Sentences with phrase «part by photography»

Its visceral punch is delivered in part by photography director Jas Shelton, who casts the proceedings in a cancerlike pallor that evokes an unsettling mood.

Not exact matches

As part of its service, Happy Host arranges professional photography, and the loft, a former hat factory with Eamesian kitchen stools and a fig tree by the window, stood ready for an appraising gaze.

Part food photography, part assemblage, this cover was designed by Steve SeemPart food photography, part assemblage, this cover was designed by Steve Seempart assemblage, this cover was designed by Steve Seemann.

Photo credit: The photo was taken by Michele Quattrin as part of The Tiny Footprints Project, a non-profit organization that offers a free photography session for parents of NICU babies.

[The following is a guest post by entomologist Guilherme Ide Marques dos Santos, of the Museu de Zoologia da USP, Brazil] Scientific photography is an important part of many publications.

So, we hope that one of the best parts for you, other than the recipes themselves, will be the food photography, by Aimee Buxton.

Photography is one of the trickiest parts of blogging and I'm no pro by any means, still have so much to learn, but once I figured out how to work my camera in manual, it got so much better.

Photgraphy by: LC Photography / / My Dress, Necklace, Handbag and Bracelets: c / o Francesca's / / My Wedges — c / o Yellow Box Shoes This is my final post about Montage Deer Valley Part 5.

Yesterday I was invited by Jon at S6 Photography to give a talk on blogging at his photography workshop, then in the afternoon Nik and I tried our hand at modeling as we posed for the practical part of thPhotography to give a talk on blogging at his photography workshop, then in the afternoon Nik and I tried our hand at modeling as we posed for the practical part of thphotography workshop, then in the afternoon Nik and I tried our hand at modeling as we posed for the practical part of the workshop.

Zen Camera by David Ulrich — Book Review For the past eight years, I've been part of an international community of bloggers who gather each week at Wordless Wednesday memes around the world to share their love of photography and provide a glimpse into their lives.

Patiently building the tension, relying on a truly wonderful script, on the legendary Vilmos Zsigmond's phenomenal photography, on impressive acting by the protagonist as well as John Lithgow and Nancy Allen, wisely steering clear from underestimating the audience at any point, De Palma creates an ambiance so nerve - shattering, a ride so downright exciting that, as we observe how the plot develops on the screen, we can't help feeling a part of the conspiracy ourselves, terrified and adrenaline - pumped at the same time.

Described by director Jim Jarmusch as a «neo — Beat noir comedy,» Down by Law is part nightmare and part fairy tale, featuring fine performances and crisp black - and - white photography by esteemed cinematographer Robby Müller.

Expansive, exhilarating photography by Roger Shearman incorporates the rugged terrain around El Paso into the story in the same manner Monument Valley played such an essential, inspiring part in John Ford films.

As you'd expect, the underwater photography is the best part and Salle realizes some striking watery vistas, such as schools of fish lit by a shaft of sunlight and Phillippe's close encounter with a whale.

Le Petit chaperon rouge (Little Red Riding Hood)(1929) France Director: Alberto Cavalcanti, Producer: Jean Renoir Screenplay: Jean Renoir, Alberto Cavalcanti, from the story by Charles Perrault Photography: Marcel Lucien, René Ribault; Camera Operator: Jimmy Rogers; Assistant: Eli Lotar Editor: Marguerite Houlé Assistant Directors: Pierre Prévert and André Cerf Cast: Catherine Hessling (Little Red Riding Hood), Jean Renoir (the Wolf), André Cerf (Notary), Pierre Prévert (a little girl and other parts), Pablo Quevado (Young Man), Marcel la Montagne (Farmer), Odette Talazac (Farmer's Wife), William Aguet (old Englishwoman), Aimée Tedesco dit Amy Wells (newspaper seller)

This resource shows a special part of our urban photography of the city Amsterdam, done by duo HilFo: Fons Heijnsbroek and Hilly van Eerten.

JoBeth Allen and a group of classroom teachers (2002) wrote of how they used photography to make their students» lives a central part of a constructivist and culturally relevant curriculum, an approach advocated by Ladson - Billings (1994).

Not only does Jenny have an important job in finding the best pet parent for the cats at the Greenville shelter, she also plays a part in finding every cat she can a forever home by using her photography skills.

