«This Must Be The Place» 2016 acrylic on wood panel 16 inches tall, 7.5 inches wide This painting is
part of a larger sculpture.
Not exact matches
Doktorski's
sculptures are small and irregularly shaped to give viewers the sense that they are looking at a tiny
part of something much
larger.
Rembrandt became famous through his popular animal
sculptures and cast a
large part of his work in bronze.
Based on the design concept «Storm Edge,» which is
part of Hyundai's
larger design philosophy
of Fluidic
Sculpture, the all - new Santa Fe captures the strong and dynamic images created by nature during the formation
of a storm.
«Medusa» is
part of a
large body
of sculptures featuring other famous catastrophes, including the nuclear meltdown
of Three Mile Island.
Since the mid-1950s, Chamberlain has been known for his use
of automobile
parts in powerful,
large - scale
sculptures.
In 2016, the artist's recent
large - scale
sculpture Two Orchids, which was originally shown as
part of the 56th Venice Biennale in 2015, was displayed in New York's Doris C. Freedman Plaza in Central Park (organized by Pubic Art Fund, New York).
The
large, warped bodies and surroundings reflecting off the surface
of the
sculpture are a significant
part of the artwork's...
Rather, you sense the architecture
of the room as
part of the ensemble and essential to the impact, so that the paintings, no matter how
large and assertive, ultimately behave a bit like
sculptures in a cathedral, an assemblage
of characters that enact a
larger, theological drama.
Senior curator Jennifer Powell explains the exhibition will include «early
sculptures and works on paper from the late 1930s onwards as well as
large scale paintings from 1940 - 51, the period in which Pousette - Dart was
part of the burgeoning New York art scene and developing Abstract Expressionism.
The project will see the implementation
of three
large - scale public
sculptures and installations as
part of Treasure Island's slated redevelopment.
The fourth floor
of the exhibition will feature a number
of large - scale works by Bayrle, including his monumental Flugzeug (Airplane)(1984), presented alongside his recent kinetic
sculptures made
of repurposed automobile
parts repeatedly reciting the rosary, as in his much - celebrated inclusion in dOCUMENTA 13 (2012).
Other works featured in LIVESupport include «Church State,» a two -
part sculpture comprised
of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower
of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs)
of the spinal column; «Riot Gates,» a series
of large - scale X-Ray images
of the human skull mounted on security gates and surrounded by a border
of ink - covered shoe tips, objects often used by the artist as tenuous representation
of the body; «Role Play Drawings» a series
of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House
of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.
In this complex scenario, Teresa Margolles deals with material fragments
of buildings, transporting them across borders and reassembling them remotely in
large format
sculptures, as a call to read these traces as
part of larger processes, events and social relations, such as migration, international drug trade, or human trafficking.
Galerie Lelong presents 14 striking new
sculptures by Petah Coyne in Vermilion Fog, an exhibition divided into two
parts — Dante's Inferno and Unforgiven, allusions to literature and film that loosely frame the works by themes
of loss, chaos, and redemption.Vermilion Fog is a monumental exhibition for the artist known for her use
of diverse materials in
large works whose grace and fragility belie their immense weight and arduous process.
London's
largest outdoor
sculpture park opens in Regent's Park as
part of the build up to this year's Frieze London and Frieze Masters art fairs.
The three -
part Sol LeWitt retrospective is enough to attract tourists to North Adams, but the 540,000 square feet
of campus space at
large is filled with treasures (currently including a precariously perched airstream, some bright pink and comically phallic Franz West
sculptures, and dark corridors stuffed with digital and sound installations).
Taking direction from architect and theosophist Claude Bragdon's treatise on drawing four - dimensional patterns on a two - dimensional plane, Ms. Auerbach presents a series
of glass
sculptures and a
sculpture consisting
of 3D - printed
parts, along with
large - scale acrylic paintings created with custom - made tools and a new group
of her coveted Weave paintings.
Large - scale
sculpture in the Permanent Collection is displayed as part of deCordova's outdoor Sculpture Park program, and features work by Dorothy Dehner, Antony Gormley, Dan Graham, Alexander Liberman, Nam June Paik, Jaume Plensa, Rona Pondick, George Rickey, Ursula von Rydingsvard, William Tucker, Gary Webb, an
sculpture in the Permanent Collection is displayed as
part of deCordova's outdoor
Sculpture Park program, and features work by Dorothy Dehner, Antony Gormley, Dan Graham, Alexander Liberman, Nam June Paik, Jaume Plensa, Rona Pondick, George Rickey, Ursula von Rydingsvard, William Tucker, Gary Webb, an
Sculpture Park program, and features work by Dorothy Dehner, Antony Gormley, Dan Graham, Alexander Liberman, Nam June Paik, Jaume Plensa, Rona Pondick, George Rickey, Ursula von Rydingsvard, William Tucker, Gary Webb, and others.
