Sentences with phrase «part of a larger sculpture»

«This Must Be The Place» 2016 acrylic on wood panel 16 inches tall, 7.5 inches wide This painting is part of a larger sculpture.

Not exact matches

Doktorski's sculptures are small and irregularly shaped to give viewers the sense that they are looking at a tiny part of something much larger.
Rembrandt became famous through his popular animal sculptures and cast a large part of his work in bronze.
Based on the design concept «Storm Edge,» which is part of Hyundai's larger design philosophy of Fluidic Sculpture, the all - new Santa Fe captures the strong and dynamic images created by nature during the formation of a storm.
«Medusa» is part of a large body of sculptures featuring other famous catastrophes, including the nuclear meltdown of Three Mile Island.
Since the mid-1950s, Chamberlain has been known for his use of automobile parts in powerful, large - scale sculptures.
In 2016, the artist's recent large - scale sculpture Two Orchids, which was originally shown as part of the 56th Venice Biennale in 2015, was displayed in New York's Doris C. Freedman Plaza in Central Park (organized by Pubic Art Fund, New York).
The large, warped bodies and surroundings reflecting off the surface of the sculpture are a significant part of the artwork's...
Rather, you sense the architecture of the room as part of the ensemble and essential to the impact, so that the paintings, no matter how large and assertive, ultimately behave a bit like sculptures in a cathedral, an assemblage of characters that enact a larger, theological drama.
Senior curator Jennifer Powell explains the exhibition will include «early sculptures and works on paper from the late 1930s onwards as well as large scale paintings from 1940 - 51, the period in which Pousette - Dart was part of the burgeoning New York art scene and developing Abstract Expressionism.
The project will see the implementation of three large - scale public sculptures and installations as part of Treasure Island's slated redevelopment.
The fourth floor of the exhibition will feature a number of large - scale works by Bayrle, including his monumental Flugzeug (Airplane)(1984), presented alongside his recent kinetic sculptures made of repurposed automobile parts repeatedly reciting the rosary, as in his much - celebrated inclusion in dOCUMENTA 13 (2012).
Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.
In this complex scenario, Teresa Margolles deals with material fragments of buildings, transporting them across borders and reassembling them remotely in large format sculptures, as a call to read these traces as part of larger processes, events and social relations, such as migration, international drug trade, or human trafficking.
Galerie Lelong presents 14 striking new sculptures by Petah Coyne in Vermilion Fog, an exhibition divided into two parts — Dante's Inferno and Unforgiven, allusions to literature and film that loosely frame the works by themes of loss, chaos, and redemption.Vermilion Fog is a monumental exhibition for the artist known for her use of diverse materials in large works whose grace and fragility belie their immense weight and arduous process.
London's largest outdoor sculpture park opens in Regent's Park as part of the build up to this year's Frieze London and Frieze Masters art fairs.
The three - part Sol LeWitt retrospective is enough to attract tourists to North Adams, but the 540,000 square feet of campus space at large is filled with treasures (currently including a precariously perched airstream, some bright pink and comically phallic Franz West sculptures, and dark corridors stuffed with digital and sound installations).
Taking direction from architect and theosophist Claude Bragdon's treatise on drawing four - dimensional patterns on a two - dimensional plane, Ms. Auerbach presents a series of glass sculptures and a sculpture consisting of 3D - printed parts, along with large - scale acrylic paintings created with custom - made tools and a new group of her coveted Weave paintings.
Large - scale sculpture in the Permanent Collection is displayed as part of deCordova's outdoor Sculpture Park program, and features work by Dorothy Dehner, Antony Gormley, Dan Graham, Alexander Liberman, Nam June Paik, Jaume Plensa, Rona Pondick, George Rickey, Ursula von Rydingsvard, William Tucker, Gary Webb, ansculpture in the Permanent Collection is displayed as part of deCordova's outdoor Sculpture Park program, and features work by Dorothy Dehner, Antony Gormley, Dan Graham, Alexander Liberman, Nam June Paik, Jaume Plensa, Rona Pondick, George Rickey, Ursula von Rydingsvard, William Tucker, Gary Webb, anSculpture Park program, and features work by Dorothy Dehner, Antony Gormley, Dan Graham, Alexander Liberman, Nam June Paik, Jaume Plensa, Rona Pondick, George Rickey, Ursula von Rydingsvard, William Tucker, Gary Webb, and others.