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related: Events, travel, art, culture & lifestyle)

Your stay down by the 16 Plitvice Lakes - Nature Eritage - two rural apartments at EFIAP - Master of Photography - absolutely Insider also guide You true the unenterable parts of the NP

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Her resulting film, Olympia, is heavily tarnished by her politics, but it remains a part of the history of sports photography, which is the subject of this Brooklyn Museum show.

«A significant element of my work is representing time and place through a merging of sculpture, painting, and photography; this idea was catalyzed in part by my trips to Marfa over the past several years,» says the artist.

This talk is copresented by California College of the Arts, Pier 24 Photography, and SFMOMA as a part of the Larry Sultan Visiting Artist Program.

Part of Arcangel's Photoshop Gradient Demonstration series, it encapsulates the long - cherished desire to put photography on par with painting and the accelerating democratization of new media; at 72 - by - 110 inches, its scale and vivid hues evoke Color Field painting.

Borrowing its title from the eponymous work by Carrie Mae Weems (American, b. 1953), the exhibition presents the history of the medium in three parts, emphasizing the strengths of Menschel's collection and mirroring his equal interest in historical, modern, and contemporary photography.

Pratt Institute's Master of Fine Arts (M.F.A.) program will present «Fleeting Objects,» an exhibition of works of photography, painting, sculpture, and video by 20 second - year M.F.A. students as part of the «College Art Association (CAA) New York Area M.F.A. Exhibition» at Hunter College.

Japanese photography from the 1950s through to the present day will be the focus of Annely Juda Fine Art's Kabinett, featuring works by artists Taku Aramasa (b. 1936), Shozo Kitadai (b. 1921, d. 2003), Kiyoji Otsuji (b. 1923, d. 2001), Yoshishige Saito (b. 1904, d. 2001) and Katsuhiro Yamaguchi (b. 1928), who were all part of the influential group The Experimental Workshop formed in the late 1940s.

Because she feels there is so much interesting and exciting work being done today in photography and because part of Viridian's mission is to give exposure to outstanding under - known artists, the gallery's director, Vernita Nemec, selected the images of twenty - five photographers not selected by Blessing to be shown in an ongoing Power Point presentation during the exhibition.

TRIBECA & SOHO & NOHO & EAST VILLAGE & MURRAY HILL 100 Painters of Tomorrow / 23 Warren / thru 12/6 Material Way curated by Kathleen Kucka / BMCC — CUNY / 81 Barclay / thru 12/1 Carey Denniston / Kansas / 59 Franklin / thru 12/20 Anton Perich / Postmasters / 54 Franklin (new location) / thru 11/22 Terry Winters / The National Exemplar / 381 Broadway @ White — suite 206 / thru 12/31 Bianculli's Personal Theory of TV Evolution organized by David Bianculli / Apexart / 291 Church / thru 12/20 Seokmin Ko; Elena Berriolo / API / 434 Greenwich / thru 12/20 Basim Magdy; Daphne Fitzpatrick; Will Yackulic / Art in General / 79 Walker / thru 1/10 Mohammed Kazem / Grahne / 157 Hudson / thru 12/20 MFA Thesis Exhibition (Part I) / Hunter / 205 Hudson (on Canal) / thru 11/22 Ariel Orozco / Brownstone / 3 Wooster / thru 11/22 Design Series / Swiss Institute / 18 Wooster / thru 11/23 Classical Nudes / Leslie - Lohman Museum / 26 Wooster / thru 1/4 Roy Lichtenstein / Feldman / 31 Mercer / thru 12/20 Opening 11/22 Pedro Cabrita Reis / Freeman / 140 Grand / thru 12/20 Sam Samore / Team / 83 Grand / thru 12/21 Opening 11/23 Tim Noble & Sue Webster / Geiss / 76 Grand / thru 12/20 Chris Domenick / Recess Activities / 41 Grand / thru 12/20 Smoothie Social: 11/22 (3 - 6 PM) Performance: 12/18 (6 - 8 PM) Prime Matter / Senaspace / 229 Centre / thru 12/6 Thread Lines; Xanti Schawinsky / Drawing Center / 35 Wooster / thru 12/14 Open Sessions 2 / Drawing Center: The Lab / 35 Wooster / thru 12/14 Opening 11/21 Andreas Schulze / Team / 47 Wooster / thru 12/21 Opening 11/23 Phillip Chen, etc. / Museum of Chinese in America / 215 Centre / thru 3/1 Nadja Frank; Jessica Segall / Denny / 261 Broome / thru 12/7 Paul Cowan / Clifton Benevento / 515 Broadway / thru 12/20 Mitsuko Miwa / Longhouse / 285 Spring / thru 12/6 Reuven Israel / Fridman / 287 Spring / thru 12/20 Plasmatik: K.K.Thoen, G.Kroenert, S.A.March, T.Francke, S.Tufnell; curated by N.Kates / Melissa / 102 Greene / Opening 11/20 (7 - 9 PM) Social Photography IV / Carriage Trade @ Harvey Foundation / 537 Broadway / Closing Reception 11/22 (6 - 9 PM) The Right Amount of Wrong curated by Lovina Purple / ISE Foundation / 555 Broadway / thru 12/19 Ernesto Burgos / Werble / 83 Van Dam / thru 12/20 Suzatte Bross / Geary / 185 Varick / thru 12/6 Amy O'Neill / Karma / 39 Great Jones / thru 12/6 Alex Kwartler; LeRoy Stevens / Karg / 41 Great Jones / thru 11/26 Learn to Read Art: A Surviving History of Printed Matter / 80WSE / NYU / 80 Washington Square East / thru 2/14 Opening 12/2 Reception 12/12 Ernest Cole / NYU Grey Art Gallery / 100 Wash..

