Sentences with phrase «part of our national culture»

Free from government control — and without government assistance — religious values, literature, traditions and holidays permeate the lives of our citizens and, in their diverse ways, form an integral part of our national culture.

It's an important part of our national culture, those bookshops.»

Look here for stunning facts, amazing photos, and an unparalleled list of VIP supporters who have been part of this iconic and historic part of our national culture and efforts to build a more humane world during the last century.

Not exact matches

The framework within which cultures develop is God - given, as are the foundations of family, economic, and national life which constitute so large a part of any civilization.

The election cycle happily fading into the rear - view mirror brought the sorry condition of many white working - class communities to national attention; no one tells the story of one part of that world, its strengths and its pathologies, better than J.D. Vance in Hillbilly Elegy: A Memoir of a Family and Culture in Crisis (Harper)-- a tough and occasionally hilarious book that also suggests, inadvertently, an enormous evangelical failure on the part of both Protestants and Catholics.

This is due in part to the fact that the character of our national culture and the traditions of American Protestantism have made them both peculiarly susceptible to fusion.

These are simply the assumptions, already alluded to, that there should be a unified national culture of which Protestant religion ought to play a leading supportive part.

Art, food and culture are all signature parts of The National experience, and these elements have been infused into the hotel's day - to - day operations.

The first Saturday of every February has been declared Dia del Pisco Sour, or National Pisco Sour Day, by the Peruvian National Institute of Culture and since Pisco is such an essential part of Peruvian culture, the day gives nationals and travelers both a chance to proudly celebrate the treasured beCulture and since Pisco is such an essential part of Peruvian culture, the day gives nationals and travelers both a chance to proudly celebrate the treasured beculture, the day gives nationals and travelers both a chance to proudly celebrate the treasured beverage.