With Tears in My Ears (1989), a small scale work that is part of the Moderna Museet collection, «anticipates much of what we are being shown nowadays in the most magnificent of Schütte's large scale sculptures,» says Birnbaum.
The gallery's most recent Barney show, «DJED» (2011), featured three large sculptures, part of the «Ancient Evenings» project the artist had worked on since 2007.
A large part of the exhibition is devoted to Jones's sculptures that appear in most rooms, culminating in Room 4 which feels somewhat like a ballroom.
Part two of VernissageTV's walkthrough of the Art Unlimited sector with large - scale installations, video projections, and massive sculptures at Art...
Generously donated by Gordon W. Bailey as part of a major gift to the High Museum in 2016, this work is one of six large - scale sculptures included in Forging Connections: Ronald Lockett's Alabama Contemporaries, which accompanies Fever Within.
Braman is known for her large - scale sculptures in which parts of scrapyard vehicles and old furniture are combined with translucent volumes of color and light.
Chris Natrop's hand - cut paper forest at the Craft & Folk Art Museum is part of the exhibition «Paperworks,» which features sculptures, collages and large - scale installations by 15 contemporary artists working in unusual ways with paper.
If the entire twentieth century were to vanish in some huge calamity, it would be possible to reconstitute a large part of it from Paolozzi's sculpture and screenprints.
As part of Art Basel's show in Miami Beach, large - scale sculptures and installations by leading and emerging international artists are installed in Collins Park.
On top of all of this, I will be also installing a major public sculpture of 6 - toppled large scale pillars at the Promenade in Santa Monica, as part of the Project ROAM that started a few months ago (with the help of LeBasse Projects and The City of Santa Monica).
A large window running along all the West facade opens these spaces up to the large sculpture garden which is part of the podium building.
Among his largest works, Kelly's new Los Angeles sculpture is the first to incorporate a building's architecture into his own work: in one succinct gesture, the gallery's entire façade has become part of his sculpture.
Yinka Shonibare MBE will present one his new Wind Sculpture works, part of a new series of important large - scale w...
As part of the exhibition The Multiple Store @ Canary Wharf that takes place from 21st September to 13th November at the Lobby of One Canada Square, visitors will also be able to see large sculptures at Jubilee Park (Monday to Sunday, daylight hours).
Other models that are part of the show include Palace, a large scale illuminated text works, as well as a group of new sculptures which deconstruct Shaker furniture.
In 2016 she exhibited large - scale painted sculptures at Storm King Art Center, as part of the «Outlooks» series curated by Nora Lawrence.
As part of this exhibition, five large outdoor sculptures are on display at Jubilee Park including Kenny Hunter's Black Swan and one of Peter Liversidge's editions with The Multiple Store, Interstate.
Wilke's large hanging wall sculpture Ponde - r - rosa 3: Double Sun (triangle), Blue Champagne (square), Broken Blossoms (circle) is a major fifteen - part work consisting of circular latex pieces in soft yellows, pinks and greens.
Some of the highlights are Rauschenberg's Oracle (1962 - 65), a multi-part sculpture made from scrap - metal parts that he created in collaboration with the engineer Billy Klüver; and the piece Mud Muse (1968 - 71), an installation that consists of a large metal tank that contains bentonite clay mixed with water, which bubbles and spurts as air is released in response to the sound levels created by the mud bubbling.
Of the latter two, which are included in the exhibition, Smoke is a study for a much larger version that was shown in the atrium of the Corcoran Museum of Art in Washington, D.C., and eventually became part of a triology of large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three of the most profound and alluring works of public sculpture made in the history of twentieth century arOf the latter two, which are included in the exhibition, Smoke is a study for a much larger version that was shown in the atrium of the Corcoran Museum of Art in Washington, D.C., and eventually became part of a triology of large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three of the most profound and alluring works of public sculpture made in the history of twentieth century arof the Corcoran Museum of Art in Washington, D.C., and eventually became part of a triology of large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three of the most profound and alluring works of public sculpture made in the history of twentieth century arof Art in Washington, D.C., and eventually became part of a triology of large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three of the most profound and alluring works of public sculpture made in the history of twentieth century arof a triology of large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three of the most profound and alluring works of public sculpture made in the history of twentieth century arof large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three of the most profound and alluring works of public sculpture made in the history of twentieth century arof the most profound and alluring works of public sculpture made in the history of twentieth century arof public sculpture made in the history of twentieth century arof twentieth century art.
