Sentences with phrase «part of abstract painters»

The formulation of a new ideology on the part of abstract painters and the evolution of new styles occurred within the decade after 1943.

Not exact matches

«Generations of black abstract painters never seem to be celebrated,» says Valerie Cassel Oliver, senior curator at the Contemporary Arts Museum Houston, where she recently organized «Black in the Abstract,» a two - part exhibition that focused on the history of African American painters working in abstraction.

We are pleased to be part of a group exhibition showing a number of paintings alongside 1960's abstract painter Ian Stephenson at Clerkenwell Gallery, London EC1 next week.

I've recently become part of an online group of artists organized by Yifat Gat, a painter based in France — the group is focused on contemporary abstract art.

Quaytman was part of a solid generation of abstract painters who took their cue not just from the Suprematists and the neo-plasticism of Mondrian but also from the color theories of Albers and Matisse, correlating volume and effect.

PAUL CUMMINGS: Well, there was a time when a lot of the painters felt there was a while conspiracy on Hess» part to promote certain abstract painters and not others.

Guston achieved fame in the 1950s as a part of the first generation of abstract expressionists, although the painter himself preferred the term New York School.

One part was the showing in uptown galleries of late work by older Pop and abstract painters, including de Kooning before his passing.

As part of Joan Mitchell Foundation's ongoing collaboration with Voices of Contemporary Art (VoCA), please join us on Thursday, October 12, when abstract painter and Yaqui Indian Mario Martinez will sit down with Steven O'Banion, Director of Conservation at Glenstone, to discuss his life, work, and personal philosophy.

Many abstract painters also do realistic sketches as part of their process.

A possible correction: I don't know abstract painters or surrealists but I do know photographers: Ernst's other woman «Dorothea» is likely not Dorothea Lange as stated in the first part of the article but the Dorothea Tanning mentioned in the second.

«I am not what you would describe as a strictly «abstract» painter, I am looking at organic forms, repeating and conjuring the minute parts of nature again and again.»

As for Alan's assertion that the short history of abstract sculpture is pioneered by painters — well, that's a big part of the problem.

Like most American painters after World War II, Park (1911 - 1960), based in Berkeley, and Avery (1885 - 1965), an East Coaster, were part of the abstract - expressionist movement.

On the other hand, both parts of Black in the Abstract make it perfectly clear that, on the whole, the quality of the work being produced by black artists whose practices include abstraction — as the inclusion of Hammons, McMillian and Donnett indicate, not everyone here is an «abstract painter» — does not suffer in comparison with that of their colleagues of other backgrounds, including major figures like Amy Sillman and Charline von Heyl, both of whom have work in Arning's Painting: A Love Story.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

On view are ink paintings by the late David Slivka, a sculptor and painter who was part of the first generation of abstract expressionists.

His Low Tide, from 1976, hanging in the RA, shows heel - like shapes resting on a red ground, like body parts of abstract expressionist painters, revealed as deep waters become shallow.

For a new generation of abstract painters, the process of making an artwork often becomes an indispensable part of showing the work as well.

In 1998, Bing's work was part of a traveling exhibition of abstract painters who are primarily influenced by Asian cultures, entitled «Women On the Silk Road.»

The forthcoming exhibition marks 30 years since Ayres was elected as an Associate Royal Academician, and over 50 years since she took part in the Art Council's «Situation», a touring exhibition showcasing the YBAs of the day, including Bridget Riley and Anthony Caro, and which Ayres credits as firmly establishing her reputation as one of Britain's first and most eminent abstract painters.

In 2001 Hoyland was commissioned to design a mosaic mural for the Rome Metro as part of a much larger project involving other artists, mostly Italian (his friend the abstract painter Piero Dorazio, among them), and including Patrick Caulfield.

At 50, Humphries is part of a stalwart group of painters (many of them women) who are continuing a tradition of making large abstract paintings with strong roots in both Minimalism and Abstract Expressionism.

Jeff Elrod's «To Be Titled» is part of the American abstract painter's solo show at the Vito Schnabel Gallery.

Joan Mitchell is the first full - scale biography of the abstract expressionist painter who came of age in the 1950s,»60s, and»70s; a portrait of an outrageous artist and her struggling artist world, painters making their way in the second part of America's twentieth century.

Jones» interest in American high modernist abstraction — an interest he shares with the older British abstract painters John Hoyland and William Tillyer — is part of a significant shift away from the figure in recent English art, a development that remains largely unknown in America.

Works of New Image painters of the 1970s and 1980s such as Susan Rothenberg and Jonathan Borofsky, along with recent abstract painters such as Brice Marden and Sean Scully, have also been acquired as integral parts of the collection.

Bischoff, along with Richard Diebenkorn and David Park, was part of the post-World War II generation of artists who started as abstract painters and found their way back to figurative art.

Roberta Smith reports in the NY Times: «Alan Uglow, an abstract painter of light - filled geometries whose expansive fields, bordered with notched lines, reflected in part his passion for soccer, died on Jan. 20 in Manhattan, where he lived.

