Sentences with phrase «paper photograms»
The photographic process of both the gold - toned printing - out - paper photograms as well as the «Type R» prints comprises several steps.
http://www.michaelrosenfeldart.com/ Not exact matches
These 5 x 7 ″ photograms made from paper that expired in September of 1911, were priced at around $ 7,500 and are already sold out and not surprisingly.
In this body of work, Oppenheim makes photograms from paper - thin slices of wood, using the same arboreal species to frame the images.
The image begins with a solar photogram of a figure (s) printed on a contact speed paper known as «printing - out - paper.»
Simply described, a photogram is an image created without a camera by placing objects or shining light directly onto photographic paper and developing the paper.
Shot Reverse Shot 2, March 24, 2013 2013 Photogram Size: 47 1/4 x 39 1/2 inches Polaroid Size: 10 3/4 x 8 3/4 inches photogram on gelatin silver paper with Polaroid (diptycPhotogram Size: 47 1/4 x 39 1/2 inches Polaroid Size: 10 3/4 x 8 3/4 inches photogram on gelatin silver paper with Polaroid (diptycphotogram on gelatin silver paper with Polaroid (diptych) unique
Gripping in its complexity, it's composed of large - scale photographic paper that she imprinted with square photograms (most likely made with Plexi, a staple of her later work) then stretched, still wet, over a canvas screen and then drew atop.
Featured images: Milly, Tom Butler, Goauche on Albumen Print, 2014 Courtesy Charlie Smith, London Where Is It Now, Marie Navarre Film positive, book page, glass, steel, 1998 Courtesy Lisa Sette Gallery, Phoenix, Arizona Slip 17, Farrah Karapetian, unique photogram, 2014 Courtesy Von Lintel Gallery Alison Rossiter Nepera Chemical Company Carbon Velox, shipped from works November 8, 1897, processed 2014 (# 1), Courtesy Yossi Milo Gallery Broadway, New York City in the Rain, Edward Anthony, Albumen Print Courtesy Metropolitan Museum of Art Church Gate, Sebastao Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Dinka Camp, Sebastian Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B Gallery
The background, selected for its resemblance to a generic abstract or experimental photogram, perhaps from the 1920s, is an image made by chance, a piece of light - sensitive commercial photographic paper marked by random accidents of storage — and here digitally scanned.
In larger - scale works directly mounted to the wall, lengths of black fabric are pinned at four corners, resembling flayed skin and, just as readily, a protective shroud; behind, there are gently suspended rolls of paper cascading down the length of the fabric or a partially unfurled photogram.
Recent works include a series of beautifully coloured photograms, Lycopodium, created by burning the spores of Lycopodium moss against photographic paper and Replaying the mistake of a broken hammer (2011), a shimmering metal rod with the brittle properties of glass, created by deliberately interrupting the steel - tempering process.
Tatiana Kronberg's work is created from and is a document of an interactive performance involving both persons and material, resulting in a photogram — an image created directly onto light - sensitive photo paper exposed by a series of light flashes without the use of a camera.
Camera - based film negatives are enlarged onto light - sensitive paper that is partially obstructed by other materials (the technique used to make photograms).
The fabric veiling the photogram references the artist's physical movements to cover and uncover the light - sensitive paper in the darkroom.
Hank Ketelsen of Savannah College of Art and Design created this silver gelatin photogram in the darkroom on 11x14 - inch Oriental RC paper.
Material Gesture (A Meditation on Latency), 2016, fabric, unique silver gelatin photogram, drawing paper, and pins, 50 × 86 inches.
He even developed special software for his digital abstract «Photograms» which was inspired by Lázsló Moholy - Nagy and Man Ray, the inventors of the photogram; the technique of laying objects onto photographic paper and exposing it to light.
Beshty and his assistant are completing the final photograms: holed up in a temporary studio hidden behind the Barbican's main gallery, they coat objects made from paper and card with the light - sensitive cyanotype solution.
Untitled, from 1971, is a suite of photograms produced by scattering donuts on photographic paper.
Most of Heinecken's work consisted of photograms, exposures made on photographic paper without a camera.
These unique photogram prints are made in the darkroom by a process which orients the paper vertically in relation to the enlarger above.
The slightly concave photograms shown at 36 Orchard Street refer to Marey's diagrams, which record human steps with the use of photosensitive paper.
The image in a photogram is the result of exposing photographic paper to light — writing with light.
Untitled 2009 - 2016 Acrylic paint, enamel paint, dyed colour photograms, dyed solarised silver gelatin print, dyed paper on paper 69.3 x 56.6 x 3.8 cm / 27.3 x 22.3 x 1.5 in framed
Untitled 2009 - 2016 Acrylic paint, enamel paint, dyed colour photograms, dyed photocopies, dyed ink jet print, steel lids, paintbrush tip, coffee grounds, dyed paper, gloss varnish, gouache, acrylic medium, ink, dye on paper 69.3 x 56.6 x 3.8 cm / 27.3 x 22.3 x 1.5 in framed
Chuck Kelton makes chemograms and photograms inside the darkroom; transforming light, chemistry and paper into abstract landscapes.
