Sentences with phrase «paper pieces in this show»

The paper pieces in this show are exactly that.

Not exact matches

Not from sitting around in a library hoping I would earn a piece of paper I could hang on my wall showing I know the Bible better than you.
In an October 29 blog post originally submitted to the Times as an op - ed piece, Dolan cited four recent examples from the paper to show that the Times has been unfair in its treatment of the Catholic ChurcIn an October 29 blog post originally submitted to the Times as an op - ed piece, Dolan cited four recent examples from the paper to show that the Times has been unfair in its treatment of the Catholic Churcin its treatment of the Catholic Church.
if you can lie to yourself with immunity, you might be an atheist if you think the indifferent support your side, you might be an atheist if you don't think at all, you might be an atheist if you are drawn to religious discussions thinking someone wants to hear your opinion, you might be an atheist if you copy paste every piece of crap theory you find, you might be an atheist if you think you are right no matter what the evidence shows, you might be an atheist if you can't hold your water when you think about science, you might be an atheist if you can't write the word God, with proper capitalization, you might be an atheist if you think your view has enough support to be a percentage of the seven billion people on earth, you might be an atheist if you think The View has enough support to be a percentage of the seven billion people on earth, you might be an atheist if you live in a tar paper shack, writing manifestos, you might be an atheist if you think you're basically a good person, and your own final authority you might be an atheist if you think your great aunt Tillie was a simian, you might be an atheist if you own an autographed copy of Origin Of The Species, you might be an atheist if you think that when you die you're worm food, you might be an atheist if you think the sun rises and sets for you alone, you might be an atheist if all you can think about is Charles Darwin when you're with your significant other, you might be an atheist if all you can think about is you when you're with your significant other, you might be an atheist if you attend a church but palm the offering plate when it passes, you might be an atheist If think this exhausts all the possibilities of definition, you might be an atheist.
Or, you can place in a small baking pan or container lined with parchment paper and spread the crust out in the container, top with banana cream, and then break into pieces once ready to eat like shown above.
The white pieces of paper were in the low hundreds, and after the game on AFTV it showed any who had them were holding handfuls of them.
In the event, the paper ran its front page piece, with a blank space reserved for Miliband, blaming his no - show on a «fear of offending Labour lefties.»
Dr Feng Hao, co-author and Reader in Security Engineering at Newcastle University, said, «What we have shown is that every piece of paper contains unique intrinsic features just as every person has unique intrinsic biometric features.
Genetic material obtained from two pieces of parchment, one from the 1600s and one from the 1700s, show that sheep provided the paper's starting material and that over that century, a big shift occurred in the breed of sheep used in that part of the United Kingdom — from a scrappier, highlands, black - faced variety to a meatier, lowland breed.
What looks like a pretty unremarkable piece of burnt paper is in fact an ultrathin superconductor that has been developed by the team lead by Uwe Hartmann (r.) shown here with doctoral student XianLin Zeng.
Never Apologize (Warner) is not a documentary, it's a theater piece: Malcolm McDowell's remembrance of director (and his longtime friend) Lindsay Anderson, who launched McDowell's screen career by casting him in as the rebellious hero of «If...» The full title of the one - man - show, a mix of readings from Anderson's papers, personal reminiscence and re-enactments of memorable moments, is «Never Apologize: A Personal Visit with Lindsay Anderson [And Their Celebrated Colleagues],» and along with his affectionate impression of Anderson is a collection of delicious impressions of «their celebrated colleagues,» among them Alan Bates, Richard Harris and John Ford.
Give children pieces of large - block graph paper or have them draw boxes to show the number of letters in their names.
I just gave pupils the blank pieces of colour paper, I then thought it would take just 30 seconds to describe the process of folding and cutting as shown in the picture on the left.
This notion of papers shows up throughout Underground Airlines — Victor frequently has to show his own, proving he's a free man — and I thought about another piece of recent history, especially potent to me a few years ago when I was living in Arizona: the passage of SB 1070, giving authorities the right to stop you and ask for identification if you seem like you might not be a citizen.
In order to write a successful literature research paper, which will win success with your professor, you have to show your own understanding of the piece of literature you have chosen to be literature paper research topic for your literature research paper writing.