In an edition of 100, The Sun is Longing for the Sea, 1978 by Japanese artist Hiroshi Yamazaki is part a portfolio of (12) works — Modern Masters of Photography: Japan (1960 - 2003)...

The Multimedia Art Museum, Moscow presents as part of the 11th International Month of Photography in Moscow PHOTOBIENNALE 2016, Past and Present in Three Parts an exhibition by Japanese artist, photographer and architect Hiroshi Sugimoto, a universally recognized luminary of contemporary art.

Antiques and The Arts Weekly, Nov. 18, Historic John Trumbull Paintings Go Up At Wadsworth Atheneum Hartford Business Journal, Nov. 7, Loughman aims to reconnect Wadsworth to community by John Stearns New York Times Style Magazine, Oct. 20, The Renaissance Artifact Collections That Are Back in Style by Gisela Williams Boston Globe, Oct. 17, Face to face with «The Old Man and Death» by Sebastian Smee Hartford Courant, Oct. 13, Sky Dives, Space Travel Subject of Dulce Chacón's «Fallen Angels» At Wadsworth by Susan Dunne Hartford Courant, Oct. 13 Artists Define Their Femininity In Bruce, Wadsworth Exhibits by Susan Dunne CTNow, Oct. 2, Wadsworth Splendor IX Gala by Alex Syphers Hartford Courant, Sep. 19, Photography Exhibits At Atheneum, Real Art Ways, Lyman Allyn by Susan Sunne Hartford Courant, Aug. 21, Wadsworth Atheneum Begins Free Admission For Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeed!

Level 4 Gallery Part of the Great Exhibition of the North A series of pavilions, constructions and projects displaying work exploring Northern imagination and identities, including a photography exhibition documenting women in the North, curated by Sirkka - Liisa Konttinen

Hall met Pete Eckert and Alice Wingwall, the Guild's other two members, in 2009 when their work was selected by curator Douglas McCulloh to be part of the traveling exhibition called Sight Unseen: International Photography by Blind Artists, which was on view at the Canadian Museum for Human Rights.

Also part of the Fondation's collection, Strip (920 - 1), Strip (921 - 2) and Strip (921 - 5)(2011) are presented to further enhance the artist's interest in the relationship between painting and photography, these works being in fact digital prints of augmented photographs taken of a previous squeegee painting created by the artist in 1990.