With Tears in My Ears (1989), a small scale work that is
part of the Moderna Museet collection, «anticipates much
of what we are being shown nowadays in the most magnificent
of Schütte's
large scale
sculptures,» says Birnbaum.
The gallery's most recent Barney show, «DJED» (2011), featured three
large sculptures,
part of the «Ancient Evenings» project the artist had worked on since 2007.
A
large part of the exhibition is devoted to Jones's
sculptures that appear in most rooms, culminating in Room 4 which feels somewhat like a ballroom.
Part two
of VernissageTV's walkthrough
of the Art Unlimited sector with
large - scale installations, video projections, and massive
sculptures at Art...
Generously donated by Gordon W. Bailey as
part of a major gift to the High Museum in 2016, this work is one
of six
large - scale
sculptures included in Forging Connections: Ronald Lockett's Alabama Contemporaries, which accompanies Fever Within.
Braman is known for her
large - scale
sculptures in which
parts of scrapyard vehicles and old furniture are combined with translucent volumes
of color and light.
Chris Natrop's hand - cut paper forest at the Craft & Folk Art Museum is
part of the exhibition «Paperworks,» which features
sculptures, collages and
large - scale installations by 15 contemporary artists working in unusual ways with paper.
If the entire twentieth century were to vanish in some huge calamity, it would be possible to reconstitute a
large part of it from Paolozzi's
sculpture and screenprints.
As
part of Art Basel's show in Miami Beach,
large - scale
sculptures and installations by leading and emerging international artists are installed in Collins Park.
On top
of all
of this, I will be also installing a major public
sculpture of 6 - toppled
large scale pillars at the Promenade in Santa Monica, as
part of the Project ROAM that started a few months ago (with the help
of LeBasse Projects and The City
of Santa Monica).
A
large window running along all the West facade opens these spaces up to the
large sculpture garden which is
part of the podium building.
Among his
largest works, Kelly's new Los Angeles
sculpture is the first to incorporate a building's architecture into his own work: in one succinct gesture, the gallery's entire façade has become
part of his
sculpture.
Yinka Shonibare MBE will present one his new Wind
Sculpture works,
part of a new series
of important
large - scale w...
As
part of the exhibition The Multiple Store @ Canary Wharf that takes place from 21st September to 13th November at the Lobby
of One Canada Square, visitors will also be able to see
large sculptures at Jubilee Park (Monday to Sunday, daylight hours).
Other models that are
part of the show include Palace, a
large scale illuminated text works, as well as a group
of new
sculptures which deconstruct Shaker furniture.
In 2016 she exhibited
large - scale painted
sculptures at Storm King Art Center, as
part of the «Outlooks» series curated by Nora Lawrence.
As
part of this exhibition, five
large outdoor
sculptures are on display at Jubilee Park including Kenny Hunter's Black Swan and one
of Peter Liversidge's editions with The Multiple Store, Interstate.
Wilke's
large hanging wall
sculpture Ponde - r - rosa 3: Double Sun (triangle), Blue Champagne (square), Broken Blossoms (circle) is a major fifteen -
part work consisting
of circular latex pieces in soft yellows, pinks and greens.
Some
of the highlights are Rauschenberg's Oracle (1962 - 65), a multi-part
sculpture made from scrap - metal
parts that he created in collaboration with the engineer Billy Klüver; and the piece Mud Muse (1968 - 71), an installation that consists
of a
large metal tank that contains bentonite clay mixed with water, which bubbles and spurts as air is released in response to the sound levels created by the mud bubbling.
