Sentences with phrase «parallel practices of art»

Not exact matches

In parallel with his studio work, Bradford is deeply engaged with social issues, as co-founder of Los Angeles - based nonprofit organization Art + Practice, which encourages education and culture by supporting the needs of foster youth predominantly living in South Los Angeles, and providing access to free, museum - curated art exhibitions and moderated art lectures to the community of Leimert PaArt + Practice, which encourages education and culture by supporting the needs of foster youth predominantly living in South Los Angeles, and providing access to free, museum - curated art exhibitions and moderated art lectures to the community of Leimert Paart exhibitions and moderated art lectures to the community of Leimert Paart lectures to the community of Leimert Park.

This is the first exhibition of any scale to consider the parallel practices of «concrete» and «constructive» art in Britain and Brazil from the 1950s to the 1970s.

The exhibition, curated by Maria Alice Milliet and Ferreira Gullar, is the first on any scale to consider the parallel practices of «concrete» and «constructive» art in Britain and Brazil from the 1950s to the 1970s.

Aside from the upcoming Castellani exhibition, we will show post-war Italian artists at Art Basel Hong Kong 2016, alongside the likes of the Korean artist Chung Sang - Hwa and the Japanese artist Kazuo Shiraga, in order to explore their parallel artistic practices.

Seen as a whole, his practice raises fundamental and evergreen questions about the value of images and art, the nature and possibilities of painting and film, the intertwined relation of our subjectivity to cultural identity, and the ways we address what we experience in life in parallel to the mediated world of images.

8 There are significant parallels between LeWitt's work and Reinhardt's, among them the use of geometric form, systems for art making, and the practice of writing about art.

Feminist art is a heteronomous field of art practices, wide stream with many parallel or meandering paths of individual or collaborative works of art, directly or indirectly related to inscribing women in art - history canon.

She also curated «Jennie C. Jones: Compilation» (2015 - 16), a mid-career survey of 11 years of work by Jones whose practice explores parallels between jazz and visual art.

A collaborative project between National Gallery of Victoria, The Andy Warhol Museum, and Ai Weiwei, this volume is the first to explore the significant influence of Andy Warhol and Ai Weiwei on art, life, and politics, focusing on the parallels and intersections between their practices.

His foremost interest is in the space between being an artist and a curator and translating the forms of parallel conceptual thinking of non-art disciplines (e.g. geography, economics, blogging) into contemporary art practice.

Parallel to her practice as a theorist linking between art, psychoanalysis, philosophy and feminism and publishing important theoretical articles, Ettinger works in a singular ways in the medium of painting and Video.

In parallel, she has worked as a University lecturer at the University of the Arts, London, specializing in performance and live art and in socially - oriented and political practices.

And it is also through knowledge of the past and of art history that these conceptually parallel projects of Irene Grau's gin significance and move forward in the contemporary redefinition of the landscape genre, as well as the idea of displacement, a core concept in her art practice.

Her parallel performing arts practice in dance involves the study of butoh and other contemporary dance techniques.

Smart's new work also includes commissioning texts and puppet plays, crosscultural choreography and performance with Javanese dance movement and re-interpretations of traditional wayang kulit (shadow puppet) theatre performance, identifying parallels of crosscultural influence and reciprocity, which critically engage her art practice.

Presented as a parallel event to the exhibition IA25: Mapping a Practice of Media Art Curated by Nina Czegledy and Angella Mackey with Simone Jones & Julian Oliver, Lorena Salom», Galen Scorer and Norman White Exhibition opens January 25 with a reception at 8:00 pm and runs until March 8, 2008 InterAccess Electronic Media Arts Centre, 9 Ossington Avenue, Toronto Gallery hours: Wednesday through Saturday, 12 - 5 pm

In parallel with his work in the studio, Bradford maintains a social practice, anchored by his Los Angeles - based not - for - profit, Art + Practice, an educational platform that emphasizes practical skills for foster youth and stresses the cultural importance of art within a larger social practice, anchored by his Los Angeles - based not - for - profit, Art + Practice, an educational platform that emphasizes practical skills for foster youth and stresses the cultural importance of art within a larger social conteArt + Practice, an educational platform that emphasizes practical skills for foster youth and stresses the cultural importance of art within a larger social Practice, an educational platform that emphasizes practical skills for foster youth and stresses the cultural importance of art within a larger social conteart within a larger social context.

META / DATA is a playful, improvisatory, multitrack «digital sampling» of Amerika's writing from 1993 to 2005 that tells the early history of a net art world «gone wild» while simultaneously constructing a parallel poetics of net art that complements Amerika's own artistic practice.

In her talk, she covers the discourse in Roma art practice as it developed in parallel to the escalation of anti-Gypsyism and stronger stereotypes concerning Roma women.

The exhibition explores the significant influence of these two exemplary artists on modern art and contemporary life, focusing on the parallels, intersections and points of difference between the two artists» practices.

