The paper pieces in this show are exactly that.
Not exact matches
Not from sitting around
in a library hoping I would earn a
piece of
paper I could hang on my wall
showing I know the Bible better than you.
In an October 29 blog post originally submitted to the Times as an op - ed piece, Dolan cited four recent examples from the paper to show that the Times has been unfair in its treatment of the Catholic Churc
In an October 29 blog post originally submitted to the Times as an op - ed
piece, Dolan cited four recent examples from the
paper to
show that the Times has been unfair
in its treatment of the Catholic Churc
in its treatment of the Catholic Church.
if you can lie to yourself with immunity, you might be an atheist if you think the indifferent support your side, you might be an atheist if you don't think at all, you might be an atheist if you are drawn to religious discussions thinking someone wants to hear your opinion, you might be an atheist if you copy paste every
piece of crap theory you find, you might be an atheist if you think you are right no matter what the evidence
shows, you might be an atheist if you can't hold your water when you think about science, you might be an atheist if you can't write the word God, with proper capitalization, you might be an atheist if you think your view has enough support to be a percentage of the seven billion people on earth, you might be an atheist if you think The View has enough support to be a percentage of the seven billion people on earth, you might be an atheist if you live
in a tar
paper shack, writing manifestos, you might be an atheist if you think you're basically a good person, and your own final authority you might be an atheist if you think your great aunt Tillie was a simian, you might be an atheist if you own an autographed copy of Origin Of The Species, you might be an atheist if you think that when you die you're worm food, you might be an atheist if you think the sun rises and sets for you alone, you might be an atheist if all you can think about is Charles Darwin when you're with your significant other, you might be an atheist if all you can think about is you when you're with your significant other, you might be an atheist if you attend a church but palm the offering plate when it passes, you might be an atheist If think this exhausts all the possibilities of definition, you might be an atheist.
Or, you can place
in a small baking pan or container lined with parchment
paper and spread the crust out
in the container, top with banana cream, and then break into
pieces once ready to eat like
shown above.
The white
pieces of
paper were
in the low hundreds, and after the game on AFTV it
showed any who had them were holding handfuls of them.
In the event, the
paper ran its front page
piece, with a blank space reserved for Miliband, blaming his no -
show on a «fear of offending Labour lefties.»
Dr Feng Hao, co-author and Reader
in Security Engineering at Newcastle University, said, «What we have
shown is that every
piece of
paper contains unique intrinsic features just as every person has unique intrinsic biometric features.
Genetic material obtained from two
pieces of parchment, one from the 1600s and one from the 1700s,
show that sheep provided the
paper's starting material and that over that century, a big shift occurred
in the breed of sheep used
in that part of the United Kingdom — from a scrappier, highlands, black - faced variety to a meatier, lowland breed.
What looks like a pretty unremarkable
piece of burnt
paper is
in fact an ultrathin superconductor that has been developed by the team lead by Uwe Hartmann (r.)
shown here with doctoral student XianLin Zeng.
Never Apologize (Warner) is not a documentary, it's a theater
piece: Malcolm McDowell's remembrance of director (and his longtime friend) Lindsay Anderson, who launched McDowell's screen career by casting him
in as the rebellious hero of «If...» The full title of the one - man -
show, a mix of readings from Anderson's
papers, personal reminiscence and re-enactments of memorable moments, is «Never Apologize: A Personal Visit with Lindsay Anderson [And Their Celebrated Colleagues],» and along with his affectionate impression of Anderson is a collection of delicious impressions of «their celebrated colleagues,» among them Alan Bates, Richard Harris and John Ford.
Give children
pieces of large - block graph
paper or have them draw boxes to
show the number of letters
in their names.
I just gave pupils the blank
pieces of colour
paper, I then thought it would take just 30 seconds to describe the process of folding and cutting as
shown in the picture on the left.
This notion of
papers shows up throughout Underground Airlines — Victor frequently has to
show his own, proving he's a free man — and I thought about another
piece of recent history, especially potent to me a few years ago when I was living
in Arizona: the passage of SB 1070, giving authorities the right to stop you and ask for identification if you seem like you might not be a citizen.
In order to write a successful literature research
paper, which will win success with your professor, you have to
show your own understanding of the
piece of literature you have chosen to be literature
paper research topic for your literature research
paper writing.
In order to get a credit issued, Chase instructed me to take a
piece of
paper (that they sent me)
showing my Ohio purchase details to the Kentucky DMV so that a credit would be issued to Chase, and thus allowing them to lower my payment back down.