Time for some brutal honesty... this team, as it stands, is in no better position to compete next season than they were 12 months ago, minus the fact that some fans have been easily snowed by the acquisition of Lacazette, the free transfer LB and the release of Sanogo... if you look at the facts carefully you will see a team that still has far more questions than answers... to better show what I mean by this statement I will briefly discuss the current state of affairs on a position - by - position basis... in goal we have 4 potential candidates, but in reality we have only 1 option with any real future and somehow he's the only one we have actively tried to get rid of for years because he and his father were a little too involved on social media and he got caught smoking (funny how people still defend Wiltshire under the same and far worse circumstances)... you would think we would want to keep any goaltender that Juventus had interest in, as they seem to have a pretty good history when it comes to that position... as far as the defenders on our current roster there are only a few individuals whom have the skill and / or youth worthy of our time and / or investment, as such we should get rid of anyone who doesn't meet those simple requirements, which means we should get rid of DeBouchy, Gibbs, Gabriel, Mertz and loan out Chambers to see if last seasons foray with Middlesborough was an anomaly or a prediction of things to come... some fans have lamented wildly about the return of Mertz to the starting lineup due to his FA Cup performance but these sort of pie in the sky meanderings are indicative of what's wrong with this club and it's wishy - washy fan - base... in addition to these moves the club should aggressively pursue the acquisition of dominant and mobile CB to stabilize an all too fragile defensive group that has self - destructed on numerous occasions over the past 5 seasons... moving forward and building on our need to re-establish our once dominant presence throughout the middle of the park we need to target a CDM then do whatever it takes to get that player into the fold without any of the usual nickel and diming we have become famous for (this kind of ruthless haggling has cost us numerous special players and certainly can't help make the player in question feel good about the way their future potential employer feels about them)... in order for us to become dominant again we need to be strong up the middle again from Goalkeeper to CB to DM to ACM to striker, like we did in our most glorious years before and during Wenger's reign... with this in mind, if we want Ozil to be that dominant attacking midfielder we can't keep leaving him exposed to constant ridicule about his lack of defensive prowess and provide him with the proper players in the final third... he was never a good defensive player in Real or with the German National squad and they certainly didn't suffer as a result of his presence on the pitch... as for the rest of the midfield the blame falls squarely in the hands of Wenger and Gazidis, the fact that Ramsey, Ox, Sanchez and even Ozil were allowed to regularly start when none of the aforementioned had more than a year left under contract is criminal for a club of this size and financial might... the fact that we could find money for Walcott and Xhaka, who weren't even guaranteed starters, means that our whole business model needs a complete overhaul... for me it's time to get rid of some serious deadweight, even if it means selling them below what you believe their market value is just to simply right this ship and change the stagnant culture that currently exists... this means saying goodbye to Wiltshire, Elneny, Carzola, Walcott and Ramsey... everyone, minus Elneny, have spent just as much time on the training table as on the field of play, which would be manageable if they weren't so inconsistent from a performance standpoint (excluding Carzola, who is like the recent version of Rosicky — too bad, both will be deeply missed)... in their places we need to bring in some proven performers with no history of injuries... up front, although I do like the possibilities that a player like Lacazette presents, the fact that we had to wait so many years to acquire some true quality at the striker position falls once again squarely at the feet of Wenger... this issue highlights the ultimate scam being perpetrated by this club since the arrival of Kroenke: pretend your a small market club when it comes to making purchases but milk your fans like a big market club when it comes to ticket prices and merchandising... I believe the reason why Wenger hasn't pursued someone of Henry's quality, minus a fairly inexpensive RVP, was that he knew that they would demand players of a similar ilk to be brought on board and that wasn't possible when the business model was that of a «selling» club... does it really make sense that we could only make a cheeky bid for Suarez, or that we couldn't get Higuain over the line when he was being offered up for half the price he eventually went to Juve for, or that we've only paid any interest to strikers who were clearly not going to press their current teams to let them go to Arsenal like Benzema or Cavani... just part of the facade that finally came crashing down when Sanchez finally called their bluff... the fact remains that no one wants to win more than Sanchez, including Wenger, and although I don't agree with everything that he has done off the field, I would much rather have Alexis front and center than a manager who has clearly bought into the Kroenke model in large part due to the fact that his enormous ego suggests that only he could accomplish great things without breaking the bank... unfortunately that isn't possible anymore as the game has changed quite dramatically in the last 15 years, which has left a largely complacent and complicit Wenger on the outside looking in... so don't blame those players who demanded more and were left wanting... don't blame those fans who have tried desperately to raise awareness for several years when cracks began to appear... place the blame at the feet of those who were well aware all along of the potential pitfalls of just such a plan but continued to follow it even when it was no longer a financial necessity, like it ever really was...

It was not considered the cold economic doctrine it is today but a liberating movement that became a crucial part of political culture and national identity.

Queens Rep. Grace Meng, recently reelected as a Democratic National Committee vice chairwoman, argued that new DNC Chairman Tom Perez forcing out the party organization's current employees is part of a healthy effort to improve «the culture and the ecosystem of the party nationally.»

Queens Congresswoman Grace Meng, recently reelected as a Democratic National Committee vice chairwoman, argued to the Observer that new DNC Chairman Tom Perez forcing out the party organization's current employees is part of a healthy effort to improve «the culture and the ecosystem of the party nationally.»

The Minister of Tourism, Culture and Creative Arts, Elizabeth Ofosu - Adjare, has said that as part of its mandate to promote national development through the promotion of culture, the ministry will collaborate with traditional authorities to rebrand their festivals in line with the current globalCulture and Creative Arts, Elizabeth Ofosu - Adjare, has said that as part of its mandate to promote national development through the promotion of culture, the ministry will collaborate with traditional authorities to rebrand their festivals in line with the current globalculture, the ministry will collaborate with traditional authorities to rebrand their festivals in line with the current global needs.

