Sentences with phrase «part allegory»

Part allegory, part fable, it's the story of Gus, a man released from captivity in a foreign land to return home disoriented and alone.

- Boris Fishman, author of A Replacement Life «Part allegory, part fable, part love story, Little Nothing is unflinching, brutal, and yet exquisitely beautiful.

Part allegory about the shifting nature of being, part subversive fairy tale of love in all its uncanny guises, Little Nothing spans the beginning of a new century, the disintegration of ancient superstitions, and the adoption of industry and invention.

Not exact matches

myth (noun) \ «mith \ 1 a: a usually traditional story of ostensibly historical events that serves to unfold part of the world view of a people or explain a practice, belief, or natural phenomenon b: parable, allegory

It may be a heavy - handed allegory, but Neill Blomkamp's sci - fi blockbuster is part of a wave of recent films concerned with humanity's future — none of... More

Definition of MYTH 1a: a usually traditional story of ostensibly historical events that serves to unfold part of the world view of a people or explain a practice, belief, or natural phenomenon b: parable, allegory 2a: a popular belief or tradition that has grown up around something or someone; especially: one embodying the ideals and inst - itutions of a society or segment of society b: an unfounded or false notion 3: a person or thing having only an imaginary or unverifiable existence 4: the whole body of myths

The end of the play would be much more comfortable for us if we could treat the Portia of the trial scene as an allegory of the Divine Judge who forces Shylock (the allegorical sinner) to relinquish all his wealth with the conditional restoration of a part of it upon his baptism» that is, he must throw down everything he has and follow Christ.

When you asked me which parts had been debunked, and I wasn't allowed to cherry pick lines out of context that were meant to be allegory to support my claim, I in return asked what parts in the bible then are suppsoed to be metaphorical and what are literal, obviously we won't agree because you already know my stance and I know yours, neither stance is going to change, but I'm interested to know from you specifically, what in the bible is proven to be correct?

From Merriam Webster: Myth 1 a: a usually traditional story of ostensibly historical events that serves to unfold part of the world view of a people or explain a practice, belief, or natural phenomenon b: parable, allegory 2a: a popular belief or tradition that has grown up around something or someone; especially: one embodying the ideals and inst.itutions of a society or segment of society b: an unfounded or false notion 3: a person or thing having only an imaginary or unverifiable existence 4: the whole body of myths 1.

If there was any other book claiming to be the authority on everything that you kept having to make excuses for like «Well, that part is ment as an allegory» or «God years are different than man years» or «Well, its says to not eat shelfish or pork in the hebrew scriptures, but apparently God changed his mind later, but that part about ga y's stays» I don't think anyone would have given it a second look had it not been at the point of a sword.

Part comedy and part political allegory, Alejandro Brugués» second feature was co-produced with Spain's La Zanfoña Producciones < http://pro.imdb.com/company/co0133361Part comedy and part political allegory, Alejandro Brugués» second feature was co-produced with Spain's La Zanfoña Producciones < http://pro.imdb.com/company/co0133361part political allegory, Alejandro Brugués» second feature was co-produced with Spain's La Zanfoña Producciones < http://pro.imdb.com/company/co0133361/ >.

Despite its action and revelations, its substantial political allegory and its strong performances from a tremendous cast, «The Hunger Games: Mockingkay — Part 1» still feels like one long -LSB-...]

Godzilla gets a lot right, hiring excellent actors even in bit parts to sell every inch of the story, focusing on characters, the emotional stakes of the leads and even embracing the atomic - age fears and allegories that the Toho Studio films utilized while putting a modern - spin on them — the casualties and cost of life within such disasters (there is a 9 / 11-esque disaster - porn tinge to the film, but it's certainly not as thoughtless as it is in «Man Of Steel»).

On second thought, I wonder if it's not a pretty useful allegory for the United States in the first part of the 21st century after all.

It's an extended entry in hormonal - teen mood - swing theatre, The Hunger Games: Mockingjay - Part 1 (hereafter Mockingjay 1), an allegory not for political corruption and the Orwellian influence of media, but for what it's like to be a teenage girl no one understands or ever could.

