Sentences with phrase «parallels between the artists»

In the second edition of our South - South series, Goodman Gallery presents Let me begin again, an exhibition drawing parallels between artists from the Global South, whose work is situated within and beyond the afterlife of political revolution.

«VanDerBeek focuses on the parallels between artists» creative processes — embodied in images of dancers in their studio — and the cycles of urban development and decline,» said Kristen Hileman, Curator of Contemporary Art.

In an exploration of the parallels between artist and cannibal, the exhibition references Bill Shutt's thoughts in Cannibalism: A perfectly natural history (2017) where he researches human consumption over the centuries.

Another important basis for Take It or Leave It's methodology of tracing critical impulses over time stems from our desire to mine unexpected parallels between artists.

While Swell draws parallels between artist and laborer, it reminds us that the artist is never outside of this cycle of expansion, and in fact, plays a key role in it.

What characterized his work generally was a deep belief in the power of intuition as expressed in the parallel between the artist and the shaman: both invest simple materials with intense and potentially healing power (Show your wound, 1976).

Underscoring conceptual parallels between the artists» process - oriented paintings, drawings, and sculpture, the presentation examines the role and impact of abstraction as a vehicle for artistic, social, and political commentary.

She spoke confidently about the parallels between artists and comedians in that they challenge, nurture, and educate their audiences.

The exhibit emphasizes parallels between the artists in their use of indirect portraiture, physical presence and their creative process.

There are obvious parallels between these artists and I am excited to see how Juergen will bring his edge, energy and unique vision to a new reading of Robert's work.»

The volume includes an introduction by John Elderfield, who knew Diebenkorn personally and has curated exhibitions of both artists» work; an essay by Jodi Roberts on parallels between the artists» drawings; and a bibliography documenting Diebenkorn's collection of books about the French artist.

Not exact matches

Beau travail evokes him not only in the aforementioned encounters between sculptural bodies and heroic music, but in its musically inflected montages and its beautifully ordered compositions devoted to various maneuvers: crawling under barbed wire, vaulting over bars, occupying the shell of a half - constructed building, walking across parallel wires like tightrope artists imitating flurries of notes on a musical staff.

The parallels between a mother not wanting to let go of her daughter and a filmmaker not wanting to finish her film a striking real life connection between art and artist.

Sidman's arrangement of the story and its chapter titles (as well as one of Sidman's original poetic stanzas) smartly draw a parallel between Merian's growth as an artist and the stages of a butterfly's life.

I've wondered about the parallels between the author / publisher and the artist / gallery, so it's interesting to hear that direct - selling by artists is working for at least some.

In choosing special toys from my piles and setting them aside for portraits, I began to understand the parallels between how a child animates a toy and how an artist animates a painting.

Gerald Lazare, an artist friend and honorary member of the Duke Ellington Society of Canada, sees parallels between Sargent's paintings and Ellington's compositions, which combine the improvisations of jazz with formal composition.

After the publication of their first book, Anonymous Sculptures, in 1970 their work gained wide acclaim among artists associated with Minimalism and Conceptualism, who recognized the parallels between their own interests and the Bechers» use of seriality and preoccupation with the aesthetics of industrial form.

Parallel Practices: Joan Jonas & Gina Pane (2013) brings together a selection of works made between 1965 and 2010 by two foundational performance artists with multidisciplinary practices working in New York and Paris respectively.

This book explores parallels in thought and strategies between Italian Conceptualist Giulio Paolini's (born 1940) work, especially of the 1960s and the «70s, and the work of a younger generation of artists based in New York City today: Sebastian Black, Kerstin Brätsch (with Boško Blagojevic), Seth Price and Antek Walczak.

While Minimalist artists such as Carl Andre, Donald Judd, and Dan Flavin were gaining ground with their work in New York, McCracken was experimenting in Los Angeles with a medium somewhere between sculpture and painting, in a parallel fashion.

The 13 works on view highlight the formal similarities between the artists» work and illustrate a parallel shift in their conception of pictorial space — from a figural abstraction to a new sense of openness and expansiveness.

While offering a comprehensive selection of works spanning his career, this retrospective will underscore the parallels between Conner's work as an artist and as a filmmaker.

Andy Warhol / Ai Weiwei, developed by The Andy Warhol Museum in Pittsburgh, PA, and the National Gallery of Victoria, with the participation of Ai Weiwei, explores the significant influence of these two artists on modern and contemporary life, focusing on the parallels, intersections, and points of difference between their practices — Warhol representing 20th - century modernity and the «American century,» and Ai representing life in the 21st century and what has been called the «Chinese century» to come...

The parallels between past and present are telling, now that dealers are asking where they can afford after Chelsea — and artists are asking where they can afford at all.

Most fittingly of all, while it is itself the result of a collaboration with one artist, the sculpture also points ahead to the show inside, which reveals unexpected parallels between Vienna's star artist and Wakefield's own Hepworth.