General News of Sunday, 13 May 2018 Source: Paul Yankey Mrs. Catherine Abelema Afeku, Minister for Tourism, Culture and Creative Arts Tourism, Culture and Creative Arts, Mrs. Catherine Abelema Afeku has rolled out a package to register two thousand (2,000) people in Axim and its environs onto the National Heath Insurance Scheme (NHIS) as part of the Mother's Day celebration on today Sunday May 13, 2018.

Woven throughout PPPL's approach, as a core part of Princeton University's culture, PPPL educates and inspires future generations for the national interest.

In addition to Doñana Biological Station (EBD - CSIC), also taking part in the project were the National Center for Genomic Analysis (CNAG - CRG); the Centre for Genomic Regulation (CRG); the Spanish National Cancer Research Center (CNIO); the Evolutionary Genomics Group of the Hospital del Mar Medical Research Institute (IMIM); the Institute of Evolutionary Biology (IBE, CSIC - UPF); the University Institute of Oncology of Asturias (IUOPA); the Institut de Biotecnologia i de Biomedicina and the Unit of Cell Culture of the Autonomous University of Barcelona (UAB); the Biological Research Center (CIB - CSIC) and the Catalan Institution for Research and Advanced Studies (ICREA).

Enriched by the rapid evolution of these technologies, TEFOR - TACGene has developed a solid expertise in the design, production and use of TALE - N and CRISPR / Cas9 systems, both for its own research projects in cultured cells and in collaboration, in many model organisms, including the rat, zebrafish, Drosophila, and Xenopus as part of the National Infrastructure in Biology and Health TEFOR supported by Investissement d'Avenir programme (2012 - 2019).

As part of a program for National Eating Disorders Week sponsored by the Harvard Eating Disorders Center, media representatives will speak in a program on «Culture, Media, and Eating Disorders: The Challenge of Promoting Self - Acceptance «at the Harvard Education Forum, Askwith Lecture Hall at 7:00 pm on Tuesday, February 23.

This resource is for KS2 teachers teaching dance through the Physical Education part of the national curriculum during the topic of Greece (or any topic connected to Greece, celebration, different cultures etc).

This resource is for KS2 teachers teaching dance through the Physical Education part of the national curriculum during the topic of India (or any topic connected to India, celebration, different cultures etc).

I think some of the experiences some of our very youngest soldiers have had over in Iraq demonstrate that they were very unfamiliar with the culture of another part of the world, and so it just underscores the whole national - security aspect and the importance of understanding and respecting another culture.

We work across the UK through our network of regional branches and by building partnerships with national and local organisations that match our vision of a world where science is seen as a fundamental part of our culture and society.

As part of the Learning First Alliance Get it Right grant, NASSP, in collaboration with American School Counselor Association (ASCA), National Association of Elementary School Principals (NAESP), and the National School Boards Association (NSBA), has developed three college and career readiness resources for principals, teachers, and counselors to utilizes as they build a college and career culture in their schools.

The 50 stories gathered here, along with hundreds of others, were submitted as part of the Rethink Learning Now campaign, a national grassroots effort to change the tenor of our national conversation about schooling by shifting it from a culture of testing, in which we overvalue basic - skills reading and math scores and undervalue just about everything else, to a culture of learning, in which we restore our collective focus on the core conditions of a powerful learning environment, and work backwards from there to decide how best to evaluate and improve our schools, our educators, and the progress of our nation's schoolchildren.

The International Summit is part of the 2012 National Forum for Character Education — a gathering of educators and other citizens interested in building up people of character within their given cultures.

The Russian book publishing industry is on the verge of big changes, as the national government has announced plans to provide more than $ 100 million of support for its development until 2018, which is expected to take place as part of the federal target program «Culture of Russia.»

As part of Reading's Year of Culture 2016, and to coincide with national Heritage Open Days, RG Spaces put on an exhibition of art and beautiful books, including Two Rivers Press books, at The Turbine House.

Komodo Tour Package include to visit and experience of Jungle Trekking into Komodo National Park, Flores island and the other Lesser Sunda islands offer all guests a feast of ancient cultures and natural diversity as a part of your Travel in Indonesia.

