Sentences with phrase «part of great museum»

Only works on paper could take New Yorkers to late Renaissance Florence, the age of Rembrandt, and a double dose of Michelangelo — the last as part of great museum collections that even European travelers might never see.

Not exact matches

Martín Ramírez, from the Argentinian Museum of Natural History and co-author of the study, commented on the habitat specificity of this species, «confined to the oldest and extensively hollow myrtle beech trees in the humid forests in the western part of the Great Otway National Park, or in mountain ash trees, upon which the myrtle trees depend,» thus making an important case for the conservation of such habitats.

This weekend the Museum of Contemporary Art, as part of its exhibit «Hall of Mirrors: Art and Film Since 1945,» is presenting not only Chantal Akerman, one of the finest filmmakers working anywhere, but also the two features I would describe as her greatest achievements — the 200 - minute narrative Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975) and the 107 - minute documentary From the East (D'est, 1993).

One of our goals, as part of our mission to achieve great art and culture for everyone, is to ensure all children and young people have the opportunity to experience the richness of arts, museums and libraries.

From Fulk's Hall To Luton — A full review of Nic Portway's thesis on early Vauxhalls was promised last year.The Editor delves more deeply into this exceptional two - volume work / Dieppe 1907 — In the final part of his account of the 1907 French Grand Prix, Marc Douëzy describes in detail the race itself / William Morris — Jonathan Wood makes the case for greater recognition of Lord Nuffield not only as one of Britain's most successful car makers but also one of the country's greatest philanthropists / The Dunhill Museum — Michael Ware visits a little known motoring collection / German Festival — Schloss Dyck is set to become Germany's answer to the Goodwood Festival of Speed.

Picking up that new Stingray at the National Corvette Museum as part of the R8C delivery option makes a great day even better.

During his tenure, he paved the way for the NCM to have access to some great raffle cars, which are a big part of the Museum's success today.

It's also part of the greater recreation grounds known as The Forks, which is home to the Canadian Museum of Human Rights.

With your art historian guide, you'll also see part of the museum's blockbuster exhibition of Dutch Masters collected by Catherine the Great, an extraordinary show available only through May 2018.

Lizard Island is hosting a Reef Expedition along with scientists from the Australian Museum to offer you exclusive access to parts of the Great Barrier Reef.

These are great ways to find out about the archaeological heritage of the country without traveling so far, although most people use their trips to these museums to pick other parts of the country to visit.

Ah, a great title for a painting, which is now a part of the Chrysler Museum's collection.»

In homage to Nochlin, who died last year, and as part of her quietly beautiful solo show at the Whitney Museum of American Art, artist Zoe Leonard has printed excerpts from «Why Have There Been No Great Women Artists?»

Part II, 1950 — 2000, Whitney Museum of American Art, New York (September 26, 1999 — February 13, 2000) Primed & Un-Primed: Paintings from the 60s and 70s, Lawrence Rubin, Greenberg Van Doren Fine Art, New York (August 9 — October 2) Abstractions Américaines, Musée Fabre, Montpellier, France (July 3 — October 3) American Abstraction / American Realism: The Great Debate, Susquehanna Art Museum, Harrisburg, Pennsylvania (June 8 — August 21) In Honor of Alan Groh» 49: The Buzz Miller Collection of American Art, Bayly Art Museum, Univeristy of Virginia (June 4 — July 18) between art and life: vom abstrakten expressionismus zur pop art (organized with Fundación «la Caixa,» Barcelona), Schirn Kunsthalle Frankfurt, Germany (April 30 — July 10) Catherine Murphy, Joan Mitchell, Harriet Korman: Three Rooms, Lennon, Weinberg, Inc., New York (April 1 — April 24) Art at Work: Forty Years of the Chase Manhattan Collection, Museum of Fine Arts, Houston and Contemporary Arts Museum, Houston (March 3 — May 2) Sign and Gesture: Contemporary Abstract Art from the Haskell Collection, North Carolina Museum of Art, Raleigh (March 21 — June 13).

