Sentences with phrase «parallel exhibition gallery»

Such is the expansion and the growth of both the London art market and parallel exhibition gallery activity that a smaller institution such as the Serpentine Gallery, offering many free - access public exhibitions (as a registered charity), has to rely, like major galleries, on the profit element in the provision of restaurant facilities of a high order.

Not exact matches

All three run parallel to The Vinyl Factory and Lisson Gallery's major exhibition Everything At Once.

This present exhibition has been curated in parallel with a major exhibition at Pallant House Gallery of the works of Victor Pasmore, a leading figurehead of the nascent constructivist movement in post-war Britain.

She has held recent major solo exhibitions including Desdemona for Celia by Hilton at Gallery Met, New York (2015 - 16); Gwen John and Celia Paul: Painters in Parallel, Pallant House Gallery, Chichester (2012 - 13); The Grave's Art Gallery, Sheffield (2005) and Abbot Hall, Kendal (2004).

1996 Beyond Print: Masterworks from the Ken Tyler Collection, Dr. Earl Lu Gallery, LASALLE - SIA College of the Arts, Singapore (October 24 — December 21) Abstract Expressionism in the United States (Pintura estadounidense expresionismo abstracto), Centro Cultural Arte Contemporaneo, Mexico City (October 11, 1996 — January 12, 1997) Parallels, Galerie Lelong, New York (opened September 12) Women's Work, Greene Naftali, Inc., New York (September 6 — October 13) Summer show, Robert Miller Gallery, New York, (July 1 — August 30) Group show, Lennon, Weinberg, Inc., New York (June 11 — August 1) Forces of the Fifties: Selections from the Albright - Knox Art Gallery, Wexner Center for the Arts, The Ohio State University, Columbus (May 4 — August 4) Changing group exhibition, Robert Miller Gallery, New York (March 5 — April 6) American Art Today: Images from Abroad, Florida International University, Miami (February 23 March 30) Group Exhibition, Manny Silverman Gallery, Los Angeles (January 13 — March 2) Art in Embassies Program, U.S. Ambassador's Residenceexhibition, Robert Miller Gallery, New York (March 5 — April 6) American Art Today: Images from Abroad, Florida International University, Miami (February 23 March 30) Group Exhibition, Manny Silverman Gallery, Los Angeles (January 13 — March 2) Art in Embassies Program, U.S. Ambassador's ResidenceExhibition, Manny Silverman Gallery, Los Angeles (January 13 — March 2) Art in Embassies Program, U.S. Ambassador's Residence, Bulgaria

Recent and upcoming project include: Somewhere Becoming the Sea, group exhibition curated by Film & Video Umbrella; Beam Reach Blasting and Parallel commission for Tall Ships Cultural Programme (UK and Sweden); Everyday Collateral, solo exhibition, Workplace Gallery, Gateshead; In Waiting, commission by Creative England; The List, Figure two, BALTIC 39, Newcastle Upon Tyne.

To accompany Concrete Parallels / Concretos Paralelos in São Paulo, the Dan Galeria — itself the leading gallery of CONCRETE ART in Brazil — and Laurent Delaye Gallery in London present two stunning exhibitions in their own gallery of CONCRETE ART in Brazil — and Laurent Delaye Gallery in London present two stunning exhibitions in their own Gallery in London present two stunning exhibitions in their own spaces.

Curatorial projects and off - site collaborations run parallel to gallery exhibitions.

In the second edition of our South - South series, Goodman Gallery presents Let me begin again, an exhibition drawing parallels between artists from the Global South, whose work is situated within and beyond the afterlife of political revolution.

The paintings and constructions, currently on show at the Leeds Art Gallery exhibition Parallel Lives (Marlow Moss and Claude Cahoun) are marvellous.

Parallel to the solo show with works by Cory Arcangel, Lisson Gallery opened the seventh solo exhibition of Shirazeh Houshiary...

The edition was produced to accompany The Edge of The Real, an exhibition to showcase of the work of a younger generation of artists working in Britain in 2004 and which was presented to complement Raoul De Keyser's parallel exhibition at the Gallery.

My wife kindly agreed to come with me to see the Mondrian / Nicholson in Parallel exhibition at The Courtauld Gallery, London

Alongside a comprehensive exhibition program, ZONAMACO will also host a program of conferences with international guests, a section with specialized publications and editorials, and a wide program of parallel activities with exhibitions at the most outstanding galleries and museums in the country.

Tonight, May 2nd, at Gallery Wendi Norris, San Francisco is the opening reception for two exhibitions: Kelly Barrie's «Parallel Play» and Julio Cesar Morales» «Forever Now!»

