Starting Thursday, the works will be on public display at the bank, but they will also be available for exhibition at the museum and will become
part of its permanent collection in 2026.
Not exact matches
Making good use
of the museum's
collection, Toups slow - cooks whole goats and foie gras
in barbecue master Aaron Franklin's first smoker, which is
part of the
permanent collection.
The creature's fossilized skull is now
part of the
permanent collection of the National Museums
of Kenya
in Nairobi.
The public service papers
of Paul A. Volcker, former chairman
of the Federal Reserve, are now
part of the
permanent collection of Princeton University, where the economist earned his undergraduate degree
in 1949.
The Iris homage includes pieces available for sale as well as items from her own closet and from the Peabody Essex Museum
in Salem, Massachusetts, which houses more than 900 pieces from her wardrobe as
part of its
permanent collection.
Theses are just some
of the fantastic interviews that will open the eyes
of audiences on why Night
of the Living Dead deserves its place as a
permanent part in the
collection of the Museum
of Modern Art
in New York.
The Abraham Lincoln Presidential Library,
in Springfield, Illinois, has a video series that examines artifacts from Lincoln's life, as
part of a fundraising venture for their
permanent collection.
Jaymee K. Harvey Willms has been invited to participate
in a two - week residency
in France, leaving one work for the
permanent collection of the Chateau Orquevaux that will become
part of a travelling exhibition
of work by the artists
in residence.
In total, the Bronx Museum integrated 77 artworks into its
permanent collection as
part of its 40 Years, 40 Gifts initiative, the majority
of which was made possible through this grant.
Also featured
in the exhibition will be Lowell Nesbitt's Moon Shot (1969), a portfolio
of 6 prints based on the moon's surface, and
part of the Museum's
permanent collection.
Mind and Matter and these other exhibition and incidental installations
of individual works are
part of an ongoing initiative among women curators at MoMA to delve deeply into the
permanent collection in order to find out what works by women artists they already own and then see how gaps
in the
collection can be filled through acquisitions, with assistance from the Modern Women's Fund.
Her work is included
in the
permanent collection of the High Museum and is
part of an ongoing exhibition
in Bratislava, Slovakia through Art
in Embassies.
In 1970, Sekine represented Japan at the Venice Biennale with Phase of Nothingness, which consists of an enormous natural stone held by a mirrored stainless steel column, and is today part of the permanent collection at the Louisiana Museum of Modern Art in Humlebæk, Denmar
In 1970, Sekine represented Japan at the Venice Biennale with Phase
of Nothingness, which consists
of an enormous natural stone held by a mirrored stainless steel column, and is today
part of the
permanent collection at the Louisiana Museum
of Modern Art
in Humlebæk, Denmar
in Humlebæk, Denmark.
His painting, Hamptons Drive -
In (1974) is
part of The Parrish's
permanent collection.
Ray Germann's work has been exhibited extensively
in galleries and is
part of several other
permanent museum
collections including The Heckscher Museum
of Art and The Museum
of the City
of New York.
Having collaborated with iconic artists Yves Klein and Robert Rauschenberg, Tinguely has a museum dedicated to his oeuvre
in Basel, Switzerland and his works form
part of the
permanent collection of world - class galleries and museums internationally.
His work has been shown
in numerous solo and group exhibitions
in the US and Europe and are
part of permanent institutional and private
collections in the USA, Australia, Europe, Japan, China and his native Macedonia.
The Wave Hill Chair, a signature product offered through The Shop, is based on a chair designed by the acclaimed Dutch architect Gerrit Rietveld
in 1918 and now
part of the
permanent collection of the Museum
of Modern Art.
The Morning Line has traveled from Seville to Istanbul to Vienna and is currently installed, as
part of the
permanent collection, at ZKM
in Karlsruhe Germany.
The Museum
of Fine Arts, Boston is currently displaying Rachel Perry Welty's photograph, Lost
in My Life (Fruit Stickers), as a
part of the museum's
permanent collection new acquisitions exhibition
in the Linda Family Wing for Contemporary Art.
In 2005 he won first prize and the resulting commissioned tondo
of Kids Company founder Camila Batmanghelidjh is now
part of the
permanent collection.