AR: Great galleries, museums, art collections — viewing and spending time with the Art that has helped form my practice and my visual thinking has always been a necessary part of my life.

Kosmos supports the DMA's commitment to protecting and celebrating these great artistic treasures of the past and is proud to be a part of the Museum's efforts,» said Andrew G. Inglis, Kosmos Energy's Chief Executive Officer.

TRIBECA & SOHO & NOHO & EAST VILLAGE & MURRAY HILL 100 Painters of Tomorrow / 23 Warren / thru 12/6 Material Way curated by Kathleen Kucka / BMCC — CUNY / 81 Barclay / thru 12/1 Carey Denniston / Kansas / 59 Franklin / thru 12/20 Anton Perich / Postmasters / 54 Franklin (new location) / thru 11/22 Terry Winters / The National Exemplar / 381 Broadway @ White — suite 206 / thru 12/31 Bianculli's Personal Theory of TV Evolution organized by David Bianculli / Apexart / 291 Church / thru 12/20 Seokmin Ko; Elena Berriolo / API / 434 Greenwich / thru 12/20 Basim Magdy; Daphne Fitzpatrick; Will Yackulic / Art in General / 79 Walker / thru 1/10 Mohammed Kazem / Grahne / 157 Hudson / thru 12/20 MFA Thesis Exhibition (Part I) / Hunter / 205 Hudson (on Canal) / thru 11/22 Ariel Orozco / Brownstone / 3 Wooster / thru 11/22 Design Series / Swiss Institute / 18 Wooster / thru 11/23 Classical Nudes / Leslie - Lohman Museum / 26 Wooster / thru 1/4 Roy Lichtenstein / Feldman / 31 Mercer / thru 12/20 Opening 11/22 Pedro Cabrita Reis / Freeman / 140 Grand / thru 12/20 Sam Samore / Team / 83 Grand / thru 12/21 Opening 11/23 Tim Noble & Sue Webster / Geiss / 76 Grand / thru 12/20 Chris Domenick / Recess Activities / 41 Grand / thru 12/20 Smoothie Social: 11/22 (3 - 6 PM) Performance: 12/18 (6 - 8 PM) Prime Matter / Senaspace / 229 Centre / thru 12/6 Thread Lines; Xanti Schawinsky / Drawing Center / 35 Wooster / thru 12/14 Open Sessions 2 / Drawing Center: The Lab / 35 Wooster / thru 12/14 Opening 11/21 Andreas Schulze / Team / 47 Wooster / thru 12/21 Opening 11/23 Phillip Chen, etc. / Museum of Chinese in America / 215 Centre / thru 3/1 Nadja Frank; Jessica Segall / Denny / 261 Broome / thru 12/7 Paul Cowan / Clifton Benevento / 515 Broadway / thru 12/20 Mitsuko Miwa / Longhouse / 285 Spring / thru 12/6 Reuven Israel / Fridman / 287 Spring / thru 12/20 Plasmatik: K.K.Thoen, G.Kroenert, S.A.March, T.Francke, S.Tufnell; curated by N.Kates / Melissa / 102 Greene / Opening 11/20 (7 - 9 PM) Social Photography IV / Carriage Trade @ Harvey Foundation / 537 Broadway / Closing Reception 11/22 (6 - 9 PM) The Right Amount of Wrong curated by Lovina Purple / ISE Foundation / 555 Broadway / thru 12/19 Ernesto Burgos / Werble / 83 Van Dam / thru 12/20 Suzatte Bross / Geary / 185 Varick / thru 12/6 Amy O'Neill / Karma / 39 Great Jones / thru 12/6 Alex Kwartler; LeRoy Stevens / Karg / 41 Great Jones / thru 11/26 Learn to Read Art: A Surviving History of Printed Matter / 80WSE / NYU / 80 Washington Square East / thru 2/14 Opening 12/2 Reception 12/12 Ernest Cole / NYU Grey Art Gallery / 100 Wash..

