Sentences with phrase «paper as a collage»

Not exact matches

The collages are made from paper I have first printed myself, using techniques such as lino printing or mono printing.

Contact paper is a clean and simple way for toddlers to make collages and these ornaments look great on the tree or as window decorations.

Workshop based 2D 3D making such as grid drawing, watercolour, continuous line, collage, drawing with wire, paper...

Workshop based 2D 3D making such as grid drawing, watercolour, continuous line, collage, drawing with wire, paper mache heads and 3D ceramic work all based on portraiture.

Richly colored acrylic paint - and - paper collages illustrate the life of Vasily Kadinsky, a first painter of abstract art, who as a boy, felt he could hear the colors he painted.

Boldly colored cut - paper collages combine with short, lyrical, rhyming text to describe turkey vultures and their role as scavengers in the food chain.

Collier's glorious collage art combines cut - paper, photographs, and watercolor, cleverly using stained - glass windows as the dominant images in church and also in the play of light and color in realistic views of the city.

Young's textured - paper collage illustrations evoke some of the planet's less hospitable locales, while endnotes offer more information about each animal as well as the poetry forms used.

In this two - session workshop taught by artist Sheryl Oppenheim, create authentic marbled paper and collaged sculptures inspired by the use of decorative paper as an art form in the exhibition Marc Camille Chaimowicz: Your Place or Mine...

These components are used to great effect in both Rejection Letter (acrylic with collage on paper mounted to canvas, 2009) and Untitled (With Your Best Interest at Heart)(framed acrylic on paper, 2009) in which the letters themselves adopt interestingly complex configurations even as the act of «reading» the work becomes a singularly entertaining part of the process.

2D Mixed Media: Works on canvas and other substrates that incorporates painting with other mixed media embellishments such as collage and paper.

NORTH ADAMS, MASSACHUSETTS — In Maneater, Houston, Texas - based artist Natasha Bowdoin creates her largest - ever cut paper and collage installation, which investigates the intersections of the visual, the experiential, and the literary, treating language and nature as kindred phenomena.

Often incorporating quotidian office supplies, her work evokes the banalities of the everyday that underpin creative work, from PowerPoint presentations narrating her typical studio routine to collaged works on paper that use materials such as carbon transfer paper, discarded printed matter, and tape.

The exhibition includes mixed - media painting as well as small - scale works on paper, collage, and a new piece of writing.

Divided in 6 separate rooms, the installation includes some 60 individual stoneware and porcelain pieces, as well as couple of rare editions on paper by Kusaka, and around 40 pieces by Wood, ranging from small collage showing his studio process, limited edition multiples, a series of floral pieces on paper, all the way to monumental oil and acrylic pieces on canvas.

Virtually gone were fragile materials and unstable surfaces — the coffee, chocolate, feathers, blood, ashes and living plants that have been plaguing museum curators — though brilliantly executed exceptions, such as the collaged paintings Egan Frantz builds up from toilet paper traversed by blue - painted bicycle treads at the Michael Jon Art Nova space, sold out.

In the 1970s, Bell began creating works on paper through collage, still with a focus on the reflection of light as it plays with material.

In the 1950s neo-avant-garde artists like Robert Rauschenberg and Jasper Johns created assemblages that brought collage techniques into three dimensions — laying the groundwork for much contemporary sculpture — as well as works on paper that incorporated found elements drawn from the mass media and everyday life.

During his Bauhaus years Schawinsky made albums of collaged photographs and papers, personal as well as artistic.

Barnett Newman relaxes with a cigarette in a chair before a few tableaux, contemporary artist Steve DeFrank considers his containers of Lite - Brites, and a sickly Matisse snips colored paper for the collages as he lies propped - up in bed.

Using razor blades, paper clips, glue, and an old Polaroid camera, the artist intricately collages photographs and found materials to create intimate worlds that daringly intertwine Italian Renaissance masters such as Caravaggio with pornographic imagery.

An early experiment in the use of chance procedures as a means to suspend artistic agency, Jean Arp's 1916 Collage géométrique is one in a series of collages drawn from the random composition of tossed pieces of paper.

Lucy Holtsnider combines monotype prints with found and hand - made materials such as paper and concrete to create collages addressing the impacts of climate change.

Last Bird, 2017 is created as a photogravure etching with chine - collé; a collage technique used to press one delicate paper onto another.

The exhibition, the artist's fourth show at the gallery, will include approximately 100 small paper mounted on canvas paintings as well as 25 collage constructions and a set of sketches in response to Francisco Goya's drawings including his Los Desastres de la Guerra series, all dating from 2009 to the present.

Others are more paired back with collages of paper, but a swan figure makes a regular appearance as Austin points out, «they're all roughly based off the same forms».

She uses past experience, family dysfunction and Jewish heritage as the fuel for her subject matter, transforming a broken past into a culmination of paper collage, garment patterns, sewing pins, thread, text, and prose - personal experiences laid bare and forged directly into the work.

