Sentences with phrase «part of its permanent collection in»

Starting Thursday, the works will be on public display at the bank, but they will also be available for exhibition at the museum and will become part of its permanent collection in 2026.

Not exact matches

Making good use of the museum's collection, Toups slow - cooks whole goats and foie gras in barbecue master Aaron Franklin's first smoker, which is part of the permanent collection.
The creature's fossilized skull is now part of the permanent collection of the National Museums of Kenya in Nairobi.
The public service papers of Paul A. Volcker, former chairman of the Federal Reserve, are now part of the permanent collection of Princeton University, where the economist earned his undergraduate degree in 1949.
The Iris homage includes pieces available for sale as well as items from her own closet and from the Peabody Essex Museum in Salem, Massachusetts, which houses more than 900 pieces from her wardrobe as part of its permanent collection.
Theses are just some of the fantastic interviews that will open the eyes of audiences on why Night of the Living Dead deserves its place as a permanent part in the collection of the Museum of Modern Art in New York.
The Abraham Lincoln Presidential Library, in Springfield, Illinois, has a video series that examines artifacts from Lincoln's life, as part of a fundraising venture for their permanent collection.
Jaymee K. Harvey Willms has been invited to participate in a two - week residency in France, leaving one work for the permanent collection of the Chateau Orquevaux that will become part of a travelling exhibition of work by the artists in residence.
In total, the Bronx Museum integrated 77 artworks into its permanent collection as part of its 40 Years, 40 Gifts initiative, the majority of which was made possible through this grant.
Also featured in the exhibition will be Lowell Nesbitt's Moon Shot (1969), a portfolio of 6 prints based on the moon's surface, and part of the Museum's permanent collection.
Mind and Matter and these other exhibition and incidental installations of individual works are part of an ongoing initiative among women curators at MoMA to delve deeply into the permanent collection in order to find out what works by women artists they already own and then see how gaps in the collection can be filled through acquisitions, with assistance from the Modern Women's Fund.
Her work is included in the permanent collection of the High Museum and is part of an ongoing exhibition in Bratislava, Slovakia through Art in Embassies.
In 1970, Sekine represented Japan at the Venice Biennale with Phase of Nothingness, which consists of an enormous natural stone held by a mirrored stainless steel column, and is today part of the permanent collection at the Louisiana Museum of Modern Art in Humlebæk, DenmarIn 1970, Sekine represented Japan at the Venice Biennale with Phase of Nothingness, which consists of an enormous natural stone held by a mirrored stainless steel column, and is today part of the permanent collection at the Louisiana Museum of Modern Art in Humlebæk, Denmarin Humlebæk, Denmark.
His painting, Hamptons Drive - In (1974) is part of The Parrish's permanent collection.
Ray Germann's work has been exhibited extensively in galleries and is part of several other permanent museum collections including The Heckscher Museum of Art and The Museum of the City of New York.
Having collaborated with iconic artists Yves Klein and Robert Rauschenberg, Tinguely has a museum dedicated to his oeuvre in Basel, Switzerland and his works form part of the permanent collection of world - class galleries and museums internationally.
His work has been shown in numerous solo and group exhibitions in the US and Europe and are part of permanent institutional and private collections in the USA, Australia, Europe, Japan, China and his native Macedonia.
The Wave Hill Chair, a signature product offered through The Shop, is based on a chair designed by the acclaimed Dutch architect Gerrit Rietveld in 1918 and now part of the permanent collection of the Museum of Modern Art.
The Morning Line has traveled from Seville to Istanbul to Vienna and is currently installed, as part of the permanent collection, at ZKM in Karlsruhe Germany.
The Museum of Fine Arts, Boston is currently displaying Rachel Perry Welty's photograph, Lost in My Life (Fruit Stickers), as a part of the museum's permanent collection new acquisitions exhibition in the Linda Family Wing for Contemporary Art.
In 2005 he won first prize and the resulting commissioned tondo of Kids Company founder Camila Batmanghelidjh is now part of the permanent collection.