At the fair, Peters presented the world is a garden — a large - scale sculpture comprising a cluster of flowers viewed through semitransparent mesh, obliquely referencing her family's migration from Syria — in collaboration with Seattle's James Harris Gallery and commissioned as part of the Projects program.
In Media Res is José Parlá's second solo show at Bryce Wolkowitz Gallery featuring new paintings and sculptures as well as a large - scale mural installation covering parts of the gallery walls.
In the first space, a large, white «glyph» — part of an ongoing series of flawlessly glossy, looping steel sculptures — is positioned on the floor ahead of three collage sculptures arranged on a broad, low pedestal.
Pratt Institute recently installed three sculptures as part of Agnieszka Gradzik and Wiktor Szostalo's «Treehugger Project» in its outdoor Sculpture Park, which stretches across Pratt's 25 - acre Brooklyn Campus and is the largest in New York...
During Art Basel Miami Beach 2008 the Main Miami - Dade Public Library showed a large sculpture titled Indradhanush (Rainbow) as part of the group show Polychrome Affinities.
Other standout lots were the very strong «Self Portait as a Heel - Part Two,» by Jean - Michel Basquiat (1960 - 1988), Lot 16, shown at the top of this article, an acyrilic and oil paintstick on canvas, 1982, that sold for $ 772,500, well above its high estimate of $ 600,000; two sculptures by Agnes Martin (b. 1912), Lots 17 and 18, which sold for $ 217,000 and $ 233,500, respectively, both considerably over their respective high estimates of $ 45,000 and $ 120,000; «Broadway and 64th Street,» a very good, large oil by Richard Estes (b. 1932), that sold above its $ 300,000 high estimate for $ 354,500; Lot 31, a large canvas from his Rorschach series by Andy Warhol (1928 - 1987) that more than doubled its high estimate and sold for $ 684,500; Lot 13, «Alkaline Phosphatase - Polyethelene Glycol,» by Damien Hirst (b. 1965), 1992, sold for $ 140,000 and had a high estimate of $ 80,000; and Lot 37, «a delightful large acrylic on vinyl tarpaulin by Keith Haring (1958 - 1990) that sold for $ 200,500 and had a high estimate of $ 150,000.
Houston - based artist Jamal Cyrus has dedicated a large part of his career thus far to socially engaged projects, paintings, performances, and sculptures that hone in on histories, people, and communities.
The two - part exhibition contains a series of paintings on variously shaped canvases in one room and large - scale aluminum and steel sculptures in the other.
Part sculpture, part intervention, located in the Dallas County Records Building in Dallas, Texas, the installation is part of the larger public artwork, A Dallas Drinking Fountain ProjPart sculpture, part intervention, located in the Dallas County Records Building in Dallas, Texas, the installation is part of the larger public artwork, A Dallas Drinking Fountain Projpart intervention, located in the Dallas County Records Building in Dallas, Texas, the installation is part of the larger public artwork, A Dallas Drinking Fountain Projpart of the larger public artwork, A Dallas Drinking Fountain Project.
Last summer, two of the larger sculptures, at three feet high, were part of the group exhibition «No Boys Allowed,» with Robin Dash, William DiBello, Gail Fitzgerald, Alicia Gibson, Monique Johannet, Martin McDermott, Carl Ostendarp, Sheila Pepe, and Gary Petersen.
Stefania Bortolami's gallery pays its first visit to Chicago after a move in New York from Chelsea to Tribeca, bringing along Richard Aldrich, Daniel Buren, Nicolás Guagnini, and three works by Tom Burr as part of Expo's IN / SITU series of large - scale, suspended sculptures and site - specific works.
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