The Art Center is funded in part by: Allstate Insurance Company; Alphawood Foundation; Andy Warhol Foundation for Visual Arts; Bank of America; Bloomberg Philanthropies; a CityArts grant from the City of Chicago's Department of Cultural Affairs and Special Events; Crown Family Philanthropies; David C. and Sarajean Ruttenberg Arts Foundation; Field Foundation of Illinois; Harper Court Arts Council; Illinois Arts Council, a state agency; Irving Harris Foundation; John D. and Catherine T. MacArthur Foundation; The Joyce Foundation; Lloyd A. Fry Foundation; MacArthur Fund for Arts and Culture at Prince; National Endowment for the Arts; Polk Bros..

The exhibition is supported, in part, by the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission; the Pasadena Arts & Culture Commission and the City of Pasadena Cultural Affairs Division; the Southern California Committee of the National Museum of Women in the Arts; Pasadena Art Alliance; Kim and Al Eiber; Michael Rosenfeld Gallery, LLC, New York; the California Art Company, LLC; and the Pasadena Museum of California Art's Board of Directors and Ambassador Circle.

Additionally, she organized The Little Things Could Be Dearer (2014), which included the work of Carina Brandes, Melanie Gilligan, Ulrike Müller, and Michael E. Smith; and Cruising the Archive: Queer Art and Culture in Los Angeles, 1945 — 1980 (2011) at ONE National Gay & Lesbian Archives in Los Angeles as part of the Getty's Pacific Standard Time initiative.

International and National Projects are supported in part by the Andy Warhol Foundation for Visual Art, The Trust for Mutual Understanding, FaceCroatia, and the Ministry of Culture of the Republic of Croatia.

Before joining MoMA PS1, Locks organized Cruising the Archive: Queer Art and Culture in Los Angeles, 1945 - 1980 (2012), with David Frantz, at ONE National Gay & Lesbian Archives as part of the Getty's Pacific Standard Time initiative.

Zhang Huan's work is part of nearly 50 public collections worldwide, including Center of Contemporary Art, Malaga, Spain; Centre national d'art et de culture Georges Pompidou, Paris; Denver Art Museum; The Hara Museum of Contemporary Art, Tokyo; The Israel Museum, Jerusalem; The Metropolitan Museum of Art, New York; Museum of Contemporary Art, Barcelona; Museum of Contemporary Art, Los Angeles; Museum of Contemporary Art, San Diego; Museum of Fine Arts, Boston; The Museum of Modern Art, New York; National Gallery of Australia; Philadelphia Museum of Art; S.M.A.K., The Municipal Museum of Contemporary Art Gent, Belgium; Saatchi Collection, London; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Storm King Art Center, New York; and Yale University Art Gallery, Connecticut, amongnational d'art et de culture Georges Pompidou, Paris; Denver Art Museum; The Hara Museum of Contemporary Art, Tokyo; The Israel Museum, Jerusalem; The Metropolitan Museum of Art, New York; Museum of Contemporary Art, Barcelona; Museum of Contemporary Art, Los Angeles; Museum of Contemporary Art, San Diego; Museum of Fine Arts, Boston; The Museum of Modern Art, New York; National Gallery of Australia; Philadelphia Museum of Art; S.M.A.K., The Municipal Museum of Contemporary Art Gent, Belgium; Saatchi Collection, London; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Storm King Art Center, New York; and Yale University Art Gallery, Connecticut, amongNational Gallery of Australia; Philadelphia Museum of Art; S.M.A.K., The Municipal Museum of Contemporary Art Gent, Belgium; Saatchi Collection, London; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Storm King Art Center, New York; and Yale University Art Gallery, Connecticut, among others.

Los Diez enjoyed a relatively easy relationship with the Batista regime, despite the artists» opposition to his dictatorship, owing in part to their seemingly apolitical aesthetics and actions, and to Mario Carreño, who as the Artistic Director of the National Institute of Culture, installed the state galleries in the Palacio de Bellas Artes with abstract art, thereby negating any possible political threat.