7th Garden by Mitsu Izumi AiON by Yuna Kagesaki Blue Exorcist by Kazue Kato Claymore by Norihiro Yagi D - Gray Man by Katsura Hoshino Deadman Wonderland by Jinsei Kataoka, Kazuma Kondou élDLIVE by Akira Amano Eureka Seven by Jinsei Kataoka, Kazuma Kondou Fate / Stay Night by Dat Nishiwaki, TYPE - MOON Fullmetal Alchemist by Hiromu Arakawa Future Diary by Sakae Esuno Genkaku Picasso by Usamaru Furuya Gestalt by Yun Kouga Girls Bravo by Mario Kaneda Grenadier by Sousuke Kaise Guardian Hearts by Sae Amatsu Hanako and the Terror of Allegory by Sakae Esuno Judas by Suu Minazuki Kamiyadori by Kei Sanbe Legend of Zelda series by Akira Himekawa Lucky Star by Kagami Yoshimizu Monster Hunter: Flash Hunter by Keiichi Hikami, Shin Yamamoto Neon Genesis Evangelion by Yoshiyuki Sadamoto Nightmare Inspector: Yumekui Kenbun by Shin Mashiba NORA: The Last Chronicle of Devildom by Kazunari Kakei O - Parts Hunter by Seishi Kishimoto Phoenix by Osamu Tezuka Platinum End by Tsugumi Ohba, Takeshi Obata Ratman by Sekihiko Inui Rizelmine by Yukiru Sugisaki Rosario + Vampire Series by Akihisa Ikeda Saber Marionette J by Satoru Akahori, Yumisuke Kotoyoshi Samurai Girl: Real Bout High School by Reiji Saiga, Sora Inoue Saving Life by Mario Kaneda Seraph of The End by Takaya Kagami, Yamato Yamamoto, Daisuke Furuya Sgt. Frog by Mine Yoshizaki Someday's Dreamers by Norie Yamada, Kumichi Yoshizuki Switch by Naked Ape (Saki Otoh, Nakamura Tomomi) Tegami Bachi by Hiroyuki Asada The Emperor and I by mato The Girl Who Leapt Through Time by Ranmaru Kotone, Yasutaka Tsusui, Yoshiyuki Sadamoto The Third by Ryo Hoshino, Ariko Itou Time Killers by Kazue Kato Twin Star Exorcists by Yoshiaki Sukeno Ultimo by Stan Lee, Hiroyuki Takei Welcome to the N.H.K by Tatsuhiko Takimoto, Kendi Oiwa

Wizard is a vast, sprawling, satirical allegory, written in 6 parts, which is already being considered by many to be Ngugi wa Thiong «o's magnus opus.

Wizard of the Crow, a vast, sprawling, satirical allegory written in 6 parts, took about 10 years to write and two years to translate.

Over at Kirkus today, I talk with author - illustrator Lita Judge, pictured here, about her new book about Mary Shelley (and her first YA book), which she describes as «part biography, part visual fantasy, and part feminist allegory.»

SELECTED GROUP EXHIBITIONS 2008 for what you are about to receive, Gagosian Gallery c / o Red October, Moscow Oranges and Sardines: Conversations on Abstract Painting with Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool, curated by Gary Garrels, Hammer Museum, Los Angeles, CA Painting Now and Forever: Part II, Matthew Marks Gallery and Greene Naftali Gallery, New York Not So Subtle Subtitle, curated by Matthew Brannon, Casey Kaplan Gallery, New York That social space between speaking and meaning, by Fia Backstorm, White Columns, New York God is Design, curated by Neville Wakefiled, Galerie Fortes Vilaca, San Paulo A New High in Getting Low, John Connelly Presents, New York Nina In Position, curated by Jeffrey Uslip, Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, Berlin

It is time for women — and not just the semi-naked women who are sculpted as allegories for Justice or Peace — to become part of the grammar of our streets.»

These pictures are part of a loose series I'm calling «allegories of painting».

Goya may even have intended it as an allegory of the season, for it is a design for a tapestry to hang in the Spanish royal palace El Pardo, part of a series of such designs that were his first major commissions.

For the museum, she also organized a three - part exhibition series Modernist Art from India (2011 - 13) and, with Rahaab Allana of the Alkazi Foundation, co-organized Allegory and Illusion: Early Portrait Photography from South Asia (2013).

Rather, the technicolor paintings and surreal sculptures that make up the show speak to the ways animals are part of the contemporary imagination through fantasy and allegory.

