Sentences with phrase «part installation titled»

Lieske recently enjoyed his first US solo exhibition, a two - part installation titled «il mio solo e la realta (my only idol is reality)(room I + II)» that was so welcoming of coincidence and misunderstanding as to appear, ultimately, arbitrary.

Not exact matches

He continued, «I think each class at HGSE has a defining quality, and I have come to think of your class as exceptionally big - hearted, in large part because of what I saw of your collective character after the election» — actions which included organizing a solidarity rally, participating in a dean's challenge looking to reduce bullying and discrimination in schools, and creating an art installation titled «Love in the Time of...».

Entitled Our Colour, the immersive light installation is part of a series under the umbrella title Your Colour Perception that began in a residency at Castlefield Gallery's New Art Spaces Federation House last year in Manchester.

As part of the inaugural exhibitions, Sarah Cain has created a dynamic wall installation for the ICA LA courtyard titled «now i'm going to tell you everything,» 2017.

-- As part of her Artist Lab residency and exhibition in fall 2013, Caycedo created a powerful installation and performance work titled

In his first L.A. museum exhibition, Simmons paints the titles of race films on five large walls as part of a site - specific installation in CAAM's grand entrance.

Yet each half of Tan's two - part solo exhibition (each titled after the installation it houses) responded to the other, reflecting on the gradual passage of time and the inevitably of loss.

The title of Jen Durbin's 11 - part installation 90 Moves in Nine Seconds (The Jackie Series 2001 — 2017) refers to the actions of Jackie Kennedy in the immediate moments after her husband, President John F. Kennedy, was shot in Houston.

Over the past eighteen years, Manders has produced numerous installations as part of a long - term project titled Self - Portrait as a Building, an evolving space through which he investigates the process of thinking.

«The installation is the best part — you've been talking about the work for so long, and you're finally seeing it in person,» said Mr. Schoonmaker, the sneaker - clad artistic director of the exhibition, titled «Prospect.4: The Lotus in Spite of the Swamp,» on view through Feb. 25.

According to Kristina Van Dyke, former curator for collections and research at the Menil Collection and now the director of The Pulitzer Foundation for the Arts, one of the points of origin of the three - part exhibition - and the inspiration for its title - is a body of sculptural installations by Stephen Friedman Gallery artist Yinka Shonibare (born 1962) based on paintings by Jean - Honoré Fragonard.

Engaging with the history and mission of The Arts Club itself, the two - part installation will bring together McElheny's film The Light Club of Vizcaya: A Women's Picture (2012) and a new site - specific installation titled The Club for Modern Fashions (2013), a constructed glass pavilion into which performers and guests are invited during the lunch hour, Tuesdays through Fridays, dressed in vintage attire from the 1920s to the 1970s — decades that signify the height of a modernist imperative across the cultures of fashion, design, and architecture.

For the inaugural show in 303 Gallery's 21st street space in New York City, multimedia artist Doug Aitken presented Migration, the first in a 3 - part cycle of installations titled Empire.

Titled Incubation, the installation consists of two parts: an incubation gallery where yogurt is being made; and an observation gallery where the yogurt is anointed with honey and then consumed.

For the inaugural exhibition in 303 Gallery's 21st street space, Doug Aitken presented «Migration ``, the first in a 3 - part cycle of installations titled «Empire».

Ripo recently finished this new wall installation titled «I Got Your Back» in Cologne, Germany as part of the City Leaks Festival.

The mural installation titled «Spatiality» was painted as part of a group exhibition at the «Moskvich» Cultural Center in Moscow.

And much like most anonymous craft around us, the paintings, fabrics and objects that make up Thorne's installation have no titles — a remarkable decision on Thorne's part.

The installation, titled «Tape Paris», evokes a gigantic tunnel that represents physical and psychological interiority, and forms part of «Inside», a group exhibition by more than 30 artists that aims to offer visitors a passage to the interior of the self.

For his third, self - titled new solo exhibition with London's esteemed Lisson Gallery (running concurrently with major shows in Berlin & Brooklyn), Chinese dissident artist Ai Weiwei has created a monumental new installation of bicycles as part of his ongoing «Forever» series, as well as a number of hand - carved, domestic - scale copies — in various materials including wood, stainless steel and crystal — of some highly personal objects.

Exhibition: Mike Kelley at Luhring Augustine Mike Kelly's Extracurricular Activity Projective Reconstruction # 8 (Singles» Mixer) is part of a larger 2005 series of installations by the late artist titled «Day Is Done,» which used materials culled from high - school yearbook photographs as a jumping - off point.