Of the latter two, which are included in the exhibition, Smoke is a study for a much larger version that was shown in the atrium of the Corcoran Museum of Art in Washington, D.C., and eventually became part of a triology of large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three of the most profound and alluring works of public sculpture made in the history of twentieth century ar
Of the latter two, which are included in the exhibition, Smoke is a study for a much
larger version that was shown in the atrium
of the Corcoran Museum of Art in Washington, D.C., and eventually became part of a triology of large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three of the most profound and alluring works of public sculpture made in the history of twentieth century ar
of the Corcoran Museum
of Art in Washington, D.C., and eventually became part of a triology of large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three of the most profound and alluring works of public sculpture made in the history of twentieth century ar
of Art in Washington, D.C., and eventually became
part of a triology of large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three of the most profound and alluring works of public sculpture made in the history of twentieth century ar
of a triology
of large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three of the most profound and alluring works of public sculpture made in the history of twentieth century ar
of large - scale public
sculptures that included Smog (1969 - 70), and Smug (1973)-- three
of the most profound and alluring works of public sculpture made in the history of twentieth century ar
of the most profound and alluring works
of public sculpture made in the history of twentieth century ar
of public
sculpture made in the history
of twentieth century ar
of twentieth century art.
At the fair, Peters presented the world is a garden — a
large - scale
sculpture comprising a cluster
of flowers viewed through semitransparent mesh, obliquely referencing her family's migration from Syria — in collaboration with Seattle's James Harris Gallery and commissioned as
part of the Projects program.
In Media Res is José Parlá's second solo show at Bryce Wolkowitz Gallery featuring new paintings and
sculptures as well as a
large - scale mural installation covering
parts of the gallery walls.
In the first space, a
large, white «glyph» —
part of an ongoing series
of flawlessly glossy, looping steel
sculptures — is positioned on the floor ahead
of three collage
sculptures arranged on a broad, low pedestal.
Pratt Institute recently installed three
sculptures as
part of Agnieszka Gradzik and Wiktor Szostalo's «Treehugger Project» in its outdoor
Sculpture Park, which stretches across Pratt's 25 - acre Brooklyn Campus and is the
largest in New York...
During Art Basel Miami Beach 2008 the Main Miami - Dade Public Library showed a
large sculpture titled Indradhanush (Rainbow) as
part of the group show Polychrome Affinities.
Other standout lots were the very strong «Self Portait as a Heel -
Part Two,» by Jean - Michel Basquiat (1960 - 1988), Lot 16, shown at the top
of this article, an acyrilic and oil paintstick on canvas, 1982, that sold for $ 772,500, well above its high estimate
of $ 600,000; two
sculptures by Agnes Martin (b. 1912), Lots 17 and 18, which sold for $ 217,000 and $ 233,500, respectively, both considerably over their respective high estimates
of $ 45,000 and $ 120,000; «Broadway and 64th Street,» a very good,
large oil by Richard Estes (b. 1932), that sold above its $ 300,000 high estimate for $ 354,500; Lot 31, a
large canvas from his Rorschach series by Andy Warhol (1928 - 1987) that more than doubled its high estimate and sold for $ 684,500; Lot 13, «Alkaline Phosphatase - Polyethelene Glycol,» by Damien Hirst (b. 1965), 1992, sold for $ 140,000 and had a high estimate
of $ 80,000; and Lot 37, «a delightful
large acrylic on vinyl tarpaulin by Keith Haring (1958 - 1990) that sold for $ 200,500 and had a high estimate
of $ 150,000.
Houston - based artist Jamal Cyrus has dedicated a
large part of his career thus far to socially engaged projects, paintings, performances, and
sculptures that hone in on histories, people, and communities.
The two -
part exhibition contains a series
of paintings on variously shaped canvases in one room and
large - scale aluminum and steel
sculptures in the other.
Part sculpture, part intervention, located in the Dallas County Records Building in Dallas, Texas, the installation is part of the larger public artwork, A Dallas Drinking Fountain Proj
Part sculpture,
part intervention, located in the Dallas County Records Building in Dallas, Texas, the installation is part of the larger public artwork, A Dallas Drinking Fountain Proj
part intervention, located in the Dallas County Records Building in Dallas, Texas, the installation is
part of the larger public artwork, A Dallas Drinking Fountain Proj
part of the
larger public artwork, A Dallas Drinking Fountain Project.
Last summer, two
of the
larger sculptures, at three feet high, were
part of the group exhibition «No Boys Allowed,» with Robin Dash, William DiBello, Gail Fitzgerald, Alicia Gibson, Monique Johannet, Martin McDermott, Carl Ostendarp, Sheila Pepe, and Gary Petersen.
Stefania Bortolami's gallery pays its first visit to Chicago after a move in New York from Chelsea to Tribeca, bringing along Richard Aldrich, Daniel Buren, Nicolás Guagnini, and three works by Tom Burr as
part of Expo's IN / SITU series
of large - scale, suspended
sculptures and site - specific works.