Sentences with phrase «part about being an artist»

LMM: What is your favorite part about being an artist and do you have any advice for younger artists just entering the field?

Not exact matches

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I guess that's part of what makes you a fantastic artist, you know what people about.

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The series Through The Ice, Darkly currently on show at the Peggy Notebaert Museum as part of the Weather To Climate exhibition is specifically about the subjective change in the landscape, the shift of mood apparent to an artist's eyes, a lost ice world.

In a detailed post about how she gets it all done, world - famous makeup artist Bobbi Brown admitted that intermittent fasting is part of her routine.

Into ALL forms of self expression with a distinct penchant for the dark, moody and occasionally jaded.i am a tattoist, painter, pencil artist, musician and part time kinda writer, about 5» 10», about 140 lbs, heavily tattooed and pierced, quiet.

«I want to take a moment to talk about the international artists like these award winners, they are such an important part of our community,» Putnam added after announcing the Institute's Global Filmmakers awards winners, that included Iran's Massoud Bakhshi and her Yalda film.

Xiu Xiu: The Sent - Down Girl hasn't always received the same critical respect as the»90s other major films about the Cultural Revolution, in part because it was harmfully assumed that director Joan Chen — who was and still is best known to the Western world for her playing Josie Packard in Twin Peaks — was not a «serious» artist whose work deserved to be considered in the same breath as that of Tian Zhuangzhuang (The Blue Kite) or Zhang Yimou (To Live).

James Franco's The Disaster Artist is part comedy, part bizarre true story about writer / director / actor / possible vampire Tommy...

The film — about a young woman who has a passionate affair with an artist sent to paint her portrait — was thought to be a potential awards contender, in part because of the presence of Vikander who won last year's best supporting actress Oscar for «The Danish Girl.»

McCarthy danced to musical guests Hanson's performance of their new Christmas song in one of those rod - puppet, one - person costumes (she was the three wise men), thanked Dave Franco for coming out as a reindeer to talk to her gingerbread lady about The Disaster Artist, and did the second part of her monologue as a very large and tippy - looking menorah.

The internet was full of artists and scientists sharing their stories about how art was actually an important part of their lives.

Writers and artists are welcome to explore a wide range of issues — mortality, belief, culture of origin, atheism — as part of a personal meditation about soul searching through words.

What was the hardest part about finding the right artist?

I'm not a comic artist, but I part - own a small publisher that prints comics and novels in print runs ranging from 40 to a few thousand copies, so I have some insight about what it takes to print your own comic for a reasonable price.

We talked about how rejection is just part of the landscape for all beginning artists, no matter how talented or hardworking they might be or how successful they might appear.

Posted by Victoria Strauss for Writer BewareI've been getting a lot of questions recently about Paul Hollingshead and the Barefoot Writer's Club (part of American Writers & Artists Inc., which sells courses that promise to help you «Learn How You C... -LSB-...]

I was part of the investigation on the research that I'm doing for these books about authors and money, it's becoming clearer that for the very first time we're going to have the opportunity for an artist - led economy for artists.

We spoke with the game's core team, designer / programmer Kyle Pulver and designer / artist Peter Jones, about Snapshot — which was nominated for an Excellence in Design award at this year's Independent Games Festival (part of Think Services, as is this website).

I am a Zimbabwean citizen and artist so know all about and see on a daily basis the struggles of people in this part of the world particularly in obtaining clean water!

Also, I am part of a little group of artists that get together and talk about what is working and not working in growing their business, and hopefully some of them have signed up over here, because you come highly recommended and have a reputation as having good, solid info!

Several artist groups that I'm a part of are full of discussions about how the sky is falling because of these changes.

The particular balance of marks which transforms a blank piece of paper into a drawing is the result of everything that was of concern to the artist at the time of making it and if colour is part of this concern then information about it is caught in the drawing along with everything else and is not just there by association.

In the absence of any thoroughgoing investigation, one can only gather impressionistic data about the presence or absence of rebellion against parental authority in women artists, and whether there may be more or less rebellion on the part of women artists than is true in the case of men or vice versa.

That's part of why I started TheAbundantArtist.com — I'm passionate about helping artists learn the skills they need to break their own poverty cycle.

Through that sharing two things happened: first, I became part of a community of people who were artists online; and second, I began to get enquiries about my work, and I began slowly to sell it.

The last time we heard from conceptual artist Rirkrit Tiravanija, about a month ago, he was cooking up Thai food in Basel, Switzerland, on the Messeplatz, the large public square outside the annual fair Art Basel, as part of a collaborative... Read More

I am excited about being part of this art community The Abundant Artist.

Your comment about SEO for shopify «Their URL structures are less than ideal for search engine effectiveness, but for the most part, SEO is not something that most artists need to make a priority.»

The Turner - prize nominated artist talks to Apollo about Surrealism, what she learned from Jim Ede, and being part of a legacy

For super-specific reasons it made me feel part of the work, in the way I feel about Wolfgang Tillmans or Felix Gonzalez - Torres, artists whose own biographies are beautifully incorporated into the content and messaging of their work.

