Sentences with phrase «part installation which»

Not exact matches

For the most part, the appeal of smart TVs is that they allow for the installation of apps such as YouTube and Netflix, which allow viewers to use those services directly without having to connect a separate device such as a game console, a Roku box or an Apple TV.

(This financial model was feasible in part thanks to a 30 % federal solar tax credit, which SolarCity could claim on the value of each installation.)

Unlike the rescue mission which is usually an isolated entity, the Skid Row corps and the Social Service Center of the «Sally» (as the organization is known on Skid Row) are a part of a network of installations and services, the therapeutic resources of which are all available for helping alcoholics.

The tile installation systems company, which has been part of the North Country for nearly 30 years, will invest more than $ 22 million to construct a new building at its 40 - acre location on Pleasant Ridge Road in Plattsburgh.

Language and articulation are in fact key aspects of Le fort des fous, which was in part commissioned by this summer's documenta 14 exhibition, where it was presented as an installation before its festival premiere in Locarno's Filmmakers of the Present section.

Ewing's versatility is part of why Cavallo sought her to be the inaugural artist for the Children's Museum's new residency program, Current, which invites one artist per year to build a site - specific installation at the museum that incorporates arts learning experiences for children.

He continued, «I think each class at HGSE has a defining quality, and I have come to think of your class as exceptionally big - hearted, in large part because of what I saw of your collective character after the election» — actions which included organizing a solidarity rally, participating in a dean's challenge looking to reduce bullying and discrimination in schools, and creating an art installation titled «Love in the Time of...».

Highlights of the visit, included a tour of the Satellite Center which offers ten career pathways for juniors and seniors; a visit to R. K. Smith Middle School where CPR — Circle of Power and Respect — is a part of Developmental Design, a social / emotional curriculum, that is offered in all of the district's middle and elementary schools; and a look at the former commercial space transformed into the Professional Learning Center, complete with professional development classrooms, a technology lab, and a technology installation center.

The installation kit, which can be purchased from Ford Performance's website, also includes all the seatbelts and parts you'll need for a fully legal four - seater.

[16] In order to avoid the serious levels of power loss then typical in small - engined cars with automatic transmission the manufacturers incorporated a new carburettor and a higher compression ratio in the new 1965 automatic transmission cars: indeed a press report of the time found very little power loss in the automatic 1100, though the same report expressed the suspicion that this might in part reflect the unusually high level of power loss resulting from the way in which the installation of the transversely mounted «normal» manual gear box had been engineered.

Part of that will be the GreenON Installations program, under which eligible households can register to have a technician visit and install a smart thermostat at no cost.

NEWS The D.C. Commission on the Art and Humanities announces it will remove «The New Migration,» by Abigail DeVille after the community complains that the storefront installation in Anacostia, which is part of a citywide exhibition, looks like junk.

The largest part of the gallery will be taken over by Thater's video installation entitled China which was originally produced by and for the Renaissance Society at the University of Chicago and for Le Creux de L'Enfer Centre d'Art Contemporain de Thiers, France.

This past year my work has been included in exhibitions at the 2012 New York Photo Festival (Brooklyn, NY), South Hill Park Arts Centre (Bracknell, UK), Artspace New Haven (CT), Galerie Jeanroch Dard (Paris, France) and most recently a solo exhibition, The Dubious Sum of Vaguely Discernable Parts, at the Bindery Projects in St. Paul, Minnesota which included a series of text based drawings, a photo installation and ephemeral print publication of images and writings.

Photographs and video - installations are some of the technological mediums that expose Taquini's trajectory, becoming not only a collection of pieces that take part in a visual art exhibition, but also the portrait of a life in the art, in which the curatorial practice that took place during a great part of her professional development converges with her more recent artistic practice.