Untitled 2008 - 2016 Enamel paint, acrylic medium, dyed paper, dyed colour photograms mounted on colour photogram, mounted on newsprint with enamel paint 51.6 x 43.8 x 3.8 cm / 20.3 x 17.3 x 1.5 in framed
Untitled 2009 - 2016 Acrylic paint, enamel paint, colour photograms, solarised silver gelatin print, steel lids, coffee grounds, gloss varnish, gouache, ink, dye, copper penny, acrylic medium and paper 69.3 x 56.6 x 3.8 cm / 27.3 x 22.3 x 1.5 in framed
Untitled 2009 - 2016 Dyed silver gelatin photogram, dyed photocopy, painted colour photogram, dyed acrylic medium, acrylic paint, enamel paint on paper 51.6 x 43.9 x 3.8 cm / 20.3 x 17.3 x 1.5 in framed
Richard Caldicott's photograms and paper negatives are part of a group exhibition at M+B Gallery, organized by Phil Chang and Matthew Porter, and shown alongside work by Julie Cockburn, Adam Putnam, and Hannah Whitaker, among others.
Made without a camera, Fuss's photograms and daguerreotypes are distilled to the fundamental components of the medium: light, subject matter, and photo - sensitive paper or metal.
The colourful photographs of abstracted forms and planes are reminiscent of Los Angeles - based artist Walead Beshty's Color Curl and Black Curl series of photograms, in which he exposes photographic paper to different coloured lights.
Produced by lying directly upon the paper, the photograms anticipate not simply Le Va's collisions, but Yves Klein's Anthropometries (1960 — 1961), Jasper Johns» Skin drawings (1962)(fig. 19), David Hammons» bodyprints (1969 — 1976), and Bruce Conner's ANGEL self - portrait photograms (1973 — 1975)(fig. 18).
That direct contact, that irrefutable physical evidence of the artist's presence, finds what might be its earliest antecedent in the series of full - body photograms that Rauschenberg and his then - wife, Susan Weil, made of themselves on blueprint paper (1949 — 1951)(fig. 17).
Photograms in saturated emerald, aqua and gold on matte or metallic paper elicit an immediate how?
Many of the images were made without a camera using photosensitive paper, found objects, and low - fi processes to create the photograms.
From a series of beautifully coloured photograms, Lycopodium, created by burning the spores of the eponymous moss against photographic paper, to Replaying the mistake of a broken hammer (2011), a steel bar that has been subjected to different and sometimes interrupted stages of the hardening process leaving the metal at different stages of fragility.
The exhibition is the first US show since 1990 to feature the work of Holzhäuser alongside German compatriot Jäger, both longtime correspondents and collaborators, and the first - ever exhibition of Ellen Carey's Zerogram photograms and paper negatives.
Made in an analogue color darkroom, and build up from multiple exposures on light sensitive paper, the prints combine projected Photoshop files of digitized brush strokes with traditional photogram techniques where objects are placed directly on the image surface.
László Moholy - Nagy - Photogram, c. 1925, Photograph, gelatin silver print on paper, 181 x 238 mm, Jack Kirkland Collection, Nottingham
Four elongated photograms made by exposing photographic paper to moonlight are mounted on Dibond and hung on the walls in a symmetrical fashion that mimics both 19th - century stereoscopy and the receding lines of linear perspective.
The result recalls photograms wherein individual objects are placed on photosensitive paper to produce images using light alone.
His «camera-less» photograms were made in the darkroom by arranging and exposing objects directly on top of light - sensitive paper; juxtaposing geometric, industrial, typographic and organic forms to create images that are poised between abstraction and representation.
Working simultaneously in a range of mediums, Conner created hybrids of painting and sculpture, film and performance, drawing and printing, including bodies of works on paper utilizing drawing and collage and two important photographic bodies of work, including a haunting group of black - and - white life - sized photograms called ANGELS.
Degrades, (1986 - 2006) glowing color photograms, are among the many works in this exhibition made without a camera by exposing the chromogenic paper to color filters and enlarger.
Seeing the totality of Welling's work, in a lucid installation by the architecture firm Johnston Marklee, clarifies connections such as those between the New Abstractions, (1998 - 2000), large photograms of deep black bars on white paper, recalling Franz Kline paintings, and the rigor of his straightforward pictures of modern architecture such as Maison de Verre (2009).
Mute Science consists of black - and - white photograms, images produced without camera, solely by the imprint of light on photo paper.
2007 black and white photogram on gelatin silver paper 171 x 106.5 cm (67 3/8 x 41 7/8 in) This work is accompanied by a certificate of authenticity.
Wolfgang Tillmans's (German, born 1967) Lighter presents a monochrome photogram on stiff, glossy paper that has been folded into a sculptural relief.
Klea McKenna Rainstorm 6 (California, February), 2014, unique, photogram of rain on gelatin - silver fiber paper, 34 x 41 inches (86.3 x 104.1 cm), Von Lintel Gallery, Los Angeles