Family Style, a geometric collage of a building composed of colorful paper, white doilies, and commercial - grade upholstery, is an homage to 20th - century soul - food restaurants whose significance as African - American safe spaces was not always fully appreciated.

The two artists struggled together to resolve medium - specific issues such as the warping that stemmed from the accumulated weight of glue and collage elements on the front of a single sheet of paper or paperboard.

Both working in collage at the time, Bearden and Grossman worked together to resolve issues such as the warping that stemmed from the accumulated weight of glue and collage elements on the front of a single sheet of paper or paperboard.

Yoshida's collages of images, cut from comic books and glued to paper in tidy grids, are as mysteriously witty as he was, an invitation to an inscrutable code that would never be cracked.

Working in a range of mediums such as digital animation, slide projections, light boxes, paper cut - outs, collage, print, and wood sculptures, Ezawa maintains a keen awareness of how images shape our experience and memory of events.

Her largest - ever cut - paper collage installation «investigates the intersections of the visual, the experiential, and the literary, treating language and nature as kindred phenomena.»

A new second - floor gallery for works on paper will feature promised gifts from the Campaign for Art such as collages and drawings by Eva Hesse, Jess, Ellsworth Kelly and Bruce Nauman.

Her large scale works on paper, which combine collage, drawing, painting, and printmaking, challenge conventions of portraiture, even as they filter a number of art historical and literary influences.

In Slightly Ajar, her second exhibition with the gallery, Sharon Lawless continues to use found materials — discarded packaging, paint samples, wrapping paper and altered pages from auction catalogs — in her manipulation of two modern traditions, collage and geometric abstraction as she explores the tension between accident and control and how this tension effects perception.

This method endows the collages with a sculptural quality, as the body of each piece of paper is independent and the edges — no longer adhered to the backing — become expressively alive.

His collage and video works are hallucinations of sorts, incorporating shamanistic elements such as feathers, beads, and porcupine quills onto more traditional paper works such as gouache and ink.

Abstract collages made in the mid-1950s show Bearden working freely with paper of various sorts as well as with paint.

Using mostly recycled materials, Maldonado creates detailed collages out of paper, taking female forms as her main subject.

As ephemeral as they are translucent, these works present an elusive complexity as the striations of paint, fabric, keepsakes, collected and found objects, and clippings from mass - produced paper media coalesce into collages and assemblages that, taken individually or as a series, are most succinctly described as a multidimensional gestalt.&raquAs ephemeral as they are translucent, these works present an elusive complexity as the striations of paint, fabric, keepsakes, collected and found objects, and clippings from mass - produced paper media coalesce into collages and assemblages that, taken individually or as a series, are most succinctly described as a multidimensional gestalt.&raquas they are translucent, these works present an elusive complexity as the striations of paint, fabric, keepsakes, collected and found objects, and clippings from mass - produced paper media coalesce into collages and assemblages that, taken individually or as a series, are most succinctly described as a multidimensional gestalt.&raquas the striations of paint, fabric, keepsakes, collected and found objects, and clippings from mass - produced paper media coalesce into collages and assemblages that, taken individually or as a series, are most succinctly described as a multidimensional gestalt.&raquas a series, are most succinctly described as a multidimensional gestalt.&raquas a multidimensional gestalt.»

Our modern notion of collaging, or papier - collé (French for glued or stuck paper), was ignited in the early twentieth century by artists such as Pablo Picasso (1881 — 1973) and Georges Braque (1882 — 1963), who incorporated various text, photographs, found objects, and paper into works of art, resulting in an entirely new medium.

Scuffs and tears bandaged with collage elements typify Tran's works on paper, but their most surprising moments take the form of apertures in which tiny ceramic vessels sit, as if on windowsills.

Robert Motherwell: Early Collages, published to accompany an exhibition devoted exclusively to Motherwell's works on paper from the 1940s and early 1950s, reexamines the origins of the artist's style and his revelatory encounter with the papier collé technique that he described in 1944 as «the greatest of our discoveries.»

Thomas» works begin with construction / collages of paper strips, corrugated plastic board, and packing tape which are then photographed and printed on photo - sensitive linen and stretched as «canvases.»

This exhibition features over two dozen rarely seen collages from the 1980s and 90s that reveal Spero's innovative approach to printmaking in scroll - like expanses of paper, as well as her lifelong engagement with contemporary political, social, and cultural issues.

We normally think about collage as a physical process in which layers of paper are fixed with adhesive to create a composite image.

Characterized by pristine surfaces and a toned - down palette, Weiss» paintings are created with collaged Kozo and Mulberry papers, individually dyed in water based materials such as watercolor, ink and acrylic.

In Traditional Object 11, other substances such as paper towel are buried beneath layers of neon yellow acrylic; the piece's primary subject (the Impressionist rectangle) is revealed to be a facade covering up techniques and materials native to textile arts or collage.

For the past five or six years now, I've been making these little taped paper collages, mostly very simple black - and - white shapes cut from paper, which serve as a kind of drawing for me.