Semmel's paintings are
part of the
permanent collections of the Art Institute
of Chicago, IL; Brooklyn Museum, New York; Museum
of Fine Arts, Houston, TX; Institute
of Contemporary Art, Boston, MA; Blanton Museum
of Art, Austin, TX; Orange County Museum
of Art, CA; Chrysler Museum, Norfolk, VA; National Museum
of Women
in the Arts, Washington, DC; The Parrish Art Museum, Southampton, NY; the Jocelyn Art Museum, Omaha, NE; the Jewish Museum, New York; among others.
Created as
part of the artist's residency at LACMA, which began
in February and continues through March 2018, this dynamic new body
of work draws inspiration from the museum's architecture, gallery interiors, and vast
permanent collections.
Tate and NGS exhibited numerous ARTIST ROOMS as
part of their
permanent collection displays
in 2009.
Slonem's creations are
part of the
permanent collections of over 80 museums including the Metropolitan Museum
of Art, the Solomon R. Guggenheim Museum, and the Whitney Museum
of American Art, all
in New York.
Novros was also the subject
of «Contemporary Conversations: David Novros and The Menil
Collection,» a one - person show that was
part of a series
of exhibitions that celebrate living artists whose work is
in the Menil's
permanent collection.
As well as being
part of the
permanent collection, Hockney's work is also on display
in the Royal Academy
of Arts» current exhibition 82 portraits and 1 still life.
In addition to appearing in the special exhibitions listed above, Quiet House — Black Mountain was shown in SFMOMA's galleries in 1999, 2000, and 2005 as part of rotating presentations of the permanent collectio
In addition to appearing
in the special exhibitions listed above, Quiet House — Black Mountain was shown in SFMOMA's galleries in 1999, 2000, and 2005 as part of rotating presentations of the permanent collectio
in the special exhibitions listed above, Quiet House — Black Mountain was shown
in SFMOMA's galleries in 1999, 2000, and 2005 as part of rotating presentations of the permanent collectio
in SFMOMA's galleries
in 1999, 2000, and 2005 as part of rotating presentations of the permanent collectio
in 1999, 2000, and 2005 as
part of rotating presentations
of the
permanent collection.
When
in 1971, Mr. Aldrich donated this
collection to The Whitney Museum
of American Art, [2] John Baur, the museum director, mounted a second Lyrical Abstraction exhibition and Willis's painting Wall became
part of the Whitney Museum's
permanent collection.
In addition to appearing in the special exhibitions listed above, Untitled [glossy black painting] was shown in SFMOMA's galleries in 1999, 2000, 2003, 2004, 2005, 2006, and 2016 as part of a series of rotating presentations of the permanent collectio
In addition to appearing
in the special exhibitions listed above, Untitled [glossy black painting] was shown in SFMOMA's galleries in 1999, 2000, 2003, 2004, 2005, 2006, and 2016 as part of a series of rotating presentations of the permanent collectio
in the special exhibitions listed above, Untitled [glossy black painting] was shown
in SFMOMA's galleries in 1999, 2000, 2003, 2004, 2005, 2006, and 2016 as part of a series of rotating presentations of the permanent collectio
in SFMOMA's galleries
in 1999, 2000, 2003, 2004, 2005, 2006, and 2016 as part of a series of rotating presentations of the permanent collectio
in 1999, 2000, 2003, 2004, 2005, 2006, and 2016 as
part of a series
of rotating presentations
of the
permanent collection.
His work has been most recently featured
in a comprehensive solo exhibition at the Josef Albers Museum Quadrat
in Bottrop, Germany, and is
part of prestigious
permanent institutional
collections including the Whitney Museum
of American Art, the Museum
of Modern Art, New York, and The Museum
of Contemporary Art, Los Angeles.
André Schlechtriem studied Art History
in Cologne, and
in 2002 became curator
of the Judith Rothschild Foundation Contemporary Drawing
Collection in New York, which then became
part of MoMA's
permanent collection.
Shaker Pottery
in Lebanon By Jud Yalkut The world's only
collection of Shaker Pottery at the Warren County Historical Museum
in February is now
part of the museum's
permanent collection.
In addition to appearing in the special exhibition listed above, Erased de Kooning Drawing was shown in SFMOMA's galleries in 1999, 2000, 2004, 2005, 2006, 2008, and 2016 as part of a series of rotating presentations of the permanent collectio
In addition to appearing
in the special exhibition listed above, Erased de Kooning Drawing was shown in SFMOMA's galleries in 1999, 2000, 2004, 2005, 2006, 2008, and 2016 as part of a series of rotating presentations of the permanent collectio
in the special exhibition listed above, Erased de Kooning Drawing was shown
in SFMOMA's galleries in 1999, 2000, 2004, 2005, 2006, 2008, and 2016 as part of a series of rotating presentations of the permanent collectio
in SFMOMA's galleries
in 1999, 2000, 2004, 2005, 2006, 2008, and 2016 as part of a series of rotating presentations of the permanent collectio
in 1999, 2000, 2004, 2005, 2006, 2008, and 2016 as
part of a series
of rotating presentations
of the
permanent collection.
