Not exact matches
1) Melt butter 2) Dissolve sugar in melted butter 3) Mix sugar butter mixture with self - raising flour until homogenously mixed 4) Knead cookie dough with your hands on a cool,
flat surface, using a rolling pin to flatten it to 0.7 cm thickness 5) Use a round cookie cutter to cut out round pieces 6) Arrange the cookie dough pieces on a greased baking tray 7) Bake at 200 deg cel for 8 — 10 minutes or until they turn slightly golden brown 8) Spread dulce de leche on one cookie, and cover it with another cookie 9) Coat the sides
of the cookie sandwich (the
parts where dulce de leche is exposed) with shredded coconut
1) Mix flour, butter and icing sugar in a bowl using two knives to cut the butter until the mixture resembles fine breadcrumbs 2) Add in the egg yolks and vanilla extracts and mix well, then add iced water until the dough starts to come together 3) Shape the dough into a ball on a cool,
flat, floured
surface 4) Flatten dough into a disc and then wrap in plastic wrap, and chill in the refrigerator for at least 30 minutes 5) Meanwhile, peel, core and slice the apples into as thin slices as possible 6) Mix sugar and ground cinnamon powder with sliced apples and let it rest for a while 7) Pre-heat oven to 180 deg cel 8) Once dough has chilled, roll pastry dough on a sheet
of parchment paper until it has expanded to the size
of the tart mold (I used a rough mold the size
of a large pizza) 9) Leaving at least an inch
of dough free, arrange apple slices by overlapping them slightly in the shape
of a circle, starting from the outermost
part of the circle, until you reach the inside 10) Fold the edges
of dough over the filling and then sprinkle the dough with a bit
of sugar 11) Bake for about 40 - 45 minutes, or until the crust is golden brown and the apples are soft 12) Serve warm, with a side
of whipped cream or ice cream (optional)
Your goal is to cut through the thick
part of the loin to create a
flat surface.
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However, for me, the best
part of the boat was the top deck which was essentially just a
flat wide
surface which had all the kayaks and paddle board stored.
The
flat concrete
surfaces of Battery Rathbone - McIndoe — once
part of the early 20th century harbor defense system in the Marin Headlands — make it a perfect spot for spreading a picnic blanket.
Flat parts of a surfboard's bottom are great for planning on the
surface.
For Jue Chang — Fifty Strokes to Each (1998), Chen stretched animal skins over the
flat surfaces of more than one hundred chairs and beds collected from different
parts of the world, creating makeshift drums hung from a large wooden frame.
as
part of the creative process, suh covered
flat walls and three - dimensional fixtures
of the interior and exterior
of architectural sites with vellum, and rubbed each
surface with colored pencil or graphite.
Part texture (collage, oil on canvas, pastel on paper) and part flat surface, her use of line with geometric shapes in the horizontally moving base juxtaposed against the lines evaporating upwards makes for an effective image, although again sub
Part texture (collage, oil on canvas, pastel on paper) and
part flat surface, her use of line with geometric shapes in the horizontally moving base juxtaposed against the lines evaporating upwards makes for an effective image, although again sub
part flat surface, her use
of line with geometric shapes in the horizontally moving base juxtaposed against the lines evaporating upwards makes for an effective image, although again subtle.
Collar's exhibitions and performances include: A rock that keeps tigers away, group exhibition, Kunstverein München, Munich, July 2017; a performance event and micro residency, Kunstraum, London, June 2017; Plural Melts at Yvonne Lambert, Berlin, 2017; Tall Tales, touring group exhibition and performance, Freud Museum, London, Touchstones Gallery and Museum, Rochdale and Glasgow Women's Library 2016; Tarantallegra, group exhibition, Hester, New York, July - Aug 2016; Secret
Surface, group exhibition, KW, Berlin, Feb - May 2016; 11/50, solo exhibition, Fig - 2, ICA, London, March 2015; Probably, Like a Melon Rolling Off a Table:
Part II, solo performance for Saturday Live, Serpentine Galleries, London, Jan 2015; Secret Agents, group exhibition, Finnish Museum of Photography, Helsinki, Sept - Oct 2015; PALIMPSEST, performance collaboration with William Cobbing at Hayward Gallery Project Space, London, 2014; Let's Make Another Possible Now, group performance event as part of ANTIKNOW at Flat Time House, London, 2
Part II, solo performance for Saturday Live, Serpentine Galleries, London, Jan 2015; Secret Agents, group exhibition, Finnish Museum
of Photography, Helsinki, Sept - Oct 2015; PALIMPSEST, performance collaboration with William Cobbing at Hayward Gallery Project Space, London, 2014; Let's Make Another Possible Now, group performance event as
part of ANTIKNOW at Flat Time House, London, 2
part of ANTIKNOW at
Flat Time House, London, 2014.
Roger Hiorns» current solo exhibition at Luhring Augustine — the British artist's first in New York City — presents viewers with two inscrutable situations: In one, a quantity
of gray powder has been deposited, apparently by hand, over a large, rectangular area occupying the better
part of the main gallery; in another, a nude male model loiters about a massive, faceted stone object and a low table, the
surface of which is a
flat - screen TV monitor displaying video content by the Wall Street Journal.
Bright primaries and pastels on
flat surfaces intentionally fragment his tall slender forms into free - floating planes accented by the sharp unpainted aluminum edges
of each
part.
And whilst I applaud the sense
of her wanting to make her painting more abstract, and lose the semi-figuration that is
part of the Hofmann / de Kooning «package» she starts from, it comes back to the ever - present dilemma in abstract painting: deep and dramatic space is (often) ambiguously figurative; shallow space and
surface is (often)
flat and disappointing.
Basically what we are dealing with here are not whole spheres... not
flat disks either... but curved
surfaces of partial, but dissimilar sized,
parts of spheres.
It continues the design language
of the P Series characterized by simplicity and elegance — a slim metallic body,
flat smooth rear
surface, and three antennas skillfully hidden in the upper and lower
parts of the metallic body avoid the traditional three - section design's impact on body aesthetics while ensuring good communication experiences.
Set up and operate milling machine to mill
flat and curved
surfaces on metal heavy machine
parts, analyzing specifications and selecting tooling according to knowledge
of milling procedures.