As a corrective, Adam McEwen
parodies celebrity culture with fake New York Times obits for Rod Stewart, Nicole Kidman, Bill Clinton, and Jeff Koons.
Not exact matches
Indeed, the book outlines the full gamut of historical periods associated with different kinds of biopic subjects: the classical, celebratory form (melodrama); warts - and - all (melodrama / realism); transition from producer's genre to auteur's genre; critical investigation and atomisation of the subject;
parody;
culture based on consumerism and
celebrity; minority appropriation (queer, feminist, African American, Third World, etc.); and neoclassical biopic, which integrates all of the above.
Of course Capitalist Realism had no such reputation in the U.S.; the artists were
parodying the overnight ascendance of Pop Art, with its
celebrity culture and embrace of everyday commodities, as well as the German craze for all things American.