In addition to appearing in the special exhibitions listed above, White Painting [three panel] was shown in SFMOMA's galleries in 1999, 2000, 2001, 2004, 2005, 2006, 2007, 2008, and 2016 as part of a series of rotating presentations of the permanent collectio
In addition to appearing
in the special exhibitions listed above, White Painting [three panel] was shown in SFMOMA's galleries in 1999, 2000, 2001, 2004, 2005, 2006, 2007, 2008, and 2016 as part of a series of rotating presentations of the permanent collectio
in the special exhibitions listed above, White Painting [three panel] was shown
in SFMOMA's galleries in 1999, 2000, 2001, 2004, 2005, 2006, 2007, 2008, and 2016 as part of a series of rotating presentations of the permanent collectio
in SFMOMA's galleries
in 1999, 2000, 2001, 2004, 2005, 2006, 2007, 2008, and 2016 as part of a series of rotating presentations of the permanent collectio
in 1999, 2000, 2001, 2004, 2005, 2006, 2007, 2008, and 2016 as
part of a series
of rotating presentations
of the
permanent collection.
In addition to appearing in the special exhibition listed above, Cy + Roman Steps (I — V) was shown in SFMOMA's galleries in 2004 as part of Matisse and Beyond: The Painting and Sculpture Collection, a rotating presentation of the permanent collectio
In addition to appearing
in the special exhibition listed above, Cy + Roman Steps (I — V) was shown in SFMOMA's galleries in 2004 as part of Matisse and Beyond: The Painting and Sculpture Collection, a rotating presentation of the permanent collectio
in the special exhibition listed above, Cy + Roman Steps (I — V) was shown
in SFMOMA's galleries in 2004 as part of Matisse and Beyond: The Painting and Sculpture Collection, a rotating presentation of the permanent collectio
in SFMOMA's galleries
in 2004 as part of Matisse and Beyond: The Painting and Sculpture Collection, a rotating presentation of the permanent collectio
in 2004 as
part of Matisse and Beyond: The Painting and Sculpture
Collection, a rotating presentation
of the
permanent collection.
The artwork
in the exhibition was either loaned by artists or collectors or is
part of Guild Hall Museum's
permanent collection.
In addition to appearing in the special exhibitions listed above, Automobile Tire Print was shown in SFMOMA's galleries in 2016 as part of a series of rotating presentations of the permanent collectio
In addition to appearing
in the special exhibitions listed above, Automobile Tire Print was shown in SFMOMA's galleries in 2016 as part of a series of rotating presentations of the permanent collectio
in the special exhibitions listed above, Automobile Tire Print was shown
in SFMOMA's galleries in 2016 as part of a series of rotating presentations of the permanent collectio
in SFMOMA's galleries
in 2016 as part of a series of rotating presentations of the permanent collectio
in 2016 as
part of a series
of rotating presentations
of the
permanent collection.
She has also been included
in numerous shows
of works from the
permanent collection over the years, Longwell noted, and her work is currently on view as
part of the latest
permanent collection exhibition, «Art.
Requires extra budget for lettuce Artist: Jacob Stewart - Halevy Curator: Mackenzie Schneider
In Requires extra budget for lettuce, emerging conceptual artist Jacob Stewart - Halevy responds to Giovanni Anselmo's early work in general and to the sculpture Untitled 1968 (Eating Structure), part of CCS Bard's permanent collection, in particula
In Requires extra budget for lettuce, emerging conceptual artist Jacob Stewart - Halevy responds to Giovanni Anselmo's early work
in general and to the sculpture Untitled 1968 (Eating Structure), part of CCS Bard's permanent collection, in particula
in general and to the sculpture Untitled 1968 (Eating Structure),
part of CCS Bard's
permanent collection,
in particula
in particular.
Giorgio Griffa's Segni orizzontali, 1975, is currently on view
in the
permanent collection of Tate Modern as
part of «Energy and Process: Beyond Painting».