**** TIP: If someone has a puppy they claim is really theirs and you are
in doubt, ask them to take a RECENT PHOTO OR VIDEO CLIP of the puppy with them holding a
piece of
paper next to the puppy with the date and your name on it and have them send it to you to
show you it is recent and real... You will NOT hear back from them if it is a scam because obviously they do not have the puppy.
«I want to abandon the concept of «purebred dogs» and return to the day when we bred dogs for their function and type, not their «looks» and ability to win
in the
show ring, and certainly not based on a
piece of
paper that indicates both parents are of the same «breed»...
Traditional invoice discounters were reluctant to advance us any money against our sales receipts because we didn't have physical invoices to prove our earnings — they were very hung up on having a
piece of
paper to
show what we were earning despite the fact that we could
show everything that was due
in our developer accounts portal.
Inside we see there are
pieces of
paper that look like they say «For Sharon» as well as a metal Seal of Metatron wrapped
in cloth that Sharon
shows to Vincent.
On
show at G.F Smith's White Space gallery until the end of June, the sculpture is made from Takeo
paper and was put together by a team of envelope makers off - site, while more than 20 university design students helped to install the
piece in London.
Though the two
shows have some
pieces in common, including Richter's seminal paintings of the terrorist Baader - Meinhof group, the Tate offers a view of less well - known works on
paper and glass sculpture, along with more recent
pieces like 2005's «September,» Richter's depiction of the 9/11 attacks, and 2000's «Lilies,»
shown here.
Monique Mouton, a former student of McIntosh's at Emily Carr, will
show new work on
paper and a two dimensional floor
piece, a continuation of her critically praised debut exhibition
in New York last January.
Divided
in 6 separate rooms, the installation includes some 60 individual stoneware and porcelain
pieces, as well as couple of rare editions on
paper by Kusaka, and around 40
pieces by Wood, ranging from small collage
showing his studio process, limited edition multiples, a series of floral
pieces on
paper, all the way to monumental oil and acrylic
pieces on canvas.
The
piece shown here, dated 1951 and made on Douglas Howell
paper, is currently on view at Rutgers University's Zimmerli Art Museum
in Innovation and Abstraction: Women Artists and Atelier 17, through May 31.
Another Smith
piece in the
show, a rippling work on
paper, seems to turn the slim silhouette of the sculpture on its side.
Given its scale, it is instructive to compare this large
piece with the paintings featured
in the
show: where form and an entirely flat painted surface lend strength to the paintings, the subtle human touch inherent to the printers art yields a different sort of gravity, and perhaps timelessness, to the works on
paper.
The Brooklyn - based artist (who also recently
showed a
piece in loft - gallery Club 157's first group
show) will transform Shin Gallery into a «veritable beach playground» filled with his colorful mixed media works on
paper.
This interpretive «baggage» is literalized
in the object that undergirds an elegantly canted framed abstraction on
paper — by far the
show's most austere inclusion — on the exhibition's second floor, which conceals behind it a wedged -
in black suitcase, visible if you sidle up to the wall upon which the
piece is mounted.
This eye - opening
show covers a 30 - year period and encompasses works on
paper exploring the line
in space, as well as more elaborate trailing structures and interlaced
pieces.
through 20 September, Amager Strandvej 50B With this new
show, Katja Strunz exhibits her latest body of work
in the form of sculpture and
paper collages,
pieces that are informed by themes of space, time and history.
These studio views
show works
in progress, and details of finished
pieces, made with handmade
paper, pulp, mylar, silk tissue, pigments, thread, plaster, glass, wood and wax.
In other pieces in the show, everyday objects such as books are transformed by applying to them the geometry of paper ornaments and minimalist sculpture (Minimal Bibliography), and photographed window fences with geometric designs are isolated from their functional environment by cutting the prints and flattening the illusionistic space of the photograph, thus relating those specific daily life situations with the idealistic language of modernist geometric abstraction (Popular Geometry
In other
pieces in the show, everyday objects such as books are transformed by applying to them the geometry of paper ornaments and minimalist sculpture (Minimal Bibliography), and photographed window fences with geometric designs are isolated from their functional environment by cutting the prints and flattening the illusionistic space of the photograph, thus relating those specific daily life situations with the idealistic language of modernist geometric abstraction (Popular Geometry
in the
show, everyday objects such as books are transformed by applying to them the geometry of
paper ornaments and minimalist sculpture (Minimal Bibliography), and photographed window fences with geometric designs are isolated from their functional environment by cutting the prints and flattening the illusionistic space of the photograph, thus relating those specific daily life situations with the idealistic language of modernist geometric abstraction (Popular Geometry).