The earliest acquisitions were images by Luke Swank, Walker Evans, George Platt Lynes and László Moholy - Nagy purchased in 1933; photography became a regular part of the exhibition and acquisition program in the 1960s.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

Photography from the Collections, Wadsworth Atheneum Museum of Art, Hartford, Connecticut Hand made in America, Sprovieri Gallery, London, England Collector's Choice, Exit Art, New York, USA (selected by Gregory Allen) Drawing, Stephen Friedman Gallery, London, England 1999 Waste Management, Art Gallery of Ontario, Canada On the Ball: The Sphere in Contemporary Sculpture, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, USA Collectors Collect Contemporary Art: 1990 - 1999, Institute of Contemporary Art, Boston, USA (catalogue) Zero - G: When Gravity Becomes Form, Whitney Museum of American Art at Champion, Stamford, Connecticut, USA (catalogue) Ideas in Things, Irvine Fine Arts Center, Irvine, California, USA Holding Court, L & R Entwistle & Co Ltd, London, England Stuff, TBA Exhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, London, England

Vancouver's truth and beauty gallery presents «Keith Biggins & The Return to Spirit River» a solo exhibit by Chris MacArthur opening on April 9th and part of the Capture Photography Festival.

Muholi's visit to UCLan coincides with her participation to the group exhibition Residual: Traces of the Black Body, curated by Christine Eyene at New Art Exchange, Nottingham, as part of FORMAT International Photography Festival 2015.

Last spring NAE presented Residual: Traces of the Black Body curated by Christine Eyene as part of the 2015 edition of FORMAT International Photography Festival.

Originally conceived by collector, photographer, and publisher F.C. Gundlach, The Heartbeat of Fashion illustrates the history of fashion photography in the broadest sense and documents how fashion is a central part of our lives.

Public collections indebted to her efforts include: Bibleotheque Nationale, Paris; Australian National Gallery; Cleveland Museum of Art; Detroit Institute of Art; Cincinnati Museum of Art; Getty Museum of Art; RISD... A full list of photography catalogues and museum exhibitions formed in whole or in part by Janet Lehr Inc is available here

Our newest exhibitions include solo works by Daniel Alexander and Tess Roby, presented as part of the Scotiabank CONTACT Photography Festival; and Luke Painter, presented as part of Junior.

His silvered glass mirrors create both a moment of reflection and an opportunity for the viewer to become part of the historic moment, while his retroreflective works — which are activated by flash photography — encourage the viewer to look more closely.

2006 Primitivism Revisited, Sean Kelly Gallery, New York, USA RADAR: Selections from the Collection of Vicki and Kent Logan, Denver Art Museum, Denver, Colorado, USA Alien Nation, Institute of Contemporary Arts, London, England William Hogarth, Musee du Louvre, Paris, France; travelled to Tate Britain, London, England; Caixa Forum, Madrid, Spain Transvideo, Madison Museum of Contemporary Art, Madison, Wisconsin, USA MASCARADA / MASQUERADE, DA2 - Domus Artium 2002, Centro de Arte de Salamanca, Spain DRESSCODE, Historisches und Volkerkundemuseum, St Gallen, Switzerland Space is the Place, Independent Curators International, New York, USA Los Usos de la Pintura II, Espacio 1414, San Juan, Puerto Rico (curated by Julieta González) Pattern Language: Clothing as Communicator, University Art Museum, UC Santa Barbara, California, USA Africa Remix, Moderna Museet, Stockholm, Sweden Acting the Part: Photography as Theatre, National Gallery of Canada Contemporary Commonwealth, The Ian Potter Centre, National Gallery of Victoria, Melbourne, Australia A Historic Occasion, Artists Making History, MASS MoCA, Massachusetts, USA East Wing Collection No. 7 Culture Bound, Courtauld Institute, Somerset House, London, England Around The World In Eighty Days, Institute of Contemporary Arts and South London Gallery, London, England Photography: Recent Acquisitions, Fisher Landau Center for Art, Long Island City, New York, USA Artificial Afrika, Gigantic ArtSpace, New York, USA (curated by Vernon Reid and C. Daniel Dawson)

She will take part in MoMA's annual New Photography series this fall and is represented by Perry Rubenstein.

The exhibition is part of Masters of Photography — Edition IX is organised by MUSIZ Foundation, America for Bulgaria Foundation, in partnership with VIVACOM Art Hall and Sofia City Art Gallery, supported by Sofia Municipality.

It features new works in ceramic, glass, and photography by the artists, who founded Villa Design Group, is on the editorial board of Montez Press and recently took part in Emalin's FOLLY exhibition in the UK's Stirling.