2017 Builders, Circuit 12, Dallas, TX Fantastic Facade, LVL3, Chicago, IL Deconstructed, Terrault Contemporary, Baltimore, MD 2016 Helter Skelter, Launch F18, New York, NY Water Work, Soho House curated by Patrick Muhundro and Andrea Bergart, New York, NY Transaction, Knockdown Center curated by Elijah Wheat Showroom, Queens, NY Knife Hits, Spring / Break Art Show, New York, NY Faulted Valley Fog, Transmitter, Brooklyn, NY Painting Reassembled, SUNY Westchester Community College curated by Erika Mahr, Westchester, NY 2015 Surface Matters, Knockdown Center curated by Holly Shen and Sam Katz, Queens, NY Handmade Abstract, BRIC, Brooklyn, NY Object» hood, Lesley Heller Workspace curated by Inna Babaeva and Gelah Penn, New York, NY 2014 Ultra Deep Field, Rockford University Art Gallery, Rockford, IL Site Lab, Old Morton Hotel, Grand Rapids, MI BRIC Biennial, BRIC Arts in partnership with LIU University, Brooklyn, NY Insider Joke, Hockney Gallery, Royal College of Art, London, UK 2013 Rushgrove House, Rushgrove House in conjunction with the Royal College of Art, London, UK Limber: Spatial Painting Practices, Herbert Read Gallery, Canterbury UK and the Grandes Galleries de L'Erba, Rouen, France Material, Storefront Bushwick, curated by Liz Dimmitt, Brooklyn, NY Middle Zone, Projekt 722, curated by Corydon Cowansage, Brooklyn, NY No Longer Preseidents But Prophets, Delicious Spectacle, Washington DC Inside Voices, Parallel Art Space, Brooklyn, NY Contemporary Drawing Today, Fort Worth Drawing Center, Fort Worth, TX Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA 2012 Bleach Blue, FJORD Gallery, Philadelphia, PA Primary, Nudashank, Baltimore, MD Masculinisms, Garden Party / ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, ProvidenceArts in partnership with LIU University, Brooklyn, NY Insider Joke, Hockney Gallery, Royal College of Art, London, UK 2013 Rushgrove House, Rushgrove House in conjunction with the Royal College of Art, London, UK Limber: Spatial Painting Practices, Herbert Read Gallery, Canterbury UK and the Grandes Galleries de L'Erba, Rouen, France Material, Storefront Bushwick, curated by Liz Dimmitt, Brooklyn, NY Middle Zone, Projekt 722, curated by Corydon Cowansage, Brooklyn, NY No Longer Preseidents But Prophets, Delicious Spectacle, Washington DC Inside Voices, Parallel Art Space, Brooklyn, NY Contemporary Drawing Today, Fort Worth Drawing Center, Fort Worth, TX Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA 2012 Bleach Blue, FJORD Gallery, Philadelphia, PA Primary, Nudashank, Baltimore, MD Masculinisms, Garden Party / ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, ProvidenceARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, Providence, RI

The project is driven by Romero's interest in establishing parallels between the tradition of iconoclasm and Spanish political heterodoxy in general, on the one hand, and radical avant - garde art practices, from Malevich to the Situationists, on the other.

In the talk, she discusses discourse in art practice from the mid-1970s to the present as it developed in parallel to the formation of the independent nation - state of the United Arab Emirates.

The way Yun - Fei Ji takes on the thousand - year - old practice of Chinese scroll painting to present the gritty reality of life in China today parallels our Asian art program.»

Dec. 12, 2015 — March 27, 2016 «JENNIE C. JONES: Compilation» @ Contemporary Art Museum Houston Houston, Texas Working in abstraction and minimalism, conceptual artist Jennie C. Jones «s unique practice considers the intersection of visual art and jazz «to reveal the complex and often parallel legacies of the mid-20th century's social, cultural, and political experimentations.&raqArt Museum Houston Houston, Texas Working in abstraction and minimalism, conceptual artist Jennie C. Jones «s unique practice considers the intersection of visual art and jazz «to reveal the complex and often parallel legacies of the mid-20th century's social, cultural, and political experimentations.&raqart and jazz «to reveal the complex and often parallel legacies of the mid-20th century's social, cultural, and political experimentations.»

Published to accompany an exhibition at the Contemporary Arts Museum Houston, Parallel Practices explores the trajectory of these artists» practices to reveal shared and complementary aspects, as well as to highlight the significant divergences and differences that characterize each artist's work.

Fine Art Course Structure The two - year MA programme in Fine Art at HKU consists of three parallel courses that create an optimal mix of fine art practice, contextualization and modes of presentatiArt Course Structure The two - year MA programme in Fine Art at HKU consists of three parallel courses that create an optimal mix of fine art practice, contextualization and modes of presentatiArt at HKU consists of three parallel courses that create an optimal mix of fine art practice, contextualization and modes of presentatiart practice, contextualization and modes of presentation.

Arte Povera and parallel practices 1968 — 2015, The Museum of Contemporary Art Oslo, Oslo Works on Paper, Diagonal Building, Maag Areal, Zurich The Shadow of War: Political Art in Norway 1914 — 2014, Kunstnernes Hus, Oslo A man walks into a bar..., me Collectors Room Berlin, Berlin Reads Like a Book, Cricoteka, Krakow

Arte Povera and parallel practices 1968 — 2015», Museum of Contemporary Art, Oslo, Norway

Gallery 1313's open, multi-disciplinary approach to programming allows for new ideas, perspectives and forms in art and culture to emerge and cross-pollinate, prompting the criticism and generation of knowledge through discourse and debate around parallels and differences in contemporary practices.

Arte Povera and parallel practices 1968 - 2015, Museum of Contemporary Art, Oslo, Norway (2015 - 2016); among others.

Over the years, in parallel with his personal ceramic practice, he taught at the Leeds College of Art / Leeds Polytechnic, was occasional visitor to The Royal College of Art, London, participated in several innovative crafts projects, and gained a coveted Black Belt in Aikido.

Embracing the connection between art and life, Shirley Goldfarb's paintings run parallel to her longstanding practice of journaling and recording video; documenting life in the café, at home and in the studio and providing a portrait of the unique persona she created after moving to France.

Butler (who is now Robert Lehman Foundation Chief Curator of Drawings at MoMA) says she had two major goals for the show: «I wanted to reveal the internationalism and the parallel practices of feminism, and I wanted to make a case that feminism was the most influential international impulse of postwar art.