The Morehouse College professor is as talented as he is multifaceted, whether creating photographs, performance
pieces, drawings that seem to stain and mark their
paper surfaces like wounds, or powerful works
in charcoal like «Sweet Sweet Back,» which
shows male breakdancers contorting their bodies into painful - looking positions.
This 21 - inch square of blue and black gouache on
paper is one of the largest
pieces in the
show.
In advance of the opening, we asked curator Susan Harris for her personal insights on the
show, which includes three large - scale drawing projects — four freewheeling, cast
paper pieces by Lynda Benglis, a 15 - foot drawing by Inka Essenhigh, and a temporary wall drawing by Pat Steir.
In fact, in 1967, Ettore Sottsass designed the poster for a show of Piacentino's work at Gian Enzo Sperone's influential gallery in Turin, while the use of marbled paper to create a decorative surface on a Piacentino piece from 1969 (Marbled Vehicle), prefigures Sottsass» subsequent love decorative laminate finishe
In fact,
in 1967, Ettore Sottsass designed the poster for a show of Piacentino's work at Gian Enzo Sperone's influential gallery in Turin, while the use of marbled paper to create a decorative surface on a Piacentino piece from 1969 (Marbled Vehicle), prefigures Sottsass» subsequent love decorative laminate finishe
in 1967, Ettore Sottsass designed the poster for a
show of Piacentino's work at Gian Enzo Sperone's influential gallery
in Turin, while the use of marbled paper to create a decorative surface on a Piacentino piece from 1969 (Marbled Vehicle), prefigures Sottsass» subsequent love decorative laminate finishe
in Turin, while the use of marbled
paper to create a decorative surface on a Piacentino
piece from 1969 (Marbled Vehicle), prefigures Sottsass» subsequent love decorative laminate finishes.
Containing some 100 paintings, three - dimensional
pieces, photographs and works on
paper, the
show remains on view
in New York through February 7, 2016, before traveling to the Modern Art Museum of Fort Worth (April 17 - September 4, 2016), and the de Young Museum, San Francisco (November 5, 2016 - February 26, 2017).
Tour the
show — don't miss Camilla Huey's corset
piece, made of silk, mica on tulle,
paper and wood, for instance, or Simone Leigh's «Blue Torso,» created from porcelain, cobalt, epoxy, terracotta and graphite — and then come fall
in love with Jasmin Zorlu's fish leather helmets
in The Shop.
t solo
show in Puerto Rico, Meteoro; she focused on the beauty of these systems presented
in big
paper pieces with an embroidery look resembling a knitting technique called Mundillo, a craft of handmade bobbin lace cultivated and honored
in Puerto Rico.
A retrospect of her work was
shown at the College for Creative Studies Galleries
in October 2015 along with a retrospect of her
paper pieces at Paul Katula Gallery.
Other gallery artists» work
in the
show include Lorenzo Hurtado Segovia's woven
paper pieces, drawings by Laura Krifka, Larry Mantello's temporary tattoos on
paper, a new series of collages by Timothy Nolan plus paintings on
paper by Jaime Scholnick, Mira Schor.
A German artist who works primarily
in the medium of drawing, Jorinde Voigt returns for her third solo
show at the gallery with a series of recent mixed media works on
paper paired with collage
pieces from 2012.
Paper played a major role in Laura Sharp Wilson's layered biomorphic abstractions in acrylic and graphite on Unryu, mulberry or silk paper, and it was used as a support for many of the pieces in Lori Ellison's copious exhibition of patterned abstractions in ink on notebook paper as well as gouache on wood (both shows were at McKenzie Fine Art on the Lower East S
Paper played a major role
in Laura Sharp Wilson's layered biomorphic abstractions
in acrylic and graphite on Unryu, mulberry or silk
paper, and it was used as a support for many of the pieces in Lori Ellison's copious exhibition of patterned abstractions in ink on notebook paper as well as gouache on wood (both shows were at McKenzie Fine Art on the Lower East S
paper, and it was used as a support for many of the
pieces in Lori Ellison's copious exhibition of patterned abstractions
in ink on notebook
paper as well as gouache on wood (both shows were at McKenzie Fine Art on the Lower East S
paper as well as gouache on wood (both
shows were at McKenzie Fine Art on the Lower East Side).