Their work has been presented at MOMA PS1 as part of Greater NY, The Chocolate Factory, New York Live Arts, Danspace Project, the Vail International Dance Festival, REDCAT, ICA Boston and Summer Stages Dance, the Walker Art Center, the Museum of Contemporary Art Chicago, On the Boards, and the O Miami Poetry Festival.

The great Baroque holdings of the museum have long overshadowed other parts of the collection, and A Divine Light marks the first time that its beautiful Northern Renaissance paintings have been the sole focus of an exhibition.

2011 Sculpture Now, Galerie Eva Presenhuber, Zurich, Switzerland The Language of Less, Museum of Contemporary Art, Chicago / IL, USA The Art of Narration Changes with Time, Sprüth Magers, Berlin, Germany ILLUMInations (curated by Bice Curiger), 54th International Art Exhibition — La Biennale di Venezia, Venice, Italy The Shape of Things to Come: New Sculpture Part 1, Saatchi Gallery, London, Great Britain Tableaux, Le Magasin, Grenoble, France THE WAY IT WAS N'T, Culturgest, Porto, Portugal After Images (curated by Fionn Meade), Musée Juif de Belgique, Bruxelles, Belgium Isabelle Cornaro, Nikolas Gambaroff, Oscar Tuazon, Eli Hansen, A Palazzo Gallery, Brescia, Italy Fragments Americana (curated by Hedi Slimane), Almine Rech Gallery, Brussels, Belgium Dystopia, CAPC Bordeaux, Bordeaux, France Art In The City, Art Brussels, Brussels, Belgium Under Construction, SAKS, Geneva, Switzerland Light In Darkness, Western Bridge, Seattle, Washington, USA Poste Restante (curated by Eric Fredericksen), Artspeak, Vancouver, Canada You and Now, Balice Hertling, Paris, France

2010 100 Years of Performance, curated by Klaus Biesenbach, The Garage Center for Contemporary Culture, Moscow, Russia Off the Wall: Part 1 — Thirty Performative Actions, curated by Chrissie Iles, Whitney Museum of American Art, New York, NY Contemporary Art from the Collection, Curated by Kathy Halbreich, Museum of Modern Art, New York, NY Soaps Flukes and Follies, Cheekwood Botanical Garden and Museum of Art, Nashville, TN Greater New York 2010, PS1 MoMA, Long Island City, NY At Home / Not At Home: Works from the Collection of Martin and Rebecca Eisenberg, curated by Matthew Higgs, CCS Bard Hessel Museum of Art, Annandale - on - Hudson, NY

Works by students of the Estonian Academy of Arts 01.06. - 10.06.2007 The Great hall The exhibition is part of the traditional Estonian Academy of Arts springtime event, which for the first time reaches four main exhibition spots in Tallinn: Estonian Museum of Applied Art and Design, Design and Architecture Gallery, Estonian Academy of Arts Gallery, and Kumu Art Museum.

Showcase, South London Gallery, London and Talbolt Rice Gallery, Edinburgh (Cat) Be Ready, Heart, for Parting, New Endeavour, Great Eastern Hotel, London Think and Wonder, Museum of Childhood, London Drawing Two Hundred.

The Museum of Contemporary Art was honored to be part of the fair with Vernissage, the hugely successful preview party organized by talented MCA Trustees who also acquired great artworks, some of which are promised gifts to institutions right here in Chicago.»

In Autumn 2013, the artists received great acclaim for their ambitious exhibition «Tomorrow» at The Victoria & Albert Museum in London, for which they transformed parts of the Museum into the apartment of a fictional architect.

Co-curated by Teresa A. Carbone, the museum's curator of American art and Kellie Jones, associate professor of art history at Columbia University, «Witness» assembles a refreshing mix of African American artists (Emma Amos, Benny Andrews, Elizabeth Catlett, Sam Gilliam, David Hammons, Barkley Hendricks, Jae Jarrell, Jacob Lawrence, John T. Riddle Jr., Charles White, William T. Williams) and artists of other racial and ethnic backgrounds, including several prominent white artists (Phillip Guston, Robert Indiana, Norman Rockwell, Ed Ruscha) inspired by the volatile climate of the era that would come to define a great part of America's character.