Wilson's Water Mill Fog, 1966, oil on canvas, described by Strassfield as «an amazing painting,» is
in Guild Hall's
permanent collection and was exhibited at Sotheby's
in New York as
part of the March 2014 Academy
of the Arts gala.
Were one to stroll through The Frick
Collection, bedazzled by its many masterpieces and paying only nominal attention to the requisite wall labels, one might mistake the twelve paintings included
in the exhibition Masterpieces
of European Painting from the Toledo Museum
of Art as
part of the Frick's
permanent collection.
A Real Pony Race for a Bridle is a mixed media installation exhibited as
part of the group exhibition Summer
Collection» 97, for which artists were invited to respond to artefacts housed
in the gallery's
permanent collection.
Her work is represented by Galerie Christian Nagel, Germany and Marc Jancou Contemporary, New York, and is included
in the
permanent collections of MOCA, Los Angeles and the Hammer Museum, Los Angeles (as
part of LAMOA).
Organized as
part of The Phillips
Collection's 90th anniversary, Eye to Eye features a group
of paintings by modern American artist Joseph Marioni
in the context
of the museum
permanent collection.
In Requires extra budget for lettuce, emerging conceptual artist Jacob Stewart - Halevy responds to Giovanni Anselmo's early work in general and to the sculpture Untitled 1968 (Eating Structure), part of CCS Bard's permanent collection, in particular.Anselmo is often identified as a key member of Arte Povera, and his oeuvre is characterized by its focus on the effect of natural processes on human experienc
In Requires extra budget for lettuce, emerging conceptual artist Jacob Stewart - Halevy responds to Giovanni Anselmo's early work
in general and to the sculpture Untitled 1968 (Eating Structure), part of CCS Bard's permanent collection, in particular.Anselmo is often identified as a key member of Arte Povera, and his oeuvre is characterized by its focus on the effect of natural processes on human experienc
in general and to the sculpture Untitled 1968 (Eating Structure),
part of CCS Bard's
permanent collection,
in particular.Anselmo is often identified as a key member of Arte Povera, and his oeuvre is characterized by its focus on the effect of natural processes on human experienc
in particular.Anselmo is often identified as a key member
of Arte Povera, and his oeuvre is characterized by its focus on the effect
of natural processes on human experience.
· The winning artworks (bronze prize and above) will become
part of the Korea Ceramic Foundation's
collection, being granted the opportunity to be displayed
in its
permanent exhibition
in the future.
Photography from the
Collections, Wadsworth Atheneum Museum
of Art, Hartford, Connecticut Hand made
in America, Sprovieri Gallery, London, England Collector's Choice, Exit Art, New York, USA (selected by Gregory Allen) Drawing, Stephen Friedman Gallery, London, England 1999 Waste Management, Art Gallery
of Ontario, Canada On the Ball: The Sphere
in Contemporary Sculpture, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, USA Collectors Collect Contemporary Art: 1990 - 1999, Institute
of Contemporary Art, Boston, USA (catalogue) Zero - G: When Gravity Becomes Form, Whitney Museum
of American Art at Champion, Stamford, Connecticut, USA (catalogue) Ideas
in Things, Irvine Fine Arts Center, Irvine, California, USA Holding Court, L & R Entwistle & Co Ltd, London, England Stuff, TBA Exhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum
of Modern Art, New York, USA Hindsight: Recent Work from the
Permanent Collection, Whitney Museum
of Contemporary Art, New York, NY Young Americans
Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum
of Art, The University
of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate
of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum
of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University
of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold
of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum
of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute
of Art, Baltimore, MD; Art Gallery
of Ontario, Toronto, Ontario, Canada; Art Gallery
of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum
of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum
of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End
of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation
of the new galleries
of contemporary art, The Art Institute
of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, London, England
In addition to appearing in the special exhibitions listed above, Mother of God was shown in SFMOMA's galleries in 2006 and 2007 as part of a series of rotating presentations of the permanent collectio
In addition to appearing
in the special exhibitions listed above, Mother of God was shown in SFMOMA's galleries in 2006 and 2007 as part of a series of rotating presentations of the permanent collectio
in the special exhibitions listed above, Mother
of God was shown
in SFMOMA's galleries in 2006 and 2007 as part of a series of rotating presentations of the permanent collectio
in SFMOMA's galleries
in 2006 and 2007 as part of a series of rotating presentations of the permanent collectio
in 2006 and 2007 as
part of a series
of rotating presentations
of the
permanent collection.