Sentences with phrase «part of an exhibition valued»

Not exact matches

Geoff Leech, art and framing director at James Cropper Paper, said: «Culture and heritage play a huge role in the Turkish Tulips exhibition and, with these being key values of our own, we're honoured to play a part in its history.

The exhibition will explore the artists» commentary on and challenge of social values, expectations, and conventions that are a part of everyday life — raising questions about national and global issues including gender - specific violence and sociopolitical conflict.

22 temporary exhibitions in the new Milan venue from May 2015: «Serial Classic» (2015); «An Introduction» (2015); «In Part» (2015); «Trittico» (2015); «Gianni Piacentino» (2015); «Recto Verso» (2015); «Goshka Macuga: To the Son of Man Who Ate the Scroll» (2016); «L'image volée» (2016); «Kienholz: Five Car Stud» (2016); «Nástio Mosquito: T.T.T. - Template Temples of Tenacity» (2016); «Theaster Gates: True Value» (2016); «Betye Saar Uneasy Dancer» (2016); «William N. Copley» (2016); «Slight Agitation 1/4: Tobias Putrih» (2016); «Slight Agitation 2/4: Pamela Rosenkranz» (2017); «Extinct in the Wild» (2017); «Atlas I» (2017); «TV 70: Francesco Vezzoli guarda la Rai» (2017); «Slight Agitation 3/4: Gelitin» (2017); «Leon Golub» (2017); «H. C. Westermann» (2017); «Famous Artists from Chicago.

The exhibitions program are part of a strategic initiative introduced by the new director of the Glass House, Henry Urbach, who is leading efforts to rededicate the site as a lively, creative cultural center consistent with the spirit and values of its former occupants, renowned architect Philip Johnson and independent curator David Whitney.

learn more... June 2017 - First Public Art Project Unveiled Sandra DeLucca Developmental Center - Miami May 25, 2017 - Mermaid Performance Vizcaya Museum and Gardens - Miami April 22 - June 25, 2017 - Group Exhibition Aesthetics & Values - Frost Art Museum - Miami March 9, 2017 - Performance Along the Shadow of the River - Girls Club Collection - Fort Lauderdale Empty Kingdom Interview Drawings at PAMM, part of «Global Positioning Systems» Exhibition My first edition, available thru Girls Club Collection New Video at the Art Center / Miami Beach Group Show - Museum of Contemporary Art - Miami Recent performances at MOCA and Pinecrest Gardens Art Slant Review New Times Review Recent Interview - OPP Website Update - Select videos now available for viewing New York Show - launchf18

The intervention envisaged a careful restoration of the old store, known as The Magazine, so to respect and at the same time emphasize its architectural value; for this purpose the non-historical parts were removed and the original courtyards were covered so to obtain more exhibition surface.

2017 — «UPROOT» Smack Melon, Brooklyn, NY 2017 — «Sea of Trace» 505 Johnson Studios, Brooklyn, NY 2017 — «How We Come and How We Go» Trestle Projects, Brooklyn, NY 2017 — «PAPER: work & Jua Kali» 1:54, London, UK 2017 — «Making Africa» High Museum of Art, Atlanta, Georgia 2017 — Brassage Photographique, Villers - la - Ville, Belgium 2017 — «My Collection», MoCADA, Brooklyn, New York 2017 — «PAPER: work», Pioneer Works, Brooklyn, New York (solo) 2017 — Biennial Fotografica Bogota 2017, Bogota, Colombia 2017 — «PAPER: work», Art Africa Fair, Cape Town, South Africa 2017 — Figure 8, Foley Gallery, New York, New York ---------- 2016 — In Dialog II — Photobastei, Zurich, Switzerland 2016 — Addis Foto Festival, Addis Ababa, Ethiopia 2016 — «Jua Kali» as part of «Making Africa» at Kunsthal Rotterdam, Netherlands 2016 — «Tumia» part of Frontiers of The Present Exhibition, Circle Art Agency, Nairobi Kenya 2016 — «Jua Kali» at Africa Reframed, Copenhagen, Denmark 2016 — «Tumia» at GALERIA OLIDO for Afreaka Festival, São Paulo, Brazil 2016 — «Value» Exhibition at Brooklyn College Library, Brooklyn, New York (solo) 2016 — «Jua Kali» as part of «Making Africa» at CCCB, Barcelona, Spain 2016 — «Jua Kali» Exhibition at United Photo Industries, Brooklyn, New York (solo)---------- 2015 — «Displaced» as part of «FUSE», SVA Gallery, New York, New York 2015 — «Jua Kali» as part of «Making Africa» at Guggenheim, Bilbao, Spain 2015 — «Jua Kali» in OBSCURA Festival, George Town, Malaysia 2015 — «Jua Kali» in Rencontres Internationales de la Photo de Fès, Fès, Morroco 2015 — «Jua Kali» in LagosPhoto Festival, Lagos, Nigeria 2015 — «Jua Kali» in IFCV Festival International de Fotografia, Mindelo, Cape Verde 2015 — «Jua Kali» as part of «Image Afrique» 15» in ArtBasel, Theaterplatz, Basel 2015 — «Jua Kali» in Rencontres Internationales de la Photographie, Ghar el Melh, Tunisia 2015 — «Jua Kali» as part of «Edition POPCAP» at Artificial Image, Berlin 2015 — «Jua Kali» as part of «Making Africa» at Vitra Design Museum, Weil Am Rhein, Germany ---------- 2014 — «Untitled» — Art Cabinet, Nairobi, Kenya (solo) 2014 — «Jua Kali» — Exhibition at Kuona Trust Arts Centre, Nairobi, Kenya (solo) 2014 — «Value» — Exhibition at Kuona Trust Arts Centre, Nairobi, Kenya (solo)

The exhibition Zero Hours - part of this years Art Sheffield 2013 Festival — starts with a single work, Joseph Beuys» Wirtschaftswerte (Economic Values), 1980.

$ 69,600: The current value of an artwork by Tomo Savić - Gecan that is part of a show at the Kunsthalle Basel and that is slowly declining — it will hit $ 0 on the day the exhibition closes.

A large part of the Fisher collection's value to SFMOMA will remain hidden from the public: its new wealth of bargaining power in the lending of artworks to and borrowing them from other institutions for special exhibitions.

... The exhibitions have been such an important part of what we do, and they are no longer valued as much by the public.»

The legacy of conceptual art practices permeates the exhibition, revealing layers of narrative in both the finished work and through the process of making, in some works abject materials such as car parts, wax, expanding foam and plywood, as well as methods of production such as crochet and embroidery are used to question the value of labour and social hierarchies.

This search is part of Zhu's current solo exhibition Bugs at Paris» La Plage, which opened March 24 and is running to May 8, is exploring, looking at the way everyday consumables can speak of alternative value systems and how textile product's materialise.