This much, especially the passion part, is demonstrated by «Josef Albers in Mexico,» a quietly stunning exhibition at the Guggenheim Museum that contrasts Albers's little - known photographs of the great Mesoamerican monuments of Mexico with his glowing abstract paintings.

Aspen Art Museum visitors on Level 2 looking at the Fischli and Weiss photography collection titled «Visible World» as part of the museum's greater site - wide exhibition «Wade Guyton Peter Fischli David Weiss.&Museum visitors on Level 2 looking at the Fischli and Weiss photography collection titled «Visible World» as part of the museum's greater site - wide exhibition «Wade Guyton Peter Fischli David Weiss.&museum's greater site - wide exhibition «Wade Guyton Peter Fischli David Weiss.»

The most recent one - person exhibition of Strauss's art was Dead Language, as part of the 2006 Great Rivers Biennial at the Contemporary Art Museum St. Louis.

In 2010, as part of MoMA PS1's «Greater New York» survey, McNamara performed Make Ryan a Dancer, in which he publicly submitted to dance lessons from several instructors, practicing through museum's corridors, galleries, courtyard, and café.

The innovative director of the Tate in the 1980s, Bowness instigated the Turner Prize, and Tate Liverpool, the harbinger of national museums playing a greater part in the regions, as well as the Clore Wing for Turner's art.

Galerie Suty, Coye - la - Forêt, France, Trendmarks The Art Institute of Chicago, Chicago, IL, Great American Drawings Museum of Fine Arts, Houston, TX, Tom Wesselmann and Roy Lichtenstein: American Pop Guy Hepner Contemporary, London, The Group Sessions, Part II Polk Museum of Art, Lakeland, FL, Pop Art 1956 - 2006; The First 50 Years Guy Hepner Contemporary, London, The Group Sessions, Part I Auden Galerie, Bad Homburg, Personal Structures Fischerplatz Galerie, Ulm, Leckerbissen II

As part of their Flux series, the Hammer Museum hosts video greats Michel Gondry, Keith Schofield, Radical Friend and Stefan Nadelman with MMG's Allison Schulnik — who will screen «Forest,» in addition to a performance by Mia Doi Todd, Michel Gondry and friends.

Tagged With: 1929, 1950, 1961, 1988, 2013, Aaron Curry, Andy Warhol, Bicycle Wheel, Blaise Cendrars, Book of Parts, Communism, Fast Forward Modern Moments 1913 2013, Featured, Great War, High Museum of Art, Jodi Hauptman, Marcel Duchamp, Melvin Edwards, Michael Rooks, MoMA, Museum of Modern Art, Robert Rauschenberg, Samantha Friedman, Sarah Sze, Sonia Delaunay - Terk, Wittgenstein

2018 Diaspora Pavilion Wolverhampton Art Gallery, UK, 10 Feb — 29 April 2018 Presence — A Window into Contemporary Chinese Art The Vaults, St George's Hall, Liverpool, UK, 9 Feb — 2 June 2017 Diaspora Pavilion Palazzo Pisani Santa Marina, Venice, 13 May — 26 November 2017 Sonic Soundings Venice / www.echoes.xyz 1 Sept — 30 November 2015 - 16 1st Asia Biennial & 5th Guangzhou Triennial Guangdong Museum of Art, Guangzhou 2013 The Global Archive Hanmi Gallery, London 2012 Everything Flows De La Warr Pavilion, Bexhill 2012 Blue Crystal Ball Samsung IOC Olympics Media Art Collection, screenings at De La Warr Pavilion, Bexhill 2012 Blue Crystal Ball Samsung IOC Olympics Media Art Collection, exhibition, AND Festival, Holden Gallery, Manchester 2012 March 2012 part of Time Lapse SITE Santa Fe, New Mexico 2011 Fraternise — the Salon Beaconsfield, London 2010 How We Became Metadata University of Westminster Gallery, London 2010 Tables of Thought Academy of Fine Arts, Helsinki, Finland 2009 Hit the Ground Hatton Gallery, Newcastle (Great North Run Cultural Programme) 2008 Artradio exhibition & online station, Cornerhouse, Manchester (featured soundwork) 2006 Cruel / Loving Bodies 2 exhibition, Hong Kong Arts Centre & Goethe Institute 2005 Private View exhibition, Shanghai Duolun MoMA 2005 Lightsilver exhibition, Beaconsfield Contemporary Art, London 2005 Reassurance exhibition, SPACE Triangle, London & Chinese Arts Centre, Manchester 2004 New Nasubi Gallery in «Osawa Tsuyoshi: Answer with Yes and No!»