2006 Primitivism Revisited, Sean Kelly Gallery, New York, USA RADAR: Selections from the Collection of Vicki and Kent Logan, Denver Art Museum, Denver, Colorado, USA Alien Nation, Institute of Contemporary Arts, London, England William Hogarth, Musee du Louvre, Paris, France; travelled to Tate Britain, London, England; Caixa Forum, Madrid, Spain Transvideo, Madison Museum of Contemporary Art, Madison, Wisconsin, USA MASCARADA / MASQUERADE, DA2 - Domus Artium 2002, Centro de Arte de Salamanca, Spain DRESSCODE, Historisches und Volkerkundemuseum, St Gallen, Switzerland Space is the Place, Independent Curators International, New York, USA Los Usos de la Pintura II, Espacio 1414, San Juan, Puerto Rico (curated by Julieta González) Pattern Language: Clothing as Communicator, University Art Museum, UC Santa Barbara, California, USA Africa Remix, Moderna Museet, Stockholm, Sweden Acting the Part: Photography as Theatre, National Gallery of Canada Contemporary Commonwealth, The Ian Potter Centre, National Gallery of Victoria, Melbourne, Australia A Historic Occasion, Artists Making History, MASS MoCA, Massachusetts, USA East Wing Collection No. 7 Culture Bound, Courtauld Institute, Somerset House, London, England Around The World In Eighty Days, Institute of Contemporary Arts and South London Gallery, London, England Photography: Recent Acquisitions, Fisher Landau Center for Art, Long Island City, New York, USA Artificial Afrika, Gigantic ArtSpace, New York, USA (curated by Vernon Reid and C. Daniel Dawson)

This exhibition is also supported in part by a grant from the Louisiana Division of the Arts, Office of Cultural Development, Department of Culture, Recreation & Tourism, in cooperation with the Louisiana State Arts Council, and the National Endowment for the Arts, a Federal agency.

Two presentations in Washington, D.C., «The Card Series II: The Rounds,» a 54 - part installation in the visual art gallery of the new Smithsonian National Museum of African American History and Culture, and «Whitfield Lovell: The Kin Series and Related Works,» a traveling exhibition currently on view at the Phillips Collection, have brought new attention to his work.

Prior to MoMA PS1, Locks organized Cruising the Archive: Queer Art and Culture in Los Angeles, 1945 — 1980 (2011), with David Frantz, at ONE National Gay & Lesbian Archives as part of the Getty's inaugural Pacific Standard Time initiative.

This program is co-presented with the Queer Cultural Center as part of the 2018 National Queer Arts Festival and the San Francisco Arts Commission Galleries as part of Culture Catalyst on view at the SFAC Main Gallery through June 9, 2018.

Like the Organization of Black American Culture in the same city, which had created the Wall of Respect, the first of many murals by community arts organizations, AFRI - COBRA sought «to liberate its audience and define a national Black consciousness «9 This effort was in part a response to a climate that permitted what now seem acts of amazing insensitivity by mainstream institutions.

