery's gorgeous blowout exhibition of his frenetic, inventive, storied paintings, Acquavella offers a look at Basquiat's comparatively little - known works on paper.

After applying a light color wash to the paper, Ossorio would draw forms with wax, and then paint in watercolor, which would saturate all areas of the paper except those with wax - drawn shapes.

Thomas Hess papers, Archives of American Art, Smithsonian Institution July 11 — September 14, 2008 Ad Reinhardt's Black Painting, 1960 — 66 (1960 — 66) was donated to the Guggenheim Museum in 2000 by AXA Art Insurance Corporation as a study painting after it was deemed irreparably Painting, 1960 — 66 (1960 — 66) was donated to the Guggenheim Museum in 2000 by AXA Art Insurance Corporation as a study painting after it was deemed irreparably painting after it was deemed irreparably damaged.

Lee Kit 10 years after, I grow fatter Acrylic, emulsion paint, inkjet ink and pencil on paper, fluorescent light fixture, shower stall 2016

After more than a half a century of producing innovative paintings, sculptures, works on paper, prints and photographs, Joe Goode is integral to the story of American art.

Indigo, 1990 color aquatint with spitbite, aquatint, ed 15/50 40-1/2 x 54-1/4» - paper size 47-1/8 x 56-1/4» - framed signed on verso Al Held began his career as an Abstract Expressionist, but after becoming dissatisfied with this type of painting, he began to exhibit work demonstrating an alternative style.

«Works on Paper» brings attention to drawings and paintings the artist created until 2000, marking the return of the artist's work to New York after a decade.

After her well - celebrated gallery installations of the works on paper, Bartlett embarked on equally riveting paintings that experimented with serial perspectives of the same scene and psychologically charged re-imaginings of her surroundings.

With surfaces that have been continually painted over after every new appearance of graffiti, paper posts, and other marks, the «paintings» in Surface Tension are, in fact, found objects chronicling past erasures.

Lately, after years of painting abstractly in NYC, I was moved to scratch out ideas on paper again... motivated by way too much coffee, and being up way too early (5:00) to hit the studio at a civilized time.

After graduating in 1958, he moved to New York City where he continued his work, developing a technique of rough, expressive collage that incorporated cut fabric and paper into his oil paintings.

Floor Show «sculptures & objects», Anders Tornberg, Lund, Sweden Extravagant: The Economy of Elegance, Tony Shafrazi, New York Parallel Visions: Modern Artists and Outsider Art, Centro de Arte Reina Sofia, Madrid, Spain The Spirit of Drawing, Sperone Westwater, New York 1982 - 83 Ten Years After, Tony Shafrazi, New York Parallel Visions: Modern Artists and Outsider Art, Kunsthalle Basel, Switzerland Jiri Dokoupil Donald Baechler, Galerie Ribbentrop, Eltville, Germany Parallel Visions: Modern Artists and Outsider Art, Setagaya Art Museum, Tokyo, Japan 43rd Biennial Exhibition of Contemporary American Painting, The Corcoran Gallery of Art, Washington, D.C. New York On Paper, Thaddaeus Ropac, Paris, France New York Painters, Sammlung Goetz, Munich, Germany

Picasso had pulled back from abstraction after Synthetic Cubism, Mondrian had left us in a cold white light; Miró was still painting in his own wonderful private symbolic language and Matisse had died leaving the doors open to abstraction with his paper cut - outs.

1987 Painting, Jan Turner Gallery, Los Angeles, CA Prints and Drawings by 17 Bay Area Masters, Natsoulas / Novelozo Gallery, Davis, CA American Painting: Abstract Expressionism and After, San Francisco Museum of Modern Art, San Francisco, CA Selections from the Collection, University Art Museum, University of California at Berkeley, Berkeley, CA A Painterly Vision: California 1960s Paintings and Works on Paper, Stephen Wirtz Gallery, San Francisco, CA Bay Area Influences: Four Artists: Palo Alto Cultural Center, Palo Alto, CA

Turning to visual arts at the age of 30, he originally experimented with pencils and tried to draw, but after taking painting lessons he discovered paper collaging and has never looked back.

After tracing the other side, we painted one side then folded the paper onto the wet paint.

These latest pieces mark LaFleur's bold return to painting after a very successful period of exploring the expressive capabilities of pastel and paper for which she received numerous honors.