In order to get a credit issued, Chase instructed me to take a piece of paper (that they sent me) showing my Ohio purchase details to the Kentucky DMV so that a credit would be issued to Chase, and thus allowing them to lower my payment back down.
**** TIP: If someone has a puppy they claim is really theirs and you are in doubt, ask them to take a RECENT PHOTO OR VIDEO CLIP of the puppy with them holding a piece of paper next to the puppy with the date and your name on it and have them send it to you to show you it is recent and real... You will NOT hear back from them if it is a scam because obviously they do not have the puppy.
«I want to abandon the concept of «purebred dogs» and return to the day when we bred dogs for their function and type, not their «looks» and ability to win in the show ring, and certainly not based on a piece of paper that indicates both parents are of the same «breed»...
Traditional invoice discounters were reluctant to advance us any money against our sales receipts because we didn't have physical invoices to prove our earnings — they were very hung up on having a piece of paper to show what we were earning despite the fact that we could show everything that was due in our developer accounts portal.
Inside we see there are pieces of paper that look like they say «For Sharon» as well as a metal Seal of Metatron wrapped in cloth that Sharon shows to Vincent.
On show at G.F Smith's White Space gallery until the end of June, the sculpture is made from Takeo paper and was put together by a team of envelope makers off - site, while more than 20 university design students helped to install the piece in London.
Though the two shows have some pieces in common, including Richter's seminal paintings of the terrorist Baader - Meinhof group, the Tate offers a view of less well - known works on paper and glass sculpture, along with more recent pieces like 2005's «September,» Richter's depiction of the 9/11 attacks, and 2000's «Lilies,» shown here.
Monique Mouton, a former student of McIntosh's at Emily Carr, will show new work on paper and a two dimensional floor piece, a continuation of her critically praised debut exhibition in New York last January.
Divided in 6 separate rooms, the installation includes some 60 individual stoneware and porcelain pieces, as well as couple of rare editions on paper by Kusaka, and around 40 pieces by Wood, ranging from small collage showing his studio process, limited edition multiples, a series of floral pieces on paper, all the way to monumental oil and acrylic pieces on canvas.
The piece shown here, dated 1951 and made on Douglas Howell paper, is currently on view at Rutgers University's Zimmerli Art Museum in Innovation and Abstraction: Women Artists and Atelier 17, through May 31.
Another Smith piece in the show, a rippling work on paper, seems to turn the slim silhouette of the sculpture on its side.
Given its scale, it is instructive to compare this large piece with the paintings featured in the show: where form and an entirely flat painted surface lend strength to the paintings, the subtle human touch inherent to the printers art yields a different sort of gravity, and perhaps timelessness, to the works on paper.
The Brooklyn - based artist (who also recently showed a piece in loft - gallery Club 157's first group show) will transform Shin Gallery into a «veritable beach playground» filled with his colorful mixed media works on paper.
This interpretive «baggage» is literalized in the object that undergirds an elegantly canted framed abstraction on paper — by far the show's most austere inclusion — on the exhibition's second floor, which conceals behind it a wedged - in black suitcase, visible if you sidle up to the wall upon which the piece is mounted.
This eye - opening show covers a 30 - year period and encompasses works on paper exploring the line in space, as well as more elaborate trailing structures and interlaced pieces.
through 20 September, Amager Strandvej 50B With this new show, Katja Strunz exhibits her latest body of work in the form of sculpture and paper collages, pieces that are informed by themes of space, time and history.
These studio views show works in progress, and details of finished pieces, made with handmade paper, pulp, mylar, silk tissue, pigments, thread, plaster, glass, wood and wax.
In other pieces in the show, everyday objects such as books are transformed by applying to them the geometry of paper ornaments and minimalist sculpture (Minimal Bibliography), and photographed window fences with geometric designs are isolated from their functional environment by cutting the prints and flattening the illusionistic space of the photograph, thus relating those specific daily life situations with the idealistic language of modernist geometric abstraction (Popular GeometryIn other pieces in the show, everyday objects such as books are transformed by applying to them the geometry of paper ornaments and minimalist sculpture (Minimal Bibliography), and photographed window fences with geometric designs are isolated from their functional environment by cutting the prints and flattening the illusionistic space of the photograph, thus relating those specific daily life situations with the idealistic language of modernist geometric abstraction (Popular Geometryin the show, everyday objects such as books are transformed by applying to them the geometry of paper ornaments and minimalist sculpture (Minimal Bibliography), and photographed window fences with geometric designs are isolated from their functional environment by cutting the prints and flattening the illusionistic space of the photograph, thus relating those specific daily life situations with the idealistic language of modernist geometric abstraction (Popular Geometry).