Recent commissioned projects include: a 3 - month - long performative project in the public realm — part of the Art in the Public Space program of the City of Zurich, a series of spatial interventions in a disused flower shop storefront for VOLT (Bergen), and installations for Bunkier Sztuki (Krakow), Marta Herford Museum, MGLC Ljubljana, Kunsthalle Osnabrück, the 53rd October Salon (Belgrade), Stroom (the Hague), «Greater New York» at MoMA PS1 (NYC), Galerija Skuc (Ljubljana), and the 11th Istanbul Biennale.

Elmhurst Art Museum is full of great opportunities to learn and to be part of the EAM Team!

In doing so they have allowed us to create a highly personalised exhibition in five parts that will serve to highlight the diversity and wealth of great painting that sits in our museums and galleries across the UK.»

The Latin Wave Film Festival at the Museum of Fine Arts Houston and the National Black Film Festival at downtown's AMC Houston 8 in are great chances to see movies from parts of the world — from

2010 Order to see, Galerie Praz, Delavallade, Paris, France In the Company of Alice, Victoria Miro, London, Great Britain Whitney Biennial, New York / NY, USA 2009 We Are Sun - kissed and Snow - blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris Artists of Conflcting Tales: Subjectivity (Quadrilogy, Part 1), Burger Collection, Berlin, Germany Cave Painting PSM Gallery, Berlin, Germany Mrs. MacGruder, Benson Keyes Arts, Hello, curated by Michele Maccarone, Southampton / NY, USA Cave Painting: Installment # 1, Gresham's Ghost, Curated by Bob Nickas and Ajay Kurian, New York / NY, USA 2008 Pretty Ugly, Gavin Brown's Enterprise, New York / NY, USA Blasted Allegories, Kunstmuseum Luzern, Works from the Ringier Collection, Luzern, Switzerland ESTRATOS, Contemporary Art Project, Murcia, Spain Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, New York / NY, USA 2007 XXS (Extra Extra Small), Sommer Contemporary Art, Tel Aviv, Israel Painting as Fact - Fact as Fiction, de Pury & Luxembourg, curated by Bob Nickas, Zurich, Switzerland The Third Mind, Palais de Toyko, curated by Ugo Rondinone, Paris, France Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland 2006 Panic Room, Deste Foundation, Athens, Greek Painting Codes, GC.AC, Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone, Italy 2005 Lyon Biennale, Lyon Translation, Palais de Tokyo, Paris Interested Painting, Gallery 400, University of Illionois, Chicago / IL, USA Down by Law, Whitney Museum of American Art, New York / NY, USA 2004 Huts, Douglas Hyde Gallery, Dublin, Ireland 2003 Utopia Station, Venice Biennal, Venice, Italy Breathing The Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland Game Over, Grimm Rosenfeld, Munich, Germany Dirty Pictures, The Approach, London, Great Britain Dreams and Conflicts, Venice, Italy, 50th Venice Biennale, Venice, Italy 20th Anniversary - Welcome home, Gavin Brown's enterprise, New York / NY, USA 2002 Five Years, Jousse Enterprise, Paris, France From the Observatory, Paula Cooper Gallery, New York / NY, USA Urgent Painting, Musee d'Art Moderne de la Ville de Paris, Paris, France 2001 Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield / CT, USA Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London, Great Britain Extended Painting, Monica de Cardenas, Milan, Italy Invisible Museum, Memphis / TN, USA Victoria Miro Gallery, London, Great Britain How is Everything?