Semmel's paintings are part of the permanent collections of the Art Institute of Chicago, IL; Brooklyn Museum, New York; Museum of Fine Arts, Houston, TX; Institute of Contemporary Art, Boston, MA; Blanton Museum of Art, Austin, TX; Orange County Museum of Art, CA; Chrysler Museum, Norfolk, VA; National Museum of Women in the Arts, Washington, DC; The Parrish Art Museum, Southampton, NY; the Jocelyn Art Museum, Omaha, NE; the Jewish Museum, New York; among others.
Created as part of the artist's residency at LACMA, which began in February and continues through March 2018, this dynamic new body of work draws inspiration from the museum's architecture, gallery interiors, and vast permanent collections.
Tate and NGS exhibited numerous ARTIST ROOMS as part of their permanent collection displays in 2009.
Slonem's creations are part of the permanent collections of over 80 museums including the Metropolitan Museum of Art, the Solomon R. Guggenheim Museum, and the Whitney Museum of American Art, all in New York.
Novros was also the subject of «Contemporary Conversations: David Novros and The Menil Collection,» a one - person show that was part of a series of exhibitions that celebrate living artists whose work is in the Menil's permanent collection.
As well as being part of the permanent collection, Hockney's work is also on display in the Royal Academy of Arts» current exhibition 82 portraits and 1 still life.
In addition to appearing in the special exhibitions listed above, Quiet House — Black Mountain was shown in SFMOMA's galleries in 1999, 2000, and 2005 as part of rotating presentations of the permanent collectioIn addition to appearing in the special exhibitions listed above, Quiet House — Black Mountain was shown in SFMOMA's galleries in 1999, 2000, and 2005 as part of rotating presentations of the permanent collectioin the special exhibitions listed above, Quiet House — Black Mountain was shown in SFMOMA's galleries in 1999, 2000, and 2005 as part of rotating presentations of the permanent collectioin SFMOMA's galleries in 1999, 2000, and 2005 as part of rotating presentations of the permanent collectioin 1999, 2000, and 2005 as part of rotating presentations of the permanent collection.
When in 1971, Mr. Aldrich donated this collection to The Whitney Museum of American Art, [2] John Baur, the museum director, mounted a second Lyrical Abstraction exhibition and Willis's painting Wall became part of the Whitney Museum's permanent collection.
In addition to appearing in the special exhibitions listed above, Untitled [glossy black painting] was shown in SFMOMA's galleries in 1999, 2000, 2003, 2004, 2005, 2006, and 2016 as part of a series of rotating presentations of the permanent collectioIn addition to appearing in the special exhibitions listed above, Untitled [glossy black painting] was shown in SFMOMA's galleries in 1999, 2000, 2003, 2004, 2005, 2006, and 2016 as part of a series of rotating presentations of the permanent collectioin the special exhibitions listed above, Untitled [glossy black painting] was shown in SFMOMA's galleries in 1999, 2000, 2003, 2004, 2005, 2006, and 2016 as part of a series of rotating presentations of the permanent collectioin SFMOMA's galleries in 1999, 2000, 2003, 2004, 2005, 2006, and 2016 as part of a series of rotating presentations of the permanent collectioin 1999, 2000, 2003, 2004, 2005, 2006, and 2016 as part of a series of rotating presentations of the permanent collection.
His work has been most recently featured in a comprehensive solo exhibition at the Josef Albers Museum Quadrat in Bottrop, Germany, and is part of prestigious permanent institutional collections including the Whitney Museum of American Art, the Museum of Modern Art, New York, and The Museum of Contemporary Art, Los Angeles.
André Schlechtriem studied Art History in Cologne, and in 2002 became curator of the Judith Rothschild Foundation Contemporary Drawing Collection in New York, which then became part of MoMA's permanent collection.
Shaker Pottery in Lebanon By Jud Yalkut The world's only collection of Shaker Pottery at the Warren County Historical Museum in February is now part of the museum's permanent collection.