And his sweeping brushmarks sold in part because his timing was right: In the 1950s, the U.S. and European art worlds were just embracing the post-World War II gestural works of abstract expressionist painters like Robert Motherwell.

June 11 - August 17, 2014 «Beauty Reigns: A Baroque Sensibility in Recent Painting», organized by René Paul Barilleaux, the McNay Art Museum's Chief Curator / Curator of Art after 1945, assembles the work of thirteen emerging and mid-career abstract painters whose art is characterized in whole or part by high - key color, obsessive layering of surface imagery, use of overall and repeated patterns, stylized motifs, fragments of representation, and a tension between melancholy and the sublime...»

Alice Neel's painting Thanksgiving, 1965, has been selected by the abstract painter Amy Sillman to be part of her display in the current exhibition Oranges and Sardines at the Hammer Museum, Los Angeles.

In a world of abstract expressionism and conceptualism he became part of that endangered species, a figurative painter, a storyteller.

I was not part of a group, nor was I an abstract expressionist painter.

For the most part, I am an abstract painter working with bright coloured acrylics and texture, although I am venturing into the world of multi-media.

Betty Goodwin: At Work is one of a three - part exhibition examining the studio practice of three exceptional innovators (the others are the American sculptor Eva Hesse and Saskatchewan - born abstract master painter Agnes Martin), and for me, the absolute standout.

It reminds me of abstract painters who decide to render one small part of their painting realistically.

An abstract expressionist painter in a grand scale, his work is part of the discourse of styles, issues, and developments in American painting.

Identified as part of the California hard - edge painters, after she left surrealism - influenced work behind, Windblown has an unmistakable lightness and seems to foreshadow later works that more closely incorporate references to the landscape into her geometric abstract paintings.

As part of its Viewing Room programme, Simon Lee Gallery is proud to present work by American abstract painter Roy Newell (1914 - 2006), marking the first solo exhibition of the artist's work in the...

CB Of the five artists I'm talking to as part of this article, you are perhaps the least uncomfortable with the label «abstract painter»Of the five artists I'm talking to as part of this article, you are perhaps the least uncomfortable with the label «abstract painter»of this article, you are perhaps the least uncomfortable with the label «abstract painter».

Kounellis began his career as a painter, inspired in part by the work of American abstract artists of the 1950s.

Cubism, Expressionism, Dada and Surrealism were the most important of these movements, and attracted a number of indigenous American artists, including: the New Jersey Cubist / Expressionist John Marin (1870 - 1953); the vigorous modernist Marsden Hartley (1877 - 1943); the expressionist Russian - American Max Weber (1881 - 1961); the New York - born Bauhaus pioneer Lyonel Feininger (1871 - 1956); the unfortunate Patrick Henry Bruce (1881 - 1937), noted for his semi-abstract impastoed pictures; Stanton Macdonald - Wright (1890 - 1973) and Morgan Russell (1883 - 1953), two Americans living in Paris who invented a colourful abstract style known as Synchromism; Arthur Garfield Dove (1880 - 1946) noted for his small scale abstracts, collages and assemblages; the Mondrian and De Stijl - inspired Burgoyne Diller (1906 - 65); the influential American Cubist Stuart Davis (1894 - 1964); the calligraphic abstract painter Mark Tobey (1890 - 1976); the surrealist Man Ray (1890 - 1976); the Russian - American mixed - media artist Louise Nevelson (1899 - 1988); the Indiana metal sculptor David Smith (1906 - 1965); Joseph Cornell (1903 - 72) noted for his installations; the Iowa - raised Grant Wood (1892 - 1942) noted for his masterpiece American Gothic (1930), and the Missouri - born Thomas Hart Benton (1889 - 1975), both of whom were champions of rural and small - town Regionalism - part of the wider realist idiom of American Scene Painting; and Jacob Lawrence (1917 - 2000) the famous African - American artist.

However, her view that «pure» abstract art enhanced the environment, and her involvement with Groupe Espace in the 1950s which promoted the concept of a synthesis (or close collaboration) between architects and abstract painters and sculptors, place her at least in part within the Constructivist tradition.Her post-war textile designs for Heals also place her firmly within the 20th century Modern Movement.

Part of my maturation as artist has included a strong appreciation for and alliance with abstract painters who bend reality, in part because of my natural preoccupation with structure and a shared aesthetic that is based on pure desPart of my maturation as artist has included a strong appreciation for and alliance with abstract painters who bend reality, in part because of my natural preoccupation with structure and a shared aesthetic that is based on pure despart because of my natural preoccupation with structure and a shared aesthetic that is based on pure design.

Herr, a gifted painter who lives in Lancaster, PA, was part of the vital abstract painting movement centered in Philadelphia in the late 1940s and 1950s around the Philadelphia Museum School of Art.

An abstract painter, he graduated from the Royal College of Art in 1962, and has since the mid 60s spent part of each year between London and New York where he's maintained studios.