February 27 — March 5 I ♥ Neutrinos: You Can't See Them but They are Everywhere (70 mm Film Frames of Neutrino Movements — shot in 15 ft Bubble Chamber at Fermilab, Experiment 564 near Chicago — dunked in liquid nitrogen, neutrino movements events with invisible ink and decoder markers and highlighters, inked up by Monica Kogler and Jwest, film roll from Janet Conrad, MIT Professor of Physics) 2011, 37 seconds Roll of specialized film for scientific use of about 1,000 Images transferred to high - definition video on a hand - made telecine device, no sound Made while Jennifer West was an Artist in Residence at the MIT List Visual Arts Center, Cambridge, MA in 2011; Funded, in part, by the Nimoy Visual Artist Residencies program of the Nimoy Foundation.

SELECTED GROUP EXHIBITIONS 2008 for what you are about to receive, Gagosian Gallery c / o Red October, Moscow Oranges and Sardines: Conversations on Abstract Painting with Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool, curated by Gary Garrels, Hammer Museum, Los Angeles, CA Painting Now and Forever: Part II, Matthew Marks Gallery and Greene Naftali Gallery, New York Not So Subtle Subtitle, curated by Matthew Brannon, Casey Kaplan Gallery, New York That social space between speaking and meaning, by Fia Backstorm, White Columns, New York God is Design, curated by Neville Wakefiled, Galerie Fortes Vilaca, San Paulo A New High in Getting Low, John Connelly Presents, New York Nina In Position, curated by Jeffrey Uslip, Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, Berlin

Just about everything you need to know about Dennis Oppenheim and his work is expressed in the touching video piece Star Exchange (1970) on view in the indoor gallery at Storm King — part of the expansive indoor and outdoor exhibition of the artist's work, Terrestrial Studio.

I'm just about to leave the USA for a month to attend a group exhibition I'm part of — «Zoocryptage» at Crypte Saint Eugiene in Biarritz, France and I'll be artist in residence at Arthémuse in Normandie, France.

Gary is an artist I knew about in the 80s; he was showing at Mary Boone, he was part of that Julian Schnabel, Ross Buckner, David Salle crew, that all came up at the same time, and were recognized for somehow returning painting the conversation about contemporary art.

SoHo was home to about 2,000 artists by the early»70s, many of whom had to go as far as Chelsea to get basic groceries and faced police shakedowns as part of failed efforts to clear them out.

I left at 5 because I wanted to get home to write about the exhibition of Josef Albers Paintings on Paper, an exhibition at the Morgan Library closing this weekend — in that decision were multiple ironies, that I was leaving a fashionable art event inimical to painting in order to write about an artist who in fact I had always seen as didactic in a way that could be seen as part of the repressive politics of high modernism which contributed to my move towards feminism as a young artist.

Brooklyn - based artist Ellen Harvey talks about: Her long tenure in the western part of Williamsburg, her experience of the slow but steady gentrification, and how she's become permanently attached to her live / work loft through the Loft Law, which...

«At the same time, we wanted to think about how we can make room for artists who have often not been considered part of the London School, not because their work doesn't fit, but because they did not run in the same circles as London School artists.

The exhibition will explore the artists» commentary on and challenge of social values, expectations, and conventions that are a part of everyday life — raising questions about national and global issues including gender - specific violence and sociopolitical conflict.

So the title Fast Forward came in part from an article I read on Keith Haring, that was talking about the climate, this moment, in the early 1980s in particular and more generally, and that there was this idea that there was suddenly a kind of new freedom for artists to paint what you want.

She continues: «Critical theories about cultural production, about aesthetics, continue to confine and restrict black artists, and passive withdrawal from a discussion of aesthetics is a useless response -LSB-...] Black artists concerned with producing work that embodies and reflects a liberatory politic know that an important part of any decolonization process is critical intervention and interrogation of existing repressive and dominating structures.»

Actually, I was just talking to the great Houston gallerist Fredericka Hunter about how, even before the days of the Internet, the information systems among artists about who was doing what in what part of the world were really effective, so they were able to keep score.

The Los Angeles artist Charles Gaines, whose Abstract and Conceptual work is in her collection, said that «Four Generations» crystallized his longtime thinking about the context of his work as part of a continuum.

These events are organized by the University of Houston Cynthia Woods Mitchell Center for the Arts as part of the INTERSECTIONS initiative, which aims to increase knowledge about Muslim cultures through the arts while focusing on the complexity and diversity within Houston's local Muslim population, with an emphasis on the University of Houston's own student body and seeks to build bridges between visiting artists and UH students.

Hosted off - site by Bari's 63rd - 77th steps, there is little information about the show, aside from the Italian title that translates to a softly poignant «The Future Was Beautiful For Us» in English and a typically impressive list of artists taking part, including Mathis Collins, Cédric Fargues, Kareem Lotfy, Quintessa Matranga, and Ilya Smirnov among others.

She is cocurator of Another Promised Land: Anita Brenner's Mexico at the Skirball Cultural Center, a part of Pacific Standard Time: LA / LA, and contributed an essay about Mexican women artists to the Radical Women: Latin American Art, 1960 - 1985 exhibition catalogue.

While fellow critics remained for the most part indifferent to Graham's manifesto, it found great favor among young artists who felt it gave them a vocabulary with which to talk about the experiments they were engaged in.