Over the last few years, neo-Romanticism has returned, with exhibitions including the Dulwich Picture Gallery's Paul Nash show in 2010, Graham Sutherland curated by George Shaw at Modern Art Oxford, and Pallant House Gallery's parallel exhibitions of Robert Ironside and Keith Vaughan last year.

Similarly to the Project Space, exhibitions in Le Loovre can only happen in parallel to exhibitions in the Gallery.

It has been curated in parallel with Pallant House Gallery's major spring 2017 exhibition

Every edition of the Biennale brings together the Main Project curated by internationally renowned curators; Special Guests programme featuring retrospective shows of the major contemporary artists; Special Projects realised in the key Moscow non-commercial art institutions; Parallel Programme that includes exhibitions in commercial galleries.

The plan is to have the Summer Exhibition in more galleries than usual and a parallel Great Spectacle show telling its history.

This new exhibition at Edge Gallery exhibition is a tribute to the Smithsons show, «Parallel of Life and Art» from 1953.

It is recommended that exhibitions in the Project Space run in parallel to those in the Gallery.

Tagged as: Bushwick Open Studios, Camera Club, CUE, Dennis Congdon, Grace Exhibition Space, John Miserendino, Le Poisson Rouge, Matte Magazine, Matthew Leifheit, Microscope, Momenta Art, NURTUREart, NYPL, parallel, RECESS, Recess Activities, Save the NYPL, the living gallery, Third Ward, Transfer Gallery, Venice Biennale, What Ygallery, Third Ward, Transfer Gallery, Venice Biennale, What YGallery, Venice Biennale, What You Want

Selected solo exhibitions and projects include: The Saint Louis Art Museum, St. Louis, MO; The Museum of the Defense and Siege of Leningrad, St. Petersburg, Russia; The 2014 Manifesta 10 European Biennial / Art - Centre Pushkinskaya - 10 Parallel Public Program, St. Petersburg, Russia; Minneapolis Institute of Arts, Minneapolis, MN; Weisman Art Museum, Minneapolis, MN; 21c Contemporary Art Museum, Louisville, KY; The Cynthia Corbett Gallery, London, UK; Ca»D» Oro Gallery, New York City, NY; Pelham Art Center, Pelham, NY, Packer Schopf Gallery, Chicago, IL; thisisnotashop, Dublin, Ireland; The Bemis Center for Contemporary Art, Omaha, NE; and the Grunwald Gallery of Art, Indiana University, Bloomington, IN.

This program is presented in conjunction with the exhibition «Clement Valla: Parallel Lines on a Freeform Surface» in PC - G's Reilly Gallery October 27 — December 10, 2016.

The artist's work has also been exhibited posthumously in solo exhibitions that include a major 1997 installation of the Congregations curated by Klaus Kertess for the Parrish Art Museum in Southampton, New York; ROAD: Alfonso Ossorio's Response to Jackson Pollock's Death at the Pollock - Krasner House and Study Center in East Hampton in 2001 and, the following year, an exhibition of his ballet and costume designs at the Mississippi Museum of Art in Jackson, MS.. Since his death, Ossorio's work has also been featured in numerous group exhibitions worldwide, most notably Parallel Visions: Modern Artists and Outsider Art at the Los Angeles County Museum of Art, which traveled to the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain and the Kunsthalle Basel in Switzerland (1992); Shaping a Generation: The Art and Artists of Betty Parsons at the Heckscher Museum of Art in Huntington, NY (1999); Postmodern Transgressions: Artists Working Beyond the Frame at the Yale University Art Gallery in New Haven, CT (1999); Surrealism USA at the National Academy Museum in New York, which traveled to the Phoenix Art Museum (2005); Repartir à Zéro, 1945 - 1949 (Starting from Scratch) at the Musée des Beaux - Arts de Lyon in France (2008); Asian / American / Modern Art: Shifting Currents, 1900 - 1970 at the de Young Museum in San Francisco, CA (2008); and Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists at the Herbert F. Johnson Museum of Art of Cornell University in Ithaca, NY (2011).

Taking drawings specifically as the focus — the skill they most admired in each other — this exhibition brings together works from the two single - artist collections at Watts Gallery and Leighton House for display in parallel.

Installed throughout the galleries and connecting spaces, the exhibition is presented in parallel with a series of live performances and special events, both at the South London Gallery SLG and at nearby off - site venues as part of SLG Local.

Parallel with the 4th Berlin Biennale (25 March — 30 April 2006) Arndt & Partner opended a Special Exhibition Space one floor above the main gallery space at Zimmerstrasse, Berlin, showing sculptural positions by new gallery artists, such as Florian Baudrexel, Karsten Konrad, and Veron Urdarianu.

In its new location, the gallery was able to further develop its exhibition program through a project room dedicated mostly to younger artists, as well as a courtyard for outdoor installations, both running parallel to the gallery main shows.