The Morehouse College professor is as talented as he is multifaceted, whether creating photographs, performance pieces, drawings that seem to stain and mark their paper surfaces like wounds, or powerful works in charcoal like «Sweet Sweet Back,» which shows male breakdancers contorting their bodies into painful - looking positions.
This 21 - inch square of blue and black gouache on paper is one of the largest pieces in the show.
In advance of the opening, we asked curator Susan Harris for her personal insights on the show, which includes three large - scale drawing projects — four freewheeling, cast paper pieces by Lynda Benglis, a 15 - foot drawing by Inka Essenhigh, and a temporary wall drawing by Pat Steir.
In fact, in 1967, Ettore Sottsass designed the poster for a show of Piacentino's work at Gian Enzo Sperone's influential gallery in Turin, while the use of marbled paper to create a decorative surface on a Piacentino piece from 1969 (Marbled Vehicle), prefigures Sottsass» subsequent love decorative laminate finisheIn fact, in 1967, Ettore Sottsass designed the poster for a show of Piacentino's work at Gian Enzo Sperone's influential gallery in Turin, while the use of marbled paper to create a decorative surface on a Piacentino piece from 1969 (Marbled Vehicle), prefigures Sottsass» subsequent love decorative laminate finishein 1967, Ettore Sottsass designed the poster for a show of Piacentino's work at Gian Enzo Sperone's influential gallery in Turin, while the use of marbled paper to create a decorative surface on a Piacentino piece from 1969 (Marbled Vehicle), prefigures Sottsass» subsequent love decorative laminate finishein Turin, while the use of marbled paper to create a decorative surface on a Piacentino piece from 1969 (Marbled Vehicle), prefigures Sottsass» subsequent love decorative laminate finishes.
Containing some 100 paintings, three - dimensional pieces, photographs and works on paper, the show remains on view in New York through February 7, 2016, before traveling to the Modern Art Museum of Fort Worth (April 17 - September 4, 2016), and the de Young Museum, San Francisco (November 5, 2016 - February 26, 2017).
Tour the show — don't miss Camilla Huey's corset piece, made of silk, mica on tulle, paper and wood, for instance, or Simone Leigh's «Blue Torso,» created from porcelain, cobalt, epoxy, terracotta and graphite — and then come fall in love with Jasmin Zorlu's fish leather helmets in The Shop.
t solo show in Puerto Rico, Meteoro; she focused on the beauty of these systems presented in big paper pieces with an embroidery look resembling a knitting technique called Mundillo, a craft of handmade bobbin lace cultivated and honored in Puerto Rico.
A retrospect of her work was shown at the College for Creative Studies Galleries in October 2015 along with a retrospect of her paper pieces at Paul Katula Gallery.
Other gallery artists» work in the show include Lorenzo Hurtado Segovia's woven paper pieces, drawings by Laura Krifka, Larry Mantello's temporary tattoos on paper, a new series of collages by Timothy Nolan plus paintings on paper by Jaime Scholnick, Mira Schor.
A German artist who works primarily in the medium of drawing, Jorinde Voigt returns for her third solo show at the gallery with a series of recent mixed media works on paper paired with collage pieces from 2012.
Paper played a major role in Laura Sharp Wilson's layered biomorphic abstractions in acrylic and graphite on Unryu, mulberry or silk paper, and it was used as a support for many of the pieces in Lori Ellison's copious exhibition of patterned abstractions in ink on notebook paper as well as gouache on wood (both shows were at McKenzie Fine Art on the Lower East SPaper played a major role in Laura Sharp Wilson's layered biomorphic abstractions in acrylic and graphite on Unryu, mulberry or silk paper, and it was used as a support for many of the pieces in Lori Ellison's copious exhibition of patterned abstractions in ink on notebook paper as well as gouache on wood (both shows were at McKenzie Fine Art on the Lower East Spaper, and it was used as a support for many of the pieces in Lori Ellison's copious exhibition of patterned abstractions in ink on notebook paper as well as gouache on wood (both shows were at McKenzie Fine Art on the Lower East Spaper as well as gouache on wood (both shows were at McKenzie Fine Art on the Lower East Side).
