Sentences with phrase «paper leaves colored»

Not exact matches

Jell - o powder, cherry or strawberry flavor 25 small Tootsie Roll Candies Royal Icing, tinted green Baking spray Wax Paper Red Food Coloring, optional optional: you could use fruit roll - ups or those green mint leaf candies instead of the royal icing.

For the salad 1/4 cup (1 ounce / 30 grams) pistachio nuts 1 tablespoon extra-virgin olive oil Sea salt, preferably Halen Môn, and freshly ground black pepper 3 pounds (1.5 kilograms) heirloom tomatoes, in assorted colors 2 melons, in different varieties and preferably different colors 1/4 pound (125 grams) arugula leaves 1/4 cup (1/4 ounce / 7 grams) fresh opal basil leaves, torn 1 Serrano chile, cut into paper - thin rings 1/4 cup (2 fluid ounces / 60 milligrams) zinfandel vinaigrette

This leaves Conte to his usual battery of other tasks — communicating with the commercial coordinator during TV timeouts, logging infractions on quad - color carbon paper, phoning goals to the press box booth using the penalty box's landline, clicking the backup stopwatch around his neck in case the scoreboard malfunctions.

You'll need: Paper gift tags or blank white cards, wax paper, a medium sized paintbrush, fall colored acrylic craft paints and smaller fall lePaper gift tags or blank white cards, wax paper, a medium sized paintbrush, fall colored acrylic craft paints and smaller fall lepaper, a medium sized paintbrush, fall colored acrylic craft paints and smaller fall leaves.

Jell - o powder, cherry or strawberry flavor 25 small Tootsie Roll Candies Royal Icing, tinted green Baking spray Wax Paper Red Food Coloring, optional optional: you could use fruit roll - ups or those green mint leaf candies instead of the royal icing.

Fall leaf garland from Creative Connections for Kids — using melted colors and waxed paper to form creative window garlands.

I left a little air in the bag so that the leaves could shift around., If, like us, your floor is similar in color to the leaves, just slide a white piece of paper into the bag underneath the leaves to add contrast.

I've left it blank so you can print it on colored paper for some colored bows, or you can decorate it yourself after printing or by opening up the template in an image editing program and adding decorations yourself.

No pumpkins (though admittedly the little white ones would look lovely here), no fall leaves, no burlap, no apples, instead how about some giant paper poppies in neutral Fall colors?

Delicate gold leaf paper looks elegant when applied to plain ornaments painted in a solid color of your choice.

Cut pairs of leaf shapes from various colors of construction paper.

Then let children use crayons to color one of the paper - plate halves with blossoms, one with green leaves, one with orange and red leaves, and one with bare branches.

For a final paper in college, I was supposed to critique a film or play; at the eleventh hour I still hadn't seen any performance, so I wrote about leaves changing color in the fall.

Figure 1 from the paper (extracted below) shows 2 year to 16 year regressions for the period 1871 - 2010 (Points are organized in chronological order according to the color scale ranging from dark blue to red passing through light blue, green, yellow, and orange; labels in the top left panel refer to points corresponding to the first month of the specified year.)

Take clear, color photos (frontal, left and right sides) and store with your pet's license, health records and ownership papers in a waterproof carrier to take with you.

However, it isn't long before the screams of Toad were heard in which Mario, Peach and Huey are horrified to find a Slurp Guy draining the colors out of Toad leaving him to become mere paper.

While years ago many looked forward to seeing a new Paper Mario game the previous game in the franchise Sticker Star left fans disappointed, and a quick look at the trailer for Color Splash made people see this game as Sticker Star two.

It's too early to completely disregard Paper Mario Color Splash as a simple sequel to Sticker Star, but the footage we saw didn't leave us with much hope.

Art Supplies marker paper colored pencils grey pink red Coloring: You can leave the grey shading off (like Austin), to keep this lesson -LSB-...]

The focus of Gallery I was The Last of the Alchemists (2013), a long silver - leaf lacquer box on the floor that entombed a virgin roll of chemical color photographic paper — never to be exposed to light or developed.

Gavin Brown's Enterprise At the Gavin Brown's Enterprise booth Sturtevant's green Serpentine Owl Wallpaper, 2014, decorated the walls and piles of multicolored, paper leaves (actually Rob Pruitt's New Fall Colors: Rainbow, 2014) dotted the floor.

PAGES 48 - 49: From left, «The Confederacy: Alabama,» 1965 (oil on canvas) by Robert Indiana and «Black Man and Flag,» 1967 (color etching and collagraph on paper) by Rupert Garcia.

Back then Ryman could daub a canvas, leave it or a pencil grid half exposed, switch to plastic or paper, mix in color, and incise his name and date into the paint.

IMAGE: Second from top at left, «Untitled,» 2013 (woodcut on colored paper) by Chakaia Booker via David Krut Projects.

1905, Japan Defeats Russia, Empire, graphite and colored pencil on paper, 16.06» x 21.875» (left), 8.25» x 10.75» (right), 2015.

The results show his great joy in working with the thick paper and rich inks and colors, or in the artist's words, his love for «leaving my tracks.»

From left, «Candy Apples,» (color woodcut on tosa kozo paper; edition 186/200, plus 20 APs), with «Girl in Striped Blouse» and «Half Salmon.»