In addition to appearing in the special exhibition listed above, Erased de Kooning Drawing was shown in SFMOMA's galleries in 1999, 2000, 2004, 2005, 2006, 2008, and 2016 as part of a series of rotating presentations of the permanent collectioIn addition to appearing in the special exhibition listed above, Erased de Kooning Drawing was shown in SFMOMA's galleries in 1999, 2000, 2004, 2005, 2006, 2008, and 2016 as part of a series of rotating presentations of the permanent collectioin the special exhibition listed above, Erased de Kooning Drawing was shown in SFMOMA's galleries in 1999, 2000, 2004, 2005, 2006, 2008, and 2016 as part of a series of rotating presentations of the permanent collectioin SFMOMA's galleries in 1999, 2000, 2004, 2005, 2006, 2008, and 2016 as part of a series of rotating presentations of the permanent collectioin 1999, 2000, 2004, 2005, 2006, 2008, and 2016 as part of a series of rotating presentations of the permanent collection.
In addition to appearing in the special exhibitions listed above, White Painting [three panel] was shown in SFMOMA's galleries in 1999, 2000, 2001, 2004, 2005, 2006, 2007, 2008, and 2016 as part of a series of rotating presentations of the permanent collectioIn addition to appearing in the special exhibitions listed above, White Painting [three panel] was shown in SFMOMA's galleries in 1999, 2000, 2001, 2004, 2005, 2006, 2007, 2008, and 2016 as part of a series of rotating presentations of the permanent collectioin the special exhibitions listed above, White Painting [three panel] was shown in SFMOMA's galleries in 1999, 2000, 2001, 2004, 2005, 2006, 2007, 2008, and 2016 as part of a series of rotating presentations of the permanent collectioin SFMOMA's galleries in 1999, 2000, 2001, 2004, 2005, 2006, 2007, 2008, and 2016 as part of a series of rotating presentations of the permanent collectioin 1999, 2000, 2001, 2004, 2005, 2006, 2007, 2008, and 2016 as part of a series of rotating presentations of the permanent collection.
In addition to appearing in the special exhibition listed above, Cy + Roman Steps (I — V) was shown in SFMOMA's galleries in 2004 as part of Matisse and Beyond: The Painting and Sculpture Collection, a rotating presentation of the permanent collectioIn addition to appearing in the special exhibition listed above, Cy + Roman Steps (I — V) was shown in SFMOMA's galleries in 2004 as part of Matisse and Beyond: The Painting and Sculpture Collection, a rotating presentation of the permanent collectioin the special exhibition listed above, Cy + Roman Steps (I — V) was shown in SFMOMA's galleries in 2004 as part of Matisse and Beyond: The Painting and Sculpture Collection, a rotating presentation of the permanent collectioin SFMOMA's galleries in 2004 as part of Matisse and Beyond: The Painting and Sculpture Collection, a rotating presentation of the permanent collectioin 2004 as part of Matisse and Beyond: The Painting and Sculpture Collection, a rotating presentation of the permanent collection.
The artwork in the exhibition was either loaned by artists or collectors or is part of Guild Hall Museum's permanent collection.
In addition to appearing in the special exhibitions listed above, Automobile Tire Print was shown in SFMOMA's galleries in 2016 as part of a series of rotating presentations of the permanent collectioIn addition to appearing in the special exhibitions listed above, Automobile Tire Print was shown in SFMOMA's galleries in 2016 as part of a series of rotating presentations of the permanent collectioin the special exhibitions listed above, Automobile Tire Print was shown in SFMOMA's galleries in 2016 as part of a series of rotating presentations of the permanent collectioin SFMOMA's galleries in 2016 as part of a series of rotating presentations of the permanent collectioin 2016 as part of a series of rotating presentations of the permanent collection.
She has also been included in numerous shows of works from the permanent collection over the years, Longwell noted, and her work is currently on view as part of the latest permanent collection exhibition, «Art.
Requires extra budget for lettuce Artist: Jacob Stewart - Halevy Curator: Mackenzie Schneider In Requires extra budget for lettuce, emerging conceptual artist Jacob Stewart - Halevy responds to Giovanni Anselmo's early work in general and to the sculpture Untitled 1968 (Eating Structure), part of CCS Bard's permanent collection, in particulaIn Requires extra budget for lettuce, emerging conceptual artist Jacob Stewart - Halevy responds to Giovanni Anselmo's early work in general and to the sculpture Untitled 1968 (Eating Structure), part of CCS Bard's permanent collection, in particulain general and to the sculpture Untitled 1968 (Eating Structure), part of CCS Bard's permanent collection, in particulain particular.