Shown across five monitors, the work seeks to create an alternate reality
in which five totemic entities recite an eerily subjective poem.A second
piece of work utilises the cables from each of the five monitors, so that they become an integral part of a large black and white
paper collage displayed on the other side of the wall, questioning what is the back, what is the front, and what the subject is?
, Dazed 2016 Spellbinding
Pieces at the 2016 SPRING / BREAK Art
Show, Village Voice 2016 AO On - Site — New York: SPRING / BREAK Art Show, Art Observed 2016 Beyond the Main Fair: 9 Things to see this Armory Arts Week, Paper Mag 2016 Nicole Reber Artist Feature, Le Roy Magazine 2016 3 Poems, Divine Magnet 2015 Shoot, If That Ain't Too Pretty, Poetry Foundation 2015 Our Time on the Moon, Slow Youth 2015 Hyperallergic's Review of Art Books and Zines # 2, Hyperallergic 2015 This art show aims to slow down time in New York, Dazed 2014 Nicole Reber Explores the Dark Side of Paradise With Hawaiian - Themed Works, Complex 2014 Aloha, Business Casual: Nicole Reber's Hawaiian Shirt Exhibition At AMO Studios, Vice 2014 Cuestiones Generacionales, S Moda 2013 The Language of Passwords as an Installation, M
Show, Village Voice 2016 AO On - Site — New York: SPRING / BREAK Art
Show, Art Observed 2016 Beyond the Main Fair: 9 Things to see this Armory Arts Week, Paper Mag 2016 Nicole Reber Artist Feature, Le Roy Magazine 2016 3 Poems, Divine Magnet 2015 Shoot, If That Ain't Too Pretty, Poetry Foundation 2015 Our Time on the Moon, Slow Youth 2015 Hyperallergic's Review of Art Books and Zines # 2, Hyperallergic 2015 This art show aims to slow down time in New York, Dazed 2014 Nicole Reber Explores the Dark Side of Paradise With Hawaiian - Themed Works, Complex 2014 Aloha, Business Casual: Nicole Reber's Hawaiian Shirt Exhibition At AMO Studios, Vice 2014 Cuestiones Generacionales, S Moda 2013 The Language of Passwords as an Installation, M
Show, Art Observed 2016 Beyond the Main Fair: 9 Things to see this Armory Arts Week,
Paper Mag 2016 Nicole Reber Artist Feature, Le Roy Magazine 2016 3 Poems, Divine Magnet 2015 Shoot, If That Ain't Too Pretty, Poetry Foundation 2015 Our Time on the Moon, Slow Youth 2015 Hyperallergic's Review of Art Books and Zines # 2, Hyperallergic 2015 This art
show aims to slow down time in New York, Dazed 2014 Nicole Reber Explores the Dark Side of Paradise With Hawaiian - Themed Works, Complex 2014 Aloha, Business Casual: Nicole Reber's Hawaiian Shirt Exhibition At AMO Studios, Vice 2014 Cuestiones Generacionales, S Moda 2013 The Language of Passwords as an Installation, M
show aims to slow down time
in New York, Dazed 2014 Nicole Reber Explores the Dark Side of Paradise With Hawaiian - Themed Works, Complex 2014 Aloha, Business Casual: Nicole Reber's Hawaiian Shirt Exhibition At AMO Studios, Vice 2014 Cuestiones Generacionales, S Moda 2013 The Language of Passwords as an Installation, Metal
Much like the
piece from that
show, the installation here is comprised of soft - toned
paper and mixed materials
in tans, grey and creams.
Opening: «Jorinde Voigt: Considerations
in the Now» at David Nolan Gallery A German artist who works primarily
in the medium of drawing, Jorinde Voigt returns for her third solo
show at the gallery with a series of recent mixed media works on
paper paired with collage
pieces from 2012.
Hiro's biomorphic, vaguely sexual works on
paper were
shown alongside drawings by fellow L.A. artists Paul McCarthy and Benjamin Weissman
in the Box Gallery's booth at this year's Frieze London, and he's bringing similar
pieces to Misako & Rosen's NADA display (which also features offerings by from Trevor Shimizu, Ken Kagami, and more).
In her
show at Hemphill Fine Arts Donovan showcased the
piece Tar
Paper.