Rather than get hung up on Isaac Julien's recitations of Das Kapital (which even Enwezor admits is «a book that nobody has read and yet everyone hates or quotes from,» [5]-RRB- a more engaged viewer might see these readings as part of a larger program of live performance [6] that periodically animates the installation, both in David Adjaye's massive red «Arena» and throughout both exhibition venues, with musical compositions arranged by artists including Charles Gaines, Jason Moran and Alicia Hall Moran, Jeremy Deller, and Jennifer Allora and Guillermo Calzadilla.

Tomoko Takahashi's best known work is the huge, sprawling installation which filled part of the Saatchi Gallery in the New Neurotic Realism show last year.

Part of the installation at 18th Street Arts Center's Main Gallery is a simultaneous three - channel film, which will offer insight into the complex web of relations and influences stretching between Latin America and the United States.

Works from the same exhibition were presented the following year (July — September 2014) at the Watermill Center in New York, while the Hirshhorn Museum and Sculpture Garden featured one installation from the same series as part of Days of Endless Time, which ran from October 2014 — April 2015.

The Museum's small - format, highly - detailed canvas, which evinces a strange perspective, was the springboard for Eliav to create a sprawling installation of twenty large - scale paintings that will completely fill the exhibition space, each work conveying parts of the scene from a different perspective and in a different painting mode.

Swiss artist Nicolas Party, who won the prize for best Solo presentation, impressed with his marbled wall for local gallery Xavier Hufkens, which turned the booth into an enclosed installation, part - chapel, part - summer house.

The installation forms part of The Classical Now, a major exhibition exploring the ways in which Graeco - Roman art has sparked the modern imagination.

He conceived his works as part on an ongoing project to which objects were continuously added — dream catchers and oriental carpets, neon signs, power cords, building materials, and his own newly fabricated products were assembled and re-assembled in different configurations and also enlisted as part of performances and happenings within the installations.

Associate curator Evelyn Hankins is assembling a retrospective on the Light and Space artist Robert Irwin in which an immersive scrim installation will dominate part of the museum.

Interdisciplinary artist Nick Cave creates a dance - based town hall — part installation, part performance — to which the community of New York is invited to «let go» and speak their minds through movement, work out frustrations, and celebrate independence as well as community.

The Enclave, a six channel immersive video installation, which was featured on CNN and part of the Venice Biennale, built upon his original Infra series.

While on residency at IMMA Keogh developed a new installation and performance which will be opened on 14 April 2018 in Limerick as part of EVA International.

He conceived his works as part of an ongoing project in which the installations were continuously altered and supplemented.

Alongside Lubaina Himid's overdue three - part UK retrospective — which includes her impressive installation Naming the Money (2004) at Spike Island from 20 January to 26 March — I'm looking forward to Sonia Boyce's solo exhibition at the ICA (1 February — 2 April).

Recent projects include exhibitions, objects, and installations that investigate the emergent cryptocurrency Bitcoin and the blockchain technology that makes it possible; the Berlin based SoundCloud startup; and a series of graphics — including cartoons, maps, and charts — made by a senior designer at the National Security Agency (NSA), which were part of the information leaked by Edward Snowden.

Nominated for this year's Nam June Paik Award, Novitskova is known for working with digital cutouts, sculptures, and installations, exploring humanity's relation to the image, techonology and nature, while Imhof recently presented a spectacular three - part performance series called Angst in Basel, Montreal and Berlin's Hamburger Bahnhof, which aqnb reviewed here.

Opening one floor of the biennial is a large installation by the Occupy Museums group, part of their ongoing «Debtfair» series which began in 2015 (Debtfair Whitney, 2017); amongst other elements, it includes a slideshow featuring testimonies from artists across the country describing the financial straits they are in, and what jobs they do to get by.

For this exhibition, Fernandez will present 3:37 p.m. (2001), a wall installation composed of hundreds of acrylic cubes in seven colors of the light spectrum, a reductive representation of a rainbow captured at a specific moment in time, 3:37 p.m. Fernández's work is characterized by an interest in perception and the psychology of looking, so she encourages the viewer to conjure up his or her own personal associations with the landscape, which in turn become part of the meaning behind the work.