Giorgio Griffa's Segni orizzontali, 1975, is currently on view in the permanent collection of Tate Modern as part of «Energy and Process: Beyond Painting».
Wilson's Water Mill Fog, 1966, oil on canvas, described by Strassfield as «an amazing painting,» is in Guild Hall's permanent collection and was exhibited at Sotheby's in New York as part of the March 2014 Academy of the Arts gala.
Were one to stroll through The Frick Collection, bedazzled by its many masterpieces and paying only nominal attention to the requisite wall labels, one might mistake the twelve paintings included in the exhibition Masterpieces of European Painting from the Toledo Museum of Art as part of the Frick's permanent collection.
A Real Pony Race for a Bridle is a mixed media installation exhibited as part of the group exhibition Summer Collection» 97, for which artists were invited to respond to artefacts housed in the gallery's permanent collection.
Her work is represented by Galerie Christian Nagel, Germany and Marc Jancou Contemporary, New York, and is included in the permanent collections of MOCA, Los Angeles and the Hammer Museum, Los Angeles (as part of LAMOA).
Organized as part of The Phillips Collection's 90th anniversary, Eye to Eye features a group of paintings by modern American artist Joseph Marioni in the context of the museum permanent collection.
In Requires extra budget for lettuce, emerging conceptual artist Jacob Stewart - Halevy responds to Giovanni Anselmo's early work in general and to the sculpture Untitled 1968 (Eating Structure), part of CCS Bard's permanent collection, in particular.Anselmo is often identified as a key member of Arte Povera, and his oeuvre is characterized by its focus on the effect of natural processes on human experiencIn Requires extra budget for lettuce, emerging conceptual artist Jacob Stewart - Halevy responds to Giovanni Anselmo's early work in general and to the sculpture Untitled 1968 (Eating Structure), part of CCS Bard's permanent collection, in particular.Anselmo is often identified as a key member of Arte Povera, and his oeuvre is characterized by its focus on the effect of natural processes on human experiencin general and to the sculpture Untitled 1968 (Eating Structure), part of CCS Bard's permanent collection, in particular.Anselmo is often identified as a key member of Arte Povera, and his oeuvre is characterized by its focus on the effect of natural processes on human experiencin particular.Anselmo is often identified as a key member of Arte Povera, and his oeuvre is characterized by its focus on the effect of natural processes on human experience.
· The winning artworks (bronze prize and above) will become part of the Korea Ceramic Foundation's collection, being granted the opportunity to be displayed in its permanent exhibition in the future.
Photography from the Collections, Wadsworth Atheneum Museum of Art, Hartford, Connecticut Hand made in America, Sprovieri Gallery, London, England Collector's Choice, Exit Art, New York, USA (selected by Gregory Allen) Drawing, Stephen Friedman Gallery, London, England 1999 Waste Management, Art Gallery of Ontario, Canada On the Ball: The Sphere in Contemporary Sculpture, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, USA Collectors Collect Contemporary Art: 1990 - 1999, Institute of Contemporary Art, Boston, USA (catalogue) Zero - G: When Gravity Becomes Form, Whitney Museum of American Art at Champion, Stamford, Connecticut, USA (catalogue) Ideas in Things, Irvine Fine Arts Center, Irvine, California, USA Holding Court, L & R Entwistle & Co Ltd, London, England Stuff, TBA Exhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, London, England
In addition to appearing in the special exhibitions listed above, Mother of God was shown in SFMOMA's galleries in 2006 and 2007 as part of a series of rotating presentations of the permanent collectioIn addition to appearing in the special exhibitions listed above, Mother of God was shown in SFMOMA's galleries in 2006 and 2007 as part of a series of rotating presentations of the permanent collectioin the special exhibitions listed above, Mother of God was shown in SFMOMA's galleries in 2006 and 2007 as part of a series of rotating presentations of the permanent collectioin SFMOMA's galleries in 2006 and 2007 as part of a series of rotating presentations of the permanent collectioin 2006 and 2007 as part of a series of rotating presentations of the permanent collection.
a b c d e f g h i j k l m n o p q r s t u v w x y z