McNamara's video and performance work has been seen at the 2nd Athens Biennale, Performa 09, The Kitchen, The Whitney Museum's Whitney Biennial, MoMA PS1's Greater New York exhibition and at The Garage in Moscow as part of the «100 Years of Performance» exhibition.

For anyone who may have come across her work for the first time at the 2013 Venice Biennale, or last year at the Tinguely Museum in Basel as part of Haroon Mirza's collaborative exhibition, this is at last an opportunity to grasp Horowitz» project in greater depth.

The Art of the Guggenheim Collections offers visitors an exceptional opportunity to view together parts of the collections of the museums of both Solomon and his niece Peggy through the work of some of the greatest figures in 20th century art.

1983 Presence Descrete, Musee des Beaux - Arts de Dijon, Dijon, FR Radio by Artists, Walter Phillips Gallery, The Banff Centre School of Fine Arts, Banff, CA In Other Words: Artists Use of Language - Part 2, Franklin Furnace, FR The Chinese Chance, an American Collection, The Butler Institute of American Art, Youngstown, Ohio, US Projects and Performances, Islip Art Museum, Islip, New York, US Live to Air, Franklin Furnace, New York, US Halle für Neue Kunst, Schaffhausen, CH The Rainer Speck Collection, Museum Haus Lange und Museum Haus Esters, Krefeld, DE Sculpture, Leo Castelli Gallery, New York, US Summer Show from the Collection, Van Abbemuseum, Eindhoven, NL Collection of the Museum Van Hedendaagse Kunst, Gent, Belgium, Musee d'Art Contemporain, Montreal, CA Projetto Genazzano, La Zattera di Babele, Genazzano, IT Conceptual, Rhonda Hoffman Gallery, Chicago, Illinois, US When Words Become Works, Minneapolis College of Art and Design, Minneapolis, Minnesota, US Masterworks of Conceptual Art, Paul Maenz, Cologne, DE Language, Drama, Source and Vision, The New Museum of Contemporary Art, New York, US ARS 83, The Art Museum of Ateneum, Helsinki, FI Word Works, Walker Art Center, Minneapolis, Minnesota, US Between Words and Things, Clare College, Cambridge, UK Festival d'Automne a Paris, Paris, FR The First Show: Painting and Sculpture from 8 Collections 1940 - 1980, The Museum of Contemporary Art, Los Angeles, California, US Hundreds of Drawings, Benefit Exhibition and Sale, Artists» Space, New York, US December Exhibition, Anthony d'Offay Gallery, London, UK American Video, Arts Council of Great Britain, London, UK There But For, screening Infermental II (video magazine), Hamburg, DE

Some years back he placed part of what had become, willy - nilly through this process, one of the great private collections of contemporary art in the country on long - term loan to the Wadsworth Atheneum, his childhood museum and the one that again was in his neighborhood after he moved, in the mid -»80s, from Spoleto to Chester.

17 May 2005 Louise Bourgeois Gift to IMMA Louise Bourgeois, one of the greatest and most influential artists of our time, has made a gift of one of her works to the Irish Museum of Modern Art. 16 May 2005 Uisce: An exhibition from the IMMA Collection presented as part of the Iniscealtra Festival of the Arts An exhibition of works from the Irish Museum of Modern Art's Collection opens to the public on Saturday 28 May 2005 at St Caimin's Church of Ireland, Mountshannon, Co Clare, as part of the Iniscealtra Festival of the Arts. 12 May 2005 Dorothy Cross exhibition at IMMA The first large - scale exhibition in this country of the work of the internationally - acclaimed Irish artist Dorothy Cross opens to the public at the Irish Museum of Modern Art on Friday 3 June 2005.

7 CASPAR DAVID FRIEDRICH AND PAUL KLEE (NEUE PINAKOTHEK, MUNICH) The Alte Pinakothek, with its splendid old masters, tends to get top billing among Munich's great museums, but a lesser - known gallery in the Neue Pinakothek hosted a curatorial triumph this past year, when Oliver Kase and Annabel Zettel paired the intimate paintings of Caspar David Friedrich with Paul Klee's small pictures as part of «Changing Perspectives: Pioneers of Modernism, Degas — Picasso, Gauguin — Nolde, Monet — Macke.»