Frieze Artist Award winner Kiluanji Kia Henda merges the cult of Marxism - Leninism after Angolan independence with the drawn parallels between witchcraft practices during Angola's civil war and science fiction narratives used by Cold War superpowers.

Similar to Alfred Le Petit's and Jules Eugène Lenepveu's caricatures of Émile Zola where the writer defecates while writing texts, the point where scatology becomes political is signified through the creation of a parallel relationship made between political stances and the artist's practice.

Making a parallel between then and now, the show will highlight the role of female artists (or lack thereof) in the movement through the works of Magda Cordell and will examine the ways the relocation of certain artists influenced their art on grounds of cultural shifts.

Recent feminist authors and visual artists explore the «trending» parallels between vernacular architectures in virtual and (sub) urban spaces.

Through the conjunction of and the cross between Willy Loman, the legendary anti-hero of Arthur Miller's Death of a Salesman, Dante's Inferno, the photographic recreation of Gustave Doré's etchings of Dante's work and references to the US multinationals Chrysler, General Motors and Ford, the British - Nigerian artist suggests, on one side, the illusory nature of the «American dream» and, on the other, the parallel between Miller's exploration of greed and the human condition in the 20th century and our present situation, projecting it as its perverse, ill - fated legacy.

These works were all created since the birth of the artist's second child and many draw parallels between the project of making or experiencing art and parenthood.

Emin herself chose a series of paintings and drawings by the Austrian expressionist to hang beside her works, giving visitors the opportunity to explore the parallels between the two artists.

The artist playfully exploits the etymological roots of «hero» in the Greek word for spring, hora, to draw out parallels between distant disciplines.

French video artist Camille Henrot creates parallels between the mythical and the contemporary.

With this new body of work the artist draws parallels between the figurative and the abstract and suggests that the distinction may not be so fixed and rigid.

The artists maneuver a relationship between the object's ontology and their transformation into vehicles of psychological projection; a parallel to the work's intimate development in the studio against their perceptive contextual availability in the gallery.

The latest initiative of the Prudential Eye Programme, which supports artists and art organisations across the Asia region, and whose previous projects include Korean Eye (2009 to 2012), Indonesian Eye (2011), Hong Kong Eye (2013) and Prudential Malaysian Eye (2014), the Prudential Eye Awards are a partnership between Parallel Contemporary Art, Saatchi Gallery and Prudential.

His foremost interest is in the space between being an artist and a curator and translating the forms of parallel conceptual thinking of non-art disciplines (e.g. geography, economics, blogging) into contemporary art practice.

NEW ORLEANS, LA — It was not until artist Regina Scully had the opportunity to closely explore the New Orleans Museum of Art (NOMA)'s collection of Japanese paintings that she realized the parallels between the art she was creating, and Chinese and Japanese antecedents.

Two renowned artists, Angela Bulloch and Maria Zerres, draw parallels between their visions in Considering Dynamics and the Forms of Chaos.

DOPPLER: an exhibition of 22 international abstract artists working between 2D and 3D 2013 DOPPLER, Parallel Art Space, Bushwick, NY

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

The Tantric Way highlights the parallels between Tantric art and the early twentieth - century modernist abstractions of Paul Klee, Piet Mondrian, Constantin Brancusi and Robert Delaunay, as well as the affinities between the post-war American painters Ad Reinhardt, Mark Rothko and Barnett Newman and the work of Indian artist Biren De.22 The latter was one of the leading members of a group of «neo-Tantric» artists newly promoted by New Delhi gallerist Virendra Kumar Jain, the older brother of Tantra Art's publisher, Ravi Kumar.23

The official opening of Wood and Harrison's exhibition on February 12 featured a «battle» between Wood and Harrison and Houston - based art pranksters the Art Guys (Michael Galbreth and Jack Massing) and emphasized the parallel between the British artists and homegrown conceptual antics.

Warhol is in many ways a model for Martin Wong and the areas of interest of both artists are astoundingly similar (at this time Andy Warhol's private collection had not been published, which makes the parallels between Warhol's and Wong's collections the more astonishing).

Though not a surfer herself, the artist finds a parallel between how photographers watch the world and how surfers watch the ocean — with patience, precision, and a deep understanding of natural forces.

The programme consists of four exhibition formats: thematic group shows which examine the connection between the Stenersen Collection and a broader historical context; retrospective solo exhibitions of artists in the Stenersen Collection; solo exhibitions of younger Norwegian painters; and curatorial projects that draw parallels between contemporary artistic practice and the Stenersen Collection.

There is also Fischli & Weiss» Sichtbare Welt (1987 - 2000), a series of photographs taken by the artists all over the world, critically evoking a parallel between systems of valuation and modes of representation.

Together, the artists in this exhibition reveal the parallel connections between art and political engagement, between stillness and activation.