«Serene Refuge» marks Suzanne's brazen return to painting after a period of working mainly with pastel on paper.

After Knox had given a talk on children's art (Olivia's paintings and drawings) age 6, on paper and blackboard, to Cy Twombly, Bob and Susan Rauchenberg — Cy jumped up and said, «That's what I am going to do for the rest of my life!»

In her large square canvases, often named after instruments, she uses collage to layer horizontal strips of paper that have been tinted along their edges, then adds additional squares of paint like regular punctuations.

New York (catalogue) Original Gagosian Gallery, New York New Portraits Blum & Poe, Tokyo (catalogue) Fashion Nahmad Contemporary, New York (catalogue) 2014 New Figures Almine Rech Gallery, Paris (catalogue) New Portraits Gagosian Gallery, New York It's a Free Concert Kunsthaus Bregenz, Bregenz (catalogue) Canal Zone Gagosian Gallery, New York Richard Prince / Roe Ethridge Gagosian Gallery, New York (catalogue) 2013 Monochromatic Jokes Nahmad Contemporary, New York (catalogue) Protest Paintings Skarstedt Gallery, London (catalogue) Untitled (band) Le Case D'Arte, Milan Richard Prince: New Work Jürgen Becker, Hamburg (catalogue) Cowboys Gagosian Gallery, Beverly Hills (catalogue) Sadie Coles HQ, London 2012 White Paintings Skarstedt Gallery, New York (catalogue) Four Saturdays Gagosian Gallery, New York 14 Paintings 303 Gallery, New York (catalogue) Prince / Picasso Picasso Museum, Malaga (catalogue) 2011 The Fug Almine Rech Gallery, Brussels (catalogue) Covering Pollock Guild Hall, Easthampton The Magic Castle 1968 - 1969 Le Consortium, Contemporary Art Center, Dijon (catalogue) Gagosian Gallery, Hong Kong de Kooning Gagosian Gallery, Paris (catalogue) American Prayer Bibliothèque nationale de France, Paris (catalogue) Bel Air Gagosian Residence, Los Angeles 2010 Pre-Appropriation Works, 1971 — 1974 Specific Objects, New York T - Shirt Paintings: Hippie Punk Salon 94, New York (catalogue) Tiffany Paintings Gagosian Gallery, New York (catalogue) 2009 After Dark Gagosian Gallery, New York 2008 Canal Zone Gagosian Gallery, New York (catalogue) Galerie Patrick Seguin, Paris (catalogue) Continuation Serpentine Gallery, London Four Blue Cowboys Gagosian Gallery, Rome Gagosian Gallery, London Spiritual America Walker Art Center, Minneapolis 2007 Spiritual America Solomon R. Guggenheim Museum, New York (catalogue) Panama Pavilion 52nd Venice Biennale, Venice Fugitive Artist: The Early Work of Richard Prince, 1974 - 77 Neuberger Museum of Art, Purchase Canaries in the Coal Mine Astrup Fearnley Museum, Oslo (catalogue) 2006 Cowboys, Mountains, and Sunsets Sprüth & Magers, Cologne The Portfolios Jürgen Becker, Hamburg Cowboys & Nurses John McWhinnie at Glenn Horowitz, New York 2005 Hippie Drawings Sadie Coles HQ, London (catalogue) Whitechapel Gallery, London Barbara Gladstone Gallery, New York Check Paintings Gagosian Gallery, Beverly Hills (catalogue) 2004 American Dream, Collecting Richard Prince for 27 Years Rubell Family Collection, Miami (catalogue) Sammlung Goetz, Munich (catalogue) Galerie Eva Presenhuber, Zurich (catalogue) Women Regen Projects, Los Angeles (catalogue) 2003 Nurse Paintings Barbara Gladstone Gallery, New York (catalogue) Upstate Sabine Knust, Munich New Work Glenn Horowitz Bookseller, East Hampton Publicities Hydra Workshop, Hydra Island (catalogue) Nurse Paintings Sadie Coles HQ, London 2002 Barbara Gladstone Gallery, New York (catalogue) Principal Painting and Photographs Kunstmuseum Wolfsburg, Wolfsburg Painting Kunsthalle Zürich, Zurich Patrick Painter, Inc., Santa Monica 2001 Museum für Gegenwartskunst, Basel (catalogue) Publicities Sadie Coles, HQ, London (catalogue) Regen Projects, Los Angeles Photographs 1977 - 1979 Skarstedt Fine Art, New York (catalogue) Galerie Micheline Szwajcer, Antwerp Neue Galerie im Höhmann - Haus, Augsburg 2000 Princeville Partobject Gallery, Carrboro Barbara Gladstone Gallery, New York Photographs, Paintings Jablonka Galerie, Cologne 4x4 MAK, Vienna Up - state MAK Center for Art and Architecture, Schindler House, Los Angeles 1999 Paintings 1988 - 1998 Sadie Coles HQ, London 1998 Regen Projects, Los Angeles Joke Paintings Skarstedt Fine Art, New York Psychoarchitecture: Richard Prince, Martin Kippenberger Anton Kern Gallery, New York Barbara Gladstone Gallery, New York Sabine Knust - Maximilian Verlag, Munich Stills Ltd., Edinburgh 1997 The White Room Jürgen Becker, Hamburg; Parco, Tokyo White Cube, London Museum Haus Lange / Museum Haus Esters, Krefeld Cowboys and Cowgirls Espace d'Art Yvonamor Palix, Paris 1996 Sabine Knust - Maximilian Verlag, Munich Passion Play Haus der Kunst, Munich New Works Jablonka Galerie, Cologne 1995 Paintings Barbara Gladstone Gallery, New York Theoretical Events, Naples Regen Projects, Los Angeles 1994 Photographs 1977 - 1993 Kestner Gesellschaft, Hanover (catalogue) Offshore Gallery, East Hampton 1993 Galerie Micheline Szwajcer, Antwerp Fotos, Schilderijen, Objecten Museum Boijmans Van Beuningen, Rotterdam Girlfriends Jablonka Galerie, Cologne (catalogue) Barbara Gladstone Gallery, New York San Francisco Museum of Modern Art, San Francisco First House Stuart Regen Projects, Los Angeles 1992 Kunstverein and Kunsthalle, Dusseldorf Whitney Museum of American Art, New York (catalogue) Protest Paintings Sabine Knust - Maximilian Verlag, Munich Beaver College Art Gallery, Glenside Works on Paper Le Case d'Arte, Milan 1991 Barbara Gladstone Gallery, New York Galleri Nordanstad — Skarstedt, Stockholm Galerie Ghislaine Hussenot, Paris Stuart Regen Gallery, Los Angeles 1990 Jokes, Gangs, Hoods Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne Galerie Micheline Szwajcer, Antwerp Arthur Roger Gallery, New Orleans 1989 Spiritual America IVAM Center del Carme, Valencia (catalogue) Sculpture Barbara Gladstone Gallery, New York Paintings Jay Gorney Modern Art, New York Barn Gallery, Ogunquit Daniel Weinberg Gallery, Los Angeles 1988 Galerie Rafael Jablonka, Cologne Barbara Gladstone Gallery, New York (catalogue) Centre National d'Art Contemporain de Grenoble, Grenoble Le Case d'Arte, Milan Galerie Ghislaine Hussenot, Paris Messages to the Public: Tell Me Everything Public Art Fund, Times Square, New York 1987 Galerie Isabella Kacprzak, Stuttgart Daniel Weinberg Gallery, Los Angeles 1986 International with Monument, New York Feature Gallery, Chicago 1985 International with Monument, New York Richard Kuhlenschmidt Gallery, Los Angeles 1984 Riverside Studios, London Feature Gallery, Chicago Baskerville + Watson, New York 1983 Le Nouveau Musée, Lyon (catalogue) Le Consortium, Contemporary Art Center, Dijon Institute of Contemporary Art, London Richard Kuhlenschmidt Gallery, Los Angeles Baskerville + Watson, New York 1982 Metro Pictures, New York 1981 Metro Pictures, New York Richard Kuhlenschmidt Gallery, Los Angeles 1980 Artists Space, New York CEPA Gallery, Buffalo

After the success of his latest exhibition in the main gallery space in Madrid, James presents his work in southern Spain with a combination of his old works on paper and his latest paintings.

White People Are the Cliff and What Comes After (2001 — 02) From the Skin Set Project (1997 ---RRB- Ink, felt - tip pen, and paint on paper 27.9 × 21.9 cm

In «One day after another», Antonio Ballester Moreno's solo exhibition presents a series of new paintings and paper collages.