Thick daubs of pigment and pasted - on sections of leaf - shaped paper articulate the tactile, fecund nature of the imagery, but long streaks of color also emphasize the blooms» ephemerality, as though their forms are dematerializing in front of the viewer's eyes.

left: Walead Beshty, Transparency (Negative)[Kodak NC Color Film: May 8 — May 18, 2008 ORD / LHR LHR / IAD IAD / JFK LGA / DCA DCA / ORD], 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper right: László Moholy - Nagy, Xanti Schawinsky on a Bauhaus Balcony, late 1920s Photograph February 19 — May 1, 2011 This exhibition of the Los Angeles - based artist Walead Beshty (b. London, 1976) brings together works from the past ten years in a site - specific installation -LSB-...]

Layers of Mylar on paper leave floating rectangles or blots of color.

Gouache, acrylic paint, metal leaf on assorted handmade papers with graphite, colored pencil, mica and archival digital prints

Mark Grotjahn Untitled (Solid Cream Butterfly Drawing in Two Parts), 2009 Color pencil on paper Left: 20 x 15 11/16 in; 50.8 x 39.8 cm Right: 19 15/16 x 15 15/16 in; 50.6 x 40.5 cm

Neidich places the matching pigment on a piece of paper laid flat on the ground, then pulls a brush through it, leaving traces of color on the bristles like an afterimage.

These beautiful, often decorative sculptures are made of handmade paper over chicken wire, some colored with a variety of materials including ground coal, watercolor, gold leaf and glitter.

Mark Starling January, 2018 Dye, black pepper, salt, oil pastel, 24k gold leaf, colored pencil, acrylic paint, Formica, adhesive and walnut on cotton rag paper 30.75 x 23.5 inches

Sarah Cain Duet, 2008 Doilies, scarf, beads, color pencil, latex, gouache, watercolor, silver leaf, and ink on paper 59 x 47.5 inches (149.9 x 120.7 cm)

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches

Color Grano lithograph on paper 36 x 28 inches Edition of 99 Signed and dated «99» by Jeff Koons in pencil lower right recto Numbered by the artist lower left recto Pristine condition, Unframed

Color screenprint on Kurotani Hosho paper 24 x 19 inches Edition of 50 Signed & dated in pencil «J Johns 79 - 81» lower right Numbered in pencil lower left Printed By Kenjiro Nonaka, Hiroshi Kawanishi, Takeshi Shimada Published by Jasper Johns and Simca Print Artists, Inc., 1981

Lithograph in 1 color on Fabriano black paper 33 x 26 1/2 inches Edition 30 Publisher's seal embossed lower left corner

Color screenprint on 100 % rag paper 12 x 9 inches Edition of 300 Numbered by the Artist in pencil lower left recto Signed «Louise Nevelson» in Pencil lower right Stamped in black on verso» © Copyright 1973 By Louise Nevelson Printed At Styria Studio» Printer Styria Studio Publisher Experiments in Art & Technology

I began creating non-representational busts / portraits with food coloring left over from my daughter's kindergarten project and after a major household move left me with a bunch of large paper pads.

Installation view at Goldsmiths MFA (University of London), Xavier Robles de Medina, «Bonobos» (left) 2018, 6 Montage texts in perspex holders on colored paper, one tryptych, one dyptych, one single and «In the realm of translation», 2018, graphite and plaster, 44 x 33 x 6 cm (middle) and mold on metal structure, 50 x 38 cm x 20 (right)

Helen Frankenthaler Reflections IX (from Reflections Series) 1995 6 - color lithograph on Rives BFK paper # 22 of 30 Published and printed by Tyler Graphics, Ltd., Mount Kisco Signed and dated lower right; edition lower left Sheet: 20» x 14.75»; Frame: 27.625» x 22.625» Together with copy of invoice from Tyler Graphics, Ltd. dated March 31, 1995 and print documentation

Photo paper, at times unexposed, at times exposed to various sources of colored light, is led through the processing machine in which is left — in varying degrees of concentration — water and traces of used chemicals, particularly silver nitrate (thus the name «Silver»).

No Title (This left was), 2012 Pen, ink, colored pencil, acrylic, gouache and collage on paper Courtesy Venus Over Manhattan, New York

(New York / Connecticut, 1928 - 2011) Venice II, 1969 - 1972, edition 3/8, published by Universal Limited Art Editions with blindstamp lower left, signed lower left «Frankenthaler» and titled and dated, lithograph in colors in two stones on English hand - made paper, 31 x 23-1/4 in.; sturdy metal frame, floated, full sheet with deckled edges, four points of foxing; frame with abrasions

Color screenprint on Kurotani Hosho paper from 16 screens 22 1/4 x 18 1/4 inches Edition of 100 with 10 artist's proofs Signed and dated in pencil «J Johns» 79» lower right Numbered in pencil by the artist from the edition of 100 lower left Printed by Kenjiro Nonaka, Hiroshi Kawanishi, Takeshi Shimada Published by Jasper Johns and Simca Print Artists, Inc., 1979

Color intaglio (spitbite, aquatint) on Magnan Pescia soft white paper 21 x 16 inches 11 3/4 x 8 inches (image size) Edition of 30 with 8 artist's proofs Signed and dated in pencil «Jasper Johns» 12» lower right, numbered lower left Printed by Doug Bennett and John Lund Published by LeRoy Neiman Center for Print Studies, Columbia University

This crayon, graphite pencils, ink, oil stick, colored pencil, tape, and cut and torn papers is comprised of the sketch of six vertical strips arranged laterally from left to right that make up the simple, but captivating design only Twombly could create.