Sentences with phrase «part of her artistic production»

She also considers writing, teaching, and community participation as part of her artistic production.

Nonetheless, it is an important part of his artistic production because photography, unlike any of his other art practices allows him to reflect on his experiences and think through his own sense of self.

Although the product of Burland's efforts are the reason this is his fourth solo show at Lora Schlesinger's gallery, the process can not be denied as a crucial part of his artistic production.

Not exact matches

The States Parties to the present Covenant recognize the right of everyone: (a) To take part in cultural life; (b) To enjoy the benefits of scientific progress and its applications; (c) To benefit from the protection of the moral and material interests resulting from any scientific, literary or artistic production of which he is the author.»

«Wagner's Dream» documents the five - year artistic process behind the Metropolitan Opera's ambitious and challenging production of Richard Wagner's four - part «Ring Cycle.»

Working and exhibiting in the same space artistic production becomes an even more prominent part of the work itself.

The bringing to light of a processual artistic activity, such as Morris called for in his theoretical texts Notes on Sculpture, Part 1 - 4 (1966 - 69) and Anti-Form (1968), likewise addresses the social context of production and labor, a perspective which is also to be seen against the background of the institutional criticism of Concept Art as well as the social expectations during the 1970s with regard to art production.

1 Minor variations in this laborious act of copying three - dimensional objects onto two - dimensional sheets of paper enhance the absurd juxtaposition of the artistic gesture with the industrial production of parts.

As part of my artistic practice I have co-initiated a production unit for artists working with moving images.

This event considers the function of text, artist's writing and artistic language as departure points to explore the necessity of writing for a wide range of contemporary artists» working today such as Martha Rosler, Hito Steyerl, Jonas Staal, Cai Gu - Qiang, Miguel A. Lopez, Marion von Osten and the many others who emphasize the act of writing as either a significant part, or as the main site of their artistic production.

Of course, I write this letter in part because the same logic applies to this magazine, whose very purpose is supposedly to render such redundancy more visible, unfolding its implications not only for artistic production but also for art's relationship with the culture at large.

Think Art — Act Science is a part of the New Models of Culture and Art Production section of SFAI's Exhibitions and Public Programs structure, which manifests new modes of production — both in terms of artistic creation and economic, industrial, and technical productions — in the process of globProduction section of SFAI's Exhibitions and Public Programs structure, which manifests new modes of production — both in terms of artistic creation and economic, industrial, and technical productions — in the process of globproduction — both in terms of artistic creation and economic, industrial, and technical productions — in the process of globalization.

Whilst these watercolours have often been dismissed as simple travel souvenirs, they were an integral part of Sargent's artistic production.

Invented in secret in the privacy of Oiticica's New York loft in the early 1970s, they were not shown as works of art until 1992, twelve years after Oiticica's death, when the first and third in the series — CC1 Trashiscapes and CC3 Maileryn — were exhibited as part of the first traveling retrospective of the artist's work.3 Prior to that exhibition, Oiticica's New York sojourn was little analyzed due to the perceived paucity of his artistic production between the years 1970 and 1978.4 The 1992 presentation of the Cosmococas was revelatory in this regard: not only did these quasi-cinemas demonstrate the continuity and conceptual elaboration of key aesthetic concerns within Oiticica's work (the vertiginous passage from painterly to narcotic «pigment» in service of the sensorial is surely the most striking of these animating threads), they indicated the artist's pointed engagement with the avant - garde artistic culture of New York.

Altmann rather explores geometric patterns inherent to stylistic modes of pre-modern artistic production revealing the idea that a reductive language was developed and used long before our times and days and was integral part of culture.

Andrew Schoultz's base is in San Francisco and his principal artistic endeavors include execution of monumental murals within public urban areas, but painting, sculpting, and production of mixed media installations make a great part of his body of work.

Beginning in the 1950s, the process of artistic production itself became an increasingly fundamental part of artworks with the advent of actions, happenings and performances.

The world's most glittery glitter and pinkest pink... Do you see their production and marketing as part of your artistic practice — as a comment on popular and consumer culture, or just a play on Anish Kapoor's Vanta Black?

Here, Sanford's work is part of what he refers to as the «hip - hop ethos,» as well as Afrofuturism as (in this case) a platform for contemporary artistic production and discourse.

He engages in strategies of research, creation, modification and intervention as part of broad framework of artistic production.

It's part of an artistic practice that questions possible production, distribution and organisational strategies as intrinsic part of the work.

I've come to believe that teaching should be considered part of one's artistic production (stretching canvas = editing video = perfecting your syllabus), so I suggest that you consider this generous book a portable language exhibition.

They parted ways with the two - dimensional painting and designed a dynamic art that is closely tied to life, makes diverse local references, and draws the viewer into the center of artistic production: Art became an expanded aesthetic and sensory experience.

Under Article 15 of ICESCR, cultural rights include the right to take part in cultural life, the right to enjoy and benefit from scientific progress, and the right to protection of the moral, material and artistic interests from any scientific, literary or artistic production.