Earlier audio - visual installations range from Baltimore (2003), which, in part through the stylisations of black action movies from the 1970s, looks at the histories, divisions and intersections of black and white cultures, through to his trilogy comprising True North (2004), Fantôme Afrique (2005) and Western Union: Small Boats (2007), all of which deal with themes of voyaging and cultural displacement on both a local and global scale.

A site - specific installation by Bryan Zanisnik, visiting instructor, Digital Arts, is on view at the Brooklyn Museum as part of the exhibition Crossing Brooklyn: Art from Bushwick, Bed - Stuy, and Beyond, which will be on display through January 4, 2015.

In this video, Deputy Director for International Initiatives and Senior Curator Donna De Salvo and Melva Bucksbaum Associate Director for Conservation and Research Carol Mancusi - Ungaro discuss how the Whitney's fifth - floor dramatically opens up to artist Michael Heizer's 1970 installation Actual Size: Munich Rotary, which is part of the experimental five - part exhibition Open Plan.

The installation is part of Desert X, an exhibition of site - specific work from 16 artists, among them Richard Prince and Phillip K. Smith, which is spread across the Coachella Valley.

Over the past eighteen years, Manders has produced numerous installations as part of a long - term project titled Self - Portrait as a Building, an evolving space through which he investigates the process of thinking.

The installations are similar in tone and size to Gli, which was on display at the Brooklyn Museum as part of the artist solo show entitled, Gravity and Grace: Monumental Works by El Anatsui.

Chris Natrop's hand - cut paper forest at the Craft & Folk Art Museum is part of the exhibition «Paperworks,» which features sculptures, collages and large - scale installations by 15 contemporary artists working in unusual ways with paper.

For the 2003 Venice Biennale, Wilson created a mixed - media installation of many parts — focusing on Africans in Venice and issues and representations of blacks and whites — which included a suite of black glass sculptures; a black - and - white tiled room, with wall graffiti culled from texts of African - American slave narratives; and a video installation of «Othello,» screened backwards.

Also included in the archives is a collection of postcards from various artists which were part of the exhibition, Postcards (November 10, 1973) which subsequently traveled to Oberlin College, an original piece «Tales from the Vienna Woods» by Laurie Anderson, a wall installation by Matt Mullican for the Indian Summer exhibition, as well as a number of artists» books.

It is a particularly exciting time for McElheny, with three museum exhibitions displaying the diversity of subjects with which he is involved: currently on view through July 20 at Whitechapel Gallery, London is a year - long installation The Past is a Mirage I'd Left Far Behind, in part a meditation on abstraction in film throughout the twentieth century.

A Real Pony Race for a Bridle is a mixed media installation exhibited as part of the group exhibition Summer Collection» 97, for which artists were invited to respond to artefacts housed in the gallery's permanent collection.

Featuring scholarship by museum director and curator Helen Hirsch, this modest, concise publication includes intimate details and color reproductions of Dzama's meticulously composed imaginings, which take the form of drawings, sculptures, collages, installations, and a film — Une danse des bouffons (or A jester's dance)-- which made its European debut as part of the exhibition.

The Spain - based artist uses humble materials like cardboard and tape to create architectonic installations, in which the construction and deconstruction of the work often becomes a performative part of the installation.

The entirety of Hauser & Wirth's Chelsea gallery is devoted to a series of installations by the late artist Mike Kelley, all of which are part of the artist's Kandor series, named after the birthplace of Superman.

The dinner included performances by members of the Dallas Opera — and a preview of Carl Andres new sculpture permanent to a courtyard, which joins his installation of concrete poetry, Cuts into Space — long a part of the collection.

For Art Night 2017 on 1 July, Drew turns his installation into a musical score, collaborating with experimental musicians on a live, durational and climactic improvisation on the stage which forms part of the installation.

The exhibition is complemented by the installation of Twombly's painting in 10 parts from 2000, the Coronation of Sesostris, which is on view at Gagosian's 980 Madison Avenue space until April 28.