2010 Order to see, Galerie Praz, Delavallade, Paris, France In the Company of Alice, Victoria Miro, London, Great Britain Whitney Biennial, New York / NY, USA 2009 We Are Sun - kissed and Snow - blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris Artists of Conflcting Tales: Subjectivity (Quadrilogy, Part 1), Burger Collection, Berlin, Germany Cave Painting PSM Gallery, Berlin, Germany Mrs. MacGruder, Benson Keyes Arts, Hello, curated by Michele Maccarone, Southampton / NY, USA Cave Painting: Installment # 1, Gresham's Ghost, Curated by Bob Nickas and Ajay Kurian, New York / NY, USA 2008 Pretty Ugly, Gavin Brown's Enterprise, New York / NY, USA Blasted Allegories, Kunstmuseum Luzern, Works from the Ringier Collection, Luzern, Switzerland ESTRATOS, Contemporary Art Project, Murcia, Spain Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, New York / NY, USA 2007 XXS (Extra Extra Small), Sommer Contemporary Art, Tel Aviv, Israel Painting as Fact - Fact as Fiction, de Pury & Luxembourg, curated by Bob Nickas, Zurich, Switzerland The Third Mind, Palais de Toyko, curated by Ugo Rondinone, Paris, France Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland 2006 Panic Room, Deste Foundation, Athens, Greek Painting Codes, GC.AC, Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone, Italy 2005 Lyon Biennale, Lyon Translation, Palais de Tokyo, Paris Interested Painting, Gallery 400, University of Illionois, Chicago / IL, USA Down by Law, Whitney Museum of American Art, New York / NY, USA 2004 Huts, Douglas Hyde Gallery, Dublin, Ireland 2003 Utopia Station, Venice Biennal, Venice, Italy Breathing The Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland Game Over, Grimm Rosenfeld, Munich, Germany Dirty Pictures, The Approach, London, Great Britain Dreams and Conflicts, Venice, Italy, 50th Venice Biennale, Venice, Italy 20th Anniversary - Welcome home, Gavin Brown's enterprise, New York / NY, USA 2002 Five Years, Jousse Enterprise, Paris, France From the Observatory, Paula Cooper Gallery, New York / NY, USA Urgent Painting, Musee d'Art Moderne de la Ville de Paris, Paris, France 2001 Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield / CT, USA Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London, Great Britain Extended Painting, Monica de Cardenas, Milan, Italy Invisible Museum, Memphis / TN, USA Victoria Miro Gallery, London, Great Britain How is Everything?

A political allegory that wanders into the surreal, the piece is a collective experience for actors and audiences alike as they take part in an endurance - testing performance drama that travels through the Bath's heated rooms and interior spaces, each conveying a shift in physical sensation and emotional atmosphere.

In the early part of the 20th century, it refuted the reign of clear, indisputable forms and confronted audiences instead with vivid visual poems devoid of conventional, representational imagery and characterized instead by allegories of emotion and sensation.This radical artistic adventure established new artistic means, as much as narratives.

Equilibrium: An Allegory of Rebirth opens May 5th at The Lodge Gallery as part of Frieze Week in New York City.

The plastic objects, as well as the entire shop, are part of the work; together with the film, they form an allegory for the living and working conditions within our global society.

The enlarged, grainy photographs of Allegories are systematically produced in horizontal cinemascope aspect ratios and feature Minimalist hallmarks of isolation, coordination and objectification of fetishized parts.

PART 2: LIGHT AND SHADOW The ESSAY «Light and Shadow» discusses... flicker films, Plato's allegory of the cave, H.P. Robinson's allegorical images, working with the absence of light, Tony Conrad's slow emulsions, photography as fairy magic and sun drawings, Adam Fuss's photograms, Hiroshi Sugimoto's feature - length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and more...

Having had part of his formation on the samba schools «sheds», his works incorporate an inventive craftsmanship that transforms despised materials in curious «plastic allegories».

In 2010, Liddington staged Allegory for an Opera as part of Nuit Blanche.

The enormous cavernous figure is represented as a narcissistic «thinker», part statue, part cyborg, a confluence of allegories and histories that, in Leckey's words, has become «metalized, gauzified, vegetalized and petrified, a medieval gnostic gone septic, its body now merely a thing amongst things — the spirit has departed the flesh.»

Ari Kaplan: Now that Allegory is part of Integreon, how is the company incorporating the platform into its operations?

Allegory will soon release a new dashboard specifically designed for corporate counsel to oversee their matters, part of an upgrade to Allegory's user interface that will be rolled out within the next couple of months.

Despite the happy poster images, the market for medical - assistant education is actually an allegory for the problems in the parts of higher education that tend to attract low - income and middle - class students: little regulation and uneven — often mediocre — results.