This exhibition embodies the goal of Gallery 2 to support historical work that offers exciting parallels to current interest and reinforces a basis of historical knowledge for the audience.

The shows were organized by different curators — Clarrie Wallis and Katherine Stout, respectively — though they occupied adjacent galleries and shared an exhibition guide, which explained that the «exhibitions run in parallel, offering visitors the chance to see the work of two complementary British artists from different generations».

Selected international exhibitions including those forthcoming consist of: Ars and Flora, Bogota, Columbia, 2016, Los Angeles County Exhibitions, Los Angeles, 2016, Bar Projects, Barcelona, Spain *, Barbara Seiler Gallery, Zurich *, 2016, ZKM, Karlsruhe, 2016, LAXART, Los Angeles, 2015, Manifesta 10, Parallel Program, Saint Petersburg, Russia 2014; Red Cat Theater, 2014 Otis College of Art Ben Maltz Gallery, 2014 Townhouse Gallery, Cairo, 2013 *, Fons Welters Gallery Amsterdam 2011 *; MAK Center, Vienna, 2011, MUSAC, Leon, Spain, 2010, Kunsthaus Zurich, 2006; NBGK, Berlin, 2006; Kunsthaus Graz, 2006; Los Angeles County Museum, 2006; Astrup Fearnley Museum of Modern Art, Oslo, 2004; Studio Museum of Harlem, 2003; California Museum of Photography, Riverside, 2002 *; Edward Mitterand Gallery, 2002 *; Storefront for Art and Architecture, 2002 *; The Laguna Art Museum, Laguna Beach, 2001 *; The Whitney Museum of American Art, 2001; Artists Space, 2001, Institute of Contemporary Art, Philadelphia, 1995; Villa Arson, Nice, Franexhibitions including those forthcoming consist of: Ars and Flora, Bogota, Columbia, 2016, Los Angeles County Exhibitions, Los Angeles, 2016, Bar Projects, Barcelona, Spain *, Barbara Seiler Gallery, Zurich *, 2016, ZKM, Karlsruhe, 2016, LAXART, Los Angeles, 2015, Manifesta 10, Parallel Program, Saint Petersburg, Russia 2014; Red Cat Theater, 2014 Otis College of Art Ben Maltz Gallery, 2014 Townhouse Gallery, Cairo, 2013 *, Fons Welters Gallery Amsterdam 2011 *; MAK Center, Vienna, 2011, MUSAC, Leon, Spain, 2010, Kunsthaus Zurich, 2006; NBGK, Berlin, 2006; Kunsthaus Graz, 2006; Los Angeles County Museum, 2006; Astrup Fearnley Museum of Modern Art, Oslo, 2004; Studio Museum of Harlem, 2003; California Museum of Photography, Riverside, 2002 *; Edward Mitterand Gallery, 2002 *; Storefront for Art and Architecture, 2002 *; The Laguna Art Museum, Laguna Beach, 2001 *; The Whitney Museum of American Art, 2001; Artists Space, 2001, Institute of Contemporary Art, Philadelphia, 1995; Villa Arson, Nice, FranExhibitions, Los Angeles, 2016, Bar Projects, Barcelona, Spain *, Barbara Seiler Gallery, Zurich *, 2016, ZKM, Karlsruhe, 2016, LAXART, Los Angeles, 2015, Manifesta 10, Parallel Program, Saint Petersburg, Russia 2014; Red Cat Theater, 2014 Otis College of Art Ben Maltz Gallery, 2014 Townhouse Gallery, Cairo, 2013 *, Fons Welters Gallery Amsterdam 2011 *; MAK Center, Vienna, 2011, MUSAC, Leon, Spain, 2010, Kunsthaus Zurich, 2006; NBGK, Berlin, 2006; Kunsthaus Graz, 2006; Los Angeles County Museum, 2006; Astrup Fearnley Museum of Modern Art, Oslo, 2004; Studio Museum of Harlem, 2003; California Museum of Photography, Riverside, 2002 *; Edward Mitterand Gallery, 2002 *; Storefront for Art and Architecture, 2002 *; The Laguna Art Museum, Laguna Beach, 2001 *; The Whitney Museum of American Art, 2001; Artists Space, 2001, Institute of Contemporary Art, Philadelphia, 1995; Villa Arson, Nice, France, 1994;P.

Curated jointly by John Corbett, of Chicago's Corbett vs. Dempsey gallery, and Albert Oehlen (who had a parallel exhibition of his own works at Thomas Dane's new space, further down Duke Street), the show's mix of sculpture, assemblage and painting was spread across the gallery's two main rooms and a corridor.

During her six years at the Laguna Art Museum, Kook - Anderson organized nearly 30 exhibitions, including the creation and curation of the ex.pose contemporary art program, a space dedicated to a single artist that has strong parallels to the Portland Art Museum's APEX gallery, which she will manage.