Shown across five monitors, the work seeks to create an alternate reality in which five totemic entities recite an eerily subjective poem.A second piece of work utilises the cables from each of the five monitors, so that they become an integral part of a large black and white paper collage displayed on the other side of the wall, questioning what is the back, what is the front, and what the subject is?
, Dazed 2016 Spellbinding Pieces at the 2016 SPRING / BREAK Art Show, Village Voice 2016 AO On - Site — New York: SPRING / BREAK Art Show, Art Observed 2016 Beyond the Main Fair: 9 Things to see this Armory Arts Week, Paper Mag 2016 Nicole Reber Artist Feature, Le Roy Magazine 2016 3 Poems, Divine Magnet 2015 Shoot, If That Ain't Too Pretty, Poetry Foundation 2015 Our Time on the Moon, Slow Youth 2015 Hyperallergic's Review of Art Books and Zines # 2, Hyperallergic 2015 This art show aims to slow down time in New York, Dazed 2014 Nicole Reber Explores the Dark Side of Paradise With Hawaiian - Themed Works, Complex 2014 Aloha, Business Casual: Nicole Reber's Hawaiian Shirt Exhibition At AMO Studios, Vice 2014 Cuestiones Generacionales, S Moda 2013 The Language of Passwords as an Installation, MShow, Village Voice 2016 AO On - Site — New York: SPRING / BREAK Art Show, Art Observed 2016 Beyond the Main Fair: 9 Things to see this Armory Arts Week, Paper Mag 2016 Nicole Reber Artist Feature, Le Roy Magazine 2016 3 Poems, Divine Magnet 2015 Shoot, If That Ain't Too Pretty, Poetry Foundation 2015 Our Time on the Moon, Slow Youth 2015 Hyperallergic's Review of Art Books and Zines # 2, Hyperallergic 2015 This art show aims to slow down time in New York, Dazed 2014 Nicole Reber Explores the Dark Side of Paradise With Hawaiian - Themed Works, Complex 2014 Aloha, Business Casual: Nicole Reber's Hawaiian Shirt Exhibition At AMO Studios, Vice 2014 Cuestiones Generacionales, S Moda 2013 The Language of Passwords as an Installation, MShow, Art Observed 2016 Beyond the Main Fair: 9 Things to see this Armory Arts Week, Paper Mag 2016 Nicole Reber Artist Feature, Le Roy Magazine 2016 3 Poems, Divine Magnet 2015 Shoot, If That Ain't Too Pretty, Poetry Foundation 2015 Our Time on the Moon, Slow Youth 2015 Hyperallergic's Review of Art Books and Zines # 2, Hyperallergic 2015 This art show aims to slow down time in New York, Dazed 2014 Nicole Reber Explores the Dark Side of Paradise With Hawaiian - Themed Works, Complex 2014 Aloha, Business Casual: Nicole Reber's Hawaiian Shirt Exhibition At AMO Studios, Vice 2014 Cuestiones Generacionales, S Moda 2013 The Language of Passwords as an Installation, Mshow aims to slow down time in New York, Dazed 2014 Nicole Reber Explores the Dark Side of Paradise With Hawaiian - Themed Works, Complex 2014 Aloha, Business Casual: Nicole Reber's Hawaiian Shirt Exhibition At AMO Studios, Vice 2014 Cuestiones Generacionales, S Moda 2013 The Language of Passwords as an Installation, Metal
Much like the piece from that show, the installation here is comprised of soft - toned paper and mixed materials in tans, grey and creams.
Opening: «Jorinde Voigt: Considerations in the Now» at David Nolan Gallery A German artist who works primarily in the medium of drawing, Jorinde Voigt returns for her third solo show at the gallery with a series of recent mixed media works on paper paired with collage pieces from 2012.
Hiro's biomorphic, vaguely sexual works on paper were shown alongside drawings by fellow L.A. artists Paul McCarthy and Benjamin Weissman in the Box Gallery's booth at this year's Frieze London, and he's bringing similar pieces to Misako & Rosen's NADA display (which also features offerings by from Trevor Shimizu, Ken Kagami, and more).
In her show at Hemphill Fine Arts Donovan showcased the piece Tar Paper.
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