In the Curatorial Research Lab at the back of the gallery, don't miss «Signs on the Road,» a three -
part installation organized by Workroom G and curated by Gogue Projects (Phase 1), Cathouse FUNeral (Phase 2), Camel Collective (Phase 3).
Not exact matches
He continued, «I think each class at HGSE has a defining quality, and I have come to think of your class as exceptionally big - hearted, in large
part because of what I saw of your collective character after the election» — actions which included
organizing a solidarity rally, participating in a dean's challenge looking to reduce bullying and discrimination in schools, and creating an art
installation titled «Love in the Time of...».
Jeremy Deller (b. 1966, United Kingdom), an artist known for
organizing numerous parades, processions, and other collective actions that bring together contrasting swathes of English culture, presents English Magic (2013), the hypnotic video he created as an integral
part of his
installation for the British Pavilion at the Venice Biennale in 2013.
As
part of Kraftwerk — Retrospective 1 2 3 4 5 6 7 8, the
installation at MoMA PS1 is
organized by Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum of Modern Art, with the assistance of Eliza Ryan, Curatorial Assistant, MoMA PS1 and Lizzie Gorfaine, Project Coordinator, Exhibitions, MoMA PS1.
The
installation in Petrosino Square marks the artist's second public project in New York following her hugely successful debut in Times Square this past February, as
part of Midnight Moment
organized by s [edition], the Times Square Advertising Coalition, and Times Square Art.
Commissioned performances feature prominently in the exhibition, with the premiere of a three -
part musical by Morgan Bassichis that returns to the influential 1977 publication The Faggots & Their Friends Between Revolutions, live music
organized by Simone Leigh and staged inside her
installation, monthly performances by Justin Vivian Bond, and a series of performance - lectures on masculinities by Gregg Bordowitz.
This
installation is
part of Target Art in the Park, a group show of major new commissions by Navin Rawanchaikul, Teresita Fernandez, and Tobias Rehberger,
organized by the Public Art Fund and made possible by Target Stores and New York City Department of Cultural Affairs Challenge, 2001.
Commissioned performances will feature prominently in the exhibition, with the premiere of a three -
part musical by Morgan Bassichis that returns to the influential 1977 publication The Faggots & Their Friends Between Revolutions, live music
organized by Simone Leigh and staged inside her
installation, and a series of performance - lectures on masculinities by Gregg Bordowitz.
Günther Förg: Painting / Sculpture /
Installation was
organized by the Newport Harbor Art Museum and is
part of SFMOMA's New Work series.
As
part of her responsibilities, Myers will
organize special exhibitions, conduct original research on the Museum's collection for scholarly publication, research Nazi - era provenance of artworks, oversee permanent gallery
installations and recommend new works of art for acquisition.
Sanders's recent projects as a curator include
organizing a ten - day continuous screening
installation, ITWAN, as
part of the exhibition Film Programme at IPS International Project Space, Birmingham (UK), presented in November 2010.
This
installation was
part of Jerusalem Lives, the inaugural program at the Palestinian Museum
organized by Reem Fadda, who also selected Murillo's project for the 2017 Sharjah Biennial.
The
installations are
part of an art program that launched in July,
organized by curator Jenelle Porter in association with the Hammer Museum.
The exhibition is further distinguished by the important presence of five large - scale
installations, which recreate exhibitions that the most influential British artist of the 20th century
organized, designed or took
part in.
Installation view: «Beyond the Irish Sea,»
organized by the Liverpool Biennal as
part of Year of the Sea, England.