Located in New York City, from the beginning we have believed in working hand - in - hand with artists to facilitate their evolution, and in turn the advancement of the gallery, growing together and finding common lines of investigation built upon our curatorial decisions, reflected in our group and solo exhibitions, and in our parallel programs of conferences, lectures, book presentations, performances, and offsite site - specific installations.

Catherine Copeland April 29 — May 30, 2017 Parallel Narratives — Solo Exhibition of New Paintings, Gitana Rosa Gallery, Piermont, NY

The publishing is a parallel programme to the gallery, which sometimes intersects: for example with Hannah Quinlan & Rosie Hastings» exhibition «Tifkas», we published a book entitled @Gaybar alongside the show.

ART + DESIGN: Parallels at Georgia State University's Welch School Gallery «Textiles are topographies,» writes artist Jess Jones in the wall text of the new exhibition, Parallels, at GSU's Welch School of Art & Design Gallery through July 31, a joint show...

Because of the influx of at least 50,000 international art enthusiasts into the capital, many galleries mount their biggest and most exciting exhibitions, to parallel the fair.

Recent solo exhibitions La Femme Radicale or The Point of No Return, 2013, D+T Project Brussels (BE); The Absence of Work, 2012, Platform3, Munich (DE); The Factory of Forms, 2012, Manifesta Parallel, Genk (BE) and group shows Zero Hours, Art Sheffield 2013 Sheffield UK; Original Doubtat Plataforma Revolver, Lisbon; Throw a Rock and see what happens, Casa Encendida, Madrid; Vers une Hypothese Fort Du Bruissin Xll Lyon Biennial Lyon, Material Conceptualism at Anaant and Zoo Gallery, Berlin; Pacific Standard Time, LAXART, 2012, Los Angeles; Perform Now!

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now thExhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now thExhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now thexhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

She has exhibited in group exhibition in many venues, such as Baden - Baden, Germany (2016); Museum of Contemporary Photography, Chicago (2016); Marrakech Biennale / Parallel Project», Marrakech (2016); Amoca: The Arab Museum Of Contemporary Art, Sakhnin, Israel (2015); Goethe - Institut, Paris (2015); Boghossian Foundation — Villa Empain, Brussels (2014); 55th Venice Biennial — Padiglione Venezia (2013) and Whitechapel Gallery, London (2008).

Floor Show «sculptures & objects», Anders Tornberg, Lund, Sweden Extravagant: The Economy of Elegance, Tony Shafrazi, New York Parallel Visions: Modern Artists and Outsider Art, Centro de Arte Reina Sofia, Madrid, Spain The Spirit of Drawing, Sperone Westwater, New York 1982 - 83 Ten Years After, Tony Shafrazi, New York Parallel Visions: Modern Artists and Outsider Art, Kunsthalle Basel, Switzerland Jiri Dokoupil Donald Baechler, Galerie Ribbentrop, Eltville, Germany Parallel Visions: Modern Artists and Outsider Art, Setagaya Art Museum, Tokyo, Japan 43rd Biennial Exhibition of Contemporary American Painting, The Corcoran Gallery of Art, Washington, D.C. New York On Paper, Thaddaeus Ropac, Paris, France New York Painters, Sammlung Goetz, Munich, Germany

Chloe Nelkin visits the exhibition Mondrian, Nicholson: In Parallel at The Courtauld Gallery, London, on view through May 20, 2012.

In support of the building, as well as urgently needed scholarship endowment for students in the School of Art, an unprecedented fundraising initiative, The CalArts Art Benefit and Auction, will kick - off with a preview exhibition at Regen Projects in Los Angeles on Feb. 26, 2014, continue with parallel shows at the Paula Cooper Gallery and Metro Pictures in New York opening on April 5, 2014, and culminate in a special auction of major works donated by CalArts alumni, faculty and friends at Christie's spring auction on May 13 - 14 in New York.

Williams» work has been featured in several group exhibitions throughout the US, including: Portland Museum of Art, Portland, ME; Storefront Gallery, Brooklyn, NY; Garis & Hahn, NY; Memphis Social, Memphis, TN; Hal Bromm Gallery, NY; Howard House, Seattle, WA; Parallel Art Space, Queens, NY and Lu Magnus Gallery, NY.

The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI

Celebration and critique are two approaches that often run parallel in much of Hamilton's best work, including Fun House, an installation he created with architect John Voelker and artist John McHale for the seminal This is Tomorrow exhibition at Whitechapel Gallery in 1956, an exhibition now only famous for the collage that heralded the birth of Pop art, Hamilton's Just what is is that makes the modern home so different, so appealing?.

Parallel she curated exhibitions in numerous galleries and independent art spaces.