Clark's work will be featured in the upcoming exhibitions Making Art Concrete: Works from Argentina and Brazil in the Colección Patricia Phelps de Cisneros at the J. Paul Getty Museum, Los Angeles, and Radical Women: Latin American Art, 1960 - 1985 at the Hammer Museum, Los Angeles as part of the greater initiative Pacific Standard Time.

2017 Desert X Biennial, Coachella Valley, CA 2016 SITElines.2016: New Perspectives on Art of the Americas, SITE Santa Fe, New Mexico NO COMMISSION, Bronx, NY Recent Acquisition, exhibited as part of Beyond Limits, Museum of Fine Arts, Boston, MA Recent Acquisition, exhibited as part of Native Artists of North America, Newark Museum of Art, Newark, NJ Kindred Beasts: The Everson Biennial, Everson Museum of Art, Syracuse, New York Convene, Nerman Museum of Contemporary Art, Overland Park, Kansas March Madness, Fort Gansevoort, New York, New York WORD, Hudson Valley Center for Contemporary Art, Peekskill, New York New Geometries, Fleisher / Ollman, Philadelphia Perfect Day, Roberts and Tilton, California 2015 - 6 Affinity Atlas, The Tang Museum, Skidmore College, Saratoga Springs, New York Greater New York, MoMA PS1, New York, New York An Evening Redness in the West, IAIA Museum of Contemporary Native Arts (MoCNA), Santa Fe, New Mexico Between History and Body, The 8th Floor, Shelley and Donald Rubin Foundation, New York, New York P3, Prospect New Orleans, New Orleans, Louisiana 2015 Piece by Piece, Building a Collection, Kemper Museum of Contemporary Art, Kansas City, Missouri Gray Would Be The Color if I Had a Heart, MARC STRAUS, New York, NY Geometries of Difference: New Approaches to Ornament and Abstraction, Samuel Dorsky Museum of Art, New Paltz, New York 2014 - 5 Beautiful Games: American Indian Sport and Art, Heard Museum, Phoenix, Arizona 2014 Xigue - Xigue, MARC STRAUS, New York, New York Contemporary American Indian Art, The Nerman Museum Collection, Overland Park, Kansas 2013 Fiction / Non-Fiction, Esker Foundation, Calgary, Canada On Deck, MARC STRAUS, New York, New York Sakahan: International Indigenous Art, National Gallery Canada, Ottowa, Ontario Outside the Lines, Contemporary Art Museum Houston, Houston, Texas Hotbox Forever, Steven Wolf, San Francisco, California Totem, Aysa Geisberg Gallery, New York, New York Group Show, Samson, Boston, Massachusetts 2012 - 4 Changing Hands 3, Museum of Art and Design, New York, New York; Memorial Art Gallery, Rochester, New York; McMichael Canadian Art Collection, Kleinburg, Ontario, Chazen Museum of Art, University of Wisconsin, Madison; Museum of Contemporary Native Arts, Santa Fe, New Mexico, University of Michigan Museum of Art, Ann Arbor, Michigan 2012 Shapeshifting, Peabody Essex Museum, Salem, Massachusetts E-Vapor-8, 319 Scholes, Brooklyn, New York, organized by Francesca Gavin Peekskill Project V, Hudson Valley Center for Contemporary Art, Peekskill, New York 2011 Recent Acquisitions, Museum of Fine Arts, Linde Wing for Contemporary Art, Boston, Massachusetts Close Encounters, Plug - In Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, Brooklyn.

Lê was selected by juror, Marshall N. Price, Nancy Hanks Curator of Modern and Contemporary Art, Nasher Museum of Art at Duke University, for his series that «provides a framework for understanding how immigrant communities are part of the larger fabric of this country, yet can remain relatively invisible to the greater public.»