Not exact matches
Her
exhibition WALALA X PLAY is
part of the gallery's summer programme — an
immersive, interactive installation exploring ideas of art, wellbeing and human scale.
Opening: Rachel Lee Hovnanian at Leila Heller Gallery The first of a three -
part exhibition by Rachel Lee Hovnanian titled «The Women's Trilogy Project, NDD Immersion Room» is a large - scale
immersive environment in which gallery - goers must trade in their phones for a lantern to enter.
A recipient of the 2014 Artadia Award, his
immersive art installations were featured at the High Museum of Art and at a solo
exhibition at the Museum of Contemporary Art of Georgia (MOCA GA),
part of a Working Artist Program grant.
As
part of the Sydney Festival, UNSW Galleries presents the Australian premiere of EXIT, a 360 - degree
immersive installation based on a concept by philosopher and urbanist, Paul Virilio and commissioned by Fondation Cartier pour l'art contemporain for its 2008
exhibition, Native Land, Stop Eject.
Ai Weiwei's
immersive work Fondation (2015) made its debut as
part of «Brève histoire de l'avenir (A Brief History of the Future)» at the Louvre in Paris last year and was recently on view as
part of the group
exhibition «The Silent Echo», the first contemporary art
exhibition to be held at the sprawling archaeological site of Baalbek in Lebanon.
This two -
part lecture program taught by teaching fellow Elizabeth Buhe will provide art historical context for the
exhibitions Carmen Herrera: Lines of Sight and Dreamlands:
Immersive Cinema and Art, 1905 — 2016.
Recently Budor took
part in institutional group
exhibitions «Dreamlands:
Immersive Cinema and Art, 1905 — 2016» at The Whitney Museum of American Art (New York), «Streams of Warm Impermanence» at David Roberts Art Foundation (London), «9th Berlin Biennial» at KW (Berlin), «Fade In: Int.
Transforming the Walter and McBean Galleries into a working lab, this
exhibition is composed of eight artists who took
part in the Swiss artists - in - labs program (Zurich University of the Arts / ZHdK), completing an
immersive nine - month residency in a scientific research institute or a university science department.
Part exhibition, part immersive professional development seminar, and part contemporary arts conference the event aims to grow the art collecting economy and continuously develop artists, arts professionals, and the arts commun
Part exhibition,
part immersive professional development seminar, and part contemporary arts conference the event aims to grow the art collecting economy and continuously develop artists, arts professionals, and the arts commun
part immersive professional development seminar, and
part contemporary arts conference the event aims to grow the art collecting economy and continuously develop artists, arts professionals, and the arts commun
part contemporary arts conference the event aims to grow the art collecting economy and continuously develop artists, arts professionals, and the arts community.
PlayTime features three tactile interactive works, including an
immersive balloon room installation by Turner Prize winner Martin Creed and participatory One Minute Sculptures by internationally renowned artist Erwin Wurm which invite visitors to become
part of the
exhibition by striking and holding unexpected poses with everyday objects.
We are happy to announce that Alex Da Corte is
part of the
exhibition Dreamlands:
Immersive Cinema and Art, 1905 - 2016, opening at Whitney Museum of American Art, New York, US, October 28.
Part art exhibition, part performance space, Selfridges new immersive project, running until 20 May, showcases contemporary and future concepts of «radical luxury.&ra
Part art
exhibition,
part performance space, Selfridges new immersive project, running until 20 May, showcases contemporary and future concepts of «radical luxury.&ra
part performance space, Selfridges new
immersive project, running until 20 May, showcases contemporary and future concepts of «radical luxury.»
As
part of NEoN Digital Arts Festival, Kelly has also been invited to curate an
exhibition of digital art making reference to both her own
immersive landscape work and the festival theme of Media Archaeology.
Projects 102,
part of The Elaine Dannheisser Projects Series, is the first solo New York museum
exhibition of the work of emerging artist Neïl Beloufa (Algerian - French, born 1985), who combines moving images and sculptural forms to create
immersive viewing spaces.
Djurberg and Berg's multi-screen,
immersive installation Black Pot (2013) also features as
part of Lisson Gallery's off - site
exhibition «Everything at Once», conceived in partnership with The Vinyl Factory.
The resulting piece was most recently shown in New York as
part of the Whitney Museum
exhibition of video work, Dreamlands:
Immersive Cinema and Art, 1905 — 2016.
Ryan McGinness's 2005
exhibition installationview translated the media landscape of logos and advertising into an
immersive installation, decentering full sensorial focus; and Cameron Martin's elegiac atonal paintings of branches and boulders, representing
parts of nature for the whole, translated photographs into paintings through digital imaging, architectural stencils and house - paint sprayers.
The sound piece was the commissioned
part of the installation, together with `' the context of the
exhibition», in this case the Vitrine `' Noon» became
part of an
immersive site - specific installation.
Curated by Microscope Gallery in collaboration with the Whitney as
part of the
exhibition Dreamlands:
Immersive Cinema and Art, 1905 — 2016
Part of an international touring
exhibition that changes from venue to venue, Papagaio (Portuguese for parrot) is both a compendium of films and an
immersive installation that takes us from the artists» studio to Lisbon zoo, from a voodoo ceremony in the Gulf of Guinea to outer space — or at least a photographic version of it.
As
part of their
immersive side program, Urban Art Fair presents an
exhibition dedicated to Graffiti Art Magazine and a virtual reality experience.
Galerie Emanuel Layr is pleased to present Gaylen Gerber, Park McArthur, Jim Nutt, an
exhibition that brings together the work of these three artists, each
part of the realist tradition in the visual arts, in an
immersive installation with each artist's work representing a lucid and independent understanding of that tradition.
At the same time, The Matter of Memory (2014)-- her
immersive installation exploring «home» through her parents» memories — was in
exhibition as
part of the Gothenburg International Biennale of Contemporary Art (GIBCA).
Projects 102,
part of The Elaine Dannheisser Projects Series, is the first solo New York museum
exhibition of the work of emerging artist Neïl Beloufa (Algerian - French, born 1985), who combines moving - image mediums and sculpture to create
immersive viewing spaces.