2006 Primitivism Revisited, Sean Kelly Gallery, New York, USA 2006 RADAR: Selections from the Collection of Vicki and Kent Logan, Denver Art Museum, Denver, Colorado, USA 2006 Alien Nation, Institute of Contemporary Arts, London, England 2006 William Hogarth, Musée du Louvre, Paris, France; travelled to Tate Britain, London, England; Caixa Forum, Madrid, Spain 2006 Transvideo, Madison Museum of Contemporary Art, Madison, Wisconsin, USA 2006 MASCARADA / MASQUERADE, DA2 — Domus Artium 2002, Centro de Arte de Salamanca, Spain 2006 DRESSCODE, Historisches und Völkerkundemuseum, St Gallen, Switzerland 2006 Space is the Place, Independent Curators International, New York, USA 2006 Los Usos de la Pintura II, Espacio 1414, San Juan, Puerto Rico (curated by Julieta González) 2006 Pattern Language: Clothing as Communicator, University Art Museum, UC Santa Barbara, California, USA 2006 Africa Remix, Moderna Museet, Stockholm, Sweden 2006 Acting the Part: Photography as Theatre, National Gallery of Canada 2006 Contemporary Commonwealth, The Ian Potter Centre, National Gallery of Victoria, Melbourne, Australia 2006 A Historic Occasion, Artists Making History, MASS MoCA, Massachusetts, USA 2006 East Wing Collection No. 7 Culture Bound, Courtauld Institute, Somerset House, London, England 2006 Around The World In Eighty Days, Institute of Contemporary Arts and South London Gallery, London, England 2006 Photography: Recent Acquisitions, Fisher Landau Center for Art, Long Island City, New York, USA 2006 Artificial Afrika, Gigantic ArtSpace, New York, USA (curated by Vernon Reid and C. Daniel Dawson)

The artist's work is part ofseventy public collections worldwide, including the Albright - Knox Art Gallery, Buffalo, New York; Art Institute of Chicago; Dallas Museum of Art; Museum of Ein Harod, Israel; The High Museum of Art, Atlanta; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; The Israel Museum of Art, Jerusalem; IVAM Centre Julio Gonzalez, Valencia, Spain; Jewish Museum, New York; The Los Angeles County Museum of Art; The Metropolitan Museum of Art, New York; Miami Art Museum; Modern Art Museum of Fort Worth; Musée d'Art Contemporain de Montréal, Canada; Musée National d'Art Moderne, Centre National d'Art et de Culture Georges Pompidou, Paris; Museo Nacional Centro de Arte Reina Sofía, Madrid; Museum of Fine Arts, Boston; Museum of Fine Arts, Houston; Museum of Modern Art, New York; Nationalgalerie, Berlin; National Gallery of Art, Washington, D.C.; National Museum of American Art, Washington, D.C.; The Nelson - Atkins Museum of Art, Kansas City; The Pennsylvania Academy of Fine Arts, Philadelphia; Philadelphia Museum of Art; The Phillips Collection, Washington, D.C.; The Saint Louis Art Museum; The Solomon R. Guggenheim Museum, New York; The Tate Gallery, London; The Tel Aviv Museum, Israel; Walker Art Center, Minneapolis; and Whitney Museum of American Art, New York.

Vokoun's presentation, and debut with the gallery, represents a collection of new mixed media paintings created in response to the artist's month - long residency in 2016 at Chaco Canyon in northern New Mexico, part of the National Parks Arts Foundation (NPAF) residency program in association with Chaco Culture National Historical Park of the National Park Service.

He led the creation of Tate St Ives and has also sought to strengthen the role of Tate as a national institution through the further development of Tate Liverpool in taking a leading part in the celebration of the city as European City of Culture in 2008 and by establishing partnerships with galleries across the country through the Plus Tate programme.

Two presentations in Washington, D.C., «The Card Series II: The Rounds,» a 54 - part installation in the visual art gallery of the new Smithsonian National Museum of African American History and Culture, and «Whitfield Lovell: The Kin Series and Related Works,» a traveling exhibition that debuted this month at the Phillips Collection, have brought new attention to his work.

Hallyburton explained that so many bike co-ops put so much emphasis on being a part of the counter culture that they don't participate in some of the more mainstream events, adding to the underrepresentation of bicycle co-ops at important functions like the National Bike Summit.

Fish is very focused on recruiting and retaining a diverse workforce as part of our mission to promote a creative, respectful, and inclusive culture that values the diversity of people,» said Ahmed J. Davis, National Chair of the Diversity Initiative and Principal of the firm.

As part of its continued analysis of the OPM breach, ICIT's most recent brief entitled «Preparing the Battlefield: The Coming Espionage Culture Post OPM Breach» discusses the significant impact the breach will have on America's national security.