For the exhibition Call and Response at Wave Hill Kristyna and Marek Milde created a site - specific installation titled In - Tree - Net, a part of a series of sculptural interventions, responding to issue of environmental fragmentation embedded in architecture.

With the fellowship Scott indents to use a portion of the award to complete a site - specific installation in Detroit titled «Signs» supported in part by a Knight Arts Challenge grant.

Comprised of YouTube clips edited into a layered, moving - image collage, this video installation of the same title is part of a larger body of works in progress.

Walid Siti participated in the 2015 edition of ArtBat Festival in Almaty in Kazakhstan with his site - specific installation The Seven Towers as part of the art project titled The Air of Earth.

In early 2014 Manon Harrois presented an elaborate, untitled installation at the Abrons Art Center that was part of a group show titled This Exhibition Has Everything To Go Wrong.

-- the titles of the two - part multimedia installation.

Local artist and musician Paul Rucker's installation «Rewind» (shown at the Creative Alliance last winter and again at the Baltimore Museum of Art later in the fall) included finely cut sculptures resembling unfinished or isolated parts of instruments each titled with the date and location of a murder.

The exhibition takes its title from a work by Rochelle Feinstein by the same name: Feinstein's HOTSPOTS is a 12 - part painting installation, with the first painting created to mark the American - led invasion of Iraq and an additional painting created each year the U.S. maintains its military presence.

One installation titled Plus One features a lopsided block of wood, with a glazed ceramic part coming out of the side like an arm presenting a round, gray piece of wood.

Gallery artist Jean Shin is part of a new feature in Introspective Magazine titled «Artful Installations Take Over a Grand Manhattan Apartment.»

The show includes an installation by artist Thomas Hirschhorn titled Resistance - Subjecter (2011), which was first shown as part of his Crystal of Resistance at the Venice Biennial in 2011.

At a new presentation of his work — titled «Flow / / Flow», curated by Paul Luckraft, and part of the Zabludowicz Collection's «Invites» series — Ireland uses ubiquitous everyday items, a mainstay in the language of his sculptural installations: burger cartons, shoelaces, cable ties, breeze blocks, plastic bags and fluorescent tubing are all utilised.

And all the critical rants to the contrary, this Biennial is not without its ephemeral gestures to private emotions, including Kiki Smith's shower of glass tear drops strewn before two transparent feet and lovingly titled Mother (1992 - 3); Jack Pierson's Diamond Life (1990), a sensitive hommage, with desk cigarette butts and Joni Mitchell albums, to the slower moments of an emotional life in the 70s; Lari Pittman's intricately patterned paintings; Lorna Simpson's wonderful wall of trumpet mouthpieces that form part of her installation Hypothetical?

In addition to this a limited edition silkscreen will be released as part of the exhibition as well as an indoor site - specific installation in collaboration with Outdoor festival and titled Punti di Vista that will be on view at the Ex Caserma, via Guido Reni 7, until the 31st of October.

Inquiry's End features one of the artist's most challenging works to date: a ninety - one part wall installation titled A Pattern or Practice (2015) that uses inkless embossing to punch portions of the US Department of Justice report on the Ferguson Police Department into blank white sheets of paper, making the findings all but inscrutable to the viewer.

Titled «Projections,» her two - part exhibition starts with a spectacular light show of projected poems and follows with a politically incendiary installation of paintings related to the invasion of Iraq.

For something to be performed or, as the title of Geumhyung Jeong's recent exhibition at London's Delfina Foundation implies, «unperformed,» some latent function is implied, and the many meticulously arranged objects that were part of this installation were replete with potential both intrinsic and extra to the purpose of their manufacture.

«That wasn't theirs,» Klymko shot back, explaining that the artist had painted the exhibition title on the walls as part of the original installation.

Solo exhibitions of JVB's watercolors, sculptural installations and live art have been presented by The New Museum as part of the exhibition titled Trigger: Gender as a Tool and a Weapon (NYC, 2017), Participant, Inc. (NYC, 2011, 2016), Art Market Provincetown (2014), and Vitrine (London, 2015).

An installation by artist Ayesha Hadhir Al Mheiri titled Al Doobah, part of the Community and Critique: SEAF 2016/2017 Cohort 4 group exhibition at Warehouse 421 in the Mina Zayed.

PART II titled HAPPY HOUR is a multi-media exhibition that explores domestic culture and gender roles in relation to alcoholism through a series of paintings, works on paper and multi-media installations using the narrative style of Dick and Jane, and iconography borrowed from Girl Scout and debutante traditions.